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Am I not merciful? ["Gladiator" - Music from the M...
Songs like
Am I not merciful? ["Gladiator" - Music from the Motion Picture]
by
Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Angelo Badalamenti
Our Soldiers' Letters
79 bpm • A min • 02:43 • -18db
8% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
51% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
46% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Hans Zimmer
Am I not merciful? ["Gladiator" - Music ...
79 bpm • E min • 06:47 • -20.05db
13% Popularity • 7% Danceability • 21% Energy • 70% Liveness
84% Instrumentalness • 4% Positiveness
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James Newton Howard
Myotis
79 bpm • G min • 05:46 • -18.31db
40% Popularity • 7% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Mychael Danna
God Storm
79 bpm • A# min • 03:42 • -13.96db
21% Popularity • 16% Danceability • 42% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Semantics
79 bpm • F min • 02:41 • -21.7db
24% Popularity • 12% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 7% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
31% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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John Lunn
Not One's Just Desserts
79 bpm • F Maj • 01:53 • -17.16db
28% Popularity • 15% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Hans Zimmer
The Da Vinci Code Orchestra Suite: Part ...
79 bpm • A min • 06:28 • -21.05db
34% Popularity • 15% Danceability • 16% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Commander
79 bpm • C min • 03:34 • -17db
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
55% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Basil Poledouris
Putin's Demise
78 bpm • F# Maj • 00:55 • -29.32db
26% Popularity • 20% Danceability • 7% Energy • 15% Liveness
40% Instrumentalness • 4% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
47% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Slave Who Became A Gladiator
79 bpm • A Maj • 06:11 • -14.89db
26% Popularity • 24% Danceability • 28% Energy • 16% Liveness
76% Instrumentalness • 4% Positiveness
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Tyler Bates
What Must a King Do?
80 bpm • G min • 01:04 • -22.24db
37% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
31% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
53% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Anže Rozman
Prehistoric Planet Suite
78 bpm • F Maj • 09:09 • -18.74db
37% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Hans Zimmer
The Citrine Cross
78 bpm • A# Maj • 05:21 • -20.17db
33% Popularity • 9% Danceability • 13% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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James Newton Howard
Corynorhinus
80 bpm • F min • 05:04 • -25.39db
46% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
41% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
56% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Hans Zimmer
Goodbye My Son
80 bpm • A min • 02:01 • -21.24db
50% Popularity • 25% Danceability • 13% Energy • 7% Liveness
32% Instrumentalness • 7% Positiveness
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The Chamber Orchestra Of London
A Dangerous Path
80 bpm • G min • 03:12 • -19.4db
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The Arrival
78 bpm • B min • 01:56 • -14.98db
48% Popularity • 7% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
49% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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James Newton Howard
Macrotus
80 bpm • E min • 07:35 • -23db
38% Popularity • 7% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Madeline's Red Balloon
77 bpm • C Maj • 00:54 • -18db
36% Popularity • 35% Danceability • 18% Energy • 19% Liveness
84% Instrumentalness • 31% Positiveness
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Martin Phipps
Napoleon
81 bpm • F Maj • 02:07 • -20.46db
23% Popularity • 8% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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James Newton Howard
Lasiurus
82 bpm • G min • 07:27 • -24.4db
46% Popularity • 9% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
55% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
42% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Kamen
Bull's Theme - Instrumental
82 bpm • C Maj • 03:19 • -20.02db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
48% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Hans Zimmer
King Arthur Orchestra Suite - Live
82 bpm • D min • 03:49 • -12db
43% Popularity • 22% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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Anne Dudley
Truth and Consequence
82 bpm • G Maj • 04:35 • -20.3db
9% Popularity • 8% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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John Debney
Xan And Duma Say Goodbye
82 bpm • A Maj • 03:24 • -18.93db
10% Popularity • 27% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Old Bagdad
76 bpm • F min • 02:03 • -20.68db
29% Popularity • 38% Danceability • 27% Energy • 6% Liveness
5% Instrumentalness • 28% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
45% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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B.S.O. Varios
The Miracle of the Bread
76 bpm • F# min • 04:22 • -19.85db
19% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Hans Zimmer
Am I Not Merciful?
76 bpm • D min • 06:33 • -21.19db
37% Popularity • 8% Danceability • 8% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Last Of The Dogmen
Last of the Dogmen
82 bpm • C Maj • 03:16 • -19.81db
10% Popularity • 11% Danceability • 17% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Max Richter
Departed
76 bpm • D min • 01:27 • -16.77db
17% Popularity • 23% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
50% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Audiomachine
Tree of Life
75 bpm • G# Maj • 02:01 • -12.2db
42% Popularity • 28% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
Look to the Stars
75 bpm • C Maj • 02:58 • -26.25db
48% Popularity • 7% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Lunn
The Hunt
83 bpm • C Maj • 02:10 • -13.46db
27% Popularity • 44% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Jerry Goldsmith
Exiled
75 bpm • F min • 03:45 • -21.57db
22% Popularity • 30% Danceability • 17% Energy • 11% Liveness
43% Instrumentalness • 10% Positiveness
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Steven Price
The Next Twenty Years
83 bpm • G# min • 01:41 • -15.52db
25% Popularity • 21% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Angelo Badalamenti
Stalingrad Overture (Universal Theme)
75 bpm • A Maj • 03:18 • -19.54db
17% Popularity • 7% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Hans Zimmer
Landing Peleliu
75 bpm • G min • 03:22 • -17.99db
29% Popularity • 7% Danceability • 32% Energy • 8% Liveness
75% Instrumentalness • 14% Positiveness
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New World Orchestra
Departure of Boromir
83 bpm • E min • 02:43 • -25.94db
9% Popularity • 18% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
44% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
48% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Martin Tillman
The Ferry
84 bpm • E Maj • 03:15 • -17.78db
16% Popularity • 8% Danceability • 35% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Sword Maker
75 bpm • G Maj • 02:09 • -23db
28% Popularity • 39% Danceability • 9% Energy • 6% Liveness
98% Instrumentalness • 18% Positiveness
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Hans Zimmer
The Might of Rome
75 bpm • A Maj • 05:18 • -16.69db
39% Popularity • 16% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
50% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Invitation
74 bpm • B min • 02:16 • -29.88db
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
58% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
49% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Hans Zimmer
A Prophecy Fulfilled
84 bpm • D# Maj • 03:00 • -13.35db
36% Popularity • 12% Danceability • 33% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
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Lisa Gerrard
Gladiator Orchestra Suite: Part 2, Elysi...
84 bpm • D Maj • 05:37 • -11.26db
23% Popularity • 19% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
51% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
36% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
42% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Hans Zimmer
Leave No Man Behind
84 bpm • A min • 06:18 • -15.67db
50% Popularity • 29% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Prague Festival Orchestra
King Arthur
85 bpm • D min • 06:24 • -7.76db
9% Popularity • 14% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 9% Positiveness
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Michael Giacchino
Jupiter Ascending - 2nd Movement
74 bpm • G min • 03:25 • -25.23db
13% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Martin Phipps
Mountbatten
73 bpm • D# Maj • 01:40 • -26db
39% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Hans Zimmer
Busy Little Bee
84 bpm • C# Maj • 03:47 • -27.12db
21% Popularity • 11% Danceability • 9% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Martin Tillman
Burning Tree
73 bpm • C Maj • 10:13 • -23.22db
24% Popularity • 15% Danceability • 15% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
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Marco Beltrami
Friendship Theme
73 bpm • G Maj • 01:58 • -18db
30% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Tyler Bates
Glory
85 bpm • G Maj • 01:43 • -13.17db
30% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Hans Zimmer
Rose Of Arimathea
74 bpm • A# Maj • 08:11 • -27.4db
28% Popularity • 7% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Georges Delerue
Symphonic Suite For Chorus And Orchestra...
85 bpm • E min • 03:30 • -13.41db
10% Popularity • 10% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
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Am I not merciful? ["Gladiator" - Music from the M...