Songs like Always Will by Steve Martin
Based on a tempo of (+/- 10%) and a similar genre
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Steve Martin
Always Will
180 bpm • C Maj • 02:25 • -10.47db
32% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Chatham County Line
Chip of a Star
178 bpm • A# Maj • 04:30 • -7db
28% Popularity • 53% Danceability • 59% Energy • 24% Liveness
1% Instrumentalness • 57% Positiveness
28% Popularity • 53% Danceability • 59% Energy • 24% Liveness
1% Instrumentalness • 57% Positiveness
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I Draw Slow
Lighthouse Daughter
182 bpm • D Maj • 05:50 • -9.81db
15% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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David Francey
The Waking Hour
182 bpm • D Maj • 03:38 • -9.42db
14% Popularity • 46% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
14% Popularity • 46% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Tracy Grammer
April Come She Will
177 bpm • B Maj • 02:06 • -14.92db
28% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Duhks
Rock Of Ages
183 bpm • E min • 02:59 • -11.21db
23% Popularity • 38% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 38% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Martin
You
182 bpm • D Maj • 03:46 • -12.19db
35% Popularity • 34% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 34% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Caitlin Canty
Unknown Legend
176 bpm • A# Maj • 03:55 • -15db
30% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy Kaplansky
One Good Reason
176 bpm • C min • 03:09 • -13.26db
18% Popularity • 56% Danceability • 47% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
18% Popularity • 56% Danceability • 47% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
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Judy Collins
When I Go
175 bpm • A# min • 04:27 • -13.39db
24% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 42% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Della Mae
Hounds
185 bpm • C Maj • 03:42 • -8.14db
12% Popularity • 45% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 45% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Girlyman
Postcards from Mexico
172 bpm • D Maj • 02:40 • -5.58db
15% Popularity • 44% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 44% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Steve Martin
Way Back In The Day
176 bpm • F Maj • 03:16 • -12.98db
12% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ana Egge
Wildflowers
172 bpm • A# Maj • 03:07 • -9db
10% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ruth Moody
One Light Shining
172 bpm • D# Maj • 04:43 • -13.34db
21% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Caroline Herring
Here In California
172 bpm • A Maj • 04:30 • -11.74db
23% Popularity • 36% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 36% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mary Chapin Carpenter
Come On Come On
172 bpm • A# Maj • 04:51 • -16db
26% Popularity • 37% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 37% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Tony Furtado
If I Had A Boat
171 bpm • D# Maj • 04:47 • -16.12db
10% Popularity • 46% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 46% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Gaddabouts
Let It Slide
171 bpm • G Maj • 04:08 • -11.82db
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Lori McKenna
My Love Follows You Where You Go
171 bpm • F min • 03:34 • -6.42db
23% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dave Carter
When I Go
171 bpm • D min • 04:16 • -13.25db
20% Popularity • 45% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 45% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Lonely Heartstring Band
The Look In My Eye
170 bpm • F Maj • 04:18 • -9.03db
15% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Lucy Kaplansky
This Is Home
170 bpm • E Maj • 04:02 • -17.25db
18% Popularity • 46% Danceability • 28% Energy • 13% Liveness
20% Instrumentalness • 34% Positiveness
18% Popularity • 46% Danceability • 28% Energy • 13% Liveness
20% Instrumentalness • 34% Positiveness
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![Auden's Train (Live) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e02daaf353381a12ef60228e806)
Steve Martin
Auden's Train (Live) [Bonus Track]
168 bpm • A Maj • 07:05 • -8.36db
1% Popularity • 37% Danceability • 87% Energy • 68% Liveness
23% Instrumentalness • 84% Positiveness
1% Popularity • 37% Danceability • 87% Energy • 68% Liveness
23% Instrumentalness • 84% Positiveness
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James Keelaghan
My Skies
169 bpm • D min • 03:12 • -9db
19% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Duhks
Mists Of Down Below
168 bpm • C Maj • 04:23 • -9db
16% Popularity • 40% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 40% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Shannon McNally
Pale Moon
168 bpm • C Maj • 05:12 • -7.99db
31% Popularity • 54% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Nickel Creek
When You Come Back Down
168 bpm • F# Maj • 03:49 • -14db
48% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lucy Kaplansky
Swimming Song
168 bpm • A Maj • 03:01 • -8db
17% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Kristin Scott Benson
When Fall Comes to New England
194 bpm • A Maj • 03:27 • -7.64db
15% Popularity • 36% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 36% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Amanda Shires
The Way It Dimmed
167 bpm • B Maj • 02:11 • -14.09db
33% Popularity • 64% Danceability • 44% Energy • 14% Liveness
32% Instrumentalness • 67% Positiveness
33% Popularity • 64% Danceability • 44% Energy • 14% Liveness
32% Instrumentalness • 67% Positiveness
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Lukas Nelson and Promise of the Real
Turn Off The News (Build A Garden) - Aco...
167 bpm • C# Maj • 03:01 • -7db
33% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Martin Sexton
Black Sheep
166 bpm • F Maj • 04:33 • -13db
27% Popularity • 43% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 43% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline Herring
Midnight on the Water
196 bpm • G Maj • 04:04 • -14db
20% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Heavy MakeUp
JENNY'S PICNIC
196 bpm • C Maj • 02:28 • -12.19db
1% Popularity • 61% Danceability • 62% Energy • 9% Liveness
5% Instrumentalness • 50% Positiveness
1% Popularity • 61% Danceability • 62% Energy • 9% Liveness
5% Instrumentalness • 50% Positiveness
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David Francey
Annie's House
165 bpm • D Maj • 04:01 • -10.3db
12% Popularity • 41% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 41% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Joy Kills Sorrow
New Shoes
198 bpm • D Maj • 03:05 • -9.68db
16% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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John Gorka
Morningside
162 bpm • A Maj • 03:46 • -10.2db
17% Popularity • 43% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
17% Popularity • 43% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Ruth Moody
Travellin' Shoes
162 bpm • A# Maj • 03:05 • -10.98db
24% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Secret Sisters
'Til It's Over
200 bpm • C Maj • 02:56 • -11.01db
21% Popularity • 34% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 34% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Duhks
Out Of The Rain
160 bpm • G Maj • 03:21 • -8.03db
13% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Redbird
Ships
161 bpm • E Maj • 03:02 • -14db
28% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 33% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Heavy MakeUp
WHY DON'T YOU ASK HER
160 bpm • C# Maj • 01:57 • -9db
1% Popularity • 69% Danceability • 75% Energy • 9% Liveness
12% Instrumentalness • 63% Positiveness
1% Popularity • 69% Danceability • 75% Energy • 9% Liveness
12% Instrumentalness • 63% Positiveness
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Robinella and the CCstringband
Man Over
160 bpm • A# Maj • 03:57 • -14.78db
16% Popularity • 55% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 55% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Girlyman
Easy Bake Ovens
160 bpm • E Maj • 03:51 • -8db
16% Popularity • 41% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 41% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Lindsay Lou
Old Song
159 bpm • C Maj • 04:15 • -8.99db
22% Popularity • 51% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Mary Chapin Carpenter
I Am a Town
203 bpm • C Maj • 05:05 • -15.54db
22% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ricky Skaggs
Mandolin Rain
159 bpm • C Maj • 06:09 • -6db
28% Popularity • 55% Danceability • 57% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
28% Popularity • 55% Danceability • 57% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Cry Cry Cry
Down By The River
203 bpm • A Maj • 03:11 • -6.62db
13% Popularity • 38% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 38% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Nickel Creek
Sweet Afton
205 bpm • E Maj • 05:37 • -15.17db
35% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lucy Kaplansky
I Had Something
159 bpm • E min • 04:16 • -14.19db
23% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Carmen Cusack
Sun is Gonna Shine - Live
205 bpm • C Maj • 02:38 • -6.8db
1% Popularity • 31% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 31% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
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Girlyman
Through to Sunrise
206 bpm • A Maj • 03:09 • -8db
14% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 47% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Stray Birds
I Wish It Would Rain
158 bpm • A# Maj • 03:23 • -8.13db
13% Popularity • 49% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 49% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Martin
Fighter
206 bpm • D min • 02:40 • -9.51db
15% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Carrie Newcomer
You Can Do This Hard Thing
157 bpm • A Maj • 04:08 • -12db
25% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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John McCutcheon
Water From Another Time
157 bpm • C Maj • 03:13 • -17db
16% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Reina del Cid
The Cooling
156 bpm • G Maj • 03:33 • -11.5db
20% Popularity • 32% Danceability • 20% Energy • 13% Liveness
4% Instrumentalness • 49% Positiveness
20% Popularity • 32% Danceability • 20% Energy • 13% Liveness
4% Instrumentalness • 49% Positiveness
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Kaci Bolls
Somebody's Somethin'
156 bpm • G Maj • 05:07 • -13db
20% Popularity • 34% Danceability • 31% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 34% Danceability • 31% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Mary Chapin Carpenter
Jubilee
156 bpm • A# Maj • 04:36 • -14db
24% Popularity • 42% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Cheryl Wheeler
Pointing at the Sun
156 bpm • B Maj • 04:18 • -8.89db
10% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ruth Moody
Far and Wide
156 bpm • C Maj • 03:24 • -17.64db
23% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Martin
Women Like To Slow Dance
155 bpm • G Maj • 02:13 • -7.57db
25% Popularity • 54% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 54% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The Duhks
Turtle Dove
155 bpm • D Maj • 03:07 • -7.56db
15% Popularity • 51% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 51% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Gaddabouts
Down
155 bpm • D Maj • 04:04 • -12.17db
7% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
7% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Chuck Brodsky
We Are Each Other's Angels
155 bpm • G Maj • 04:54 • -16.86db
10% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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John Gorka
Downtown Tonight
155 bpm • G Maj • 03:05 • -15.38db
23% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
