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Amma Varnam - Raga Gambhira Nattai - Tala Adi
Songs like
Amma Varnam - Raga Gambhira Nattai - Tala Adi
by
Aruna Sairam
Based on a tempo of (+/- 10%) and a similar genre
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G Sreenivaasan
Amma Ananda Daayini - Gambhira Nata - Ta...
174 bpm • G# Maj • 07:06 • -8.16db
18% Popularity • 43% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Akshay Anantapadmanabhan
Bhaje Vignarajam - Hamsadhwani - Tala Ad...
174 bpm • D Maj • 04:30 • -7.18db
21% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Hyderabad Brothers
Tulasi Dalamulache - Raga: Mayamalavagow...
174 bpm • C Maj • 08:48 • -14db
9% Popularity • 43% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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N. Ramani
Marugelara - Flute
174 bpm • D# min • 04:20 • -13.36db
20% Popularity • 45% Danceability • 32% Energy • 13% Liveness
97% Instrumentalness • 80% Positiveness
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Aruna Sairam
Rangapura Vihara
174 bpm • C min • 06:16 • -8.72db
6% Popularity • 27% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Rajhesh Vaidhya
Chandrasekara - Sindu Bhairavi - Adi
173 bpm • D# Maj • 02:58 • -9db
22% Popularity • 31% Danceability • 59% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
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A.Kanyakumari,R.Ramesh
Marugelara
173 bpm • C# Maj • 05:26 • -7.81db
3% Popularity • 37% Danceability • 73% Energy • 12% Liveness
45% Instrumentalness • 65% Positiveness
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Sri Vdyabhushan Teertha Swamiji
Toogire Rayara
173 bpm • D Maj • 03:46 • -10.57db
23% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Agastya Sridharan
Bindumalini Thillana - Bindumalini - Adi
173 bpm • C# Maj • 04:13 • -4.45db
27% Popularity • 35% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Priya Sisters
Anthayu Neeve
173 bpm • G# min • 05:44 • -8.65db
25% Popularity • 39% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Aruna Sairam
Amma Varnam - Raga Gambhira Nattai - Tal...
174 bpm • F Maj • 09:19 • -13db
3% Popularity • 41% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Venkat Sai
Omkaram Srusthi
172 bpm • A Maj • 01:04 • -5.37db
46% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Sikkil Gurucharan
Ksheera Sagara Sayana
176 bpm • C Maj • 07:49 • -9.14db
14% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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ISKCON Bangalore
Narasimha Kavacham
172 bpm • F min • 06:40 • -6.2db
39% Popularity • 68% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Participants Of South India Female Choir
Paluke Bangaramayana
176 bpm • F min • 04:39 • -10db
23% Popularity • 58% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Sadhana Sargam
Reham Nazar Karo Ab More Sai
176 bpm • C# min • 02:42 • -6.15db
12% Popularity • 64% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Aruna Sairam
Maname Kanamum
174 bpm • C min • 04:16 • -6.18db
0% Popularity • 32% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Mahathi
Aasai Mugam
177 bpm • F min • 07:05 • -4db
10% Popularity • 60% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Sikkil Gurucharan
Samajavaragamana
176 bpm • F Maj • 06:10 • -8db
25% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Vedavathi Prabhakar
Radhika Ramanalaali
172 bpm • A min • 05:42 • -4db
18% Popularity • 42% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Participants Of South India Female Choir
Bantureethi
176 bpm • D# Maj • 05:17 • -8.69db
12% Popularity • 52% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 84% Positiveness
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Ananth Kumar
Deva Deva Kalayamithe - Mayamalavagowla ...
170 bpm • G Maj • 06:33 • -3.09db
10% Popularity • 46% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Aruna Sairam
Kana Vendamo - Sri Ranjani - Rupakam
173 bpm • D# Maj • 03:43 • -14.6db
1% Popularity • 52% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Kunnakudi Vaidyanathan
Kakkai Siraginilae - Violin
177 bpm • E min • 05:40 • -2.43db
16% Popularity • 41% Danceability • 70% Energy • 18% Liveness
92% Instrumentalness • 76% Positiveness
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C. Ashwath
Mohada Hendathi
178 bpm • G Maj • 04:26 • -6.07db
13% Popularity • 45% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Sreevalsan J. Menon
Jagadhodhaarana - Kapi - Adi
170 bpm • F min • 07:56 • -9.57db
14% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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S. Sowmya
Viduthalai
170 bpm • G# Maj • 03:10 • -13.49db
21% Popularity • 53% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Tyagaraja
Jagadananda Karaka
170 bpm • B Maj • 09:54 • -8.89db
17% Popularity • 68% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Aruna Sairam
Marugelara - Raga Jayantasri - Tala Adi
172 bpm • C# Maj • 04:24 • -14db
14% Popularity • 39% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Ranjani-Gayatri
Rangapura Vihara - Brindavana Saranga - ...
178 bpm • A min • 10:11 • -6db
25% Popularity • 21% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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C. Ashwath
Mayada Manda Bhara
170 bpm • E Maj • 02:32 • -3db
20% Popularity • 62% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Sowmya
Vinayaka Ninnu Vina
170 bpm • D Maj • 06:41 • -7db
11% Popularity • 43% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Nihal
Neeli Neeli Kallalona
170 bpm • A# Maj • 05:03 • -9.1db
11% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Sri Hari Achyutha Rama Sastry
Surya Suprabhatham
179 bpm • C# Maj • 01:17 • -8.52db
27% Popularity • 42% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Aruna Sairam
Mamavatu Sri
178 bpm • C# Maj • 07:20 • -11.03db
2% Popularity • 39% Danceability • 58% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
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Nithya Santhoshini
Sumanasa Vandhita(Ashta Laxmi Stotram)
170 bpm • G# min • 09:09 • -7db
32% Popularity • 61% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Visalakshi Nityanand
Jagajjanani
169 bpm • D# min • 04:10 • -7db
11% Popularity • 37% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Vidyabhushana
Hari Kunida
179 bpm • A# Maj • 03:56 • -7db
23% Popularity • 51% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Kishori Amonkar
Bolava Vithal Pahava Vithal
168 bpm • D# Maj • 07:43 • -10.95db
13% Popularity • 27% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Tanikella Bharani, Nitya Santhoshini
Nuvvaina Cheppavamma
180 bpm • G Maj • 05:17 • -6.4db
17% Popularity • 46% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Aruna Sairam
Kavadi Chindu - Sindhu - Ekam
179 bpm • F min • 01:45 • -11.83db
17% Popularity • 44% Danceability • 57% Energy • 35% Liveness
18% Instrumentalness • 82% Positiveness
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Govind Vasantha
Kozhi Onnu
180 bpm • F Maj • 02:21 • -13.2db
8% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Participants Of South India Female Choir
Jagadodharana
180 bpm • C Maj • 05:13 • -11db
20% Popularity • 48% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 59% Positiveness
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Prakruthi Reddy
Nigama Nigamantha(Annamayya keerthana)
168 bpm • A min • 07:04 • -0.4db
8% Popularity • 44% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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Harish
Aadhi Sivan Vanthan
180 bpm • D min • 03:26 • -5.77db
26% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Goldsmth
Kalabhairava Ashtakam
180 bpm • D Maj • 04:24 • -7.05db
35% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Aruna Sairam
Nada Pirappu
169 bpm • G min • 01:14 • -6.67db
4% Popularity • 41% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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Nagaraju Talluri
Kalinga Mardhana
168 bpm • E Maj • 09:05 • -11.74db
0% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sanjay Subrahmanyan
Paripaalayama - Behag - Adi - Live
168 bpm • F# min • 05:01 • -11db
28% Popularity • 40% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Sikkil Gurucharan
Bho Shambho
168 bpm • G Maj • 05:42 • -8db
31% Popularity • 36% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Malladi Brothers
Thelisiramachinthanatho
167 bpm • C Maj • 08:56 • -7.16db
11% Popularity • 40% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Mahesh Raghvan
Chinnanchiru Kiliye
182 bpm • A min • 03:17 • -11.41db
30% Popularity • 49% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
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Rajhesh Vaidhya
Chinnachiru - Ragamalika - Adi (Thisra G...
166 bpm • G Maj • 05:19 • -7.79db
20% Popularity • 46% Danceability • 60% Energy • 9% Liveness
77% Instrumentalness • 67% Positiveness
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Aruna Sairam
Govinda Leena Mol
166 bpm • C Maj • 07:20 • -8.69db
0% Popularity • 25% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Sri Vidyabhushana
Pillangoviya
183 bpm • G Maj • 04:33 • -14.77db
26% Popularity • 50% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Vidyabhushana
Narayana Ninna Nama
165 bpm • G min • 05:45 • -9.38db
24% Popularity • 36% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Malladi Brothers
Smariso Sarvada
166 bpm • C Maj • 03:28 • -5.76db
17% Popularity • 40% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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S.Prakash Kaushik
Durgaa Saptashloki
165 bpm • C Maj • 02:43 • -16.41db
21% Popularity • 50% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Mahesh Raghvan
Sabapathi
182 bpm • C# Maj • 04:58 • -9.3db
19% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Aruna Sairam
Kantamam
183 bpm • A# Maj • 02:51 • -6.68db
1% Popularity • 47% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Ranjani-Gayatri
Srivalli Devasena Pathe - Natabhairavi -...
165 bpm • G min • 04:52 • -5.47db
20% Popularity • 34% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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P. Unnikrishnan
Theerada Vilayattu Pillai
165 bpm • F# Maj • 03:42 • -10.71db
16% Popularity • 51% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 85% Positiveness
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Participants Of South India Female Choir
Thaye Yasodha
164 bpm • B min • 04:52 • -8.93db
11% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Venkatesh Kumar
Thoredu Jeevisabahude
164 bpm • F# Maj • 06:11 • -7.16db
29% Popularity • 49% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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N. Surya Prakash
Bantu Reethi Koluvu
186 bpm • G# Maj • 04:35 • -5.8db
8% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Sangeetha Sivakumar
Bala Kanaka Maya
163 bpm • D# Maj • 04:20 • -11.29db
16% Popularity • 49% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Sanjay Subrahmanyan
Marukelara
186 bpm • A Maj • 04:23 • -7.51db
27% Popularity • 39% Danceability • 52% Energy • 38% Liveness
3% Instrumentalness • 69% Positiveness
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Vedavathi Prabhakar
Ksheerasagara Vihara
162 bpm • G Maj • 04:14 • -4.64db
18% Popularity • 50% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Sivasri Skandaprasad
Kannan Varugindra Neram Version 2
162 bpm • G# Maj • 05:59 • -6.5db
14% Popularity • 54% Danceability • 53% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
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Participants Of South India Female Choir
Tandanana
162 bpm • G# Maj • 05:43 • -9.85db
13% Popularity • 65% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Karthick Iyer
Krishna Nee Begane
161 bpm • D# Maj • 02:28 • -14.58db
22% Popularity • 42% Danceability • 34% Energy • 30% Liveness
84% Instrumentalness • 44% Positiveness
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Sangeetha Sivakumar
Sama Gana Lolane
162 bpm • F min • 09:20 • -7.11db
14% Popularity • 40% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Puttur Narasimha Nayak
Bhagyada Lakshmi Eeramma
161 bpm • C# min • 04:35 • -9db
23% Popularity • 48% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Vedavathi Prabhakar
Paluku Tenela Talli
161 bpm • F min • 05:57 • -3.1db
24% Popularity • 43% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Sudha Ragunathan
Bho Shambo
160 bpm • C# Maj • 07:56 • -9.78db
24% Popularity • 40% Danceability • 48% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Ananth Kumar
Shades of Kalyani - Ethavunara - Kalyani...
160 bpm • G Maj • 10:17 • -3.29db
16% Popularity • 35% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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G Balakrishna Prasad
Jayalakshmi Varalakshmi
160 bpm • C# Maj • 08:11 • -4.4db
12% Popularity • 37% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Sangeetha Katti
Ettu Hennina Tatti
160 bpm • A min • 04:27 • -1.49db
18% Popularity • 55% Danceability • 72% Energy • 33% Liveness
1% Instrumentalness • 46% Positiveness
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Dappu Srinu
Kaanipaaka Ganapathi
160 bpm • C Maj • 04:08 • -11.49db
26% Popularity • 65% Danceability • 73% Energy • 75% Liveness
0% Instrumentalness • 93% Positiveness
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S. Sowmya
Sri Nadhadi
160 bpm • G# Maj • 08:51 • -10db
9% Popularity • 41% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Mysore Ramachandrachar
Barayya Ba Ba Bakuthara
160 bpm • C Maj • 06:03 • -12db
23% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Ananth Kumar
Shades of Hamsanadam - Kalyana Rama - Ta...
160 bpm • F Maj • 09:50 • -3.78db
19% Popularity • 37% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Mahesh Raghvan
Gajavadana
160 bpm • G Maj • 04:23 • -11db
20% Popularity • 50% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Bangalore Sisters
Anjaneya Stuti
160 bpm • F# min • 07:10 • -16db
37% Popularity • 61% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Venkatesh Kumar
Ondu Baari Smarane Saalade
160 bpm • F# Maj • 07:38 • -7.35db
18% Popularity • 42% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
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Visalakshi Nityanand
Devi Neeye Tunai
159 bpm • G# Maj • 04:18 • -5.6db
11% Popularity • 36% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Aruna Sairam
Tatvamariya tarma
159 bpm • D# Maj • 08:34 • -6.77db
0% Popularity • 44% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Tyagaraja
Samayaniki Tagu
159 bpm • G# Maj • 02:11 • -15.17db
14% Popularity • 46% Danceability • 65% Energy • 9% Liveness
5% Instrumentalness • 90% Positiveness
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Lalgudi G. Jayaraman
Krishnanee Begane - Ragam: Yaman / Talam...
157 bpm • C# Maj • 04:55 • -12.05db
25% Popularity • 35% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 42% Positiveness
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Puttur Narasimha Nayak
Mahishasura Mardhini
156 bpm • G Maj • 05:38 • -9.96db
16% Popularity • 49% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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C. Ashwath
Chellidaru Malligeya
194 bpm • D min • 07:41 • -21.6db
28% Popularity • 41% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Visalakshi Nityanand
Karpagavallinin
156 bpm • C# Maj • 07:05 • -6.35db
10% Popularity • 39% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Sounds of Isha
Manthiram Avadhu Neeru
156 bpm • C# Maj • 07:40 • -11.77db
32% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Aruna Sairam
Sangita Samrajya
157 bpm • C Maj • 08:11 • -6.84db
0% Popularity • 37% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Sanjay Subrahmanyan
Kakkai Chiraginile - Desh - Adi - Live
156 bpm • A Maj • 06:15 • -13.52db
23% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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S. Janaki
KAMALADA MOGADOLE
155 bpm • B Maj • 04:06 • -6.02db
13% Popularity • 53% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 84% Positiveness
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Baby Aishwarya
Kannane Kaanenam
155 bpm • G Maj • 05:30 • -5.55db
16% Popularity • 66% Danceability • 68% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
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Devdatt Sable
Malhari Deva Malhari
195 bpm • G# min • 05:45 • -11.18db
10% Popularity • 46% Danceability • 44% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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Sounds of Isha
Madar Pirai Kanni Yanai
155 bpm • F# Maj • 04:07 • -9.33db
29% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Prakruthi Reddy
Indhari Budhulu
155 bpm • F# Maj • 06:15 • -5.65db
8% Popularity • 38% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Amma Varnam - Raga Gambhira Nattai - Tala Adi