Songs like Amazing Love by Tim O'Brien
Based on a tempo of (+/- 10%) and a similar genre
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Blue Highway
Don't Weep For Me
103 bpm • A Maj • 03:27 • -5.44db
28% Popularity • 70% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 70% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Tim O'Brien
Walk Beside Me
103 bpm • C Maj • 04:13 • -9.96db
24% Popularity • 56% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 56% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Lúnasa
The Water is Wise
103 bpm • F Maj • 03:52 • -6.7db
22% Popularity • 49% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 49% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Robbie Fulks
Sometimes the Grass is Really Greener
103 bpm • A Maj • 03:44 • -9.65db
14% Popularity • 49% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 49% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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The Nashville Bluegrass Band
Tear My Stillhouse Down
103 bpm • G Maj • 02:32 • -10.9db
34% Popularity • 69% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 69% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Sierra Hull
Two Winding Rails
103 bpm • E Maj • 02:55 • -10.44db
6% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Kieran Kane
Lost John Dean
103 bpm • C Maj • 03:26 • -9.21db
13% Popularity • 62% Danceability • 57% Energy • 12% Liveness
12% Instrumentalness • 48% Positiveness
13% Popularity • 62% Danceability • 57% Energy • 12% Liveness
12% Instrumentalness • 48% Positiveness
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Tim O'Brien
Buffalo Skinners
103 bpm • D min • 05:15 • -10.47db
12% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Greencards
Weather & Water
102 bpm • C# Maj • 04:04 • -9db
16% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Town Mountain
Black-Eyed Susan
102 bpm • D Maj • 03:41 • -11.16db
29% Popularity • 37% Danceability • 44% Energy • 4% Liveness
18% Instrumentalness • 33% Positiveness
29% Popularity • 37% Danceability • 44% Energy • 4% Liveness
18% Instrumentalness • 33% Positiveness
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Becky Buller
Speakin’ to That Mountain
102 bpm • F Maj • 02:55 • -7.76db
24% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Kevin McClung
Secrets
104 bpm • D Maj • 03:52 • -11.57db
7% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Bryan Sutton
The More I Learn
104 bpm • E Maj • 04:06 • -10.26db
28% Popularity • 49% Danceability • 50% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
28% Popularity • 49% Danceability • 50% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
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Chance McCoy & The Appalachian String Band
Gospel Plow
104 bpm • G min • 04:37 • -15.14db
34% Popularity • 70% Danceability • 32% Energy • 17% Liveness
48% Instrumentalness • 73% Positiveness
34% Popularity • 70% Danceability • 32% Energy • 17% Liveness
48% Instrumentalness • 73% Positiveness
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Trampled by Turtles
Shenandoah
102 bpm • D# Maj • 04:19 • -5.09db
38% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Special Consensus
Rounder's Spirit
104 bpm • A# min • 03:00 • -6.11db
27% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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The Del McCoury Band
Sweet Appalachia
102 bpm • C Maj • 03:40 • -10db
40% Popularity • 63% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 63% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Alison Krauss & Union Station
Wild Bill Jones
104 bpm • E Maj • 03:23 • -13.85db
21% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Tim O'Brien
Wichita
105 bpm • A# Maj • 02:27 • -11.54db
20% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Cahalen Morrison & Eli West
Natural Thing to Do
102 bpm • B Maj • 04:01 • -8db
10% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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J.D. Crowe & The New South
Ten Degrees
101 bpm • C Maj • 02:20 • -12.1db
28% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Tony Rice Unit
Hold Whatcha Got
105 bpm • F Maj • 02:48 • -11.56db
29% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Special Consensus
Sea Of Heartbreak
105 bpm • B Maj • 03:08 • -8.06db
27% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Thile
If I Should Wander Back Tonight
105 bpm • F Maj • 03:47 • -8.65db
13% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Robbie Fulks
Aunt Peg's New Old Man
105 bpm • A# Maj • 03:01 • -9.58db
21% Popularity • 61% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 61% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Flatt Lonesome
Where Do You Go
105 bpm • A min • 03:51 • -8.07db
19% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Darrell Scott
Weary Blues From Waiting
101 bpm • A# Maj • 03:18 • -9.75db
17% Popularity • 55% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 55% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Foghorn Stringband
Lonesome Homesick Blues
105 bpm • F Maj • 02:33 • -6.05db
14% Popularity • 63% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 63% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Special Consensus
Big River
101 bpm • D# Maj • 03:21 • -8.3db
15% Popularity • 64% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
15% Popularity • 64% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
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Uncle Earl
The Birds Were Singing Of You
105 bpm • G Maj • 03:24 • -13db
10% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Alison Krauss & Union Station
No Place To Hide
105 bpm • F# min • 03:28 • -7.2db
22% Popularity • 61% Danceability • 75% Energy • 7% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 61% Danceability • 75% Energy • 7% Liveness
2% Instrumentalness • 78% Positiveness
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Tim O'Brien
Senor (Tales Of Yankee Power)
105 bpm • G min • 04:02 • -12.55db
30% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Waybacks
Compadres In The Old Sierra Madre
105 bpm • E min • 05:12 • -10db
14% Popularity • 72% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 72% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Rice Unit
I Hope You Have Learned
106 bpm • G Maj • 02:34 • -9.9db
24% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Alison Brown
Simple Pleasures
106 bpm • D Maj • 02:51 • -10.1db
18% Popularity • 51% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 51% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Bryan Sutton
Don’t Look For Me
106 bpm • E Maj • 03:49 • -12.04db
10% Popularity • 59% Danceability • 30% Energy • 15% Liveness
26% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 30% Energy • 15% Liveness
26% Instrumentalness • 39% Positiveness
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Chance McCoy & The Appalachian String Band
Little Birdie
106 bpm • F# Maj • 05:03 • -17.68db
18% Popularity • 59% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 80% Positiveness
18% Popularity • 59% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 80% Positiveness
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Tim O'Brien
The Water Is Wise
105 bpm • F Maj • 03:43 • -7db
12% Popularity • 60% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Sierra Hull
Pretend
100 bpm • E Maj • 03:24 • -10.95db
6% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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The Grascals
Life Finds A Way
100 bpm • A Maj • 02:26 • -9.84db
25% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Frank Solivan and Dirty Kitchen
No Life In This Town
106 bpm • E min • 03:24 • -9.83db
15% Popularity • 70% Danceability • 53% Energy • 18% Liveness
1% Instrumentalness • 65% Positiveness
15% Popularity • 70% Danceability • 53% Energy • 18% Liveness
1% Instrumentalness • 65% Positiveness
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Chatham Rabbits
Chattanooga
106 bpm • C Maj • 03:08 • -8.02db
31% Popularity • 65% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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The Dillards
The Whole World Round - Recorded at the ...
106 bpm • C# min • 03:27 • -14.35db
22% Popularity • 59% Danceability • 45% Energy • 80% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 59% Danceability • 45% Energy • 80% Liveness
0% Instrumentalness • 88% Positiveness
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Tim O'Brien
John Riley
101 bpm • A min • 05:00 • -10.85db
7% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Alison Krauss & Union Station
Take Me For Longing
107 bpm • G Maj • 02:51 • -7.06db
29% Popularity • 59% Danceability • 63% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 63% Energy • 20% Liveness
1% Instrumentalness • 66% Positiveness
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Wood & Wire
Kingpin
100 bpm • E Maj • 03:19 • -9db
27% Popularity • 69% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Reeltime Travellers
Halleluiah
107 bpm • A Maj • 05:30 • -13.6db
18% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Danny Barnes
Charlie
107 bpm • G Maj • 03:06 • -9.51db
10% Popularity • 59% Danceability • 60% Energy • 31% Liveness
80% Instrumentalness • 96% Positiveness
10% Popularity • 59% Danceability • 60% Energy • 31% Liveness
80% Instrumentalness • 96% Positiveness
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Charlie Parr
Old Blue Dog
107 bpm • D# Maj • 05:21 • -14.66db
21% Popularity • 57% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
21% Popularity • 57% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Tim O'Brien
Another Day
106 bpm • D min • 04:20 • -9db
10% Popularity • 61% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 61% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Molly Tuttle
Another Side / Tell Me
107 bpm • D Maj • 04:43 • -10db
13% Popularity • 45% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 66% Positiveness
13% Popularity • 45% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 66% Positiveness
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Bronwyn Keith-Hynes
The Minstrel Boy
99 bpm • A min • 03:40 • -10.98db
8% Popularity • 59% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 92% Positiveness
8% Popularity • 59% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 92% Positiveness
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Michael Cleveland
High Lonesome Sound
107 bpm • A Maj • 03:36 • -7.34db
15% Popularity • 63% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 63% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Willie Watson
Take This Hammer
108 bpm • A# Maj • 02:59 • -9.97db
12% Popularity • 58% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 58% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Chatham County Line
The Carolinian
98 bpm • E Maj • 03:59 • -7db
24% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Tim O'Brien
Less & Less
107 bpm • D Maj • 03:25 • -10.27db
13% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 67% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Dave Rawlings Machine
It's Too Easy
98 bpm • D Maj • 03:08 • -9db
8% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Thile
Sleep with One Eye Open
98 bpm • A Maj • 03:15 • -7db
19% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Cry Cry Cry
Shades Of Gray
108 bpm • B Maj • 05:05 • -11.57db
23% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sierra Hull
Choices And Changes
108 bpm • A# min • 03:19 • -15.37db
26% Popularity • 74% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
26% Popularity • 74% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
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Darrell Scott
A Crooked Road
108 bpm • C Maj • 04:11 • -12db
30% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
30% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Tim O'Brien
Hold On
99 bpm • E min • 03:49 • -7.62db
7% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Travelin' McCourys
I Live on a Battlefield
98 bpm • G min • 04:11 • -7db
31% Popularity • 56% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 56% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Dom Flemons
Lonesome Old River Blues
98 bpm • A Maj • 02:42 • -11db
29% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tony Rice Unit
Home From The Forest
108 bpm • E Maj • 04:19 • -14db
24% Popularity • 66% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 66% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Cleveland
Dark As The Night, Blue As The Day
109 bpm • A Maj • 03:51 • -7.95db
15% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Carolina Chocolate Drops
Peace Behind the Bridge
98 bpm • D Maj • 02:34 • -8db
28% Popularity • 45% Danceability • 39% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
28% Popularity • 45% Danceability • 39% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
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Tim O'Brien
Restless Spirit Wandering
99 bpm • E Maj • 05:03 • -9.7db
8% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Travelin' McCourys
The Hardest Heart
108 bpm • E min • 05:12 • -7.76db
17% Popularity • 54% Danceability • 61% Energy • 18% Liveness
13% Instrumentalness • 62% Positiveness
17% Popularity • 54% Danceability • 61% Energy • 18% Liveness
13% Instrumentalness • 62% Positiveness
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Danny Burns
Fields of Gold
98 bpm • F Maj • 03:34 • -9.9db
9% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Bronwyn Keith-Hynes
Hello Trouble
109 bpm • E Maj • 02:42 • -10.64db
12% Popularity • 62% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 62% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Bruce Molsky
Lazy John / The Bucking Mule
98 bpm • C# Maj • 04:12 • -6.36db
15% Popularity • 42% Danceability • 47% Energy • 7% Liveness
7% Instrumentalness • 77% Positiveness
15% Popularity • 42% Danceability • 47% Energy • 7% Liveness
7% Instrumentalness • 77% Positiveness
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The Del McCoury Band
Nashville Cats
109 bpm • G Maj • 03:41 • -9db
32% Popularity • 68% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 68% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Tim O'Brien
A Mountaineer Is Always Free
107 bpm • F Maj • 03:27 • -10.69db
11% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Alison Krauss & Union Station
I'll Remember You, Love, In My Prayers
109 bpm • B Maj • 03:02 • -7.34db
22% Popularity • 57% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 82% Positiveness
22% Popularity • 57% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 82% Positiveness
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Laurie Lewis
Wild Rose Of The Mountain / The Devil Ch...
109 bpm • A Maj • 07:37 • -9.41db
7% Popularity • 51% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
7% Popularity • 51% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
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Flatt & Scruggs
Gentle on My Mind
109 bpm • C Maj • 02:35 • -17.08db
24% Popularity • 64% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 64% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Chatham County Line
Living in Raleigh Now
97 bpm • E Maj • 02:37 • -6db
15% Popularity • 60% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 60% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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The Stray Birds
Down in the Willow Garden
97 bpm • F# Maj • 02:57 • -12.23db
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tim O'Brien
The Wicked Messenger
109 bpm • G Maj • 02:25 • -11.73db
13% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Watson
Always Lift Him Up And Never Knock Him D...
97 bpm • D Maj • 02:35 • -12.9db
19% Popularity • 52% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Tony Rice Unit
Ginseng Sullivan
109 bpm • E Maj • 03:10 • -12db
32% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 65% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Chris Thile
You're Running Wild
109 bpm • A Maj • 02:33 • -8.79db
11% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chatham County Line
Tightrope of Love
97 bpm • G Maj • 03:00 • -4.71db
17% Popularity • 54% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 54% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Watkins Family Hour
Early Morning Rain
109 bpm • D Maj • 03:37 • -9.78db
11% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Cathy Fink
Julie Ann Johnson
109 bpm • D Maj • 01:50 • -19.6db
25% Popularity • 57% Danceability • 22% Energy • 7% Liveness
80% Instrumentalness • 97% Positiveness
25% Popularity • 57% Danceability • 22% Energy • 7% Liveness
80% Instrumentalness • 97% Positiveness
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Tim O'Brien
Keep Your Lamp Trimmed and Burnin'
97 bpm • E min • 04:15 • -10.18db
10% Popularity • 53% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 53% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Mile Twelve
The Margaret Keene
110 bpm • D Maj • 04:16 • -10.45db
11% Popularity • 62% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 62% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Alison Krauss & Union Station
This Sad Song
110 bpm • E min • 02:20 • -5.84db
21% Popularity • 58% Danceability • 71% Energy • 34% Liveness
10% Instrumentalness • 78% Positiveness
21% Popularity • 58% Danceability • 71% Energy • 34% Liveness
10% Instrumentalness • 78% Positiveness
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Bryan Sutton And Friends
Church Street Blues
111 bpm • E Maj • 03:38 • -9.85db
15% Popularity • 55% Danceability • 62% Energy • 13% Liveness
54% Instrumentalness • 87% Positiveness
15% Popularity • 55% Danceability • 62% Energy • 13% Liveness
54% Instrumentalness • 87% Positiveness
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Foghorn Stringband
Leland's Waltz
111 bpm • A Maj • 02:44 • -12.83db
12% Popularity • 63% Danceability • 27% Energy • 28% Liveness
64% Instrumentalness • 56% Positiveness
12% Popularity • 63% Danceability • 27% Energy • 28% Liveness
64% Instrumentalness • 56% Positiveness
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Blue Highway
In The Gravel Yard
111 bpm • F# min • 03:05 • -9.7db
30% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Tim O'Brien
Few Old Memories
110 bpm • A# Maj • 03:43 • -10.07db
8% Popularity • 58% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 58% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Becky Buller
The Master's Garden
111 bpm • D# Maj • 02:21 • -7.54db
17% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Carolina Chocolate Drops
Cornbread and Butterbeans
111 bpm • G Maj • 03:09 • -8.48db
39% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Cahalen Morrison & Eli West
Our Lady of the Tall Trees
111 bpm • C Maj • 03:43 • -9.12db
29% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Thile
Cry, Cry Darling
95 bpm • G# Maj • 03:01 • -9.09db
16% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
