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Amazing
Songs like
Amazing
by
Alex Lloyd
Based on a tempo of (+/- 10%) and a similar genre
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Birds Of Tokyo
The Greatest Mistakes
100 bpm • G Maj • 02:34 • -4.69db
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Alex Lloyd
Gender
100 bpm • G min • 03:36 • -8.42db
11% Popularity • 70% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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Taxiride
Ice Cream
100 bpm • G Maj • 03:29 • -4.54db
11% Popularity • 66% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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the feelers
As Good as It Gets
100 bpm • C Maj • 03:55 • -4.56db
24% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Thirsty Merc
The Good Life
101 bpm • A# min • 03:20 • -3.99db
42% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Birds Of Tokyo
Wild At Heart
100 bpm • G# Maj • 04:00 • -5.46db
38% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Lloyd
Lost In The Rain
100 bpm • G Maj • 03:02 • -5.46db
13% Popularity • 56% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Headless Chickens
Cruise Control - 1994
101 bpm • A Maj • 03:47 • -7.08db
35% Popularity • 60% Danceability • 89% Energy • 32% Liveness
49% Instrumentalness • 63% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
17% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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Alex Lloyd
Something Special
100 bpm • B Maj • 03:13 • -8.37db
11% Popularity • 61% Danceability • 78% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
28% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
40% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Alex Lloyd
Blackbird
100 bpm • G Maj • 01:31 • -11.16db
29% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
38% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • C# Maj • 04:01 • -6.66db
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Alex Lloyd
Face Of A Stranger
100 bpm • B Maj • 04:02 • -7.39db
6% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Something For Kate
Situation Room
97 bpm • D Maj • 04:30 • -5db
27% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Taxiride
How I Got This Way
98 bpm • C# Maj • 03:30 • -5.96db
22% Popularity • 44% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Cold Chisel
Choirgirl - 2011 Remastered
97 bpm • C Maj • 03:13 • -2.78db
50% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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1927
If I Could
97 bpm • E Maj • 03:40 • -4db
47% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Lloyd
All You Need
100 bpm • D Maj • 03:03 • -5.39db
10% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
41% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Goldenhorse
Maybe Tomorrow
96 bpm • E Maj • 02:56 • -5.6db
40% Popularity • 56% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Powderfinger
Passenger
96 bpm • B min • 04:21 • -6.99db
46% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Merril Bainbridge
Under The Water
104 bpm • F# Maj • 04:13 • -9.24db
32% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Mark Seymour
The Ballad of the One Eyed Man
96 bpm • E Maj • 04:02 • -7.17db
16% Popularity • 56% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Little Birdy
Brother
96 bpm • C min • 03:37 • -9db
34% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Mutton Birds
Anchor Me
105 bpm • A Maj • 04:30 • -10.89db
41% Popularity • 78% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Alex Lloyd
Distant Light
100 bpm • C Maj • 04:02 • -4.01db
11% Popularity • 69% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 43% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
30% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
33% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Alex Lloyd
Sometimes
101 bpm • A Maj • 04:18 • -6.48db
11% Popularity • 43% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Candice Alley
Falling
93 bpm • A# min • 03:58 • -7.2db
30% Popularity • 50% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Taxiride
Back Again
106 bpm • A Maj • 01:28 • -13db
26% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
50% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Alex Lloyd
1000 Miles
97 bpm • C Maj • 03:02 • -4.17db
11% Popularity • 50% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Killing Heidi
I Am
93 bpm • A# Maj • 03:27 • -2db
36% Popularity • 50% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
31% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
51% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Daryl Braithwaite
All I Do
108 bpm • D Maj • 04:06 • -10db
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Lloyd
Coming Home
104 bpm • E Maj • 03:06 • -2.91db
28% Popularity • 50% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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John Butler Trio
Better Than
108 bpm • G Maj • 03:29 • -6db
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Alex Lloyd
What A Year
105 bpm • E min • 03:02 • -8db
16% Popularity • 71% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Tina Arena
Chains
92 bpm • C min • 04:22 • -9.37db
48% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
20% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
43% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Thirsty Merc
Someday, Someday - Single Version
92 bpm • G Maj • 03:41 • -5db
41% Popularity • 56% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Alex Lloyd
Downtown
105 bpm • C Maj • 04:44 • -6.7db
17% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
47% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Vanessa Amorosi
Perfect
109 bpm • F# Maj • 04:47 • -3.27db
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Waifs
Bridal Train (Studio Version)
109 bpm • G# Maj • 04:19 • -8.44db
36% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Cold Chisel
Saturday Night - 2011 Remastered
91 bpm • F Maj • 04:21 • -6db
45% Popularity • 62% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Lloyd
Black The Sun
105 bpm • E min • 03:45 • -10.62db
24% Popularity • 61% Danceability • 48% Energy • 37% Liveness
2% Instrumentalness • 12% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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The Angels
Take a Long Line
91 bpm • E min • 02:59 • -12.46db
50% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Alex Lloyd
My Friend
105 bpm • A Maj • 03:36 • -3.88db
12% Popularity • 40% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
38% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Daryl Braithwaite
Higher Than Hope
110 bpm • C# Maj • 04:59 • -12db
26% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
28% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
38% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Archie Roach
Took the Children Away
110 bpm • G Maj • 05:24 • -12.88db
36% Popularity • 35% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Lloyd
Momo
106 bpm • A Maj • 04:33 • -10.34db
10% Popularity • 64% Danceability • 65% Energy • 25% Liveness
13% Instrumentalness • 54% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
30% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
52% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Split Enz
I See Red
91 bpm • C Maj • 03:14 • -4.65db
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Something For Kate
Monsters
111 bpm • C# Maj • 03:39 • -6.09db
41% Popularity • 42% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Alex Lloyd
Slow Train - with Stephen & Alan Pigram
106 bpm • F# min • 03:57 • -6db
28% Popularity • 74% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Christine Anu
Island Home - Earth Beat
90 bpm • D Maj • 03:49 • -10db
25% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Amazing