Songs like Ambulance by TRICOT MACHINE
Based on a tempo of (+/- 10%) and a similar genre
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Émile Bilodeau
Je suis un fou
127 bpm • C Maj • 03:37 • -9.49db
27% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bernard Adamus
L'oiseau
127 bpm • G Maj • 01:12 • -8db
35% Popularity • 71% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 71% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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TRICOT MACHINE
Ambulance
127 bpm • D# min • 03:50 • -7.25db
11% Popularity • 44% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 44% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Tire Le Coyote
Jolie Anne
127 bpm • C# Maj • 03:32 • -12.09db
27% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Desjardins
...et j'ai couché dans mon char
126 bpm • C Maj • 05:54 • -24db
32% Popularity • 60% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 60% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Vincent Vallières
Hier au soir
128 bpm • C min • 03:49 • -9db
14% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Mara Tremblay
L'été indien
126 bpm • A Maj • 05:09 • -10.14db
11% Popularity • 56% Danceability • 50% Energy • 11% Liveness
14% Instrumentalness • 33% Positiveness
11% Popularity • 56% Danceability • 50% Energy • 11% Liveness
14% Instrumentalness • 33% Positiveness
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Salomé Leclerc
Arlon
126 bpm • E min • 04:12 • -7.25db
13% Popularity • 67% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
13% Popularity • 67% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Dumas
Chicago
126 bpm • C Maj • 03:18 • -9.17db
21% Popularity • 63% Danceability • 78% Energy • 9% Liveness
64% Instrumentalness • 80% Positiveness
21% Popularity • 63% Danceability • 78% Energy • 9% Liveness
64% Instrumentalness • 80% Positiveness
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Alex Nevsky
On leur a fait croire
126 bpm • F min • 03:27 • -5.85db
40% Popularity • 72% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
40% Popularity • 72% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
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Saratoga
On est pas du monde
128 bpm • G min • 03:35 • -11db
19% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 69% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Kouna
Batiscan
126 bpm • C min • 03:31 • -13.83db
12% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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TRICOT MACHINE
Roman savon
126 bpm • E Maj • 02:35 • -9.42db
16% Popularity • 50% Danceability • 41% Energy • 48% Liveness
2% Instrumentalness • 55% Positiveness
16% Popularity • 50% Danceability • 41% Energy • 48% Liveness
2% Instrumentalness • 55% Positiveness
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Salomé Leclerc
Partir ensemble
126 bpm • E min • 03:25 • -8.72db
20% Popularity • 82% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 82% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Bernard Adamus
2176
128 bpm • G Maj • 05:16 • -9.47db
41% Popularity • 60% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 60% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Émile Bilodeau
Ça va
129 bpm • G# Maj • 03:51 • -9db
50% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Mara Tremblay
Tu m'intimides
129 bpm • G# Maj • 03:08 • -7.54db
10% Popularity • 35% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 35% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sally Folk
7 jours
125 bpm • A min • 02:19 • -4.11db
14% Popularity • 67% Danceability • 90% Energy • 11% Liveness
7% Instrumentalness • 68% Positiveness
14% Popularity • 67% Danceability • 90% Energy • 11% Liveness
7% Instrumentalness • 68% Positiveness
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TRICOT MACHINE
Le trou
125 bpm • E Maj • 03:34 • -9.7db
13% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Avec pas d'casque
Autour
125 bpm • E Maj • 04:28 • -10.96db
21% Popularity • 51% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 12% Positiveness
21% Popularity • 51% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 12% Positiveness
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Bernard Adamus
La diligence
129 bpm • G min • 02:59 • -6.06db
16% Popularity • 70% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 70% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Yann Perreau
J'aime les oiseaux
125 bpm • F min • 03:38 • -5.81db
32% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 69% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Bleu Jeans Bleu
L'homme-sandwich en collants
125 bpm • E Maj • 02:12 • -7.43db
29% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alfa Rococo
Météore
125 bpm • A min • 04:20 • -5db
19% Popularity • 70% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 70% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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TRICOT MACHINE
Radar
129 bpm • G min • 02:40 • -8.12db
6% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Karkwa
Le Bon Sens
125 bpm • F min • 03:30 • -7db
21% Popularity • 62% Danceability • 79% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
21% Popularity • 62% Danceability • 79% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
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Les Trois Accords
J'aime ta grand-mère
125 bpm • C Maj • 03:53 • -5.33db
44% Popularity • 51% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 51% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Canailles
Parle-moi
129 bpm • A# Maj • 02:26 • -6db
23% Popularity • 56% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 56% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Les Hay Babies
Chus pas une femme a marier
124 bpm • C Maj • 02:59 • -13.1db
19% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Damien Robitaille
Homme autonome
130 bpm • C# Maj • 04:05 • -6db
29% Popularity • 76% Danceability • 72% Energy • 7% Liveness
20% Instrumentalness • 86% Positiveness
29% Popularity • 76% Danceability • 72% Energy • 7% Liveness
20% Instrumentalness • 86% Positiveness
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TRICOT MACHINE
Super ordinaire
125 bpm • D Maj • 03:23 • -11db
22% Popularity • 60% Danceability • 26% Energy • 9% Liveness
54% Instrumentalness • 19% Positiveness
22% Popularity • 60% Danceability • 26% Energy • 9% Liveness
54% Instrumentalness • 19% Positiveness
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Avec pas d'casque
La journée qui s'en vient est flambant ...
130 bpm • G Maj • 04:46 • -9.75db
35% Popularity • 58% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 58% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Yann Perreau
Acrobates de l'éternité
130 bpm • E min • 03:55 • -6db
8% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Malajube
Luna
130 bpm • E min • 02:34 • -6.38db
16% Popularity • 58% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 58% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Les Trois Accords
Saskatchewan
124 bpm • D Maj • 04:24 • -8.97db
47% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Les Hay Babies
Fil de téléphone
124 bpm • B Maj • 03:28 • -10db
28% Popularity • 68% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
28% Popularity • 68% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
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Ariane Moffatt
Miami
124 bpm • A# min • 02:46 • -6.35db
38% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Émile Bilodeau
Bière
124 bpm • C Maj • 02:53 • -11db
34% Popularity • 67% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 67% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Ingrid St-Pierre
La planque à libellules
124 bpm • G# Maj • 04:25 • -11db
30% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Marc Déry
Poisson D'avril
124 bpm • A# Maj • 03:38 • -9.52db
21% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 65% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Les Trois Accords
Les amoureux qui s'aiment
124 bpm • A Maj • 03:30 • -4db
40% Popularity • 61% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 61% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Fred Fortin
Tapis noir
124 bpm • A# Maj • 02:24 • -11.86db
30% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Damien Robitaille
Porc-Épic
130 bpm • C# Maj • 02:52 • -8db
12% Popularity • 95% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 95% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Mara Tremblay
Les aurores
124 bpm • C Maj • 03:39 • -8.81db
15% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Lisa LeBlanc
Y fait chaud
123 bpm • A min • 02:56 • -4.71db
30% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Louis-Jean Cormier
Tête première
123 bpm • C Maj • 04:19 • -6.78db
17% Popularity • 38% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 38% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Les Hay Babies
Fontaine à vœux
123 bpm • E Maj • 03:30 • -9db
27% Popularity • 55% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 55% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Tire Le Coyote
Le ciel est backorder
123 bpm • B Maj • 05:34 • -8.55db
31% Popularity • 42% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 42% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Vincent Vallières
Juliette
123 bpm • E min • 03:04 • -7db
15% Popularity • 71% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 71% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Sally Folk
Les heures de visite
123 bpm • B min • 03:13 • -4.34db
26% Popularity • 60% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 60% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Émile Bilodeau
J'en ai plein mon cass
131 bpm • B min • 03:37 • -6.28db
48% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Lisa LeBlanc
Cerveau ramolli
123 bpm • C Maj • 02:42 • -5.41db
28% Popularity • 54% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 54% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Fred Fortin
Gratte
131 bpm • C min • 04:59 • -10.08db
17% Popularity • 26% Danceability • 54% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
17% Popularity • 26% Danceability • 54% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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Salomé Leclerc
Vers le sud
132 bpm • A# Maj • 03:11 • -11.57db
16% Popularity • 56% Danceability • 29% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
16% Popularity • 56% Danceability • 29% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
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Karkwa
Le Pyromane
122 bpm • C Maj • 04:09 • -7db
30% Popularity • 46% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 46% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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TRICOT MACHINE
Un monstre sous mon lit
132 bpm • D Maj • 04:44 • -7.75db
13% Popularity • 62% Danceability • 68% Energy • 28% Liveness
3% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 68% Energy • 28% Liveness
3% Instrumentalness • 50% Positiveness
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Émile Bilodeau
Les poètes maudits
123 bpm • D min • 01:34 • -11.82db
29% Popularity • 74% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 74% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Stefie Shock
Le décor - 2023 mix
122 bpm • B min • 04:20 • -8.22db
12% Popularity • 72% Danceability • 79% Energy • 38% Liveness
57% Instrumentalness • 54% Positiveness
12% Popularity • 72% Danceability • 79% Energy • 38% Liveness
57% Instrumentalness • 54% Positiveness
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Lisa LeBlanc
J'pas un cowboy
132 bpm • A Maj • 03:29 • -3db
26% Popularity • 50% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 50% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Les Trois Accords
Tout nu sur la plage
122 bpm • C Maj • 03:35 • -6.95db
40% Popularity • 52% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 52% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Karkwa
Moi-Léger
132 bpm • F# Maj • 03:09 • -11db
26% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Patrice Michaud
Le feu de chaque jour
122 bpm • C# min • 04:36 • -7db
21% Popularity • 62% Danceability • 86% Energy • 35% Liveness
24% Instrumentalness • 82% Positiveness
21% Popularity • 62% Danceability • 86% Energy • 35% Liveness
24% Instrumentalness • 82% Positiveness
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Émile Bilodeau
Quand les nuages seront partis
122 bpm • D Maj • 02:22 • -11db
31% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Ariane Moffatt
Briser Un Coeur
122 bpm • A# Maj • 03:09 • -9.21db
21% Popularity • 89% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 89% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dobacaracol
Étrange
132 bpm • G# min • 03:35 • -5db
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Les Trois Accords
Son visage était parfait
122 bpm • E Maj • 02:39 • -8db
30% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Marie-Pierre Arthur
Cacher l'hiver
122 bpm • F# Maj • 03:33 • -7.41db
14% Popularity • 69% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 69% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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TRICOT MACHINE
Comme un accident
121 bpm • D Maj • 03:55 • -10.17db
3% Popularity • 76% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 76% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jim Corcoran
La belle des champs
121 bpm • D min • 02:35 • -13.61db
27% Popularity • 71% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Galaxie
Jusqu'à la fin
133 bpm • F Maj • 02:39 • -11.07db
22% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Lydia Képinski
Apprendre à mentir
133 bpm • G Maj • 03:09 • -6.12db
13% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Les Trois Accords
Exercice
133 bpm • C Maj • 03:01 • -4.77db
27% Popularity • 50% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 50% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Desjardins
Va-t'en pas
121 bpm • C min • 04:13 • -27db
25% Popularity • 40% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 40% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ariane Moffatt
Imparfait
121 bpm • F# Maj • 03:42 • -13.15db
22% Popularity • 57% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 57% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Jim Corcoran
J'vais Changer Le Monde
121 bpm • F Maj • 02:36 • -14.74db
20% Popularity • 57% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
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Marie-Pierre Arthur
Rien à faire
121 bpm • B min • 03:39 • -6.75db
27% Popularity • 66% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 66% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Karkwa
Le Vrai Bonheur
121 bpm • A# Maj • 05:27 • -15.8db
15% Popularity • 56% Danceability • 45% Energy • 31% Liveness
80% Instrumentalness • 42% Positiveness
15% Popularity • 56% Danceability • 45% Energy • 31% Liveness
80% Instrumentalness • 42% Positiveness
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Les Hay Babies
Boîte aux lettres
134 bpm • B min • 01:47 • -8db
18% Popularity • 66% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 71% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 71% Positiveness
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Lisa LeBlanc
Lignes d'Hydro
120 bpm • F# min • 05:03 • -7.41db
27% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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La Patère Rose
Duet tacet
134 bpm • C Maj • 03:00 • -12.11db
12% Popularity • 45% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 45% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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TRICOT MACHINE
J'ai des allumettes
134 bpm • C Maj • 02:46 • -11.18db
3% Popularity • 60% Danceability • 25% Energy • 8% Liveness
4% Instrumentalness • 24% Positiveness
3% Popularity • 60% Danceability • 25% Energy • 8% Liveness
4% Instrumentalness • 24% Positiveness
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Vincent Vallières
OK on part
120 bpm • B min • 02:42 • -6.45db
23% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Les Trois Accords
Caméra vidéo
134 bpm • D# Maj • 03:58 • -4.24db
32% Popularity • 50% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 50% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Les Hay Babies
Motel 1755
134 bpm • F# min • 02:37 • -6db
15% Popularity • 56% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 56% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Émile Proulx-Cloutier
Votre cochon se couche
120 bpm • C Maj • 05:10 • -6.09db
16% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Bernard Adamus
Y fait chaud
120 bpm • C Maj • 02:05 • -7.67db
37% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Malajube
Synesthésie
120 bpm • A min • 02:53 • -4.26db
20% Popularity • 41% Danceability • 96% Energy • 17% Liveness
96% Instrumentalness • 19% Positiveness
20% Popularity • 41% Danceability • 96% Energy • 17% Liveness
96% Instrumentalness • 19% Positiveness
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Fred Fortin
Bocal
134 bpm • C# Maj • 01:49 • -13db
27% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Galaxie
Encore
120 bpm • F Maj • 03:18 • -6.89db
15% Popularity • 36% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 36% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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Avec pas d'casque
Talent
120 bpm • D Maj • 04:11 • -13.11db
21% Popularity • 52% Danceability • 58% Energy • 10% Liveness
18% Instrumentalness • 25% Positiveness
21% Popularity • 52% Danceability • 58% Energy • 10% Liveness
18% Instrumentalness • 25% Positiveness
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Patrice Michaud
Kamikaze
120 bpm • F Maj • 04:04 • -6db
36% Popularity • 68% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
36% Popularity • 68% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Bernard Adamus
Le bol ...
134 bpm • G# Maj • 01:27 • -5.68db
34% Popularity • 76% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 76% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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VioleTT Pi
Fleur de Londres
120 bpm • C min • 02:56 • -8db
3% Popularity • 66% Danceability • 51% Energy • 22% Liveness
50% Instrumentalness • 54% Positiveness
3% Popularity • 66% Danceability • 51% Energy • 22% Liveness
50% Instrumentalness • 54% Positiveness
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Sally Folk
On dira aux autres
120 bpm • C Maj • 02:43 • -2db
26% Popularity • 76% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 76% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Radio Radio
Dekshoo
120 bpm • D min • 03:25 • -6.59db
25% Popularity • 78% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 78% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Stefie Shock
Savoure le rouge
120 bpm • E Maj • 03:49 • -8db
24% Popularity • 70% Danceability • 72% Energy • 9% Liveness
18% Instrumentalness • 53% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 9% Liveness
18% Instrumentalness • 53% Positiveness
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Karkwa
La marche
120 bpm • G# Maj • 04:08 • -7.91db
18% Popularity • 52% Danceability • 45% Energy • 37% Liveness
16% Instrumentalness • 22% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 37% Liveness
16% Instrumentalness • 22% Positiveness
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Fred Fortin
Grippe
120 bpm • D min • 03:07 • -10.52db
20% Popularity • 66% Danceability • 74% Energy • 11% Liveness
4% Instrumentalness • 78% Positiveness
20% Popularity • 66% Danceability • 74% Energy • 11% Liveness
4% Instrumentalness • 78% Positiveness
