Songs like Amok!: I by Evan Ziporyn
Based on a tempo of (+/- 10%) and a similar genre
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Evan Ziporyn
Mumbai: II. —
140 bpm • A Maj • 07:07 • -20.75db
0% Popularity • 40% Danceability • 45% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
0% Popularity • 40% Danceability • 45% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Lou Harrison
Four Pieces for Harp - Produced
140 bpm • E min • 02:23 • -25.24db
13% Popularity • 46% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
13% Popularity • 46% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Philip Glass Ensemble
Act IV: Building
140 bpm • A# min • 10:20 • -18.16db
11% Popularity • 34% Danceability • 36% Energy • 28% Liveness
95% Instrumentalness • 29% Positiveness
11% Popularity • 34% Danceability • 36% Energy • 28% Liveness
95% Instrumentalness • 29% Positiveness
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Peter Michael Hamel
Organum: IV. Part 4
140 bpm • D Maj • 05:41 • -44.12db
9% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Evelyn Glennie
A Little Prayer
140 bpm • C Maj • 04:48 • -32.27db
18% Popularity • 21% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Anna Thorvaldsdottir
In the Light of Air: III. Existence
139 bpm • C Maj • 03:43 • -36db
23% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Evan Ziporyn
Amok!: I
140 bpm • C Maj • 06:22 • -13.14db
2% Popularity • 59% Danceability • 40% Energy • 6% Liveness
67% Instrumentalness • 12% Positiveness
2% Popularity • 59% Danceability • 40% Energy • 6% Liveness
67% Instrumentalness • 12% Positiveness
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Johanna Beyer
Music of the Spheres
139 bpm • F Maj • 06:01 • -23db
9% Popularity • 15% Danceability • 4% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 4% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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Meredith Monk
Cloud Code
139 bpm • D Maj • 03:31 • -24.27db
10% Popularity • 27% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 27% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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DJ Raspberry V
Tail Graber
139 bpm • C Maj • 02:06 • -17.3db
23% Popularity • 45% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 82% Positiveness
23% Popularity • 45% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 82% Positiveness
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Iva Bittová
Paper Cone
139 bpm • D min • 04:46 • -15.52db
0% Popularity • 58% Danceability • 13% Energy • 11% Liveness
42% Instrumentalness • 56% Positiveness
0% Popularity • 58% Danceability • 13% Energy • 11% Liveness
42% Instrumentalness • 56% Positiveness
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Morton Feldman
Rothko Chapel 2
141 bpm • B min • 04:35 • -39db
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Evan Ziporyn
ShadowBang: Tabuh Gari
140 bpm • C# Maj • 05:59 • -6.59db
0% Popularity • 52% Danceability • 39% Energy • 6% Liveness
10% Instrumentalness • 34% Positiveness
0% Popularity • 52% Danceability • 39% Energy • 6% Liveness
10% Instrumentalness • 34% Positiveness
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Gregg Smith
Fallen Angels: X. Some Build
139 bpm • C Maj • 00:33 • -17.89db
0% Popularity • 62% Danceability • 22% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
0% Popularity • 62% Danceability • 22% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
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Christine Southworth
Mugasha Loop
138 bpm • C# min • 03:11 • -13.4db
0% Popularity • 42% Danceability • 61% Energy • 51% Liveness
87% Instrumentalness • 87% Positiveness
0% Popularity • 42% Danceability • 61% Energy • 51% Liveness
87% Instrumentalness • 87% Positiveness
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Lou Harrison
Avalokiteshvara (Music for Harp) - 1964
142 bpm • F min • 02:43 • -22db
11% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
11% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Iva Bittová
Memento 2
141 bpm • A Maj • 03:32 • -15.85db
0% Popularity • 52% Danceability • 12% Energy • 7% Liveness
19% Instrumentalness • 13% Positiveness
0% Popularity • 52% Danceability • 12% Energy • 7% Liveness
19% Instrumentalness • 13% Positiveness
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The Manhattan Percussion Ensemble
Imaginary Landscape No. 1
142 bpm • C Maj • 09:04 • -24.26db
16% Popularity • 24% Danceability • 29% Energy • 55% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 29% Energy • 55% Liveness
6% Instrumentalness • 4% Positiveness
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Evan Ziporyn
Be In
139 bpm • F Maj • 09:12 • -23.33db
0% Popularity • 36% Danceability • 17% Energy • 68% Liveness
56% Instrumentalness • 11% Positiveness
0% Popularity • 36% Danceability • 17% Energy • 68% Liveness
56% Instrumentalness • 11% Positiveness
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Arvo Pärt
My Heart's in the Highlands
138 bpm • F min • 06:55 • -17db
11% Popularity • 22% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
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Bryce Dessner
Aheym
142 bpm • C min • 09:59 • -10db
20% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
20% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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Caroline Shaw
Valencia
137 bpm • F Maj • 05:49 • -19db
21% Popularity • 33% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
21% Popularity • 33% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Iva Bittová
Presto
138 bpm • D Maj • 02:31 • -14.7db
0% Popularity • 59% Danceability • 17% Energy • 5% Liveness
57% Instrumentalness • 72% Positiveness
0% Popularity • 59% Danceability • 17% Energy • 5% Liveness
57% Instrumentalness • 72% Positiveness
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Nico Muhly
A Hudson Cycle
142 bpm • A# min • 03:20 • -24db
19% Popularity • 28% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Evan Ziporyn
Deadbeat Club
142 bpm • D# Maj • 04:09 • -11.8db
0% Popularity • 54% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 55% Positiveness
0% Popularity • 54% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 55% Positiveness
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Meredith Monk
Passage
143 bpm • G Maj • 01:55 • -30.41db
11% Popularity • 14% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Christian Wallumrød Ensemble
Detach A
137 bpm • A Maj • 01:32 • -35.52db
13% Popularity • 17% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
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Michael Tenzer
3 Island Duets: No. 3. Bouvet Fanfare
137 bpm • G Maj • 04:15 • -19.02db
0% Popularity • 46% Danceability • 4% Energy • 8% Liveness
67% Instrumentalness • 28% Positiveness
0% Popularity • 46% Danceability • 4% Energy • 8% Liveness
67% Instrumentalness • 28% Positiveness
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Iva Bittová
Paper Cone
138 bpm • F Maj • 05:13 • -10.63db
0% Popularity • 62% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 62% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 57% Positiveness
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Moondog
Barn Dance
137 bpm • F Maj • 01:55 • -14.99db
19% Popularity • 37% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
19% Popularity • 37% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Evan Ziporyn
Amok!: IV.
138 bpm • A Maj • 05:17 • -15.95db
1% Popularity • 83% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
1% Popularity • 83% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Brian Eno
2/1 (Arr. J. Wolfe)
137 bpm • F min • 11:30 • -17.54db
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Morton Feldman
Piano Piece 1952 - Version 2
137 bpm • G# Maj • 06:24 • -25.55db
13% Popularity • 22% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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John Lurie National Orchestra
I Came to Visit Here for a While
137 bpm • B Maj • 06:48 • -19.48db
12% Popularity • 50% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 50% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Iva Bittová
Sun Shower
138 bpm • G Maj • 06:37 • -11.41db
0% Popularity • 58% Danceability • 38% Energy • 70% Liveness
40% Instrumentalness • 23% Positiveness
0% Popularity • 58% Danceability • 38% Energy • 70% Liveness
40% Instrumentalness • 23% Positiveness
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Ivan Wyschnegradsky
Preludes in Quarter-Tone System: I
137 bpm • A# min • 01:02 • -19db
8% Popularity • 38% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Meredith Monk
Shift
144 bpm • A min • 01:51 • -15.32db
13% Popularity • 57% Danceability • 23% Energy • 10% Liveness
27% Instrumentalness • 75% Positiveness
13% Popularity • 57% Danceability • 23% Energy • 10% Liveness
27% Instrumentalness • 75% Positiveness
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Judd Greenstein
A e I O U
136 bpm • G min • 06:17 • -10.38db
12% Popularity • 31% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 31% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ernst Reijseger
Child's Footprint Duo
136 bpm • B min • 04:30 • -17.28db
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Evan Ziporyn
Along Comes Mary
144 bpm • A Maj • 02:57 • -7.77db
0% Popularity • 63% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 70% Positiveness
0% Popularity • 63% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 70% Positiveness
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David Lang
Child: II. Sweet Air
144 bpm • G min • 08:47 • -21.54db
8% Popularity • 86% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 92% Positiveness
8% Popularity • 86% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 92% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
136 bpm • D Maj • 01:33 • -40db
28% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
28% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Meredith Monk
The Games: Migration (Version for Narrat...
144 bpm • A min • 07:37 • -14.86db
12% Popularity • 36% Danceability • 27% Energy • 25% Liveness
49% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 27% Energy • 25% Liveness
49% Instrumentalness • 4% Positiveness
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Evelyn Glennie
Light in Darkness
145 bpm • G Maj • 03:41 • -38.47db
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Reich
Tehillim, Pt. I (Fast)
135 bpm • D min • 11:45 • -17.23db
7% Popularity • 38% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
7% Popularity • 38% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Evan Ziporyn
Dial-A-Scent
144 bpm • G Maj • 02:41 • -12.21db
0% Popularity • 32% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
0% Popularity • 32% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
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John Adams
China Gates
145 bpm • B Maj • 05:13 • -34.35db
27% Popularity • 37% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
27% Popularity • 37% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Alarm Will Sound
Blue Calx (arr. C. Burhans)
135 bpm • B min • 07:13 • -20db
14% Popularity • 59% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
14% Popularity • 59% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Meredith Monk
The Games: Spaceship (Arr. M. Gordon for...
145 bpm • A min • 04:18 • -14.72db
18% Popularity • 39% Danceability • 21% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 21% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Matthew Shipp
Urban Shadows
145 bpm • F min • 07:15 • -8.25db
0% Popularity • 37% Danceability • 88% Energy • 62% Liveness
50% Instrumentalness • 50% Positiveness
0% Popularity • 37% Danceability • 88% Energy • 62% Liveness
50% Instrumentalness • 50% Positiveness
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Balanescu Quartet
Interlude
135 bpm • B Maj • 01:05 • -20db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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DJ Raspberry V
It's About Time
146 bpm • F# Maj • 02:06 • -16.37db
23% Popularity • 47% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 84% Positiveness
23% Popularity • 47% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 84% Positiveness
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Evan Ziporyn
Tire Fire: IV.
134 bpm • F Maj • 03:39 • -12.23db
0% Popularity • 37% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 37% Danceability • 55% Energy • 34% Liveness
1% Instrumentalness • 10% Positiveness
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Gregg Smith
Fallen Angels: III. Artistic Tempera
135 bpm • D min • 00:55 • -15.53db
0% Popularity • 56% Danceability • 15% Energy • 27% Liveness
1% Instrumentalness • 29% Positiveness
0% Popularity • 56% Danceability • 15% Energy • 27% Liveness
1% Instrumentalness • 29% Positiveness
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Maya Beiser
'Tis a Pity She Was a Whore
134 bpm • F Maj • 04:41 • -6.09db
1% Popularity • 27% Danceability • 82% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
1% Popularity • 27% Danceability • 82% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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Terry Riley
Cry of a Lady
134 bpm • A min • 05:09 • -20db
12% Popularity • 21% Danceability • 14% Energy • 30% Liveness
43% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 14% Energy • 30% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
John Adams
Shaker Loops (version for string orchest...
146 bpm • C Maj • 08:27 • -27db
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
► Preview
John Cage
A Room: From She Is Asleep
147 bpm • C# min • 02:18 • -44.83db
20% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Penguin Cafe Orchestra
Chartered Flight - 2008 Digital Remaster
147 bpm • F Maj • 06:42 • -16.63db
20% Popularity • 29% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
20% Popularity • 29% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Caroline Shaw
Limestone & Felt
147 bpm • D Maj • 05:42 • -25.22db
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Iva Bittová
Sun Shower
147 bpm • G Maj • 06:05 • -17.59db
0% Popularity • 57% Danceability • 16% Energy • 6% Liveness
47% Instrumentalness • 20% Positiveness
0% Popularity • 57% Danceability • 16% Energy • 6% Liveness
47% Instrumentalness • 20% Positiveness
► Preview
Evan Ziporyn
Qi - II. Garden
133 bpm • C Maj • 09:39 • -13.19db
0% Popularity • 39% Danceability • 22% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
0% Popularity • 39% Danceability • 22% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Phil Kline
Exquisite Corpses
132 bpm • C# Maj • 11:24 • -11.48db
0% Popularity • 59% Danceability • 47% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
0% Popularity • 59% Danceability • 47% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
Threnody To the Victims of Hiroshima: Tr...
132 bpm • A Maj • 08:59 • -21.03db
8% Popularity • 20% Danceability • 23% Energy • 30% Liveness
67% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 23% Energy • 30% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
David Longstreth
Instructional Video
133 bpm • A# Maj • 01:49 • -8.97db
1% Popularity • 77% Danceability • 37% Energy • 11% Liveness
66% Instrumentalness • 66% Positiveness
1% Popularity • 77% Danceability • 37% Energy • 11% Liveness
66% Instrumentalness • 66% Positiveness
► Preview
Terry Riley
M - Music I - Inside C - Curved E-Entran...
132 bpm • F Maj • 02:11 • -13db
25% Popularity • 45% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
25% Popularity • 45% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
► Preview
Iva Bittová
Elida
132 bpm • E min • 05:06 • -10.07db
0% Popularity • 58% Danceability • 47% Energy • 44% Liveness
9% Instrumentalness • 68% Positiveness
0% Popularity • 58% Danceability • 47% Energy • 44% Liveness
9% Instrumentalness • 68% Positiveness
► Preview
Annie Gosfield
The Manufacturer of Tangled Ivory
149 bpm • F Maj • 10:41 • -16.49db
2% Popularity • 36% Danceability • 66% Energy • 26% Liveness
78% Instrumentalness • 5% Positiveness
2% Popularity • 36% Danceability • 66% Energy • 26% Liveness
78% Instrumentalness • 5% Positiveness
► Preview
Evan Ziporyn
I Live Above the Hobby Shop
148 bpm • G# Maj • 03:39 • -11.06db
0% Popularity • 64% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 28% Positiveness
0% Popularity • 64% Danceability • 15% Energy • 12% Liveness
80% Instrumentalness • 28% Positiveness
► Preview
Jürg Frey
Extended Circular Music No. 5
131 bpm • A# min • 04:19 • -28db
12% Popularity • 19% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Ernst Reijseger
Science Fiction
131 bpm • F Maj • 04:09 • -33.02db
8% Popularity • 16% Danceability • 1% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Marc Ezenge
Faith over Fear
149 bpm • F min • 02:57 • -19.77db
13% Popularity • 26% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
13% Popularity • 26% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Maya Beiser
Girl Loves Me
131 bpm • F min • 05:03 • -8.35db
1% Popularity • 40% Danceability • 57% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
1% Popularity • 40% Danceability • 57% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
► Preview
Philip Glass Ensemble
Knee 2
131 bpm • A min • 06:08 • -25.37db
16% Popularity • 36% Danceability • 20% Energy • 28% Liveness
74% Instrumentalness • 86% Positiveness
16% Popularity • 36% Danceability • 20% Energy • 28% Liveness
74% Instrumentalness • 86% Positiveness
► Preview
Evan Ziporyn
Impulse Control: 1
132 bpm • F# min • 03:56 • -18.67db
0% Popularity • 48% Danceability • 45% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
0% Popularity • 48% Danceability • 45% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Meredith Monk
Travellers 1, 2, 3
131 bpm • F Maj • 02:31 • -20.81db
23% Popularity • 42% Danceability • 7% Energy • 10% Liveness
40% Instrumentalness • 18% Positiveness
23% Popularity • 42% Danceability • 7% Energy • 10% Liveness
40% Instrumentalness • 18% Positiveness
► Preview
Michael Galasso
Scene 2
131 bpm • G# Maj • 02:49 • -16.35db
22% Popularity • 32% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
22% Popularity • 32% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Iva Bittová
Painters in Paris
130 bpm • C Maj • 02:42 • -12.64db
0% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Iannis Xenakis
Persepolis #1
130 bpm • F# min • 04:58 • -16db
10% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Matthew Shipp
Particle
129 bpm • G# Maj • 05:25 • -11.22db
0% Popularity • 35% Danceability • 55% Energy • 25% Liveness
37% Instrumentalness • 32% Positiveness
0% Popularity • 35% Danceability • 55% Energy • 25% Liveness
37% Instrumentalness • 32% Positiveness
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Evan Ziporyn
Be-In
132 bpm • F Maj • 08:51 • -10.85db
0% Popularity • 46% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
0% Popularity • 46% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Terry Riley
In C: Part 01
129 bpm • C Maj • 05:03 • -19.8db
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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John Adams
China Gates
152 bpm • C# Maj • 05:24 • -26db
26% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
26% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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Richard Maxfield
Richard Maxfield - Night Music
129 bpm • C# Maj • 09:06 • -14.23db
9% Popularity • 38% Danceability • 93% Energy • 67% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 38% Danceability • 93% Energy • 67% Liveness
88% Instrumentalness • 4% Positiveness
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Paul Lansky
Threads: IV. Aria -
128 bpm • D Maj • 02:41 • -21.65db
9% Popularity • 50% Danceability • 6% Energy • 16% Liveness
61% Instrumentalness • 7% Positiveness
9% Popularity • 50% Danceability • 6% Energy • 16% Liveness
61% Instrumentalness • 7% Positiveness
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Jane the Ripper
Sike-Edelic Soundwaves
129 bpm • G Maj • 01:00 • -39db
10% Popularity • 52% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
10% Popularity • 52% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 28% Positiveness
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Evan Ziporyn
Id Kiss Gale
149 bpm • G Maj • 06:47 • -15.78db
0% Popularity • 46% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
0% Popularity • 46% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Terry Riley
In C: Part 02
129 bpm • C Maj • 04:46 • -20.21db
8% Popularity • 47% Danceability • 23% Energy • 24% Liveness
86% Instrumentalness • 8% Positiveness
8% Popularity • 47% Danceability • 23% Energy • 24% Liveness
86% Instrumentalness • 8% Positiveness
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Kevin Volans
I. White Man Sleeps
128 bpm • G Maj • 04:04 • -21.56db
12% Popularity • 39% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
12% Popularity • 39% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Gregg Smith
Fallen Angels: V. Natural History
128 bpm • G min • 00:35 • -15.26db
0% Popularity • 69% Danceability • 27% Energy • 19% Liveness
3% Instrumentalness • 31% Positiveness
0% Popularity • 69% Danceability • 27% Energy • 19% Liveness
3% Instrumentalness • 31% Positiveness
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Paul Lansky
Threads: I. Prelude -
128 bpm • B min • 03:00 • -22.59db
21% Popularity • 60% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
21% Popularity • 60% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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John Adams
Adams: Shaker Loops: I. Shaking and Trem...
153 bpm • G Maj • 08:25 • -26.65db
9% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Evan Ziporyn
Shining Star
129 bpm • D Maj • 02:16 • -5.71db
0% Popularity • 59% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
0% Popularity • 59% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
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Terry Riley
In C: Part 09
129 bpm • C Maj • 04:58 • -20db
10% Popularity • 35% Danceability • 25% Energy • 36% Liveness
84% Instrumentalness • 6% Positiveness
10% Popularity • 35% Danceability • 25% Energy • 36% Liveness
84% Instrumentalness • 6% Positiveness
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Kevin Volans
II. White Man Sleeps
128 bpm • E min • 05:07 • -22.76db
12% Popularity • 45% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
12% Popularity • 45% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
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Julia Wolfe
Big Beautiful Dark and Scary
128 bpm • G min • 08:44 • -5.28db
2% Popularity • 32% Danceability • 88% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
2% Popularity • 32% Danceability • 88% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
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Jon Hassell
Viva Shona
128 bpm • A min • 07:05 • -13.02db
19% Popularity • 39% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
19% Popularity • 39% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 19% Positiveness
