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Amelia
Songs like
Amelia
by
Matthew Perryman Jones
Based on a tempo of (+/- 10%) and a similar genre
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Reuben And The Dark
Standing Still
127 bpm • G Maj • 03:53 • -10db
22% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Racing Glaciers
First Light
127 bpm • C# Maj • 04:01 • -6.51db
31% Popularity • 43% Danceability • 78% Energy • 8% Liveness
51% Instrumentalness • 14% Positiveness
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Jack Savoretti
Wonder
127 bpm • G Maj • 04:23 • -6.9db
25% Popularity • 44% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Dotan
Home II
127 bpm • B min • 05:31 • -13db
43% Popularity • 43% Danceability • 31% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
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Shane Alexander
Shipwrecked
126 bpm • D min • 03:33 • -12.61db
24% Popularity • 33% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
40% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Reuben And The Dark
Stay Wild
127 bpm • A# min • 05:23 • -6.61db
12% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Erin McCarley
Into the Fire
128 bpm • D# min • 03:29 • -12.14db
41% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Patrick Park
The House Is Burning Down
126 bpm • A# min • 03:24 • -8.92db
13% Popularity • 62% Danceability • 40% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
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Joy Williams
Until the Levee
126 bpm • D Maj • 02:40 • -10db
30% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sleeping Wolf
The Wreck of Our Hearts
126 bpm • A Maj • 03:47 • -8db
38% Popularity • 62% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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CAIRO
Addict
128 bpm • F# min • 05:06 • -11.68db
19% Popularity • 54% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Reuben And The Dark
Marionette
128 bpm • D Maj • 04:45 • -6.78db
16% Popularity • 37% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Blackchords
Into the Unknown
126 bpm • B min • 05:13 • -12db
35% Popularity • 52% Danceability • 43% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Lawless
Dear God
126 bpm • G Maj • 04:31 • -11db
42% Popularity • 47% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Matthew Perryman Jones
Looking For You Again
126 bpm • C# Maj • 04:23 • -10.71db
30% Popularity • 48% Danceability • 51% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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Sanders Bohlke
The Weight Of Us
126 bpm • D# Maj • 05:35 • -12db
42% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Brighton
Forest Fire
128 bpm • B min • 03:51 • -9.84db
39% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Reuben And The Dark
Rolling Stone
126 bpm • E min • 04:17 • -6.91db
33% Popularity • 57% Danceability • 65% Energy • 13% Liveness
6% Instrumentalness • 24% Positiveness
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The Kin
Together
126 bpm • A min • 03:49 • -8.66db
14% Popularity • 62% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Cold War Kids
Restless
126 bpm • B Maj • 04:52 • -5.44db
43% Popularity • 51% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Bear's Den
Fortress
129 bpm • F# min • 05:21 • -7.99db
32% Popularity • 34% Danceability • 56% Energy • 12% Liveness
36% Instrumentalness • 10% Positiveness
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Will Cookson
Alone In The Dark
125 bpm • B Maj • 03:30 • -14.27db
35% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Kevin Daniel
Guarded
125 bpm • E Maj • 04:25 • -9.47db
28% Popularity • 52% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Reuben And The Dark
Humankind
129 bpm • F Maj • 02:56 • -7.98db
17% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Katie Herzig & Matthew Perryman Jones
Where the Road Meets the Sun
125 bpm • D# Maj • 04:07 • -8.86db
25% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Seafret
Oceans
129 bpm • A min • 03:35 • -9.1db
62% Popularity • 37% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Houses
Beginnings
125 bpm • C Maj • 05:07 • -10.25db
28% Popularity • 54% Danceability • 44% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
74% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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AG
Moonlight Mile
130 bpm • C# min • 03:34 • -9.99db
2% Popularity • 24% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Aron Wright
Song for the Waiting
130 bpm • G Maj • 03:20 • -12db
29% Popularity • 65% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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WILDES
Bare
130 bpm • D# min • 04:02 • -10db
43% Popularity • 52% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Susie Suh
Here with Me
130 bpm • C# min • 03:58 • -13.28db
52% Popularity • 58% Danceability • 38% Energy • 14% Liveness
6% Instrumentalness • 11% Positiveness
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Claire Wyndham
Kingdom Fall
130 bpm • G min • 03:33 • -10.99db
45% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Welshly Arms
Unspoken
124 bpm • A min • 03:41 • -12db
31% Popularity • 58% Danceability • 46% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
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Michael Logen
St. Christopher (On My Way)
130 bpm • G Maj • 03:16 • -8db
30% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Hayden Calnin
Coward
124 bpm • C Maj • 04:12 • -9db
33% Popularity • 41% Danceability • 47% Energy • 13% Liveness
25% Instrumentalness • 22% Positiveness
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Sam Tinnesz
When the Truth Hunts You Down
130 bpm • A# min • 04:05 • -8.77db
34% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mikky Ekko
We Must Be Killers
124 bpm • E min • 03:19 • -12db
41% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Damien Rice
Long Long Way
124 bpm • C Maj • 06:21 • -9.88db
30% Popularity • 28% Danceability • 28% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Lee DeWyze
Same For You
130 bpm • B min • 03:37 • -7.68db
38% Popularity • 64% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 49% Positiveness
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Billy Raffoul
Hell or High Water
130 bpm • B Maj • 03:34 • -9.45db
48% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Barbarossa
Stones
124 bpm • G Maj • 02:49 • -14db
35% Popularity • 46% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Anadel
Cosmic Creatures
124 bpm • A min • 04:13 • -9.42db
15% Popularity • 38% Danceability • 49% Energy • 45% Liveness
2% Instrumentalness • 8% Positiveness
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Bootstraps
FortyFive
131 bpm • A# min • 03:04 • -7db
34% Popularity • 56% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
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Trent Dabbs
I'm Not OK
123 bpm • D Maj • 04:00 • -9.07db
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
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Hurts
Mercy
123 bpm • B min • 04:06 • -8db
41% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Aron Wright
You & Me (The Wildfire)
131 bpm • D Maj • 04:02 • -14.74db
42% Popularity • 51% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Lee DeWyze
Weight
123 bpm • C Maj • 02:27 • -10db
28% Popularity • 51% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 14% Positiveness
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Morgan Taylor Reid
Simply Human
131 bpm • F# Maj • 04:25 • -12.74db
21% Popularity • 55% Danceability • 26% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Great Northern
Driveway
131 bpm • C Maj • 04:24 • -8.26db
30% Popularity • 22% Danceability • 26% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Trent Dabbs
Come Home Safe
132 bpm • C Maj • 03:31 • -11db
33% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Seafret
Give Me Something
132 bpm • A Maj • 02:38 • -11.15db
49% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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isaac gracie
all in my mind
132 bpm • G# Maj • 03:59 • -9.02db
30% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Aron Wright
In the Sun
132 bpm • G Maj • 04:28 • -16db
38% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Mikky Ekko
Time
122 bpm • F# Maj • 04:14 • -12db
40% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Armon Jay
Edge of the Dark
122 bpm • D min • 03:13 • -9.33db
26% Popularity • 27% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Black Lab
This Night
132 bpm • A Maj • 03:29 • -8db
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
25% Instrumentalness • 39% Positiveness
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Seafret
Wildfire
132 bpm • F# Maj • 03:44 • -7.87db
55% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Matthew Perryman Jones
Breaking Out the Windows
132 bpm • A Maj • 03:36 • -9.51db
14% Popularity • 59% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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King Baby James
Golden Casket
132 bpm • C min • 03:07 • -10.31db
34% Popularity • 80% Danceability • 43% Energy • 14% Liveness
20% Instrumentalness • 35% Positiveness
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The Rescues
Hold On
122 bpm • D# min • 03:25 • -11.06db
30% Popularity • 30% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Meadows
The Only Boy Awake
122 bpm • F Maj • 02:43 • -10.29db
52% Popularity • 52% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Naughty Boy
No One’s Here To Sleep
122 bpm • C min • 04:32 • -6.88db
47% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Brolly
They Run, They Hide
122 bpm • C min • 04:32 • -8db
21% Popularity • 51% Danceability • 67% Energy • 37% Liveness
3% Instrumentalness • 30% Positiveness
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Matthew Perryman Jones
Waiting On the Light to Change
122 bpm • B Maj • 03:30 • -9db
30% Popularity • 84% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Escondido
Midnight Train
122 bpm • C Maj • 03:42 • -8.14db
17% Popularity • 41% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 8% Positiveness
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Talos
In Time
122 bpm • C# Maj • 04:38 • -13.71db
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Reuben And The Dark
Shoulderblade
133 bpm • D Maj • 03:47 • -9.21db
13% Popularity • 56% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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The Daylights
Black Dove
133 bpm • A# min • 03:28 • -7.06db
23% Popularity • 29% Danceability • 78% Energy • 7% Liveness
8% Instrumentalness • 24% Positiveness
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AG
My Love Will Never Die
133 bpm • G Maj • 03:38 • -15db
51% Popularity • 28% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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MISSIO
Bottom Of The Deep Blue Sea
133 bpm • E Maj • 03:51 • -4.79db
56% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Perryman Jones
Until the Dawn Appears
121 bpm • F Maj • 04:01 • -7.35db
16% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Scars On 45
Fading Bright Eyes Dark
133 bpm • C Maj • 05:15 • -9.5db
15% Popularity • 38% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Adam Agin
Please Don't Leave Quite Yet
121 bpm • E Maj • 03:29 • -7.92db
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Reuben And The Dark
Bow And Arrow - Alternate Version
134 bpm • A Maj • 04:00 • -5.18db
26% Popularity • 23% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Neulore
Don't Shy From The Light
134 bpm • G Maj • 04:29 • -11db
33% Popularity • 28% Danceability • 30% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
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Pim Stones
The Last One I Made
134 bpm • C# Maj • 05:07 • -15.68db
38% Popularity • 27% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Matthew Perryman Jones
When It Falls Apart
121 bpm • D Maj • 03:16 • -5.8db
11% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Barcelona
Come Back When You Can
134 bpm • C Maj • 03:44 • -8.92db
39% Popularity • 49% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jill Andrews
Rust or Gold
134 bpm • C# Maj • 04:33 • -13.82db
27% Popularity • 46% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Bootstraps
I Wanna Dance With Somebody
134 bpm • C Maj • 04:39 • -10.45db
34% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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KALEO
Save Yourself
120 bpm • G# Maj • 04:33 • -8.61db
57% Popularity • 53% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Conner Youngblood
The Warpath
134 bpm • D min • 03:33 • -11.87db
32% Popularity • 52% Danceability • 48% Energy • 12% Liveness
52% Instrumentalness • 24% Positiveness
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Matthew Perryman Jones
Beneath the Silver Moon
133 bpm • G Maj • 06:20 • -15.39db
9% Popularity • 42% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Mirror Fury
The One I Love
120 bpm • F# Maj • 03:04 • -10.27db
38% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Great Northern
Low Is A Height
120 bpm • A min • 05:15 • -9db
17% Popularity • 48% Danceability • 54% Energy • 31% Liveness
19% Instrumentalness • 24% Positiveness
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The Spiritual Machines
Couldn't Stop Caring
120 bpm • B min • 03:14 • -5db
34% Popularity • 58% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Hayden Calnin
For My Help
120 bpm • B Maj • 04:18 • -7.98db
43% Popularity • 47% Danceability • 46% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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Dave Thomas Junior
Lost At Sea
120 bpm • A# Maj • 05:11 • -10.3db
22% Popularity • 50% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Matthew Perryman Jones
Waiting On the Light to Change
134 bpm • C# min • 03:21 • -8.09db
14% Popularity • 51% Danceability • 88% Energy • 18% Liveness
10% Instrumentalness • 43% Positiveness
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Transit
Always Find Me Here
120 bpm • F min • 04:41 • -11.6db
10% Popularity • 65% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Ed Tullett
In Cure
120 bpm • G Maj • 04:02 • -10.41db
20% Popularity • 54% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Big Little Lions
Fire Me Up
120 bpm • D min • 03:08 • -6.99db
9% Popularity • 69% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Early Winters
Count Me In
120 bpm • A# Maj • 04:01 • -13.18db
40% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Amy Stroup
Alas We Aspire
120 bpm • D# Maj • 03:44 • -17.8db
22% Popularity • 52% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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Matthew Perryman Jones
Sleeping With a Stranger
134 bpm • F Maj • 04:01 • -9.71db
21% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Old Man Canyon
Phantoms and Friends
120 bpm • C# Maj • 03:51 • -8.33db
55% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Rogue Wave
Forest
120 bpm • C Maj • 04:52 • -11.44db
28% Popularity • 53% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
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Amelia