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Songs like
Already Ready
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Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
34% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Spencer Crandall
Kept Every Vow
80 bpm • A Maj • 03:15 • -5db
39% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Keith Urban
That Could Still Be Us
80 bpm • C# Maj • 03:57 • -7.09db
17% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Devin Dawson
All On Me - Recorded at Spotify Studios ...
80 bpm • E Maj • 03:31 • -10db
36% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sarahbeth Taite
He Loves Me
80 bpm • A Maj • 02:45 • -6.86db
19% Popularity • 66% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Dan + Shay
Already Ready
80 bpm • F Maj • 03:21 • -8.57db
41% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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BEXAR
Be Good to Her
80 bpm • F# Maj • 03:03 • -6.49db
38% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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David Nail
Send My Love (To Your New Lover)
81 bpm • A min • 03:30 • -8db
33% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:28 • -4.66db
41% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Devin Dawson
All On Me
81 bpm • F Maj • 03:44 • -5.49db
60% Popularity • 63% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Jillian Jacqueline
Overdue
80 bpm • D# Maj • 03:48 • -5.41db
24% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Schneider
Wannabe
79 bpm • B Maj • 03:15 • -5.12db
54% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Young
Chapters
81 bpm • B Maj • 03:57 • -6.82db
54% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Russell Dickerson
All Fall Down
81 bpm • G Maj • 03:08 • -6.23db
35% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Ingrid Andress
Both
81 bpm • B Maj • 03:23 • -6db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
63% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Devin Dawson
All On Me - Acoustic Version
81 bpm • F Maj • 03:44 • -7db
30% Popularity • 61% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Bryson
She Don’t Really Miss Me
82 bpm • F Maj • 02:51 • -8.95db
24% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Carly Pearce
Cowboy Take Me Away
81 bpm • E Maj • 04:29 • -7.14db
48% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Seth Ennis
Woke Up in Nashville
78 bpm • D Maj • 02:52 • -9db
44% Popularity • 59% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Dan + Shay
Irresponsible
82 bpm • D# Maj • 02:43 • -6.67db
39% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
61% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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LANCO
Pick You Up
82 bpm • G# Maj • 02:56 • -6db
33% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Caitlyn Smith
Everything to You
82 bpm • C Maj • 03:50 • -8.43db
21% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Brett Young
Let It Be Mine
82 bpm • C Maj • 03:36 • -7.04db
39% Popularity • 36% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Carly Pearce
You Know Where To Find Me
83 bpm • F min • 03:28 • -4.43db
27% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Dylan Schneider
We've Been Here Before
82 bpm • C# min • 03:01 • -5.96db
25% Popularity • 58% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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David Nail
Let It Rain
78 bpm • E Maj • 03:42 • -3.01db
49% Popularity • 56% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Tenille Arts
Right Guy Wrong Time
83 bpm • F# Maj • 03:39 • -7.21db
35% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley Cooke
never til now
77 bpm • A# Maj • 02:53 • -7.55db
46% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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LANCO
Greatest Love Story - Single Mix
77 bpm • A# Maj • 03:33 • -7.03db
39% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Carly Pearce
Hide The Wine
77 bpm • F min • 03:29 • -4.26db
49% Popularity • 57% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Maren Morris
The Bones
77 bpm • B min • 03:17 • -6.64db
71% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Bryan
To The Moon And Back
83 bpm • C Maj • 03:58 • -10.27db
42% Popularity • 40% Danceability • 47% Energy • 10% Liveness
5% Instrumentalness • 23% Positiveness
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Devin Dawson
I Can't Trust Myself
77 bpm • C Maj • 03:10 • -4.34db
25% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Old Dominion
Still Writing Songs About You
77 bpm • G# Maj • 03:35 • -5db
41% Popularity • 53% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
42% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Joe Nichols
Undone
84 bpm • C Maj • 03:22 • -5.35db
36% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Hudson Moore
Just Wanna Love You
76 bpm • B Maj • 02:44 • -4.16db
25% Popularity • 25% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Young
Radio and the Rain
84 bpm • G min • 03:00 • -6.6db
31% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Luke Bryan
Like You Say You Do
84 bpm • G Maj • 03:40 • -3.34db
36% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
65% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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David Nail
Fighter
84 bpm • F# Maj • 04:36 • -8.21db
24% Popularity • 59% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 38% Positiveness
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Russell Dickerson
Low Key
76 bpm • D Maj • 03:36 • -7db
28% Popularity • 54% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Young
Like I Loved You
76 bpm • C# Maj • 03:27 • -6.05db
64% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Shelton
Why Me
76 bpm • G Maj • 03:26 • -5.63db
33% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Chase Bryant
Change Your Name
76 bpm • C# Maj • 03:54 • -5.73db
36% Popularity • 53% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Carrie Underwood
What I Never Knew I Always Wanted
76 bpm • D# Maj • 03:35 • -2.26db
42% Popularity • 50% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Urban
John Cougar, John Deere, John 3:16
85 bpm • C Maj • 03:41 • -6.98db
39% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Seaforth
Breakups - Acoustic
75 bpm • C# Maj • 03:47 • -7.09db
41% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Bryan
You Look Like Rain
75 bpm • D Maj • 03:54 • -6.58db
25% Popularity • 48% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Hannah Ellis
ILYSoWhat
75 bpm • F# Maj • 03:10 • -5.77db
23% Popularity • 60% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Maren Morris
Rich
75 bpm • F Maj • 03:28 • -4.19db
58% Popularity • 56% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Dan + Shay
Tequila - The Vocals
86 bpm • F# Maj • 03:09 • -9.05db
26% Popularity • 56% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Keith Urban
Female
85 bpm • G# min • 03:15 • -8.78db
48% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Seaforth
Talk to Me
75 bpm • D Maj • 02:56 • -7db
26% Popularity • 69% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Spencer Crandall
My Person (Wedding Version)
74 bpm • G Maj • 03:04 • -7.57db
46% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Carly Pearce
If My Name Was Whiskey
86 bpm • G Maj • 03:17 • -7db
42% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Brandon Ray
Ends of the Earth
86 bpm • A# Maj • 02:56 • -6.11db
25% Popularity • 54% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
71% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Paslay
Angels In This Town
86 bpm • E min • 03:01 • -4.43db
31% Popularity • 52% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
42% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Bailey Bryan
Hard Drive Home
74 bpm • F# Maj • 03:27 • -4.26db
15% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Charles Kelley
The Only One Who Gets Me
74 bpm • A# Maj • 03:45 • -8.16db
30% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Keith Urban
Break On Me
87 bpm • G# Maj • 03:28 • -7.09db
27% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Dan + Shay
No Such Thing
87 bpm • C Maj • 02:59 • -5db
41% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Trent Harmon
You Got 'Em All
73 bpm • E Maj • 03:33 • -5.73db
31% Popularity • 44% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Noah Schnacky
Hello Beautiful
74 bpm • A Maj • 03:36 • -6.93db
49% Popularity • 50% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Old Dominion
Shoe Shopping
88 bpm • G Maj • 03:41 • -7.1db
39% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Haley Georgia
Never Mine Nevermind
88 bpm • A Maj • 03:06 • -5.6db
9% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Adam Sanders
About To
88 bpm • G Maj • 03:00 • -6db
26% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
50% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Carrie Underwood
The Girl You Think I Am
72 bpm • E Maj • 03:37 • -3.35db
38% Popularity • 44% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Brett Young
Sleep Without You
89 bpm • F min • 03:07 • -6db
60% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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LOCASH
I Know Somebody
89 bpm • C# Maj • 03:17 • -3.7db
29% Popularity • 50% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
71% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
60% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jordan Davis
Selfish
90 bpm • G# Maj • 03:12 • -6.07db
59% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Young
Close Enough
89 bpm • G Maj • 03:06 • -5.31db
38% Popularity • 51% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Bailey Bryan
Own It
90 bpm • G# Maj • 03:29 • -3db
22% Popularity • 70% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Chase Rice
Forever To Go
89 bpm • C# Maj • 02:57 • -8.1db
50% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Petric
It Girl
90 bpm • A# Maj • 02:58 • -4.05db
24% Popularity • 56% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
64% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Spencer Crandall
Rooftop
90 bpm • F# Maj • 02:40 • -8.28db
22% Popularity • 68% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Brett Young
Mercy
72 bpm • E Maj • 03:37 • -7.91db
67% Popularity • 64% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Schneider
Two Black X's
91 bpm • C# Maj • 03:14 • -5.67db
46% Popularity • 62% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
23% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
65% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
43% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Brett Young
Left Side Of Leavin'
91 bpm • A Maj • 03:34 • -5.06db
40% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Old Dominion
Beer Can in a Truck Bed
92 bpm • C# min • 03:21 • -5.79db
40% Popularity • 66% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Maren Morris
Company You Keep
91 bpm • G Maj • 03:37 • -4.3db
34% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
55% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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