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Am I The Only One
Songs like
Am I The Only One
by
Aaron Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
67% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
60% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Aaron Lewis
Stuck In These Shoes
112 bpm • F# Maj • 03:44 • -6.95db
34% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
62% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
59% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
75% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Lewis
Am I The Only One
112 bpm • C# Maj • 04:29 • -4.88db
52% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
64% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Pecos & the Rooftops
Wouldn't Have to Miss You
110 bpm • F min • 04:27 • -12db
54% Popularity • 43% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Aaron Lewis
One In The Same
112 bpm • D# Maj • 04:28 • -6.57db
31% Popularity • 52% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Shy Carter
Beer With My Friends
110 bpm • A Maj • 02:57 • -2.6db
38% Popularity • 60% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
60% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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John Anderson
Straight Tequila Night
109 bpm • A Maj • 02:53 • -10.11db
61% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Aaron Lewis
Again
111 bpm • G Maj • 04:03 • -5.02db
41% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Jinks
Hurt You
115 bpm • E Maj • 02:56 • -5.75db
50% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
64% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Aaron Lewis
Get What You Get
110 bpm • E Maj • 03:43 • -6.81db
35% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
67% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
54% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
54% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Brantley Gilbert
Fire’t Up
108 bpm • F Maj • 02:56 • -5.21db
55% Popularity • 62% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Lewis
Lost And Lonely
110 bpm • D Maj • 04:57 • -5.26db
50% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Wallen
Don't Think Jesus
117 bpm • D Maj • 03:45 • -6.81db
62% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Mason
Chasing Stardust
117 bpm • C# min • 03:04 • -9db
52% Popularity • 77% Danceability • 55% Energy • 18% Liveness
3% Instrumentalness • 26% Positiveness
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Aaron Lewis
The Bottom
117 bpm • D# Maj • 04:58 • -8.67db
30% Popularity • 70% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Cody Jinks
David
117 bpm • B Maj • 04:42 • -7.69db
60% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 55% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
65% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Aaron Lewis
Anywhere but Here
117 bpm • F# Maj • 05:07 • -6.29db
37% Popularity • 57% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Cody Jinks
I'm Not the Devil
118 bpm • C# Maj • 03:35 • -7.58db
51% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tim Montana
Mostly Stoned
106 bpm • B Maj • 03:30 • -6.63db
43% Popularity • 64% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
64% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
60% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
68% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Aaron Lewis
Love Me
106 bpm • D# Maj • 05:46 • -8.92db
37% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Lee
Southern Mother Fucker
119 bpm • E min • 03:18 • -5.42db
50% Popularity • 70% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Aaron Lewis
Red, White & Blue
106 bpm • C# Maj • 05:42 • -7.42db
33% Popularity • 55% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Blake Shelton
Austin
120 bpm • G Maj • 03:50 • -7db
64% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Upchurch
Holler Boys
120 bpm • C# Maj • 03:31 • -7.72db
63% Popularity • 67% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Eric Church
Heart On Fire
120 bpm • G# Maj • 04:18 • -5db
57% Popularity • 65% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Aaron Lewis
Life Behind Bars
120 bpm • A# min • 03:29 • -6.12db
36% Popularity • 68% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Cody Jinks
Ain't a Train
121 bpm • A# min • 03:05 • -3.51db
55% Popularity • 36% Danceability • 88% Energy • 27% Liveness
2% Instrumentalness • 40% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Walker Hayes
AA
104 bpm • E Maj • 03:09 • -5.86db
60% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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HARDY
BOOTS
104 bpm • D Maj • 03:13 • -3.83db
63% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
What You See Is What You Get
104 bpm • F Maj • 02:51 • -4.89db
63% Popularity • 59% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Conway Twitty
That's My Job
104 bpm • A Maj • 04:51 • -6.96db
44% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Blake Shelton
No Body
103 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Aaron Lewis
Country Boy - Acoustic Version
122 bpm • F# Maj • 04:19 • -4.8db
45% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Uncle Lucius
Keep The Wolves Away
122 bpm • C# min • 04:35 • -10.28db
71% Popularity • 68% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Booth
Palomino Princess
102 bpm • E Maj • 03:32 • -6.29db
52% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Cody Jinks
Cast No Stones
123 bpm • G# Maj • 05:16 • -7db
51% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Seth Anthony
Old Glory
123 bpm • D# min • 03:16 • -6.49db
55% Popularity • 74% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
45% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Aaron Lewis
Vicious Circles
122 bpm • B Maj • 05:07 • -7.65db
40% Popularity • 63% Danceability • 49% Energy • 23% Liveness
1% Instrumentalness • 21% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Koe Wetzel
Love
124 bpm • G Maj • 03:43 • -7.53db
63% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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The Steel Woods
Straw in the Wind
100 bpm • G Maj • 04:42 • -6.66db
47% Popularity • 35% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Aaron Lewis
Country Boy - Radio Edit
122 bpm • F# Maj • 04:20 • -5.59db
34% Popularity • 62% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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HARDY
JACK
125 bpm • G Maj • 02:48 • -6db
63% Popularity • 55% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Chase Rice
Drinkin’ Beer. Talkin’ God. Amen.
100 bpm • D Maj • 02:40 • -4.69db
59% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Am I The Only One