Songs like American Patrol by Glenn Miller Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Glenn Miller Orchestra
American Patrol
170 bpm • G# Maj • 03:35 • -14.5db
23% Popularity • 28% Danceability • 42% Energy • 36% Liveness
83% Instrumentalness • 78% Positiveness
23% Popularity • 28% Danceability • 42% Energy • 36% Liveness
83% Instrumentalness • 78% Positiveness
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Dick Haymes
Idaho
170 bpm • A# min • 03:01 • -9.73db
24% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
24% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
16% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
22% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
22% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Slim Gaillard
Tutti Frutti
169 bpm • C Maj • 02:39 • -19.83db
26% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
26% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Glenn Miller Orchestra
Little Brown Jug
170 bpm • C# Maj • 03:08 • -10.72db
22% Popularity • 57% Danceability • 49% Energy • 22% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 57% Danceability • 49% Energy • 22% Liveness
1% Instrumentalness • 90% Positiveness
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Joe Loss & His Orchestra
In the Mood
168 bpm • G# Maj • 03:35 • -14.02db
16% Popularity • 47% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 75% Positiveness
16% Popularity • 47% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 75% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
41% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Woody Herman & His Orchestra
Doctor Jazz
172 bpm • C min • 02:57 • -12.75db
8% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
8% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Kay Kyser
On a Slow Boat to China
168 bpm • G Maj • 03:20 • -9.35db
9% Popularity • 48% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 48% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Glenn Miller Orchestra
In The Mood
169 bpm • G# Maj • 03:30 • -11.85db
8% Popularity • 43% Danceability • 47% Energy • 21% Liveness
91% Instrumentalness • 70% Positiveness
8% Popularity • 43% Danceability • 47% Energy • 21% Liveness
91% Instrumentalness • 70% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
36% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
29% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
29% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
27% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Benny Goodman Quartet
Sweet Georgia Brown - 1996 Remastered
173 bpm • F min • 03:04 • -11.87db
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
27% Popularity • 76% Danceability • 27% Energy • 7% Liveness
20% Instrumentalness • 82% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
25% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
25% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Glenn Miller Orchestra
I've Got A Gal In Kalamazoo
168 bpm • F min • 02:40 • -14.29db
20% Popularity • 40% Danceability • 27% Energy • 26% Liveness
34% Instrumentalness • 69% Positiveness
20% Popularity • 40% Danceability • 27% Energy • 26% Liveness
34% Instrumentalness • 69% Positiveness
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Bob Crosby & The Bob Cats
Down Argentina Way - Remastered
166 bpm • G Maj • 02:35 • -4.71db
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
30% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
30% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
20% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Benny Goodman Quartet
Sweet Sue - Just You
167 bpm • G Maj • 03:18 • -14.56db
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 24% Energy • 6% Liveness
76% Instrumentalness • 82% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Glenn Miller Orchestra
Pin Ball Paul
166 bpm • C Maj • 02:44 • -11.89db
14% Popularity • 58% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Tommy Dorsey
Song of India
174 bpm • F Maj • 03:06 • -13db
34% Popularity • 41% Danceability • 23% Energy • 43% Liveness
89% Instrumentalness • 63% Positiveness
34% Popularity • 41% Danceability • 23% Energy • 43% Liveness
89% Instrumentalness • 63% Positiveness
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Chick Webb
A-Tisket, A-Tasket
166 bpm • G# Maj • 02:37 • -12.77db
27% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
32% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
32% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
33% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Glenn Miller Orchestra
In the Mood
175 bpm • G# Maj • 03:25 • -13.94db
10% Popularity • 61% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 61% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Teddy Wilson
The Way You Look Tonight (10-21-36)
164 bpm • C# Maj • 03:02 • -13.07db
29% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Judy Garland
Puttin' On The Ritz
177 bpm • A Maj • 01:58 • -14.55db
41% Popularity • 49% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 49% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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The BBC Big Band Orchestra
American Patrol - Rerecorded
177 bpm • G min • 03:26 • -5.63db
15% Popularity • 39% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 39% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Glenn Miller Orchestra
When Johnny Comes Marching Home
175 bpm • C# Maj • 02:23 • -9.35db
10% Popularity • 41% Danceability • 54% Energy • 18% Liveness
4% Instrumentalness • 30% Positiveness
10% Popularity • 41% Danceability • 54% Energy • 18% Liveness
4% Instrumentalness • 30% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
31% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
31% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Bunny Berigan
Ain't She Sweet
177 bpm • C min • 02:39 • -10.28db
23% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
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The Andrews Sisters
South of the Border (Down Mexico Way)
177 bpm • F Maj • 02:52 • -8.37db
16% Popularity • 56% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Loss & His Orchestra
At the Woodchoppers Ball
178 bpm • F min • 03:21 • -15db
14% Popularity • 52% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 86% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Glenn Miller Orchestra
In The Mood
165 bpm • G# Maj • 03:40 • -12.93db
44% Popularity • 61% Danceability • 39% Energy • 6% Liveness
76% Instrumentalness • 72% Positiveness
44% Popularity • 61% Danceability • 39% Energy • 6% Liveness
76% Instrumentalness • 72% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
22% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Glenn Miller & The Army Air Force Band
Sun Valley Jump - Remastered 2001
178 bpm • G Maj • 02:21 • -8.48db
9% Popularity • 53% Danceability • 81% Energy • 12% Liveness
65% Instrumentalness • 44% Positiveness
9% Popularity • 53% Danceability • 81% Energy • 12% Liveness
65% Instrumentalness • 44% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
14% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Margaret Whiting
Pass That Peace Pipe
179 bpm • C min • 02:59 • -12.47db
27% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Bob Crosby & The Bob Cats
Cecilia
178 bpm • C min • 03:15 • -9db
24% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
24% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
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Glenn Miller Orchestra
The American Patrol
179 bpm • A# Maj • 03:25 • -10.04db
19% Popularity • 53% Danceability • 48% Energy • 12% Liveness
19% Instrumentalness • 77% Positiveness
19% Popularity • 53% Danceability • 48% Energy • 12% Liveness
19% Instrumentalness • 77% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Carroll Gibbons
Isn't It Romantic
162 bpm • F min • 02:58 • -17.69db
39% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
39% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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London Symphony Orchestra
Symphony No. 8 In B Minor
161 bpm • G# Maj • 03:40 • -8.68db
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
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The Charleston Chasers
Delirium
179 bpm • C# Maj • 03:14 • -13.69db
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
35% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
35% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Sidney Bechet
Promenade aux Champs-Elysees
180 bpm • C min • 03:14 • -12db
28% Popularity • 61% Danceability • 40% Energy • 6% Liveness
81% Instrumentalness • 96% Positiveness
28% Popularity • 61% Danceability • 40% Energy • 6% Liveness
81% Instrumentalness • 96% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Benny Goodman Trio
At Sundown
161 bpm • A# Maj • 02:27 • -13.63db
33% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Guy Lombardo & His Royal Canadians
You Were Meant for Me
180 bpm • G min • 02:16 • -14.16db
15% Popularity • 37% Danceability • 12% Energy • 31% Liveness
48% Instrumentalness • 52% Positiveness
15% Popularity • 37% Danceability • 12% Energy • 31% Liveness
48% Instrumentalness • 52% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
34% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
34% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
27% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
27% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Benny Goodman Trio
Blue (And Broken Hearted)
180 bpm • A# Maj • 02:58 • -16.57db
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
28% Popularity • 53% Danceability • 25% Energy • 24% Liveness
90% Instrumentalness • 75% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
42% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
42% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
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Ambrose & His Orchestra
Anything Goes
182 bpm • E Maj • 03:07 • -15.06db
20% Popularity • 64% Danceability • 30% Energy • 20% Liveness
44% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 30% Energy • 20% Liveness
44% Instrumentalness • 85% Positiveness
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Jimmie Lunceford
Honeydripper
160 bpm • A# min • 02:48 • -11.78db
13% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Claude Bolling
Borsalino Swing
159 bpm • C# Maj • 03:07 • -11db
32% Popularity • 47% Danceability • 35% Energy • 49% Liveness
93% Instrumentalness • 58% Positiveness
32% Popularity • 47% Danceability • 35% Energy • 49% Liveness
93% Instrumentalness • 58% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
33% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Glenn Miller Orchestra
In the Mood
182 bpm • G# Maj • 03:04 • -24.36db
12% Popularity • 44% Danceability • 19% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 44% Danceability • 19% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
15% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Crosby & The Bob Cats
Coquette
183 bpm • D# Maj • 03:08 • -10.13db
28% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
28% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
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The Merry Macs
Jingle, Jangle, Jingle
183 bpm • C# Maj • 02:53 • -12db
23% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Gene Krupa
Massachusetts
157 bpm • A# Maj • 03:15 • -9.85db
25% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
33% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Glenn Miller Orchestra
Sun Valley Jump
182 bpm • G# Maj • 02:18 • -11.07db
18% Popularity • 47% Danceability • 75% Energy • 22% Liveness
90% Instrumentalness • 34% Positiveness
18% Popularity • 47% Danceability • 75% Energy • 22% Liveness
90% Instrumentalness • 34% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
40% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
40% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Wayne Newton
Hello, Dolly! - Remastered
157 bpm • G# min • 02:12 • -12.35db
38% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Crosby
Dear Hearts and Gentle People
185 bpm • D# Maj • 02:13 • -10.11db
41% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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The Merry Macs
I'm Forever Blowing Bubbles
185 bpm • F Maj • 02:36 • -15.47db
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Glen Gray
Hindustan
185 bpm • D# Maj • 03:07 • -11.6db
17% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
17% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
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Glenn Miller Orchestra
In The Mood
185 bpm • A Maj • 02:53 • -10db
21% Popularity • 51% Danceability • 62% Energy • 16% Liveness
87% Instrumentalness • 70% Positiveness
21% Popularity • 51% Danceability • 62% Energy • 16% Liveness
87% Instrumentalness • 70% Positiveness
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Charlie Barnet
The Right Idea
185 bpm • G min • 03:15 • -7db
24% Popularity • 43% Danceability • 64% Energy • 16% Liveness
93% Instrumentalness • 89% Positiveness
24% Popularity • 43% Danceability • 64% Energy • 16% Liveness
93% Instrumentalness • 89% Positiveness
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Jimmy Dorsey & His Orchestra
Slap That Bass
186 bpm • G# Maj • 03:06 • -15.18db
15% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
15% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
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Danny Kaye
Civilization
155 bpm • C# Maj • 03:03 • -13.65db
24% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
186 bpm • C# Maj • 03:10 • -11.36db
17% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
24% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
24% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Kay Starr
C'est Magnifique - Remastered
155 bpm • F# min • 02:19 • -10.03db
45% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Goodman Quartet
Bei Mir Bist Du Schoen, Part 1 - 1996 Re...
188 bpm • E min • 03:21 • -12db
16% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
16% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Benny Goodman Trio
Stompin' At The Savoy - Instrumental
189 bpm • C# Maj • 02:51 • -16.4db
33% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
33% Popularity • 49% Danceability • 37% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Wilbur De Paris
Hot Lips
191 bpm • A# Maj • 04:54 • -9db
28% Popularity • 53% Danceability • 48% Energy • 12% Liveness
26% Instrumentalness • 93% Positiveness
28% Popularity • 53% Danceability • 48% Energy • 12% Liveness
26% Instrumentalness • 93% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Kay Starr
It's a Good Day
151 bpm • C Maj • 01:59 • -8db
27% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
