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American Honey
Songs like
American Honey
by
Lady A
Based on a tempo of (+/- 10%) and a similar genre
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
65% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Shania Twain
Forever And For Always
86 bpm • F# Maj • 04:43 • -4.81db
56% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Brad Paisley
When I Get Where I'm Going
86 bpm • C Maj • 04:07 • -9.91db
58% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
59% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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John Michael Montgomery
I Swear
86 bpm • C# Maj • 04:22 • -7.1db
60% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kacey Musgraves
Merry Go 'Round
87 bpm • F# Maj • 03:26 • -9.4db
64% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Kenny Chesney
American Kids
85 bpm • C Maj • 03:02 • -7.37db
77% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Brett Young
Dance With You
85 bpm • G Maj • 03:04 • -6.69db
64% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Brett Eldredge
Mean to Me
88 bpm • C Maj • 03:48 • -7db
51% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Little Big Town
Boondocks
88 bpm • A Maj • 04:32 • -5.39db
66% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Life Changes
88 bpm • G Maj • 03:10 • -4.37db
61% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Darius Rucker
If I Told You
84 bpm • A Maj • 03:32 • -7db
58% Popularity • 53% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Lady A
Heart Break
84 bpm • G Maj • 03:08 • -5.53db
45% Popularity • 55% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
64% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Zac Brown Band
Whatever It Is
84 bpm • C# Maj • 03:28 • -6.63db
71% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Scotty McCreery
I Love You This Big
84 bpm • A Maj • 04:06 • -6.34db
45% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sugarland
Stuck Like Glue
84 bpm • C# Maj • 04:07 • -4.76db
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Faith Hill
Mississippi Girl
84 bpm • A Maj • 03:52 • -4.15db
53% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Brett Young
Sleep Without You
89 bpm • F min • 03:07 • -6db
60% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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John Michael Montgomery
I Can Love You Like That
89 bpm • B Maj • 03:55 • -11.05db
56% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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The Chicks
Not Ready to Make Nice
84 bpm • F# Maj • 03:57 • -4.15db
61% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Brett Eldredge
The Long Way
89 bpm • A# Maj • 03:28 • -8db
54% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Kip Moore
Hey Pretty Girl
83 bpm • D Maj • 03:35 • -10.62db
58% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
59% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Lady A
Can't Take My Eyes Off You
83 bpm • A min • 04:45 • -9.95db
42% Popularity • 25% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Jana Kramer
I Won't Give Up
83 bpm • D Maj • 03:18 • -6.77db
38% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Faith Hill
Just to Hear You Say That You Love Me
83 bpm • C# Maj • 04:28 • -8.52db
39% Popularity • 47% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
71% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Artists Of Then, Now & Forever
Forever Country
90 bpm • G Maj • 04:02 • -6db
55% Popularity • 20% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
63% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Miranda Lambert
Somethin' Bad - Duet with Carrie Underw...
90 bpm • A Maj • 02:49 • -5.31db
64% Popularity • 68% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Chesney
I Go Back
90 bpm • F Maj • 04:03 • -5.75db
62% Popularity • 53% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Brett Young
You Didn’t
82 bpm • B Maj • 03:45 • -7.6db
61% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Currington
Hey Girl
82 bpm • C# Maj • 03:20 • -5db
57% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Randy Travis
Forever and Ever, Amen
90 bpm • D Maj • 03:32 • -9db
73% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Zac Brown Band
Knee Deep
91 bpm • G# Maj • 03:23 • -8.23db
74% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
67% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
64% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Devin Dawson
All On Me
81 bpm • F Maj • 03:44 • -5.49db
59% Popularity • 63% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Zac Brown Band
Goodbye in Her Eyes
81 bpm • D# Maj • 05:24 • -7.39db
55% Popularity • 41% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jo Dee Messina
Lesson In Leavin'
81 bpm • G Maj • 03:40 • -7db
59% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
63% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
55% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Shania Twain
Honey, I'm Home
80 bpm • E Maj • 03:34 • -5.17db
62% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kane Brown
Heaven
80 bpm • A Maj • 02:59 • -7db
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Walker Hayes
Fancy Like
80 bpm • C# Maj • 02:41 • -6.46db
73% Popularity • 65% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
57% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tim McGraw
I Need You
80 bpm • E Maj • 04:08 • -7.09db
55% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Lady A
What If I Never Get Over You
93 bpm • C Maj • 03:26 • -5.15db
63% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brad Paisley
Letter to Me
79 bpm • A Maj • 04:40 • -9db
49% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
62% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
59% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jordan Davis
Next Thing You Know
79 bpm • F Maj • 02:55 • -8db
78% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ingrid Andress
More Hearts Than Mine
79 bpm • C Maj • 03:34 • -7.39db
66% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tim McGraw
Just To See You Smile
94 bpm • F# Maj • 03:35 • -8.53db
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Brice
Love Like Crazy
78 bpm • A# Maj • 03:37 • -5.11db
63% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Bryan
Drink A Beer
78 bpm • G# Maj • 03:22 • -7.66db
65% Popularity • 48% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Stapleton
Broken Halos
78 bpm • G# Maj • 03:00 • -7.09db
78% Popularity • 61% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Shania Twain
Any Man Of Mine
78 bpm • G# Maj • 04:06 • -8.7db
72% Popularity • 59% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Florida Georgia Line
H.O.L.Y.
78 bpm • G min • 03:14 • -4.08db
68% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
58% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Combs
Even Though I'm Leaving
78 bpm • D Maj • 03:45 • -6.04db
70% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
55% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lady A
Somebody Else's Heart
95 bpm • E Maj • 03:31 • -6.89db
35% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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P!nk
Just Give Me a Reason
95 bpm • D Maj • 04:02 • -7.27db
84% Popularity • 78% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Ashley Cooke
never til now
77 bpm • A# Maj • 02:53 • -7.55db
44% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Thomas Rhett
T-Shirt
96 bpm • D Maj • 03:47 • -5.34db
61% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Lady A
Goodbye Town
95 bpm • E Maj • 04:48 • -6.03db
31% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Brett Young
Here Tonight
96 bpm • B Maj • 03:36 • -5db
57% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Little Big Town
Pontoon
96 bpm • A Maj • 03:32 • -5.72db
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Kelsea Ballerini
Miss Me More
96 bpm • D Maj • 03:12 • -7.15db
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Maren Morris
The Bones
77 bpm • B min • 03:17 • -6.64db
70% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lady A
Like A Lady
96 bpm • G# Maj • 03:01 • -4db
47% Popularity • 64% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Combs
Beer Never Broke My Heart
77 bpm • C# Maj • 03:06 • -4.48db
80% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
56% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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American Honey