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Amaya Corporation
Songs like
Amaya Corporation
by
Ben Salisbury
Based on a tempo of (+/- 10%) and a similar genre
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Trent Reznor
Technically, Missing
76 bpm • G min • 06:43 • -16.15db
38% Popularity • 39% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Gustavo Santaolalla
Can Light Be Found In The Darkness?
76 bpm • G Maj • 02:26 • -20.86db
17% Popularity • 20% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Nathan Johnson
A Body That Technically Does Not Exist
76 bpm • F Maj • 01:21 • -24db
30% Popularity • 25% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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SQÃœRL
Water Falls
76 bpm • G Maj • 04:23 • -20.27db
13% Popularity • 7% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Atticus Ross
The Wise Alone
76 bpm • G Maj • 10:33 • -14.12db
10% Popularity • 11% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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The Insects
The Second Coming
76 bpm • G min • 03:25 • -26.43db
7% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Anne Nikitin
Sunny and Elizabeth
76 bpm • F Maj • 01:21 • -23.09db
27% Popularity • 32% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Ben Frost
You Are Atheists
76 bpm • B min • 01:12 • -21db
32% Popularity • 10% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Lorne Balfe
Space Journey
76 bpm • C# Maj • 02:39 • -26.12db
23% Popularity • 25% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Mogwai
Nose Pints
76 bpm • G Maj • 02:04 • -12.28db
17% Popularity • 7% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 29% Positiveness
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Jed Palmer
Fisk
76 bpm • E min • 01:53 • -29db
35% Popularity • 8% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Hans Zimmer
That's Why We Believe
76 bpm • G min • 03:36 • -25.49db
36% Popularity • 8% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Ben Salisbury
Amaya Corporation
76 bpm • D Maj • 02:36 • -18.2db
17% Popularity • 19% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Rob
Doom Opening
75 bpm • C Maj • 03:42 • -22.68db
11% Popularity • 11% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Lorne Balfe
Underground Lake
75 bpm • C# Maj • 02:15 • -26.54db
18% Popularity • 20% Danceability • 20% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Jack Bartman
Not Afraid To Die
77 bpm • D min • 02:09 • -21.26db
27% Popularity • 17% Danceability • 26% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Opening / Kepler-22b
75 bpm • G Maj • 01:17 • -22db
30% Popularity • 22% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Marc Canham
14 Years
77 bpm • D# min • 03:39 • -20.97db
21% Popularity • 7% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Mark Korven
Arrival
77 bpm • C Maj • 01:49 • -17db
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Opening
75 bpm • B min • 01:33 • -30.72db
23% Popularity • 10% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Clint Mansell
This Black Holes Dark Heart
75 bpm • C Maj • 04:01 • -19.38db
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Ben Salisbury
Resurrection
77 bpm • A min • 04:00 • -27.14db
10% Popularity • 7% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Amie Doherty
Large Ventricles
75 bpm • E min • 03:17 • -18.01db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Adam Janota Bzowski
Palliative Care
77 bpm • F Maj • 01:26 • -25.73db
12% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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The Album Leaf
Brianna
77 bpm • F# min • 01:38 • -29.78db
28% Popularity • 27% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Brooke Blair
Finale
77 bpm • F Maj • 05:49 • -9.94db
10% Popularity • 7% Danceability • 33% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Clint Mansell
Life Eternal
75 bpm • F Maj • 02:18 • -29db
21% Popularity • 23% Danceability • 5% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Jason Hill
Drop Shots - Medley
74 bpm • D min • 02:30 • -16.36db
21% Popularity • 18% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Alex Somers
Between Us
74 bpm • D# Maj • 05:19 • -20.29db
14% Popularity • 38% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Hans Zimmer
Sapper's Tree
74 bpm • C Maj • 01:36 • -22.36db
42% Popularity • 17% Danceability • 14% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Mother and Father
74 bpm • E Maj • 01:21 • -24db
25% Popularity • 10% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Ben Salisbury
Stealing The Code
78 bpm • A Maj • 02:44 • -20.42db
12% Popularity • 42% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Mark Isham
A Day At The Park
78 bpm • D Maj • 02:40 • -20.5db
8% Popularity • 24% Danceability • 8% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Geoff Barrow
Lawmaster / Pursuit
78 bpm • F# min • 03:41 • -16.09db
5% Popularity • 28% Danceability • 47% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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Cliff Martinez
I Drive
78 bpm • C Maj • 02:03 • -26.23db
46% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Christopher Spelman
The Argument
78 bpm • E Maj • 02:25 • -18db
10% Popularity • 8% Danceability • 19% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Ben Frost
Slaughter
78 bpm • B Maj • 01:09 • -22.77db
25% Popularity • 28% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Ben Salisbury
Amaya's Theme - Version 2
78 bpm • F Maj • 01:57 • -27.92db
12% Popularity • 8% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Gureckis
Slot Canyon
74 bpm • F# Maj • 01:39 • -19db
36% Popularity • 23% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Autumn Creatures
Eternal Daydream
74 bpm • C Maj • 05:20 • -15.19db
24% Popularity • 21% Danceability • 32% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Cliff Martinez
He Had a Good Time
74 bpm • B Maj • 01:37 • -23db
41% Popularity • 29% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Ludwig Göransson
MEETING NEIL
79 bpm • C# min • 02:15 • -15.87db
44% Popularity • 15% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
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Emile Mosseri
Calico’s Needle
73 bpm • D# Maj • 02:10 • -16.74db
18% Popularity • 28% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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David Wingo
Storm Shelter
73 bpm • F min • 07:09 • -19db
12% Popularity • 7% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Adam Janota Bzowski
Saint Maud
73 bpm • F min • 04:20 • -27.47db
8% Popularity • 12% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jed Palmer
Old Neighbourhood
73 bpm • A Maj • 02:11 • -32db
29% Popularity • 14% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 2% Positiveness
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Cliff Martinez
Will She Come Back
73 bpm • A min • 05:00 • -25db
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Steven Price
You Need to Trust Me
79 bpm • E min • 03:18 • -22.79db
10% Popularity • 7% Danceability • 17% Energy • 26% Liveness
96% Instrumentalness • 3% Positiveness
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Emile Mosseri
Calico
74 bpm • D# Maj • 02:18 • -14db
29% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Aska Matsumiya
The Sound
73 bpm • G min • 03:15 • -9.56db
12% Popularity • 41% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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The Mountain King
A Fist Of Swarms
79 bpm • A# Maj • 03:35 • -21.13db
19% Popularity • 19% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Clint Mansell
We Are All Stardust
79 bpm • D min • 05:12 • -13.42db
15% Popularity • 10% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Lorne Balfe
Orbs
73 bpm • D Maj • 03:44 • -20.68db
17% Popularity • 21% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Schachner
Kanna
79 bpm • D min • 04:57 • -15.57db
17% Popularity • 29% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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The Insects
Stranger Danger
73 bpm • G min • 02:01 • -15.73db
16% Popularity • 6% Danceability • 11% Energy • 9% Liveness
63% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Pink Room
73 bpm • G# Maj • 01:24 • -32.22db
37% Popularity • 19% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Spencer Creaghan
Of Mothers and Daughters
79 bpm • D# min • 06:51 • -29.54db
19% Popularity • 17% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Jason Hill
Coming Home
80 bpm • C Maj • 01:39 • -21.73db
32% Popularity • 21% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Alex Somers
Apologize
80 bpm • G min • 02:18 • -17.52db
11% Popularity • 25% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Frische Luft
Cayucos
80 bpm • D Maj • 01:50 • -19.11db
22% Popularity • 30% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Ben Salisbury
All Possible Worlds
79 bpm • A min • 01:03 • -24.89db
13% Popularity • 30% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Alexis Grapsas
Salted Baguette
80 bpm • A Maj • 01:51 • -23db
16% Popularity • 53% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Franco Esteve
The Space Between
72 bpm • A min • 03:00 • -36.2db
25% Popularity • 15% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Tally Wanders Off
80 bpm • G# Maj • 01:54 • -24.31db
18% Popularity • 17% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Emile Mosseri
Suddenly Temple
80 bpm • D Maj • 03:17 • -17.37db
14% Popularity • 35% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 40% Positiveness
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Alexandre Desplat
Mission
80 bpm • F Maj • 04:24 • -14.9db
8% Popularity • 50% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mac Quayle
1.0_2-oneincontrol.aiff
80 bpm • A# min • 04:39 • -21db
33% Popularity • 25% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Atticus Ross
Memory to Media
80 bpm • G Maj • 04:16 • -11.43db
16% Popularity • 37% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Paul Haslinger
Phoenix
80 bpm • C# min • 01:57 • -36db
32% Popularity • 24% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 12% Positiveness
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Thomas Newman
St Agnes
72 bpm • C Maj • 02:28 • -41.29db
13% Popularity • 18% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Ben Salisbury
Amaya's Theme - Version 1
72 bpm • D# Maj • 02:08 • -27.72db
13% Popularity • 22% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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SQÃœRL
Trillions of Molecules
72 bpm • E min • 06:20 • -15.9db
14% Popularity • 23% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Jim Williams
Possessor
72 bpm • D min • 07:16 • -33.54db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Brocker Way
Be Grateful for This Beautiful Home
80 bpm • G# Maj • 02:20 • -22.37db
16% Popularity • 35% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Philip Glass
Organic
80 bpm • G min • 04:57 • -30.17db
24% Popularity • 18% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Dan Deacon
Transit of Venus
72 bpm • F min • 04:14 • -16.37db
20% Popularity • 11% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Kimono Hallway
72 bpm • A# Maj • 04:26 • -21.75db
26% Popularity • 14% Danceability • 6% Energy • 19% Liveness
32% Instrumentalness • 4% Positiveness
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Matt Morton
Number One on the Runway
81 bpm • G min • 01:45 • -19.33db
10% Popularity • 18% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Mica Levi
Bedroom
81 bpm • G Maj • 01:30 • -25.34db
27% Popularity • 20% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Daniel Hart
Gentleman Caller
72 bpm • C Maj • 04:10 • -17.28db
13% Popularity • 7% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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James Edward Barker
Burns
72 bpm • E min • 04:01 • -30.17db
14% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Trent Reznor
Sugar Storm
72 bpm • A min • 02:53 • -22.85db
36% Popularity • 24% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Theodore Shapiro
Hall Of Eagans
72 bpm • C min • 02:18 • -29.2db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
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Mark Korven
Into the Light
71 bpm • C Maj • 03:32 • -25db
18% Popularity • 17% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Julia Holter
Bus To New York
71 bpm • D Maj • 02:08 • -14.78db
18% Popularity • 18% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Mac Quayle
1.0_7-waitfortheQ.ogg
71 bpm • F min • 02:22 • -25.25db
30% Popularity • 23% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Cliff Martinez
Can I Sit Next to You
81 bpm • G min • 01:44 • -18.07db
33% Popularity • 9% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Freya Arde
Life On Tape
81 bpm • A Maj • 02:15 • -29db
30% Popularity • 18% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel L.K. Caldwell
Grab the Gun and Go
71 bpm • C min • 01:23 • -27.5db
21% Popularity • 24% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Clint Mansell
Out Of Blue
81 bpm • D min • 02:02 • -19db
41% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 17% Positiveness
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Brooke Blair
Medora And The Moonlight
71 bpm • D Maj • 02:22 • -14.46db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Hans Zimmer
Someone Lived This
71 bpm • G# Maj • 03:13 • -17.97db
38% Popularity • 16% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
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Trent Reznor
Background Noise
71 bpm • D min • 03:09 • -32.05db
32% Popularity • 35% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Mac Quayle
3.7_5-eulogy-for-m0bley.rip
81 bpm • E min • 02:40 • -22.06db
16% Popularity • 11% Danceability • 8% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Daniel L.K. Caldwell
Prospect
81 bpm • D# Maj • 04:10 • -22.49db
28% Popularity • 16% Danceability • 11% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
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Jason Hill
Fantasies
71 bpm • C# Maj • 04:11 • -24.59db
20% Popularity • 20% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Ludwig Göransson
BETRAYAL
82 bpm • D# Maj • 03:55 • -17.39db
42% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 2% Positiveness
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Clint Mansell
.38 Killer
82 bpm • D min • 02:17 • -19.87db
14% Popularity • 38% Danceability • 9% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Amaya Corporation