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Amazing Grace
Songs like
Amazing Grace
by
Mary White
Based on a tempo of (+/- 10%) and a similar genre
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Mary White
Where Is He Now
128 bpm • D Maj • 04:25 • -12.35db
0% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sawyer Brown
The Nebraska Song
128 bpm • C# Maj • 02:53 • -10.87db
21% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Duke Henry
Have Mercy on an Outlaw
128 bpm • D Maj • 05:09 • -7.68db
14% Popularity • 60% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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John Conlee
Working Man
127 bpm • C Maj • 04:12 • -9db
38% Popularity • 69% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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McKenzie & Trewlove
Shiftwork
129 bpm • C Maj • 04:29 • -5.22db
6% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Cledus T. Judd
Every Bulb In The House Is Blown
129 bpm • F Maj • 02:58 • -6.99db
21% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mary White
Amazing Grace
128 bpm • B Maj • 03:29 • -14.88db
0% Popularity • 35% Danceability • 19% Energy • 11% Liveness
7% Instrumentalness • 13% Positiveness
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Doug Supernaw
She Never Looks Back
129 bpm • D Maj • 02:26 • -6.98db
20% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Keith
If I Was Jesus
129 bpm • C Maj • 03:44 • -8.17db
50% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Overstreet
Seein' My Father In Me
129 bpm • C Maj • 03:23 • -16db
32% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Radney Foster and The Confessions
Angel Flight
129 bpm • E Maj • 03:54 • -10db
36% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Dry County
Luckiest Man Alive
127 bpm • E Maj • 04:13 • -8.61db
10% Popularity • 61% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Mary White
Love of My Life
126 bpm • E Maj • 03:40 • -8.36db
0% Popularity • 46% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Darryl Worley
Shiloh
130 bpm • C Maj • 04:24 • -8.76db
14% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Trace Adkins
All I Ask For Anymore
130 bpm • D Maj • 03:57 • -8.53db
20% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Travis Tritt
I See Me
130 bpm • D Maj • 03:47 • -7.2db
24% Popularity • 60% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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James Otto
The Ball
126 bpm • F# Maj • 03:57 • -8.55db
10% Popularity • 52% Danceability • 31% Energy • 33% Liveness
1% Instrumentalness • 12% Positiveness
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Dean Brody
Bounty - Radio Version
130 bpm • D Maj • 03:48 • -6.62db
9% Popularity • 54% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Weber
If I Die Before You Wake
130 bpm • D# Maj • 03:38 • -8db
23% Popularity • 66% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jim Finnegan
God Bless Texas
130 bpm • A Maj • 03:32 • -12.98db
21% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Ray Cyrus
Some Gave All
126 bpm • G Maj • 04:10 • -5.91db
29% Popularity • 49% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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John Schneider
Younger Man
126 bpm • A Maj • 03:19 • -11.73db
12% Popularity • 64% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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David Ball
When The Devil Wants To Wrestle
130 bpm • E Maj • 03:48 • -10.34db
9% Popularity • 73% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Smokin' Armadillos
My Girlfriend Might
126 bpm • D Maj • 02:30 • -11.14db
19% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Trace Adkins
Muddy Water
131 bpm • C Maj • 03:55 • -5.11db
24% Popularity • 45% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Diamond Rio
Redneck Love Gone Bad
125 bpm • E Maj • 03:46 • -3.42db
7% Popularity • 64% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Demetri Thomas
Time To Decide
131 bpm • C Maj • 03:40 • -7.09db
8% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Dave Bray USA
Freedom Rings (Blood of Heroes)
125 bpm • D# Maj • 03:32 • -11.99db
8% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Pinmonkey
Barbed Wire And Roses
125 bpm • C# min • 03:14 • -7db
27% Popularity • 73% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Julian Austin
Baby Bye-Bye
131 bpm • A Maj • 04:05 • -9.18db
7% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Brenn Hill
One Hand in the Riggin'
132 bpm • D Maj • 03:01 • -5.13db
13% Popularity • 64% Danceability • 80% Energy • 23% Liveness
7% Instrumentalness • 74% Positiveness
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Mary White
Even When
132 bpm • G# Maj • 04:28 • -12.83db
0% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ray Neyens
Drink Drank Drunk
132 bpm • F# min • 03:32 • -6.9db
8% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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US Air Force Band Of The Rockies
Should Have Been a Cowboy
132 bpm • G Maj • 03:25 • -7.94db
27% Popularity • 63% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Confederate Railroad
The One You Love the Most
132 bpm • A Maj • 03:07 • -6.02db
19% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Rockie Lynne
Proud to Be a Soldier
124 bpm • G# Maj • 04:11 • -4.38db
22% Popularity • 68% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Gracin
The Other Little Soldier
124 bpm • D# Maj • 03:53 • -8.2db
22% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mary White
Earthbound Angel
124 bpm • D Maj • 04:50 • -10.91db
0% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Joe Bachman
A Soldier's Memoir (P T S D Song)
124 bpm • C# Maj • 04:09 • -6.59db
31% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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George Strait
Everybody Wants To Go To Heaven
132 bpm • A# Maj • 03:25 • -6.07db
17% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Dylan Miller
Good Ride Cowboy
132 bpm • A Maj • 03:24 • -2.21db
21% Popularity • 55% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Jake Owen
The Best I Can
124 bpm • A min • 03:45 • -7.9db
15% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Rose
Questions Why
124 bpm • G# Maj • 04:11 • -6.91db
8% Popularity • 49% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Confederate Railroad
She Took It Like a Man - Remastered Vers...
124 bpm • G Maj • 02:47 • -7.85db
31% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Overstreet
Billy Can't Read
124 bpm • B Maj • 03:43 • -14.06db
17% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Royal Wade Kimes
Where Have All The Cowboys Gone
123 bpm • D Maj • 02:01 • -9db
11% Popularity • 50% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
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Marvin Reece-Evans
Small Town Southern Man
133 bpm • D# Maj • 04:39 • -9.88db
7% Popularity • 68% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Chase Tyler
Louisiana Is My Home
123 bpm • E Maj • 03:25 • -7.08db
8% Popularity • 38% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Ty England
Irresistible You
134 bpm • F Maj • 03:23 • -8db
9% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Travis Tritt
Country Ain't Country
123 bpm • D# Maj • 04:16 • -4.76db
31% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Overstreet
Long Line of Love
133 bpm • E Maj • 03:07 • -10.63db
9% Popularity • 70% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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John Landry
There She Was
134 bpm • D# Maj • 03:55 • -6db
11% Popularity • 61% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Blaine Larsen
In My High School
134 bpm • B Maj • 03:53 • -8db
12% Popularity • 64% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sawyer Brown
800 Pound Jesus
122 bpm • D Maj • 02:54 • -7.44db
13% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Luke O'Shea
Wayne And Wanita
122 bpm • E Maj • 04:05 • -6.27db
28% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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John Conlee
Miss Emily's Picture
122 bpm • A Maj • 06:30 • -11.11db
34% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Overstreet
Long Line Of Love
133 bpm • E Maj • 03:24 • -11.19db
27% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Gene Watson
Paper Rosie
122 bpm • C Maj • 04:12 • -8.22db
1% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Blaine Larsen
I Don't Know What She Said
122 bpm • B Maj • 03:44 • -3db
23% Popularity • 68% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Doug Meier
Lay Your Heart on Me
122 bpm • C Maj • 03:15 • -11.11db
16% Popularity • 61% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Wayne Perry & Friends
Hall Of Fame Of Faith
122 bpm • D Maj • 03:16 • -14.8db
10% Popularity • 67% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Cledus T. Judd
Jackson (Alan That Is)
122 bpm • C Maj • 03:02 • -9.48db
12% Popularity • 78% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Highway Bros
It's America
135 bpm • A Maj • 03:28 • -5.58db
2% Popularity • 55% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Blackwater Outlaws
Covered In Coal
135 bpm • G Maj • 07:05 • -11db
21% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Confederate Railroad
You Don't Know What It's Like
122 bpm • F Maj • 02:55 • -6.57db
19% Popularity • 70% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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James Otto
Soldiers & Jesus
121 bpm • D Maj • 04:45 • -5.69db
29% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Nathan Fair
A Million Miles Away
121 bpm • C Maj • 06:06 • -14.09db
8% Popularity • 51% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Anthony Smith
Metropolis
135 bpm • E Maj • 03:13 • -9.2db
7% Popularity • 52% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Mary White
Live This One Day
121 bpm • B Maj • 01:55 • -19.83db
0% Popularity • 26% Danceability • 10% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
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Chris LeDoux
Billy The Kid
121 bpm • E min • 03:46 • -10.4db
29% Popularity • 54% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Kenny Chesney
Grandpa Told Me So
121 bpm • F# Maj • 04:17 • -7.52db
33% Popularity • 62% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Caren Otto
Nothing Wrong
136 bpm • F# Maj • 02:21 • -7.14db
13% Popularity • 59% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Nathan Fair
The Star Spangled Banner
135 bpm • G# Maj • 06:55 • -7.07db
8% Popularity • 51% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Martin Prado
Who's Gonna Fill Their Shoes
136 bpm • E Maj • 03:14 • -13.26db
31% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rockie Lynne
Boy in a Uniform
136 bpm • F# Maj • 03:45 • -6.05db
21% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lionel Cartwright
I Watched It All (On My Radio)
121 bpm • G# Maj • 03:22 • -13.74db
23% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Rushlow Harris
Bagpipes Cryin'
136 bpm • D Maj • 04:03 • -6.35db
12% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Mary White
Reel in the Flickering Light
120 bpm • C# min • 04:03 • -8.11db
0% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Yarborough
I Wanna See If That Bitch Can Tree
136 bpm • C Maj • 04:02 • -5.96db
12% Popularity • 74% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Mark Wills
Emily Harper
136 bpm • F Maj • 03:24 • -8.7db
19% Popularity • 67% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Martin Murphey
Belle Star
136 bpm • C Maj • 06:02 • -12.57db
9% Popularity • 65% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Billy Dean
Real Man
136 bpm • D Maj • 03:36 • -9.81db
10% Popularity • 63% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Willie Nelson
Seven Spanish Angels
136 bpm • F Maj • 03:42 • -13.37db
23% Popularity • 46% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 39% Positiveness
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Stagecoach Stars
Wild Horses
120 bpm • E Maj • 03:20 • -7.82db
14% Popularity • 71% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Vazquez
I Should Have Been a Cowboy
120 bpm • G Maj • 03:46 • -9.28db
27% Popularity • 79% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Morrison Band
I Will Always Stand
120 bpm • G Maj • 03:50 • -3.12db
7% Popularity • 66% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Terry Bell
Help is on the Way
120 bpm • D Maj • 02:57 • -5.93db
7% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bri Bagwell
Banned from Santa Fe
120 bpm • A# Maj • 03:56 • -3.82db
9% Popularity • 62% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Mary White
Foolish Pride
120 bpm • A Maj • 04:01 • -11.72db
0% Popularity • 52% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Bogart
Cowboy Ride
120 bpm • D Maj • 05:14 • -9.54db
10% Popularity • 45% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Sammy Kershaw
Better Than I Used to Be
137 bpm • D# Maj • 03:20 • -8db
32% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jeff Bates
Mama Was A Lot Like Jesus
137 bpm • D Maj • 03:30 • -7.58db
19% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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James Bonamy
Brain In A Jar
119 bpm • A Maj • 03:26 • -7.37db
8% Popularity • 65% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Mark Collie
Born Ready
119 bpm • C Maj • 02:55 • -3.57db
8% Popularity • 54% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Mary White
Lonesome Rider
120 bpm • G Maj • 04:12 • -8.2db
0% Popularity • 62% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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The Warren Brothers
Hey Mr. President
138 bpm • G# Maj • 04:17 • -7.54db
10% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Halfway to Hazard
Devil And The Cross
138 bpm • G# Maj • 04:16 • -3.92db
14% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jeff Bates
Riverbank
138 bpm • D Maj • 03:43 • -11.21db
20% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Dean
Trying To Hide A Fire In The Dark
118 bpm • G min • 03:38 • -7.53db
11% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Buddy Jewell
If She Were Any Other Woman
139 bpm • D# Maj • 03:14 • -8.18db
20% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Amazing Grace