Songs like Always Gonna Love You by Alana Springsteen
Based on a tempo of (+/- 10%) and a similar genre
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
49% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Jenna Paulette
The Girl I Was
144 bpm • G# Maj • 03:38 • -5.68db
47% Popularity • 56% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 56% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Canaan Cox
When It Comes to You
144 bpm • G# Maj • 03:11 • -7db
51% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Alexandra Kay
How Do We Go
144 bpm • F Maj • 03:26 • -5.69db
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Madeline Merlo
Tim + Faith
144 bpm • D Maj • 03:50 • -4.54db
48% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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David J
Traffic on a Backroad
144 bpm • G Maj • 02:29 • -4.25db
44% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Alana Springsteen
Always Gonna Love You
144 bpm • A Maj • 03:48 • -6db
36% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
56% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
46% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Alexandra Kay
Backroad Therapy
144 bpm • D# Maj • 03:39 • -6.75db
55% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Alana Springsteen
Wasn't Lookin' for Ya
144 bpm • B min • 03:23 • -5.09db
23% Popularity • 66% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 66% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Lainey Wilson
Dreamcatcher
144 bpm • E min • 03:24 • -10db
57% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Robyn Ottolini
Match For My Memory
144 bpm • F Maj • 02:59 • -5db
51% Popularity • 49% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 49% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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Troy Cartwright
Unlove You (Sad Version)
144 bpm • C# Maj • 02:58 • -7.31db
44% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
62% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
62% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alana Springsteen
ghost in my guitar
143 bpm • C min • 03:20 • -5.93db
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Megan Moroney
Fix You Too
146 bpm • A# Maj • 03:07 • -7db
51% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
46% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tanner Usrey
Beautiful Lies
146 bpm • C Maj • 03:52 • -8.82db
42% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 61% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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CHASE WRIGHT
Wish You'd Miss Me
146 bpm • E min • 03:22 • -5db
50% Popularity • 42% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 42% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Canaan Cox
Out of Nowhere
146 bpm • C Maj • 03:35 • -4db
48% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Josh Ross
Truck Girl
142 bpm • G# Maj • 03:07 • -4.83db
54% Popularity • 49% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 49% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Alana Springsteen
Different When You're 17
146 bpm • F Maj • 03:32 • -3.66db
23% Popularity • 53% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 53% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Sophia Scott
Boots, Jeans, & Jesus
142 bpm • B min • 02:37 • -4.07db
44% Popularity • 67% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 67% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 83% Positiveness
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Mitchell Tenpenny
Good Place
146 bpm • A# Maj • 02:37 • -5db
48% Popularity • 61% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 61% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Kylie Morgan
Don't Stay Gone Too Long
146 bpm • D# Maj • 03:00 • -5.75db
36% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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David J
Once
142 bpm • A Maj • 03:05 • -5.6db
33% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
61% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
61% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lainey Wilson
Atta Girl
142 bpm • B Maj • 03:26 • -7.44db
62% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Nate Smith
I Found You
142 bpm • C Maj • 03:26 • -5.12db
46% Popularity • 50% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 50% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Kelsea Ballerini
How Do I Do This
146 bpm • C# Maj • 02:51 • -4.71db
59% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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John Morgan
Remember Us
142 bpm • F# min • 03:29 • -4.23db
38% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Alexandra Kay
Kiss Me Goodnight
142 bpm • A# Maj • 03:23 • -5.83db
47% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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George Birge
Whiskey Go 'Round
146 bpm • C# Maj • 03:11 • -2.73db
39% Popularity • 44% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 44% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
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Lainey Wilson
Weak-End
142 bpm • C Maj • 03:28 • -7.4db
61% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 02:56 • -6db
68% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Alana Springsteen
Slow Down
142 bpm • D Maj • 03:26 • -4.53db
31% Popularity • 58% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 58% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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BRELAND
For What It’s Worth
146 bpm • C# Maj • 02:56 • -5db
50% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Alexandra Kay
I Hate Airplanes
146 bpm • A Maj • 03:05 • -5.75db
47% Popularity • 52% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 52% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
76% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
76% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Diplo
Heartbroken - Jessie Version
147 bpm • D Maj • 03:17 • -5.77db
59% Popularity • 67% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 67% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Carly Pearce
heels over head
147 bpm • C# Maj • 03:14 • -3.86db
50% Popularity • 59% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 59% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Alana Springsteen
Over
142 bpm • D Maj • 04:04 • -6.06db
22% Popularity • 55% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 55% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
64% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
60% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Megan Moroney
Fix You Too
141 bpm • A# Maj • 03:19 • -7.79db
66% Popularity • 32% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 32% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lady A
Love You Back
148 bpm • D# Maj • 03:22 • -3.68db
48% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alana Springsteen
cowboys and tequila
142 bpm • A Maj • 02:42 • -4.56db
30% Popularity • 52% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 52% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ella Langley
Where You Left It (Acoustic)
148 bpm • G# Maj • 03:25 • -8db
38% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Schuster
Who Are You Kidding?
140 bpm • B Maj • 03:27 • -6.39db
49% Popularity • 53% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 53% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Marlowe
Boys Back Home
140 bpm • A# Maj • 02:45 • -2.01db
74% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
74% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Restless Road
Tell Me Not To
148 bpm • G# Maj • 02:56 • -3.58db
40% Popularity • 39% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 39% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Worsham
How I Learned To Pray
148 bpm • E Maj • 04:30 • -9.22db
56% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
56% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Alana Springsteen
tennessee is mine
142 bpm • C min • 02:53 • -5.12db
32% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 58% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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MacKenzie Porter
Bet You Break My Heart
140 bpm • A# min • 02:38 • -6.3db
40% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Priscilla Block
Couple Spring Breaks Back
140 bpm • A# Maj • 03:11 • -4db
35% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Restless Road
Most Nights
148 bpm • F# Maj • 03:18 • -3.53db
39% Popularity • 41% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 41% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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CHASE WRIGHT
I Don't Think That I Could Love You
148 bpm • D# min • 03:16 • -3.38db
45% Popularity • 50% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 50% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Alana Springsteen
just a house
147 bpm • A# min • 03:39 • -8.53db
28% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
71% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
71% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
63% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Lane
Find Another Bar
140 bpm • F# Maj • 03:02 • -5.67db
57% Popularity • 61% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 61% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Troy Cartwright
Same
140 bpm • C# min • 03:12 • -5.62db
38% Popularity • 69% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 69% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
75% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
75% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Alana Springsteen
amen
148 bpm • C# Maj • 03:09 • -6.52db
46% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Warren Zeiders
Pain Killer
140 bpm • G min • 02:47 • -4.23db
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Priscilla Block
Good On You
140 bpm • F Maj • 03:07 • -3.65db
60% Popularity • 47% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 47% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Conner Smith
Roulette On The Heart
140 bpm • F Maj • 03:15 • -6.27db
58% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
70% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Alana Springsteen
Good Things Fall Apart
140 bpm • D Maj • 03:54 • -5.12db
27% Popularity • 53% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 53% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Avery Anna
Self Love
140 bpm • D Maj • 02:51 • -5db
49% Popularity • 65% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 65% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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MacKenzie Porter
Easy To Miss
148 bpm • F min • 02:49 • -5.39db
58% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
57% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Megan Moroney
Reasons to Stay
140 bpm • D Maj • 04:11 • -6.12db
54% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Dan + Shay
Bigger Houses
140 bpm • G Maj • 03:17 • -6.43db
62% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Grow
The Blame
140 bpm • C# Maj • 03:10 • -6.57db
46% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Alana Springsteen
Slow Down (Acoustic)
140 bpm • D Maj • 03:36 • -9.53db
30% Popularity • 56% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 56% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Abby Anderson
The Reason I Stay
149 bpm • G Maj • 02:54 • -4.15db
53% Popularity • 57% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 57% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Old Dominion
Can't Break Up Now
139 bpm • E Maj • 03:20 • -5.85db
57% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
77% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
77% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Ray
Spirits and Demons
150 bpm • C Maj • 03:19 • -5.75db
41% Popularity • 50% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 50% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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Alana Springsteen
New Number
139 bpm • C Maj • 02:46 • -6.43db
26% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 41% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Austin Snell
Wasting All These Tears
150 bpm • A Maj • 03:15 • -7db
63% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Corey Kent
This Heart
150 bpm • A# min • 03:06 • -5.12db
68% Popularity • 41% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 41% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
