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Am I The Only One
Songs like
Am I The Only One
by
Aaron Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Riley Green
Same Old Song
112 bpm • F# Maj • 03:08 • -5.29db
56% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Ray Scott
Those Jeans
112 bpm • G Maj • 03:43 • -6db
41% Popularity • 80% Danceability • 82% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
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Aaron Lewis
Am I The Only One
112 bpm • C# Maj • 04:29 • -4.88db
52% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Gary Allan
Man To Man - Album Version/Remix
112 bpm • A# Maj • 03:43 • -6.4db
46% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Montgomery Gentry
One In Every Crowd
111 bpm • B Maj • 03:31 • -4.45db
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
59% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jon Pardi
When I've Been Drinkin'
113 bpm • B Maj • 03:17 • -6.08db
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Pecos & the Rooftops
Conociste
113 bpm • G# min • 04:43 • -13db
43% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron Lewis
Stuck In These Shoes
112 bpm • F# Maj • 03:44 • -6.95db
34% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Highway 55
Little White Lines
114 bpm • D# min • 04:43 • -6db
35% Popularity • 76% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jamey Johnson
Can't Cash My Checks
113 bpm • C Maj • 07:17 • -10db
40% Popularity • 45% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
64% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Buddy Brown
Red Like Reagan
110 bpm • B Maj • 02:59 • -3.94db
35% Popularity • 67% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Pecos & the Rooftops
Last Night's Lashes
114 bpm • G# Maj • 03:25 • -6.57db
53% Popularity • 60% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Aaron Lewis
One In The Same
112 bpm • D# Maj • 04:28 • -6.57db
31% Popularity • 52% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Randy Rogers Band
Buy Myself A Chance
110 bpm • E Maj • 03:41 • -5.38db
53% Popularity • 73% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Gary Allan
Nothing On But The Radio
109 bpm • A Maj • 03:32 • -5.95db
61% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Koe Wetzel
Too High to Cry
115 bpm • E Maj • 06:29 • -8.24db
54% Popularity • 44% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Jacob Bryant
25 in Jail (Unplugged)
109 bpm • C# Maj • 02:46 • -6.76db
33% Popularity • 63% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Pecos & the Rooftops
Wouldn't Have to Miss You
110 bpm • F min • 04:27 • -12db
54% Popularity • 43% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Aaron Lewis
Lost And Lonely
110 bpm • D Maj • 04:57 • -5.26db
50% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Casey Donahew
Queen for a Night
115 bpm • G Maj • 03:16 • -6db
43% Popularity • 65% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Sean Stemaly
Product Of A Small Town
109 bpm • C# min • 02:34 • -4.02db
52% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
54% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
54% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Lewis
Again
111 bpm • G Maj • 04:03 • -5.02db
41% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Brantley Gilbert
Fire’t Up
108 bpm • F Maj • 02:56 • -5.21db
55% Popularity • 62% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
54% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Taylor Ray Holbrook
Follow That Dust
108 bpm • A min • 03:53 • -6db
50% Popularity • 57% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Oliver Anthony Music
90 some Chevy
116 bpm • C# min • 02:54 • -14.05db
57% Popularity • 70% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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The Cadillac Three
Party Like You
116 bpm • G Maj • 03:07 • -3.65db
46% Popularity • 60% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Lewis
Get What You Get
110 bpm • E Maj • 03:43 • -6.81db
35% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Seven Miles South
Texas Rain
117 bpm • E Maj • 03:31 • -6.91db
50% Popularity • 58% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Mason
Chasing Stardust
117 bpm • C# min • 03:04 • -9db
52% Popularity • 77% Danceability • 55% Energy • 18% Liveness
3% Instrumentalness • 26% Positiveness
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Montgomery Gentry
Titty's Beer
117 bpm • G Maj • 03:13 • -4.57db
48% Popularity • 63% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Jon Pardi
Me And Jack
107 bpm • A Maj • 04:51 • -3db
46% Popularity • 38% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Aaron Lewis
Anywhere but Here
117 bpm • F# Maj • 05:07 • -6.29db
37% Popularity • 57% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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William Clark Green
Ringling Road
117 bpm • B min • 04:08 • -5.15db
49% Popularity • 55% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Tippin
Big Boy Toys
118 bpm • G Maj • 03:11 • -5.14db
44% Popularity • 75% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Montgomery Gentry
She Couldn't Change Me
117 bpm • F Maj • 04:20 • -11db
44% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Koe Wetzel
Sober Sunday
118 bpm • B min • 04:42 • -5.3db
47% Popularity • 66% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Lot Of Leavin' Left To Do
118 bpm • B Maj • 04:32 • -3.43db
44% Popularity • 58% Danceability • 88% Energy • 60% Liveness
1% Instrumentalness • 69% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
46% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Lewis
Love Me
106 bpm • D# Maj • 05:46 • -8.92db
37% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pecos & the Rooftops
Leave Me Lonely
118 bpm • G# Maj • 04:31 • -11.89db
47% Popularity • 57% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Jamey Johnson
Place Out On The Ocean
118 bpm • C Maj • 04:02 • -9db
46% Popularity • 71% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 67% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
65% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Tim Montana
Mostly Stoned
106 bpm • B Maj • 03:30 • -6.63db
43% Popularity • 64% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
60% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Lewis
Red, White & Blue
106 bpm • C# Maj • 05:42 • -7.42db
33% Popularity • 55% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Kenny Feidler
Cowboy Shit
119 bpm • G Maj • 03:32 • -2.87db
48% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Lee
Southern Mother Fucker
119 bpm • E min • 03:18 • -5.42db
50% Popularity • 70% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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The Cadillac Three
Dang If We Didn't
105 bpm • D Maj • 02:58 • -5db
40% Popularity • 62% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Justin Moore
You Look Like I Need A Drink
106 bpm • B Maj • 03:07 • -3.63db
55% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Aaron Lewis
Reconsider
119 bpm • G Maj • 03:51 • -5.22db
30% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gary Allan
Waste Of A Whiskey Drink
105 bpm • A Maj • 03:24 • -6db
41% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Brantley Gilbert
Fire & Brimstone
120 bpm • G# Maj • 05:22 • -6.15db
36% Popularity • 35% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Pecos & the Rooftops
Yesteryear
120 bpm • F# Maj • 04:18 • -11.18db
40% Popularity • 58% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Jackson Taylor & the Sinners
Cocaine
120 bpm • D Maj • 04:15 • -4.62db
43% Popularity • 65% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Dillon Carmichael
Old Songs Like That
120 bpm • D Maj • 03:31 • -13db
34% Popularity • 57% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Koe Wetzel
YellaBush Road
120 bpm • D Maj • 05:06 • -7db
54% Popularity • 53% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Muscadine Bloodline
Enemy
120 bpm • C# Maj • 03:26 • -8.3db
50% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Aaron Lewis
Life Behind Bars
120 bpm • A# min • 03:29 • -6.12db
36% Popularity • 68% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Jamey Johnson
Playing The Part
120 bpm • D Maj • 04:29 • -10db
39% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
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Buddy Brown
I Call Bs on That
104 bpm • G Maj • 03:38 • -5.02db
36% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Ronnie Dunn
Damn Drunk
104 bpm • C Maj • 04:24 • -5db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Them Dirty Roses
Molly
121 bpm • G Maj • 03:37 • -5db
43% Popularity • 63% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Conway Twitty
That's My Job
104 bpm • A Maj • 04:51 • -6.96db
44% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Easton Corbin
Lonesome Drinkers
121 bpm • F Maj • 03:20 • -3.34db
49% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Lewis
Country Boy - Acoustic Version
122 bpm • F# Maj • 04:19 • -4.8db
45% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Gary Allan
Songs About Rain
121 bpm • G Maj • 04:25 • -5db
49% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Kolby Cooper
Every Single Kiss
122 bpm • A# Maj • 03:26 • -3.79db
51% Popularity • 51% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Booth
Palomino Princess
102 bpm • E Maj • 03:32 • -6.29db
52% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jarrod Morris
Red Bandana
123 bpm • C# Maj • 03:39 • -6.62db
41% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Aaron Lewis
Vicious Circles
122 bpm • B Maj • 05:07 • -7.65db
40% Popularity • 63% Danceability • 49% Energy • 23% Liveness
1% Instrumentalness • 21% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
45% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Muscadine Bloodline
Evinrudin'
124 bpm • C# Maj • 03:26 • -6db
47% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Moonshine Bandits
Dead Man's Hand
124 bpm • G Maj • 03:19 • -5.06db
51% Popularity • 76% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Brothers Osborne
Weed, Whiskey And Willie
124 bpm • E Maj • 04:20 • -9db
49% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cross Canadian Ragweed
17
124 bpm • G Maj • 05:19 • -5.24db
48% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rhett Akins
I Brake For Brunettes
125 bpm • E min • 03:23 • -8db
40% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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The Steel Woods
Straw in the Wind
100 bpm • G Maj • 04:42 • -6.66db
47% Popularity • 35% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Casey Donahew
3 Am
100 bpm • G Maj • 04:32 • -5.25db
47% Popularity • 30% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Aaron Lewis
Mama
124 bpm • D# Maj • 05:04 • -6.51db
38% Popularity • 65% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Montgomery Gentry
Outskirts
100 bpm • D Maj • 03:39 • -5.16db
41% Popularity • 61% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Clay Walker
I Know She Hung The Moon
100 bpm • E Maj • 03:22 • -7.52db
38% Popularity • 59% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Dillon Carmichael
Pickin' Up Girls
100 bpm • G Maj • 03:21 • -4.85db
34% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
49% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Big & Rich
Comin' to Your City
99 bpm • A min • 03:27 • -1.42db
46% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Am I The Only One