Songs like American Hymn by William Schuman
Based on a tempo of (+/- 10%) and a similar genre
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Eric Ewazen
Sonata for Trumpet and Piano: 2. Allegre...
69 bpm • F# Maj • 07:37 • -22.94db
8% Popularity • 26% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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César Guerra-Peixe
Symphonic Suite No. 2 "Pernambucana": IV...
69 bpm • F# Maj • 03:01 • -16db
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
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Dorothy Howell
Divertissements: III. Three Divertisseme...
69 bpm • C Maj • 03:38 • -14.93db
9% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
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Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: II...
69 bpm • G Maj • 05:52 • -26.17db
12% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Sinfonia antartica "Symphony No. 7": I. ...
69 bpm • C Maj • 10:10 • -16.16db
9% Popularity • 9% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: III. ...
69 bpm • F Maj • 06:00 • -22db
18% Popularity • 36% Danceability • 13% Energy • 23% Liveness
83% Instrumentalness • 6% Positiveness
18% Popularity • 36% Danceability • 13% Energy • 23% Liveness
83% Instrumentalness • 6% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: IV. Wallfl...
69 bpm • F Maj • 03:27 • -32.54db
10% Popularity • 22% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
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David Maslanka
Give Us This Day: I. Moderately slow
69 bpm • A# Maj • 07:26 • -23db
12% Popularity • 15% Danceability • 6% Energy • 6% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 6% Energy • 6% Liveness
62% Instrumentalness • 4% Positiveness
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Ron Nelson
Sonoran Desert Holiday
69 bpm • D Maj • 09:39 • -20db
12% Popularity • 12% Danceability • 8% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 8% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Martin Ellerby
Paris Sketches: No. 1. Saint-Germain-des...
70 bpm • G Maj • 03:52 • -21.49db
10% Popularity • 18% Danceability • 8% Energy • 30% Liveness
62% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 30% Liveness
62% Instrumentalness • 4% Positiveness
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Adolphe Adam
La jolie fille de Gand: No. 1 Andantino ...
70 bpm • D Maj • 00:57 • -34.05db
18% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
18% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
71 bpm • C Maj • 00:55 • -12.43db
20% Popularity • 29% Danceability • 26% Energy • 21% Liveness
78% Instrumentalness • 56% Positiveness
20% Popularity • 29% Danceability • 26% Energy • 21% Liveness
78% Instrumentalness • 56% Positiveness
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William Schuman
Symphony No. 5, "Symphony for Strings": ...
68 bpm • G min • 04:53 • -14.01db
0% Popularity • 43% Danceability • 22% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
0% Popularity • 43% Danceability • 22% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Paul Dukas
La péri - Fanfare
71 bpm • F# Maj • 02:25 • -19.05db
12% Popularity • 23% Danceability • 10% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 23% Danceability • 10% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
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Edward Gregson
Tuba Concerto: II. Lento e mesto
67 bpm • D# min • 05:59 • -22db
13% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes, Op. 34: No. 14 in E-Flat Mi...
71 bpm • D# min • 02:20 • -19.68db
7% Popularity • 14% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Vincent Persichetti
Divertimento, Op. 42: II. Song
67 bpm • A min • 02:08 • -29.65db
13% Popularity • 19% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
71 bpm • G Maj • 03:28 • -38db
7% Popularity • 11% Danceability • 0% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 0% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
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Viet Cuong
Sound & Smoke: I. Feudal Castle Lights
67 bpm • A# min • 06:36 • -17.47db
1% Popularity • 11% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Dirge for 2 Veterans
71 bpm • A min • 10:06 • -22db
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Catacombs...
67 bpm • B min • 02:06 • -18.66db
24% Popularity • 19% Danceability • 1% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 1% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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United States Coast Guard Band
Adagio-Tarantella
71 bpm • F min • 04:13 • -22.16db
7% Popularity • 43% Danceability • 10% Energy • 13% Liveness
35% Instrumentalness • 37% Positiveness
7% Popularity • 43% Danceability • 10% Energy • 13% Liveness
35% Instrumentalness • 37% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
67 bpm • F Maj • 08:13 • -25db
0% Popularity • 10% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: II. Adagio rel...
67 bpm • C# Maj • 05:47 • -21.9db
12% Popularity • 12% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Gordon Jacob
An Original Suite: II. Intermezzo
71 bpm • A min • 04:31 • -17.77db
13% Popularity • 7% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
13% Popularity • 7% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Intermezzo ...
71 bpm • C min • 03:52 • -25.3db
26% Popularity • 7% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
26% Popularity • 7% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Frank Bridge
The Sea: No. 2 Sea-foam
71 bpm • D# Maj • 02:34 • -29.08db
15% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Paul Hart
Cartoon
71 bpm • D# Maj • 09:38 • -20db
8% Popularity • 20% Danceability • 21% Energy • 33% Liveness
16% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 21% Energy • 33% Liveness
16% Instrumentalness • 6% Positiveness
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William Schuman
Carols of Death: To All, To Each
66 bpm • F Maj • 02:39 • -37.86db
0% Popularity • 18% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
0% Popularity • 18% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Vladimir Cosma
Euphonium Concerto: II. Andantino
67 bpm • G# Maj • 07:17 • -29.79db
9% Popularity • 6% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 6% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Darius Milhaud
Suite française: II. Bretagne
72 bpm • D Maj • 04:34 • -30.62db
9% Popularity • 6% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Fountains of Rome, P. 106: II. The Trito...
66 bpm • C Maj • 02:43 • -18.51db
12% Popularity • 19% Danceability • 9% Energy • 7% Liveness
35% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 9% Energy • 7% Liveness
35% Instrumentalness • 3% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 2, Vivace
72 bpm • A# Maj • 02:23 • -29db
16% Popularity • 29% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 29% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Johannes Brahms
Variations on a theme by Haydn, Op. 56a ...
66 bpm • A# Maj • 03:43 • -19.73db
14% Popularity • 23% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
14% Popularity • 23% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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William Schuman
New England Triptych (version for wind e...
72 bpm • D# min • 05:33 • -28.61db
3% Popularity • 7% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 7% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Alexandre Guilmant
Morceau symphonique, Op.88
66 bpm • A# Maj • 07:28 • -20.74db
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Donald Grantham
Southern Harmony: I. The Midnight Cry
66 bpm • G# Maj • 02:20 • -15.29db
15% Popularity • 51% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
15% Popularity • 51% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Air Combat Command Heritage Of America Band
II. Song (Divertimento for Band)
73 bpm • A min • 02:17 • -34db
8% Popularity • 18% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Edward Gregson
Tuba Concerto: III. Allegro giocoso
66 bpm • G min • 06:26 • -20.33db
13% Popularity • 28% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 28% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
66 bpm • C Maj • 03:10 • -32.42db
16% Popularity • 26% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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Christian Lindberg
Symphony No. 2: Introduction
73 bpm • G min • 01:03 • -21.96db
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
10% Popularity • 30% Danceability • 0% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
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John Mackey
Kingfishers Catch Fire: I. Following fal...
73 bpm • G Maj • 05:32 • -36.07db
11% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 01:59 • -26.68db
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
73 bpm • C Maj • 02:39 • -22.76db
12% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
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Donald Grantham
Southern Harmony: II. Wondrous Love
73 bpm • F min • 04:31 • -27.64db
11% Popularity • 10% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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William Schuman
New England Triptych: I. Be Glad Then, A...
73 bpm • D Maj • 05:39 • -14.84db
2% Popularity • 28% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
2% Popularity • 28% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Aaron Copland
Music for a Great City: IV. Toward the B...
73 bpm • F# min • 06:47 • -12.73db
0% Popularity • 14% Danceability • 27% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 27% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Columbus State University Wind Ensemble
John Mackey: Fanfare for Full Fathom Fiv...
73 bpm • D# Maj • 03:08 • -19.61db
12% Popularity • 9% Danceability • 41% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 9% Danceability • 41% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Frank Ticheli
Nitro
74 bpm • D# Maj • 02:44 • -16.59db
16% Popularity • 41% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
16% Popularity • 41% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
65 bpm • C min • 02:32 • -36db
13% Popularity • 14% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Václav Nelhýbel
Trittico: I. Allegro maestoso
74 bpm • G min • 02:51 • -16.72db
13% Popularity • 40% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
13% Popularity • 40% Danceability • 25% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
► Preview
William Schuman
Orpheus with His Lute
73 bpm • D min • 02:00 • -42.15db
0% Popularity • 22% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
12% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Josef Bohuslav Foerster
From Shakespeare, Op. 76: I. Introductio...
74 bpm • G# Maj • 01:04 • -34.28db
19% Popularity • 17% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Frank Ticheli
Acadiana: I. At the Dance Hall
74 bpm • D# Maj • 04:02 • -20.07db
7% Popularity • 18% Danceability • 17% Energy • 20% Liveness
93% Instrumentalness • 22% Positiveness
7% Popularity • 18% Danceability • 17% Energy • 20% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Gustav Holst
Suite No. 2 for Military Band in F Major...
74 bpm • F Maj • 02:59 • -25.83db
9% Popularity • 31% Danceability • 3% Energy • 5% Liveness
83% Instrumentalness • 23% Positiveness
9% Popularity • 31% Danceability • 3% Energy • 5% Liveness
83% Instrumentalness • 23% Positiveness
► Preview
Vincent Persichetti
Serenade No. 11, Op. 85: III. Nocturne
74 bpm • A# Maj • 01:52 • -30.38db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
William Schuman
New England Triptych: III. Chester
73 bpm • G Maj • 02:56 • -18.5db
1% Popularity • 22% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
1% Popularity • 22% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Václav Nelhýbel
Trittico: II. Adagio
74 bpm • F Maj • 05:23 • -21db
10% Popularity • 21% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
► Preview
Clifton Williams
Symphonic Suite: I. Intrada
74 bpm • D# Maj • 01:13 • -16db
17% Popularity • 16% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
17% Popularity • 16% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
John Mackey
Soprano Saxophone Concerto: IV. Wood
64 bpm • F min • 04:01 • -21db
10% Popularity • 26% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Arthur Benjamin
2 Jamaican Pieces: Jamaican Song
75 bpm • D# Maj • 02:21 • -34.39db
8% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Karelia Suite, Op. 11: II. Ballade. Temp...
64 bpm • A min • 08:10 • -31.46db
13% Popularity • 6% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
William Schuman
Symphony No. 3: III. Chorale - 2021 Rema...
65 bpm • C Maj • 10:02 • -25.35db
0% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 6% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): II...
64 bpm • E Maj • 02:51 • -30db
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Yasuhide Ito
Gloriosa: I. Oratio
75 bpm • A min • 07:33 • -22db
9% Popularity • 23% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 6% Positiveness
► Preview
Swen Fettermann
Tunnel Collapse
75 bpm • F Maj • 01:32 • -17.35db
8% Popularity • 44% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 44% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Donald Grantham
Southern Harmony: II. Wondrous Love
63 bpm • F min • 04:07 • -22.64db
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Jean Sibelius
King Christian II Suite, Op. 27: IV. Ser...
75 bpm • E Maj • 04:32 • -25.76db
11% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Paul Dukas
Fanfare pour preceder La Peri
75 bpm • G# Maj • 02:04 • -16.57db
27% Popularity • 36% Danceability • 11% Energy • 17% Liveness
95% Instrumentalness • 5% Positiveness
27% Popularity • 36% Danceability • 11% Energy • 17% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
William Schuman
Chester Overture
73 bpm • F min • 06:28 • -17.86db
13% Popularity • 22% Danceability • 17% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 17% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
75 bpm • F Maj • 02:53 • -17db
7% Popularity • 38% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
Ralph Vaughan Williams
Tuba Concerto in F Minor: III. Finale: R...
75 bpm • F min • 03:13 • -17db
13% Popularity • 31% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
13% Popularity • 31% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
► Preview
Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
63 bpm • C min • 02:31 • -26.86db
32% Popularity • 17% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Ingolf Dahl
Concerto for Alto Saxophone and Wind Orc...
63 bpm • F Maj • 05:06 • -18.69db
8% Popularity • 28% Danceability • 17% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
► Preview
Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
63 bpm • G# Maj • 09:08 • -29.6db
9% Popularity • 6% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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William Schuman
New England Triptych: II. When Jesus Wep...
64 bpm • D# min • 05:38 • -26.92db
6% Popularity • 19% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
6% Popularity • 19% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Aaron Copland
The Red Pony Suite: VI. Happy Ending
76 bpm • F Maj • 03:10 • -17.04db
18% Popularity • 34% Danceability • 32% Energy • 7% Liveness
64% Instrumentalness • 41% Positiveness
18% Popularity • 34% Danceability • 32% Energy • 7% Liveness
64% Instrumentalness • 41% Positiveness
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Ralph Vaughan Williams
Tuba Concerto in F Minor: I. Prelude
75 bpm • A# min • 04:40 • -18.85db
18% Popularity • 32% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
18% Popularity • 32% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Vagn Holmboe
Trombone Concerto No. 12, Op. 52: Allegr...
76 bpm • E min • 05:29 • -23.38db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
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Richard Wagner
Siegfried: Siegfried's Horn Call
76 bpm • F Maj • 02:03 • -30.42db
9% Popularity • 32% Danceability • 1% Energy • 9% Liveness
47% Instrumentalness • 37% Positiveness
9% Popularity • 32% Danceability • 1% Energy • 9% Liveness
47% Instrumentalness • 37% Positiveness
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Leonard Bernstein
Candide: IV. Glitter and Be Gay
76 bpm • G# Maj • 03:05 • -18db
17% Popularity • 25% Danceability • 12% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
17% Popularity • 25% Danceability • 12% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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William Schuman
New England Triptych: II. When Jesus wep...
75 bpm • F min • 06:47 • -36.09db
1% Popularity • 15% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
1% Popularity • 15% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Øystein Baadsvik
Bass Tuba Concerto in F Minor: III. Fina...
76 bpm • C# Maj • 03:11 • -20.71db
6% Popularity • 21% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
6% Popularity • 21% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 68: No. 3, Pe ...
76 bpm • B min • 01:06 • -30.79db
7% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Bert Appermont
Colors: IV. Green
76 bpm • C Maj • 03:13 • -16db
16% Popularity • 36% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
16% Popularity • 36% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Benjamin Britten
Sinfonia da Requiem, Op. 20: II. Dies Ir...
76 bpm • A# Maj • 05:22 • -23.63db
9% Popularity • 29% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 14% Positiveness
9% Popularity • 29% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 14% Positiveness
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Steven Bryant
In This Broad Earth
76 bpm • G# Maj • 03:57 • -18db
9% Popularity • 35% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
William Schuman
American Festival Overture
75 bpm • C min • 09:15 • -21.75db
1% Popularity • 23% Danceability • 14% Energy • 28% Liveness
69% Instrumentalness • 6% Positiveness
1% Popularity • 23% Danceability • 14% Energy • 28% Liveness
69% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Hut On Fo...
76 bpm • G Maj • 03:53 • -18.55db
26% Popularity • 26% Danceability • 20% Energy • 65% Liveness
80% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 20% Energy • 65% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
► Preview
John Mackey
Wine-Dark Sea (Symphony for Band): II. I...
77 bpm • A# min • 11:45 • -30db
21% Popularity • 7% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Dmitri Shostakovich
Folk Dances
77 bpm • G Maj • 04:20 • -7db
11% Popularity • 42% Danceability • 80% Energy • 3% Liveness
94% Instrumentalness • 43% Positiveness
11% Popularity • 42% Danceability • 80% Energy • 3% Liveness
94% Instrumentalness • 43% Positiveness
► Preview
Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
77 bpm • A# Maj • 04:41 • -18.94db
16% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
16% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
► Preview
William Schuman
New England Triptych: III Chester
76 bpm • G# Maj • 05:42 • -22.78db
0% Popularity • 25% Danceability • 14% Energy • 66% Liveness
89% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 14% Energy • 66% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Alfred Reed
Armenian Dances: Part II: III. Lorva Hor...
77 bpm • A# min • 09:10 • -22db
10% Popularity • 13% Danceability • 20% Energy • 5% Liveness
23% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 5% Liveness
23% Instrumentalness • 5% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
77 bpm • E min • 01:39 • -14db
14% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
14% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
► Preview
Vincent Persichetti
Symphony No. 6, Op. 69 "Symphony for Ban...
62 bpm • E min • 03:24 • -25.78db
12% Popularity • 6% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
