Songs like Amanhã Já Era by Nicola Són
Based on a tempo of (+/- 10%) and a similar genre
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Márcio Faraco
À quoi ça sert l'amour
90 bpm • D Maj • 04:14 • -17.11db
50% Popularity • 81% Danceability • 39% Energy • 7% Liveness
78% Instrumentalness • 91% Positiveness
50% Popularity • 81% Danceability • 39% Energy • 7% Liveness
78% Instrumentalness • 91% Positiveness
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Pauline Croze
Voce Abusou
90 bpm • G min • 03:05 • -8.07db
40% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Nancy Vieira
Peca Sem Dor
90 bpm • D min • 04:32 • -7db
25% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Sanseverino
La maison sur le port
90 bpm • G Maj • 03:17 • -9db
23% Popularity • 60% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 60% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Waldemar Bastos
Muxima
90 bpm • E min • 05:09 • -14db
31% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Maria de Barros
Amanha
90 bpm • F min • 04:28 • -9.34db
20% Popularity • 76% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 76% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Mayra Andrade
Comme s'il en pleuvait
90 bpm • A min • 03:42 • -11.26db
50% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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CHANTONS
Couleur café
90 bpm • C Maj • 03:14 • -9.09db
11% Popularity • 82% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 82% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Fredda
Barry White
90 bpm • A min • 03:15 • -8.95db
43% Popularity • 66% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 66% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Pierre Vassiliu
Qui c'est celui là
91 bpm • E Maj • 03:31 • -8.45db
11% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Nicola Són
Quand j'entends la fanfare
89 bpm • A min • 03:52 • -7.32db
5% Popularity • 69% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 69% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Alper Tuzcu
Felicidade
91 bpm • B Maj • 03:07 • -21.6db
41% Popularity • 68% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
41% Popularity • 68% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Malavoi
Caressé moin
91 bpm • F min • 05:37 • -6.39db
23% Popularity • 42% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 42% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Enzo Enzo
Les yeux ouverts
89 bpm • F Maj • 03:28 • -20.3db
51% Popularity • 69% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 69% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Presque Oui
Et j'aime bien
91 bpm • A Maj • 03:14 • -11.56db
47% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ariane Brunet
Aime-moi
91 bpm • A Maj • 03:16 • -8db
41% Popularity • 78% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 78% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Maria de Barros
Fragilamor
91 bpm • G min • 03:31 • -7.23db
23% Popularity • 67% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 67% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Alper Tuzcu
Felicidade (Remastered)
91 bpm • B Maj • 03:07 • -12.33db
36% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tania Maria
Florzinha
88 bpm • A min • 05:05 • -9.1db
19% Popularity • 66% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 66% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Didier Sustrac
Tout seul - Remastered 2020
91 bpm • C# Maj • 04:12 • -9db
33% Popularity • 70% Danceability • 67% Energy • 6% Liveness
1% Instrumentalness • 76% Positiveness
33% Popularity • 70% Danceability • 67% Energy • 6% Liveness
1% Instrumentalness • 76% Positiveness
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Carol Welsman
Fais comme l'oiseau
92 bpm • G Maj • 04:22 • -10.06db
30% Popularity • 74% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 74% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Nicola Són
J'ai fumé quelques filles
88 bpm • G Maj • 03:33 • -10.2db
5% Popularity • 73% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 73% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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LISZA
O Sonho Voltou
92 bpm • C min • 03:44 • -10db
34% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Serge Gainsbourg
Ces petits riens
88 bpm • F Maj • 02:05 • -17.47db
44% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Mariana Ramos
Nada É Perfeito
88 bpm • B min • 03:30 • -10.34db
40% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Didier Sustrac
Marcher derrière
88 bpm • G# Maj • 03:42 • -10.3db
13% Popularity • 73% Danceability • 57% Energy • 7% Liveness
19% Instrumentalness • 78% Positiveness
13% Popularity • 73% Danceability • 57% Energy • 7% Liveness
19% Instrumentalness • 78% Positiveness
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Teofilo Chantre
Nha Gloria
93 bpm • F# min • 04:20 • -8.47db
15% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Nicola Són
Samba racée
88 bpm • D Maj • 03:22 • -9.63db
3% Popularity • 81% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 92% Positiveness
3% Popularity • 81% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 92% Positiveness
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Presque Oui
J'étais vieux
88 bpm • B min • 03:30 • -13.53db
24% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Albin de la Simone
L'un de nous
93 bpm • B Maj • 02:37 • -13.08db
38% Popularity • 79% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
38% Popularity • 79% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
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Mariana Ramos
Fidjo Femea
88 bpm • E Maj • 03:56 • -8.58db
32% Popularity • 81% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 81% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Didier Sustrac
Papillons
93 bpm • F# Maj • 03:46 • -12.15db
19% Popularity • 73% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
19% Popularity • 73% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Maria de Barros
Nos Paraiso
93 bpm • D min • 03:34 • -9.82db
35% Popularity • 78% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 78% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Nicola Són
Mourir d'alcool et de poésie
92 bpm • G# Maj • 03:48 • -9.81db
16% Popularity • 71% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 71% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Claire Chevalier
Comme d'habitude
93 bpm • F# Maj • 04:51 • -12.75db
30% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Pauline Croze
Chorando Sim
87 bpm • A min • 03:38 • -10db
32% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Mariana Ramos
Estrela da Marinha
93 bpm • G# Maj • 03:16 • -9.82db
39% Popularity • 85% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 85% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Viktor Lazlo
Ouvre
87 bpm • E min • 03:49 • -11.82db
22% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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HK
Un autre rendez-vous
87 bpm • F# min • 04:23 • -7.78db
26% Popularity • 54% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 54% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Nicola Són
Tout va bien
88 bpm • A min • 03:41 • -9.44db
7% Popularity • 83% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 83% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Blossom Dearie
Chez Moi
93 bpm • G Maj • 03:06 • -12.85db
46% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Gabi Hartmann
Maladie d'amour
86 bpm • C Maj • 03:25 • -10.65db
31% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Helena Noguerra
Je mens (avec Vincent Dedienne)
86 bpm • B min • 03:02 • -9.41db
12% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Coralie Clement
Ces matins d'été
94 bpm • A# Maj • 02:53 • -11.14db
27% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Marie So
Chaque Jour
94 bpm • A Maj • 04:21 • -14.74db
12% Popularity • 57% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 57% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Nicola Són
No Trânsito
94 bpm • F# min • 03:59 • -6.81db
1% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Didier Sustrac
Go
94 bpm • F min • 04:03 • -9.53db
32% Popularity • 75% Danceability • 62% Energy • 14% Liveness
47% Instrumentalness • 78% Positiveness
32% Popularity • 75% Danceability • 62% Energy • 14% Liveness
47% Instrumentalness • 78% Positiveness
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Nossa Alma Canta
Take Saravà
94 bpm • C Maj • 03:35 • -11db
26% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Keren Ann
Au coin du monde - Streets Go Down
94 bpm • C Maj • 03:21 • -14.69db
48% Popularity • 58% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 15% Positiveness
48% Popularity • 58% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 15% Positiveness
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Pauline Croze
La Rua Madureira
86 bpm • G min • 03:17 • -10.66db
56% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Mariana Ramos
Kamin di Mar
86 bpm • A min • 03:39 • -10.3db
40% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Nicola Són
Venho de fora
86 bpm • F Maj • 03:35 • -10.57db
2% Popularity • 69% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
2% Popularity • 69% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Jean Constantin
Pas tant de d'chichi ponpon
94 bpm • A# Maj • 02:31 • -10.21db
28% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Mathieu Boogaerts
Bas de laine
95 bpm • B Maj • 02:32 • -15db
34% Popularity • 59% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
34% Popularity • 59% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
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Zoufris Maracas
4 Planches
95 bpm • C min • 03:19 • -8.64db
31% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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DANIEL ROURE
Deja (Cheek to Cheek)
85 bpm • C Maj • 04:59 • -10.98db
44% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cécile McLorin Salvant
Le Mal de Vivre
85 bpm • F min • 06:14 • -17db
47% Popularity • 51% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 51% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Saint Privat
Une dernière cigarette
95 bpm • A min • 03:53 • -11.92db
24% Popularity • 81% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 73% Positiveness
24% Popularity • 81% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 73% Positiveness
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Dom La Nena
Les Vieux
85 bpm • G Maj • 03:44 • -11.21db
16% Popularity • 63% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 63% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Nicola Són
Venha pra Cá, Amor
95 bpm • D Maj • 02:59 • -9.39db
0% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Aquarela Do Brasil
Manha do Carnaval
95 bpm • E min • 03:50 • -16.53db
15% Popularity • 53% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 30% Positiveness
15% Popularity • 53% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 30% Positiveness
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Andréel
La saxophoniste
95 bpm • B min • 03:08 • -12.05db
21% Popularity • 62% Danceability • 37% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
21% Popularity • 62% Danceability • 37% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
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Raphaël Bas
Sweet Joy
95 bpm • D min • 03:19 • -12.86db
18% Popularity • 71% Danceability • 34% Energy • 11% Liveness
49% Instrumentalness • 48% Positiveness
18% Popularity • 71% Danceability • 34% Energy • 11% Liveness
49% Instrumentalness • 48% Positiveness
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Jill Barber
Je cherche un homme
95 bpm • A# min • 02:47 • -14.18db
49% Popularity • 65% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 65% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Lucibela
Ti Jon Poca
85 bpm • B min • 03:37 • -10.44db
38% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Marianne Feder
Dernier rendez-vous (Bonus track : BO de...
85 bpm • F min • 03:23 • -10.65db
21% Popularity • 64% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 64% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Nicola Són
Teresa
96 bpm • A# min • 02:58 • -7.05db
6% Popularity • 82% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 82% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Andréel
Pour que tu existes
85 bpm • F# Maj • 04:12 • -11.79db
22% Popularity • 61% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 61% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Quarteto Jobim-Morelenbaum
Pot Pourri: Eu e Meu Amor/ Lamento No Mo...
96 bpm • G Maj • 04:07 • -9db
41% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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JP Nataf
Mon ami d'en haut
96 bpm • D# Maj • 03:44 • -9.63db
44% Popularity • 56% Danceability • 69% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
44% Popularity • 56% Danceability • 69% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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Keren Ann
L'onde amère
96 bpm • F min • 02:59 • -12.47db
48% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Paris Combo
Pas A Pas
96 bpm • E min • 04:16 • -7db
29% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Teofilo Chantre
Nha Fê
96 bpm • E min • 04:11 • -10db
28% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Jill Barber
Tous mes rêves
84 bpm • C Maj • 02:35 • -11db
48% Popularity • 43% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 43% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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DANIEL ROURE
Que Faisaient Nos Professeurs(Ican't giv...
97 bpm • G# Maj • 03:35 • -10.06db
21% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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CHANTONS
La vie en rose
84 bpm • F Maj • 05:35 • -9.37db
13% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Presque Oui
Georges et Louis
97 bpm • A Maj • 02:47 • -10.83db
19% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 55% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Raquel Bitton
Nuages - Studio recording
97 bpm • D# Maj • 03:42 • -9.87db
44% Popularity • 51% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 51% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Teofilo Chantre
Livrona de Nha Pai
84 bpm • A Maj • 03:40 • -9db
16% Popularity • 76% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 76% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Jill Barber
En septembre sous la pluie
97 bpm • F# Maj • 03:01 • -15.86db
43% Popularity • 40% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 40% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Olivier Libaux
Le Petit Succès
97 bpm • E min • 03:13 • -8.23db
28% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Carmen Souza
Sous le ciel de Paris - Live Duo
98 bpm • G Maj • 04:07 • -17.06db
22% Popularity • 86% Danceability • 18% Energy • 70% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 86% Danceability • 18% Energy • 70% Liveness
1% Instrumentalness • 50% Positiveness
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Paris Combo
Aquarium
83 bpm • B Maj • 04:31 • -10db
34% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Niuver
C'est toi que j'aime
98 bpm • D Maj • 03:22 • -7.59db
17% Popularity • 80% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 80% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Teofilo Chantre
Bola Azul
83 bpm • B min • 04:19 • -12.23db
22% Popularity • 66% Danceability • 46% Energy • 20% Liveness
20% Instrumentalness • 68% Positiveness
22% Popularity • 66% Danceability • 46% Energy • 20% Liveness
20% Instrumentalness • 68% Positiveness
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Nicola Són
Je vais gérer
98 bpm • G Maj • 03:08 • -9db
4% Popularity • 77% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 77% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Marcel Amont
Décalage Horaire
83 bpm • F Maj • 03:05 • -7.04db
16% Popularity • 66% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 66% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Bernard Lavilliers
O Gringo
83 bpm • E min • 04:59 • -9.74db
30% Popularity • 66% Danceability • 68% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
30% Popularity • 66% Danceability • 68% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
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Claire Chevalier
Les moulins de mon coeur
98 bpm • C Maj • 02:58 • -13.13db
14% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Blossom Dearie
Boum
98 bpm • G Maj • 02:08 • -12.34db
42% Popularity • 65% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 65% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Quarteto Jobim-Morelenbaum
Águas de Março
82 bpm • C# min • 03:01 • -8.65db
44% Popularity • 72% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
44% Popularity • 72% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Nicola Són
Retour à Paris
98 bpm • A# min • 03:07 • -9db
2% Popularity • 81% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 81% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Nouvelle Vague
Amoureux solitaires
99 bpm • E min • 02:09 • -11.34db
30% Popularity • 43% Danceability • 37% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 43% Danceability • 37% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Luca Mundaca
Day by day
82 bpm • D min • 04:19 • -10db
44% Popularity • 70% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
44% Popularity • 70% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Sophia Loren
De jour en jour
82 bpm • G min • 02:48 • -10db
36% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Pauline Croze
Essa Moca Ta Diferente
82 bpm • F# min • 03:00 • -9db
40% Popularity • 76% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 76% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Constance Amiot
Clash dans le tempo
82 bpm • F# Maj • 02:49 • -11db
41% Popularity • 62% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
41% Popularity • 62% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Nicola Són
De la capoeira
98 bpm • B Maj • 02:40 • -11db
31% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
