Songs like Amor, Amor by Johannes Heesters
Based on a tempo of (+/- 10%) and a similar genre
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Theo Lingen
Der Theodor im Fussballtor
140 bpm • F Maj • 03:02 • -11.65db
5% Popularity • 62% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 62% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Alfred Schieske
My Fair Lady: Kann Denn Die Kinder Keine...
140 bpm • C Maj • 02:50 • -20.05db
11% Popularity • 62% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 62% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Rudolf Schock
Chianti-Lied
140 bpm • G Maj • 03:22 • -11.8db
16% Popularity • 36% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 36% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Zarah Leander
Yes Sir!
139 bpm • C Maj • 02:56 • -11.57db
3% Popularity • 57% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 57% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Howland
Das hab ich in Paris gelernt - Re-Record...
139 bpm • C# Maj • 02:23 • -10.37db
18% Popularity • 80% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 80% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Willy Hagara
Caterina
139 bpm • E min • 02:11 • -6.24db
9% Popularity • 57% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 57% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Heinz Erhardt
Immer Noch'n Groschen
141 bpm • G# Maj • 02:30 • -12.07db
25% Popularity • 55% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Alfred Schieske
My Fair Lady: Kann Eine Frau Nicht Sein ...
141 bpm • G Maj • 02:10 • -19.45db
8% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Act III: "Aye, aye,...
137 bpm • F# Maj • 02:38 • -16.73db
0% Popularity • 26% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 26% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Lincke
Frau Luna: Schenk mir doch ein kleines b...
137 bpm • F min • 01:05 • -14db
17% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Harald Juhnke
Ein Mann für alle Fälle
143 bpm • D min • 02:52 • -7.49db
9% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Johannes Heesters
Ich spiel mit dir
143 bpm • G# Maj • 02:22 • -11.84db
10% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Heinz Erhardt
Baby, es regnet doch
139 bpm • A# Maj • 02:29 • -11.96db
14% Popularity • 59% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 59% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Liselotte Pulver
Jedes Töpfchen find’t sein Deckelchen
143 bpm • C Maj • 02:22 • -11db
19% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Trude Herr
Tango d'amore
137 bpm • F# min • 01:36 • -4.55db
15% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Zarah Leander
Er Heißt Waldemar
136 bpm • F min • 03:10 • -12db
1% Popularity • 76% Danceability • 42% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 76% Danceability • 42% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Evelyn Künneke
Das Karussell
144 bpm • G min • 03:39 • -9.72db
0% Popularity • 51% Danceability • 71% Energy • 17% Liveness
54% Instrumentalness • 69% Positiveness
0% Popularity • 51% Danceability • 71% Energy • 17% Liveness
54% Instrumentalness • 69% Positiveness
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Johannes Heesters
Oh Goldmarie
136 bpm • G Maj • 02:50 • -14.9db
0% Popularity • 69% Danceability • 26% Energy • 10% Liveness
38% Instrumentalness • 89% Positiveness
0% Popularity • 69% Danceability • 26% Energy • 10% Liveness
38% Instrumentalness • 89% Positiveness
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Hans Söhnker
Wem gehört ihr Herz am nächsten Sonnta...
136 bpm • C Maj • 02:40 • -11.13db
10% Popularity • 77% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
10% Popularity • 77% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
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Aniko Benkö
Die Julischka Aus Budapest
136 bpm • B min • 02:24 • -11.73db
12% Popularity • 47% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 47% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Bill Ramsey
Zuckerpuppe (Aus der Bauchtanz-Truppe)
136 bpm • A# Maj • 02:43 • -6.77db
24% Popularity • 64% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 64% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Conny Froboess
Du bist mir so sympatisch - 2005 Digital...
136 bpm • C# Maj • 02:33 • -8.9db
8% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Blue Diamonds
Sukiyaki - German Version / Remastered 2...
135 bpm • F Maj • 03:04 • -7.51db
12% Popularity • 47% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 47% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Johannes Heesters
Da geh' ich ins Maxim
145 bpm • D Maj • 03:05 • -11db
12% Popularity • 38% Danceability • 29% Energy • 48% Liveness
3% Instrumentalness • 38% Positiveness
12% Popularity • 38% Danceability • 29% Energy • 48% Liveness
3% Instrumentalness • 38% Positiveness
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Marika Rökk
Musik! Musik! Musik! (Ich brauche keine ...
135 bpm • G min • 02:55 • -12db
13% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Lilian Harvey
Liebling, mein Herz laesst Dich gruessen
135 bpm • D Maj • 02:53 • -14db
11% Popularity • 32% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 32% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Franz Grothe
Alarm auf Station III: Mein lieber Freun...
145 bpm • C min • 03:05 • -11.67db
9% Popularity • 64% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 64% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Act II: "Es liegt m...
135 bpm • B Maj • 01:12 • -9.83db
2% Popularity • 51% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 51% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 76% Positiveness
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Ivo Robic
Liebe
134 bpm • G# Maj • 02:29 • -11db
10% Popularity • 50% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 50% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Johannes Heesters
Engagement in Wien
135 bpm • B min • 06:30 • -24.19db
0% Popularity • 67% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 67% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 52% Positiveness
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Willy Fritsch
Ich wollt', ich wäre ein Huhn
134 bpm • C Maj • 02:45 • -8.85db
9% Popularity • 81% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 81% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Rex Gildo
Vom Stadtpark Die Laternen
146 bpm • G Maj • 02:53 • -7.96db
36% Popularity • 52% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 52% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Hazy Osterwald Sextett
Musik ist Trumpf
146 bpm • G min • 02:01 • -4.65db
18% Popularity • 47% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 47% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Greetje Kauffeld
Wir können uns nur Briefe schreiben
134 bpm • F Maj • 02:49 • -11db
14% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Die Goldene Sieben
Wenn Ich Vergnügt Bin Muß Ich Singen
134 bpm • C Maj • 02:18 • -13.42db
25% Popularity • 79% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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Johannes Heesters
Angelika Serenade
134 bpm • D# Maj • 02:55 • -10.95db
0% Popularity • 32% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 32% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Claire Waldoff
Hannelore
134 bpm • G# Maj • 02:28 • -12db
11% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Abraham
Die Blume von Hawaii: Blume von Hawaii
134 bpm • D# Maj • 02:06 • -13.95db
8% Popularity • 32% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 32% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Ralf Bendix
Sie hieß Mary Ann
147 bpm • F# min • 02:33 • -9.23db
23% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Fred Bertelmann
Aber Du Heisst Pia
133 bpm • C# Maj • 02:30 • -9db
15% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Helga Brauer
Heute tanzen alle jungen Leute
148 bpm • G# Maj • 02:42 • -6.76db
10% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Richard Tauber
Reich mir zum Abschied noch einmal die H...
132 bpm • A# Maj • 03:13 • -13.09db
17% Popularity • 35% Danceability • 19% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 35% Danceability • 19% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
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Gerhard Wendland
Sie
132 bpm • C Maj • 02:15 • -8db
16% Popularity • 58% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 58% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Act III: "Das Milt�...
132 bpm • G# min • 01:31 • -11.88db
1% Popularity • 58% Danceability • 44% Energy • 82% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 58% Danceability • 44% Energy • 82% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Hörbiger
Jetzt trink´n ma noch a Flascherl Wein
132 bpm • C Maj • 02:49 • -12.25db
12% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Robert Koppel
Du bist als Kind zu heiß gebadet worden
131 bpm • A# min • 03:03 • -14db
9% Popularity • 76% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
9% Popularity • 76% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Bully Buhlan
Haben Se Nicht Ne Braut Feur Mich
132 bpm • A# Maj • 03:24 • -10db
14% Popularity • 70% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 70% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Conny Froboess
Auch du hast dein Schicksal in der Hand ...
131 bpm • C Maj • 02:00 • -10db
21% Popularity • 67% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 67% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Willy Fritsch
Ich tanze mit dir in den Himmel hinein
131 bpm • C# Maj • 02:57 • -9.17db
19% Popularity • 34% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 36% Positiveness
19% Popularity • 34% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 36% Positiveness
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CITY OF ANGELS
Demut
150 bpm • A min • 04:05 • -3.64db
0% Popularity • 63% Danceability • 88% Energy • 94% Liveness
21% Instrumentalness • 21% Positiveness
0% Popularity • 63% Danceability • 88% Energy • 94% Liveness
21% Instrumentalness • 21% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Vorspiel: Dialog 2
130 bpm • C min • 02:49 • -20.51db
0% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Johannes Heesters
Die Kraft meines Lebens
150 bpm • A# Maj • 05:38 • -7.07db
2% Popularity • 26% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 26% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Fred Bertelmann
Ich bin ja nur ein Troubadour
130 bpm • F Maj • 02:47 • -4db
14% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 51% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Hans Lang
Geliebte Freundin: Mein Auto kann schon ...
130 bpm • G# Maj • 02:44 • -13.96db
0% Popularity • 76% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
0% Popularity • 76% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Conny Froboess
Diana
151 bpm • G min • 02:12 • -9.54db
31% Popularity • 39% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 39% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
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Heinz Erhardt
Das Ding - The Thing
129 bpm • F Maj • 02:50 • -14.28db
9% Popularity • 72% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 72% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Theo Lingen
Ich wollt, ich waer ein Huhn
129 bpm • C Maj • 02:15 • -13db
27% Popularity • 79% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 79% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Johannes Heesters
Mein Auto kann schön singen
130 bpm • G# Maj • 02:47 • -11.35db
3% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Military Church of Satan
Panzer Rollen in Afrika Vor
129 bpm • E Maj • 03:05 • -7.9db
14% Popularity • 60% Danceability • 57% Energy • 16% Liveness
48% Instrumentalness • 76% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 16% Liveness
48% Instrumentalness • 76% Positiveness
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Paul Kuhn
Living Doll
129 bpm • G Maj • 02:35 • -9db
13% Popularity • 65% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 65% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Fred Bertelmann
... Und Schuld daran sind nur die Frau'n
129 bpm • G min • 02:18 • -8db
12% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Jary
Fraulein vom Amt: Es liegt was in der Lu...
152 bpm • G# Maj • 03:22 • -10.48db
12% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Freddy
Rosalie
128 bpm • E Maj • 03:29 • -12.87db
10% Popularity • 51% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 51% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Renate Müller
Wie sag' ich's meinem Mann
153 bpm • D# Maj • 03:03 • -12.93db
9% Popularity • 60% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 76% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 13% Liveness
74% Instrumentalness • 76% Positiveness
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Karl Berbuer
Trizonesien-Song
128 bpm • A# Maj • 03:09 • -11.35db
5% Popularity • 70% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 70% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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René Carol
Der Südwind Der Weht
128 bpm • G Maj • 03:09 • -12db
11% Popularity • 34% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 34% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Gerd Böttcher
Ich komme wieder
128 bpm • E Maj • 03:09 • -15.03db
9% Popularity • 56% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 56% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Heinz Erhardt
Blas mal auf dem Kamm - The Comb And Pap...
128 bpm • A# Maj • 02:58 • -14db
11% Popularity • 72% Danceability • 39% Energy • 66% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 66% Liveness
0% Instrumentalness • 85% Positiveness
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Otto Reutter
Nehm'n Sie 'n Alten - Original 1927 Rema...
128 bpm • A# Maj • 02:42 • -10db
13% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Johannes Heesters
Das Karussell
154 bpm • C Maj • 03:07 • -10.13db
0% Popularity • 44% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 44% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 71% Positiveness
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Heinz Rühmann
Das kann doch einen Seemann nicht ersch�...
127 bpm • D Maj • 02:50 • -9.61db
14% Popularity • 75% Danceability • 29% Energy • 15% Liveness
2% Instrumentalness • 87% Positiveness
14% Popularity • 75% Danceability • 29% Energy • 15% Liveness
2% Instrumentalness • 87% Positiveness
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Gerhard Wendland
Tanze mit mir in den Morgen (Mitternacht...
127 bpm • G# Maj • 02:50 • -7.93db
27% Popularity • 55% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 55% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Ilse Werner
Wir machen Musik
127 bpm • A# Maj • 02:34 • -11.36db
12% Popularity • 85% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 85% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Lincke
Frau Luna: Bis früh um fünfe
127 bpm • D Maj • 01:05 • -12db
16% Popularity • 71% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 71% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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Siegfried Arno
Was kann der Sigismund dafür - Remaster...
127 bpm • A# Maj • 03:02 • -8db
11% Popularity • 81% Danceability • 67% Energy • 5% Liveness
74% Instrumentalness • 96% Positiveness
11% Popularity • 81% Danceability • 67% Energy • 5% Liveness
74% Instrumentalness • 96% Positiveness
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Johannes Heesters
Ich werde 100 Jahre alt
126 bpm • F Maj • 03:37 • -5db
14% Popularity • 30% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 30% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Marek Weber Tanzorchester
Was kann der Sigismund dafür dass er so...
127 bpm • A# Maj • 02:59 • -10.36db
11% Popularity • 82% Danceability • 59% Energy • 9% Liveness
44% Instrumentalness • 97% Positiveness
11% Popularity • 82% Danceability • 59% Energy • 9% Liveness
44% Instrumentalness • 97% Positiveness
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Paul Hörbiger
Das muss ein Stück vom Himmel sein
126 bpm • F Maj • 03:24 • -6db
11% Popularity • 42% Danceability • 42% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
11% Popularity • 42% Danceability • 42% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
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Bibi Johns
Bella Bimba
155 bpm • G Maj • 03:06 • -8.55db
13% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ilse Werner
Wir Machen Musik
126 bpm • A# Maj • 02:36 • -10db
20% Popularity • 84% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 84% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Marlene Dietrich
Nimm Dich in Acht vor blonden Frau'n
126 bpm • A# Maj • 03:16 • -6.58db
12% Popularity • 70% Danceability • 57% Energy • 25% Liveness
17% Instrumentalness • 58% Positiveness
12% Popularity • 70% Danceability • 57% Energy • 25% Liveness
17% Instrumentalness • 58% Positiveness
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Heinz Erhardt
Linkes Auge Blau
126 bpm • C min • 02:38 • -11.09db
21% Popularity • 82% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 82% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Dol Dauber's Tanzorchester
Du bist in letzter Zeit so schrecklich b...
126 bpm • C Maj • 02:51 • -14.39db
8% Popularity • 78% Danceability • 45% Energy • 14% Liveness
11% Instrumentalness • 87% Positiveness
8% Popularity • 78% Danceability • 45% Energy • 14% Liveness
11% Instrumentalness • 87% Positiveness
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Paul Abraham
Viktoria und ihr Husar: Ja, so ein Mäde...
126 bpm • A# Maj • 01:17 • -11db
10% Popularity • 65% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 65% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Conny Froboess
Hey Boys, How Do You Do?
125 bpm • A Maj • 01:55 • -10.34db
26% Popularity • 78% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Gerhard Wendland
Tschau Tschau Bambina
125 bpm • C Maj • 02:47 • -9db
11% Popularity • 35% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 35% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Rex Gildo
... und dann fuhren sie wieder nach Jama...
125 bpm • D Maj • 01:55 • -9.04db
11% Popularity • 80% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 80% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 97% Positiveness
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René Carol
Deinen Namen Den Hab Ich Vergessen
125 bpm • G Maj • 03:36 • -9.06db
19% Popularity • 50% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 50% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Efim Schachmeister
Mein Papagai frisst keine harten Eier
126 bpm • A# Maj • 02:49 • -12.37db
11% Popularity • 84% Danceability • 47% Energy • 12% Liveness
83% Instrumentalness • 88% Positiveness
11% Popularity • 84% Danceability • 47% Energy • 12% Liveness
83% Instrumentalness • 88% Positiveness
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Die Blauen Jungs
Warum strahlen heut’ Nacht die Sterne ...
125 bpm • C# Maj • 02:31 • -7db
9% Popularity • 70% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Vorspiel: "Wir habe...
124 bpm • D# Maj • 01:07 • -13.54db
1% Popularity • 61% Danceability • 36% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 61% Danceability • 36% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
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Marika Rökk
In der Nacht ist der Mensch nicht gern a...
124 bpm • C Maj • 02:34 • -11db
19% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Gerhard Wendland
Das machen nur die Beine von Dolores - N...
124 bpm • C Maj • 02:56 • -12.25db
19% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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René Carol
Südliche Nächte
125 bpm • B min • 03:24 • -8db
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Heinz Erhardt
Annemie
124 bpm • A# Maj • 02:41 • -6.66db
17% Popularity • 86% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 86% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Brigitte Mira
Was machst Du mit dem Knie, lieber Hans
124 bpm • D Maj • 02:49 • -9db
11% Popularity • 76% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 76% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Vorspiel: "Wir habe...
123 bpm • C# Maj • 01:23 • -16.29db
0% Popularity • 55% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 55% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Friedel Hensch Und Die Cyprys
Oh Heideröslein
123 bpm • F Maj • 03:07 • -13db
10% Popularity • 47% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 47% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
