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Always
Songs like
Always
by
Bill Charlap
Based on a tempo of (+/- 10%) and a similar genre
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
38% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
45% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Bill Charlap
Love Is Here To Stay
82 bpm • F# min • 05:09 • -29.08db
2% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Art Tatum
Smoke Gets In Your Eyes
83 bpm • E Maj • 03:55 • -24db
38% Popularity • 37% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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CMC 3
Once I Had A Secret Love
81 bpm • F min • 04:18 • -17.57db
44% Popularity • 28% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Brad Mehldau Trio
These Foolish Things (Remind Me of You)
81 bpm • D# Maj • 06:00 • -17.65db
26% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Hudson Harris & Haim
Barcelona In My Dreams
83 bpm • G min • 02:42 • -17.95db
45% Popularity • 51% Danceability • 11% Energy • 20% Liveness
91% Instrumentalness • 17% Positiveness
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Carl Bagge Trio
Coming Back To Me
83 bpm • G Maj • 03:56 • -16.48db
38% Popularity • 40% Danceability • 29% Energy • 6% Liveness
66% Instrumentalness • 32% Positiveness
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Bill Charlap
Always
82 bpm • G min • 03:33 • -28.24db
7% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Conrad Herwig
Quiet Mountain
83 bpm • A min • 05:02 • -24.44db
0% Popularity • 32% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 26% Positiveness
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Gathering in Jazz
The Shape of Blue
81 bpm • A# min • 03:17 • -10.35db
44% Popularity • 61% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
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The European Jazz Piano Trio
Our Love Rolls On
83 bpm • G Maj • 06:05 • -19.99db
0% Popularity • 51% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Brad Hatfield
Meet Me for Cocktails
81 bpm • A min • 01:51 • -24db
42% Popularity • 40% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Tommy Flanagan Trio
Lucky to Be Me
83 bpm • D min • 04:15 • -10.66db
28% Popularity • 49% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 58% Positiveness
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Bill Charlap
Ballad for a Late Spring
81 bpm • C# Maj • 09:49 • -19.51db
1% Popularity • 48% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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New York Trio
As Time Goes By
84 bpm • C min • 05:49 • -14.21db
13% Popularity • 50% Danceability • 27% Energy • 12% Liveness
21% Instrumentalness • 22% Positiveness
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Jeremy Pelt
Little Girl Blue
80 bpm • F Maj • 07:17 • -19db
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Johnny Hodges
Autumn In New York
84 bpm • F min • 03:37 • -20db
42% Popularity • 42% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
46% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Randy Brecker
Morning Song
84 bpm • D Maj • 04:09 • -15.9db
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
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Red Stairs Jazz Quartet
Embracable You
84 bpm • G Maj • 02:34 • -20.66db
36% Popularity • 37% Danceability • 8% Energy • 25% Liveness
73% Instrumentalness • 8% Positiveness
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Ray Bryant
She's Funny That Way / Memories of You /...
84 bpm • G min • 09:49 • -20.92db
23% Popularity • 41% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Johnny Hartman
Stairway To The Stars
84 bpm • A# Maj • 03:05 • -23.95db
38% Popularity • 39% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Bill Charlap
It's So Peaceful In The Country
85 bpm • D min • 05:16 • -20.29db
37% Popularity • 55% Danceability • 16% Energy • 10% Liveness
46% Instrumentalness • 19% Positiveness
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Freddie Hubbard
The Things We Did Last Summer
79 bpm • F Maj • 07:19 • -20db
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
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Johnny Hodges & His Orchestra
Satin Doll
85 bpm • D Maj • 05:01 • -19db
35% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Still Street Jazz Band
Joy Spring
79 bpm • F min • 02:43 • -14.52db
21% Popularity • 55% Danceability • 34% Energy • 12% Liveness
82% Instrumentalness • 60% Positiveness
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John Rae
We Will Never Meet Again
85 bpm • A min • 04:17 • -19.18db
45% Popularity • 50% Danceability • 11% Energy • 8% Liveness
8% Instrumentalness • 24% Positiveness
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Louis Silva Band
Love Is a Many-Splendored Thing
85 bpm • C min • 02:43 • -15.57db
45% Popularity • 43% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
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Bob Berg
All The Way
79 bpm • C min • 05:35 • -15.61db
44% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Portraits in Jazz
Clouds
79 bpm • A# Maj • 04:43 • -16db
44% Popularity • 39% Danceability • 16% Energy • 12% Liveness
30% Instrumentalness • 18% Positiveness
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Renee Rosnes
Goodbye
79 bpm • C Maj • 05:36 • -24.5db
28% Popularity • 33% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
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Jon Gordon
Bye Ya
78 bpm • C# Maj • 03:11 • -11.73db
0% Popularity • 71% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 49% Positiveness
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Bill Charlap
Sprite Music
78 bpm • C# min • 01:07 • -14.5db
7% Popularity • 23% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 28% Positiveness
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Conrad Herwig
Hieroglyphica
78 bpm • G# Maj • 10:08 • -12.01db
0% Popularity • 34% Danceability • 59% Energy • 12% Liveness
23% Instrumentalness • 49% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
48% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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John Lewis
I Remember Clifford
78 bpm • D# Maj • 03:30 • -28.19db
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jon Gordon
Young At Heart
79 bpm • F min • 06:53 • -13.95db
0% Popularity • 53% Danceability • 10% Energy • 8% Liveness
77% Instrumentalness • 41% Positiveness
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Bill Charlap
Jubilee
86 bpm • G Maj • 03:11 • -10.48db
13% Popularity • 46% Danceability • 71% Energy • 12% Liveness
45% Instrumentalness • 66% Positiveness
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Nathan Francis
Ken
87 bpm • C# Maj • 06:19 • -12.51db
40% Popularity • 38% Danceability • 27% Energy • 18% Liveness
70% Instrumentalness • 10% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
42% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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The Hot Sardines
Gramercy Sunset
88 bpm • C Maj • 04:15 • -18.62db
30% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Art Tatum
Embraceable You
77 bpm • G Maj • 04:30 • -18.56db
25% Popularity • 42% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Jon Gordon
These Foolish Things
77 bpm • C min • 05:30 • -12.89db
0% Popularity • 46% Danceability • 12% Energy • 12% Liveness
30% Instrumentalness • 33% Positiveness
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Bill Charlap
Georgia On My Mind
77 bpm • A min • 05:41 • -15.77db
42% Popularity • 62% Danceability • 16% Energy • 8% Liveness
43% Instrumentalness • 19% Positiveness
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Benny Carter
Body And Soul
76 bpm • A# min • 04:10 • -11db
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Steve Kuhn
Danny Boy
76 bpm • D# Maj • 02:13 • -22.05db
28% Popularity • 58% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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The Cannonball Adderley Quintet
You're A Weaver Of Dreams
88 bpm • C min • 05:34 • -14db
36% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Branford Marsalis Quartet
The Lonely Swan
89 bpm • E min • 09:05 • -16.25db
24% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Bill Charlap
Darn That Dream
78 bpm • G Maj • 07:19 • -21.51db
1% Popularity • 48% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Brad Mehldau Trio
Nearness of You
76 bpm • G min • 06:42 • -19.04db
18% Popularity • 45% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
39% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Night and Day Trio
Can't Help Lovin' Dat Man
76 bpm • C min • 04:19 • -12.97db
37% Popularity • 50% Danceability • 20% Energy • 7% Liveness
89% Instrumentalness • 11% Positiveness
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Cedar Walton
Wonder Why
75 bpm • F Maj • 03:53 • -20.9db
36% Popularity • 41% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Bill Charlap
Liza
89 bpm • A# min • 02:16 • -22db
26% Popularity • 53% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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Red Garland Trio
Little Girl Blue - Instrumental
89 bpm • D# Maj • 05:04 • -19.08db
28% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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George Van Eps
The Nearness Of You - Instrumental
75 bpm • F min • 06:10 • -23.3db
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Cedar Walton
Blues For Myself
74 bpm • A# Maj • 03:54 • -21.84db
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Bill Charlap
It Might As Well Be Spring
76 bpm • A# Maj • 07:34 • -26.76db
1% Popularity • 33% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Gene Ammons
You Go To My Head
74 bpm • F min • 05:56 • -18db
30% Popularity • 61% Danceability • 8% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
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Charles Lloyd
How Can I Tell You - Live
91 bpm • D# Maj • 09:46 • -12.75db
31% Popularity • 38% Danceability • 30% Energy • 77% Liveness
37% Instrumentalness • 25% Positiveness
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Freddie Hubbard
Body And Soul
91 bpm • C# Maj • 06:29 • -17.48db
29% Popularity • 41% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Edward Simon
Simplicity
91 bpm • D Maj • 05:09 • -22.12db
42% Popularity • 49% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Bill Charlap
Rockin' Chair
91 bpm • F min • 07:19 • -11db
15% Popularity • 63% Danceability • 32% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
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Jan Harbeck Quartet
Tangorrus Field
91 bpm • E min • 07:24 • -17.86db
31% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
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Stephen Rogerson
Moon Over Brooklyn
92 bpm • C min • 03:41 • -21.53db
34% Popularity • 63% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Joe Wilder
Secret Love
92 bpm • F Maj • 04:45 • -11.7db
0% Popularity • 62% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 56% Positiveness
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Aldo Romano
Song for Ellis
72 bpm • C# min • 04:25 • -17.16db
44% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Bill Charlap
Somebody Loves Me
92 bpm • G Maj • 06:41 • -16.34db
7% Popularity • 59% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 42% Positiveness
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Gabriel Latchin Trio
Ill Wind
72 bpm • A# Maj • 05:35 • -14.6db
37% Popularity • 40% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Barry Harris Trio
All The Things You Are
93 bpm • G# Maj • 05:04 • -13.69db
27% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Johnny Hodges
Warm Valley
93 bpm • F Maj • 03:20 • -12db
45% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Conrad Herwig
Solar Circle
93 bpm • G Maj • 05:24 • -12.77db
0% Popularity • 39% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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Erica Smith Trio
Stella By Starlight
72 bpm • C min • 03:43 • -21.56db
38% Popularity • 52% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Jacob Schwarz Trio
I Could Write A Book
93 bpm • C Maj • 03:09 • -23.48db
40% Popularity • 50% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Bill Charlap
Bon Ami
93 bpm • G Maj • 07:15 • -22.29db
3% Popularity • 53% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 18% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Benny Carter
The Midnight Sun Will Never Set
72 bpm • G min • 03:57 • -12db
41% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
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Horace Silver
Peace
93 bpm • D# min • 06:02 • -14.47db
32% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Michael Brecker
Midnight Mood
93 bpm • F Maj • 06:23 • -16.88db
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
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Ilya Mann
Inner City Drive
94 bpm • B Maj • 03:54 • -17.92db
42% Popularity • 70% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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South West Cafe Trio
East of the Sun (and West of the Moon)
94 bpm • A min • 05:06 • -17.67db
37% Popularity • 39% Danceability • 17% Energy • 12% Liveness
77% Instrumentalness • 10% Positiveness
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Ellie & The Bunch
Stop Look Desire
94 bpm • B Maj • 03:07 • -19.08db
39% Popularity • 70% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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John Brown
When October Goes
94 bpm • A# Maj • 08:12 • -17.87db
38% Popularity • 36% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Williamsburg Quartet
I Can't Stop Lovin
94 bpm • B Maj • 04:03 • -20.02db
38% Popularity • 67% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Always