Songs like Ami London Jabo by Manju Das
Based on a tempo of (+/- 10%) and a similar genre
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Chetna
Ngayi Naymo
114 bpm • C Maj • 07:54 • -10.69db
10% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Ratan Sinh Vaghela
Maa Ne Ponch Te Garba
114 bpm • F min • 02:16 • -8.94db
18% Popularity • 57% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 57% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 69% Positiveness
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Diwaliben Bhil
Hu To Kagadiya Lakhi Lakhi
114 bpm • G Maj • 05:23 • -15.01db
13% Popularity • 53% Danceability • 34% Energy • 75% Liveness
47% Instrumentalness • 76% Positiveness
13% Popularity • 53% Danceability • 34% Energy • 75% Liveness
47% Instrumentalness • 76% Positiveness
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Sdipto Sekhar Mishra
Bhalobasar Pratik Tumi
114 bpm • C# Maj • 03:53 • -5.79db
0% Popularity • 60% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 60% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Mamta Chandarkar
Kate Jumgal
114 bpm • G# Maj • 07:17 • -8.6db
16% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Manju Das
Hori Gun Gao
114 bpm • A Maj • 04:54 • -7.74db
0% Popularity • 64% Danceability • 81% Energy • 94% Liveness
28% Instrumentalness • 85% Positiveness
0% Popularity • 64% Danceability • 81% Energy • 94% Liveness
28% Instrumentalness • 85% Positiveness
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Gostho Gopal Das
O Kanya Re
114 bpm • F# min • 02:55 • -9.23db
18% Popularity • 54% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 54% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Ratan Sinh Vaghela
Khamma Mara Ambaji Mata
114 bpm • D min • 01:37 • -8.07db
20% Popularity • 57% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 57% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 84% Positiveness
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Arvind Barot
Toral De Nahi Tare Mari
114 bpm • F min • 07:06 • -8.96db
7% Popularity • 41% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 41% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kalpana
Baabul Ke Angnwa
114 bpm • F# Maj • 06:20 • -9.5db
15% Popularity • 78% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 78% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sdipto Sekhar Mishra
Rajani Pravat Halo
114 bpm • B Maj • 08:10 • -5.28db
2% Popularity • 53% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 53% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
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Maithili Thakur
Mere Baanke Bihari Laal
114 bpm • C# Maj • 05:21 • -10.11db
15% Popularity • 39% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 39% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Purna Das Baul
Pandit Haba Ei Kathatir Jabab Debe Keba
114 bpm • G Maj • 03:23 • -13.69db
0% Popularity • 59% Danceability • 53% Energy • 21% Liveness
4% Instrumentalness • 92% Positiveness
0% Popularity • 59% Danceability • 53% Energy • 21% Liveness
4% Instrumentalness • 92% Positiveness
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Dwijen Mukherjee
Ore Bhai Phagun Legechhe
114 bpm • A min • 03:00 • -11.73db
9% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Amar Paul
Jagore Satsang Basi
115 bpm • B Maj • 05:14 • -14.37db
9% Popularity • 54% Danceability • 47% Energy • 28% Liveness
91% Instrumentalness • 59% Positiveness
9% Popularity • 54% Danceability • 47% Energy • 28% Liveness
91% Instrumentalness • 59% Positiveness
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Bharat Sharma Vyas
Ayodhya Mein Khelat Hori
113 bpm • G# Maj • 08:31 • -1.46db
7% Popularity • 39% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 39% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Padma Palash
Bhajo Gaurango Laho Gaurango
115 bpm • B Maj • 04:01 • -5.67db
12% Popularity • 46% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 46% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Sachin Limaye
Bhav Bhay Harak Shri Hari
113 bpm • F Maj • 04:21 • -11.62db
9% Popularity • 81% Danceability • 36% Energy • 9% Liveness
6% Instrumentalness • 78% Positiveness
9% Popularity • 81% Danceability • 36% Energy • 9% Liveness
6% Instrumentalness • 78% Positiveness
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Gostho Gopal Das
Dazan Khanek Pola
115 bpm • E Maj • 03:00 • -7.45db
9% Popularity • 51% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 51% Danceability • 63% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
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Arundhati Holme Chowdhury
Neel Digante Oi Phuler Agun
115 bpm • A Maj • 02:57 • -11.59db
0% Popularity • 57% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 57% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Payal? Banarasi
Holi Mein Aaja Piya Pardesi - Holi Song
115 bpm • F# Maj • 05:10 • -2.57db
8% Popularity • 44% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 44% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Purandas Baul
Menka Mathai Dilo
113 bpm • B min • 04:11 • -12.54db
0% Popularity • 52% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 52% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Atul Purohit
Bahuchar Maa Ni Arti
115 bpm • G# Maj • 05:29 • -4.96db
9% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Pannalal Bhattacharya
Ami Andhar Bhalobasi Bole
113 bpm • A min • 03:18 • -8.01db
9% Popularity • 34% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 34% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Waliur Rahman
Kunch Baran Konya
115 bpm • F# min • 05:41 • -8.81db
13% Popularity • 45% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 45% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Kanu Patel
Kachi Mati No
113 bpm • E Maj • 05:14 • -13.07db
14% Popularity • 45% Danceability • 47% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 45% Danceability • 47% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
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Amrita Kaur & Yadvinder Singh
Samrath Guru
115 bpm • F# Maj • 08:41 • -8db
8% Popularity • 45% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 45% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Amar Pal
Jago He Nagar Basi
116 bpm • C Maj • 03:46 • -17.42db
14% Popularity • 68% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 68% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Gostho Gopal Das
Nati Amago Bari Jaio
112 bpm • F Maj • 02:27 • -10.7db
9% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Parikshit Bala
Kali Vaja Krishna Vaja
112 bpm • D# min • 04:44 • -12.7db
8% Popularity • 55% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Ami Joshi
Yamuna Jal Ma Kesar Ghori
116 bpm • F min • 05:15 • -12.52db
7% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Sdipto Sekhar Mishra
Baroshe Baroshe Eso
112 bpm • B Maj • 04:55 • -6.45db
5% Popularity • 40% Danceability • 58% Energy • 36% Liveness
13% Instrumentalness • 34% Positiveness
5% Popularity • 40% Danceability • 58% Energy • 36% Liveness
13% Instrumentalness • 34% Positiveness
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Geeta Chowdhury
Dhan Elo Chhala
116 bpm • C Maj • 02:43 • -11.53db
2% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Anuja Sahay
Kaheli Tivaiya
116 bpm • D# Maj • 05:04 • -4.45db
9% Popularity • 62% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 62% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Sharda Sinha
Hamni Ke Rahab Jaani
116 bpm • G# Maj • 05:30 • -12.55db
9% Popularity • 72% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 72% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Naresh Thakor
Dil Todiyu Bewafa
116 bpm • E Maj • 05:33 • -8.57db
11% Popularity • 53% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 53% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Bharat Sharma Vyas
Choli Mein Rang Dalwale Patarki
116 bpm • A# Maj • 08:33 • -8.01db
15% Popularity • 51% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 51% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Amrita Kaur & Yadvinder Singh
Kaljug Jahaj Arjan Guru
112 bpm • G# min • 10:10 • -9.04db
7% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Vidyasagar
Ananonde
112 bpm • D# Maj • 06:10 • -10.3db
7% Popularity • 35% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 35% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Koushik Adhikari
Joydeber Melate Baul Nache Gaanete - Ben...
117 bpm • B Maj • 05:43 • -5.3db
14% Popularity • 66% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 66% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Lopamudra Mitra
Praane Gaan Nai - Ananda - The Ecstasy
117 bpm • A Maj • 06:56 • -5.18db
11% Popularity • 67% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 67% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Naresh Thakor
Mari Zindagi Ma Avi Te To
112 bpm • F# Maj • 03:53 • -7.55db
11% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Lalita Dhodadra
Aaj Hu Aavu Gheli Banine
117 bpm • A min • 02:48 • -25.15db
7% Popularity • 58% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 58% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Manhar Udhas
Dikro Maro Ladakvayo
111 bpm • C# min • 06:12 • -9.59db
16% Popularity • 51% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 51% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 48% Positiveness
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Manju Das
Tumi Jalaiya
117 bpm • C# Maj • 04:52 • -8.7db
0% Popularity • 56% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 56% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Rehmat Records
Rooh Pyar da Haad Banke, Dera Sacha Saud...
117 bpm • C# min • 07:10 • -15.63db
13% Popularity • 73% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 73% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Bipin Sathiya
Jai Adhyashakti Aarti
111 bpm • F# Maj • 08:19 • -7.39db
13% Popularity • 65% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 65% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Alka Chandrakar
Jite Lakdi Marte Lakdi
111 bpm • F Maj • 01:00 • -6.19db
20% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ramkumar Chattopadhyay
Murati Dekhiya Bhoye
111 bpm • C Maj • 02:12 • -3.15db
12% Popularity • 42% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 42% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Madan Rai
Hum Na Rahabi Ae Rajaji
111 bpm • G# Maj • 07:02 • -8.66db
7% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Purandas Baul
Din Dupore
117 bpm • C# min • 03:02 • -11.05db
0% Popularity • 61% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 61% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Syam Vaisanv
Dhalu Khay
111 bpm • F# Maj • 01:22 • -7.33db
14% Popularity • 70% Danceability • 49% Energy • 81% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 70% Danceability • 49% Energy • 81% Liveness
0% Instrumentalness • 92% Positiveness
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Bipin Sathiya
Shree Vishwambhari Stuti - Mataji Ni Stu...
117 bpm • A Maj • 06:35 • -6.23db
9% Popularity • 41% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 41% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Devji
Vishwambhari Stuti
110 bpm • F Maj • 06:07 • -7.01db
7% Popularity • 45% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 45% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Jitender Singh
Patni Praapti Mantra
110 bpm • C# Maj • 01:27 • -6.72db
32% Popularity • 82% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 82% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Gostho Gopal Das
O Nagor Koiya Jao
118 bpm • F min • 03:16 • -6.91db
10% Popularity • 75% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 75% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Purandas Baul
Shindu Kete Tala Diye
117 bpm • F min • 04:13 • -12.87db
0% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Amrik Singh Arora
Ki Karone Balma Karon
110 bpm • A# min • 04:40 • -10.64db
13% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Ramkumar Chatterjee
Bhalobese Bhalo Kandale
118 bpm • A# Maj • 05:54 • -9.64db
8% Popularity • 41% Danceability • 40% Energy • 14% Liveness
12% Instrumentalness • 33% Positiveness
8% Popularity • 41% Danceability • 40% Energy • 14% Liveness
12% Instrumentalness • 33% Positiveness
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Parikshit Bala
Michhe Nari Nirjatan
110 bpm • B Maj • 03:55 • -7.5db
14% Popularity • 46% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 46% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Jitender Singh
Saamuhik Kalyan Mantra
110 bpm • C# Maj • 02:18 • -8.62db
23% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Kumar Sanu
Ale Jakhan Amar Ghore
110 bpm • G# Maj • 05:48 • -6.49db
7% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Purandas Baul
Gole Male Gole Male
118 bpm • C# min • 03:42 • -12.91db
0% Popularity • 56% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 56% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Golu Raja
Jobna Dunali
110 bpm • F Maj • 06:37 • -2.87db
16% Popularity • 39% Danceability • 81% Energy • 25% Liveness
3% Instrumentalness • 75% Positiveness
16% Popularity • 39% Danceability • 81% Energy • 25% Liveness
3% Instrumentalness • 75% Positiveness
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Koushik Adhikari
Prem Koreche Prem Koreche Radha Sundari ...
119 bpm • A# min • 04:11 • -1.53db
9% Popularity • 53% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 53% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Niranjan Pandya
Dekho Harishchandra Halya Bajare
109 bpm • G Maj • 05:37 • -13.98db
13% Popularity • 55% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 55% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Jitender Singh
Vipatti Naash Mantra
110 bpm • A# min • 01:27 • -7.77db
36% Popularity • 83% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 83% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Ramkumar Chattopadhyay
E Kothay Ma Go
110 bpm • F Maj • 04:10 • -1.91db
8% Popularity • 42% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 42% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Madan Rai
Dher Din Beeti Gayile
109 bpm • G Maj • 07:19 • -11.63db
11% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Ami Joshi
Aarti Shrinathji Ni Mangla Kari
109 bpm • F min • 05:42 • -11.76db
11% Popularity • 56% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 56% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Ansuman Roy
Hay Hay Saat Paake Bandha Poro Na
119 bpm • G min • 03:16 • -6.22db
8% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Manju Das
Bipadey Na Porley Dayal
119 bpm • D Maj • 02:46 • -12.99db
0% Popularity • 67% Danceability • 31% Energy • 38% Liveness
14% Instrumentalness • 90% Positiveness
0% Popularity • 67% Danceability • 31% Energy • 38% Liveness
14% Instrumentalness • 90% Positiveness
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Jitender Singh
Bhukti Mukti Praapti Mantra
110 bpm • A# min • 01:31 • -7.67db
16% Popularity • 88% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 88% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Waliur Rahman
Only Interesting
109 bpm • B min • 03:59 • -15.76db
7% Popularity • 47% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 47% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 46% Positiveness
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Purandas Baul
Gol Alur Tulona
119 bpm • C# min • 03:00 • -11.53db
0% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Nidhi Dholakia
O shrinathji Aavjo Tame
119 bpm • D# Maj • 05:11 • -12.46db
10% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Sumitra Roy
Phaguner Shuru Hotei Shukno Pata
109 bpm • A# Maj • 02:48 • -10.44db
8% Popularity • 67% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 67% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Amar Pal
Jagiya Laho Krishna Naam
120 bpm • C# Maj • 04:10 • -14.87db
12% Popularity • 54% Danceability • 33% Energy • 9% Liveness
4% Instrumentalness • 74% Positiveness
12% Popularity • 54% Danceability • 33% Energy • 9% Liveness
4% Instrumentalness • 74% Positiveness
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Jitender Singh
Moksha Praapti Mantra
110 bpm • C# Maj • 01:21 • -7.62db
21% Popularity • 84% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 84% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Prakash Mali
Arzi Mhari Sambhlo
109 bpm • C min • 08:22 • -4.57db
10% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Manju Das
Ki Sari Anche Kailachand
109 bpm • G# Maj • 03:55 • -10.19db
0% Popularity • 70% Danceability • 52% Energy • 89% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 70% Danceability • 52% Energy • 89% Liveness
0% Instrumentalness • 89% Positiveness
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Gurujeet Singh
Soto Naame Koto Jone
120 bpm • C# Maj • 03:22 • -4.84db
10% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Mohammed Aziz
Shopne Dekha Shai Rajkonar
120 bpm • G min • 06:22 • -8.96db
26% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Pousali Banerjee
Bokul Ful Bokul Ful
120 bpm • G Maj • 04:40 • -10.96db
11% Popularity • 65% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
11% Popularity • 65% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
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Jitender Singh
Svapna Siddhi Praapti Mantra
110 bpm • A# min • 01:27 • -8.32db
19% Popularity • 86% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 86% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Vaishali Samant
Chauri Varu Tujvari
120 bpm • D# Maj • 03:19 • -7.95db
9% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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MANOJ TIWARI
Mayiya Bhagwati Ke Anganwa
120 bpm • G# Maj • 07:10 • -12.79db
7% Popularity • 68% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 68% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Chetna
Patum Chikgi
120 bpm • F# Maj • 07:15 • -9.01db
10% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Shivpreet Singh
Moodh Manaa
120 bpm • C# Maj • 04:47 • -14.08db
31% Popularity • 58% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 58% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Rajdeep Barot
Gori Tari Pritdi Mane Naa Bhulaay
120 bpm • F min • 07:38 • -7.92db
10% Popularity • 71% Danceability • 60% Energy • 51% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 71% Danceability • 60% Energy • 51% Liveness
0% Instrumentalness • 77% Positiveness
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Jitender Singh
Paap Naash Evam Bhakti Praapti Mantra
110 bpm • C# Maj • 01:49 • -7.7db
15% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Waliur Rahman
Bhola Mon Toray Aami
120 bpm • B Maj • 06:47 • -4.96db
8% Popularity • 42% Danceability • 79% Energy • 13% Liveness
69% Instrumentalness • 61% Positiveness
8% Popularity • 42% Danceability • 79% Energy • 13% Liveness
69% Instrumentalness • 61% Positiveness
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Jashvant Rathva
Gomne Obo Morilo Re
120 bpm • F# Maj • 03:12 • -6.77db
14% Popularity • 75% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 75% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Arvind Barot
Jay Kapi Balvanta
108 bpm • G# Maj • 07:56 • -4.3db
9% Popularity • 68% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 68% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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KT BROTHERS
Ye Tera Shahar Ye Tera Gaon Mubarak Ho -...
108 bpm • E Maj • 01:30 • -8.77db
15% Popularity • 42% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 42% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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Niranjan Pandya
Chand - Version 1
120 bpm • C Maj • 01:02 • -18.88db
8% Popularity • 75% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 75% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Kanu Patel
Tu Kali Ne Kaliyani Re Maa
120 bpm • B min • 04:42 • -14.93db
9% Popularity • 43% Danceability • 41% Energy • 69% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 43% Danceability • 41% Energy • 69% Liveness
0% Instrumentalness • 92% Positiveness
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Kamlesh Barot
O Virpurvala Bapaliya Tara
108 bpm • G# Maj • 04:15 • -10.66db
13% Popularity • 66% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 66% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
