Songs like Amo-Te (Por Amor Tudo Farei) by Fernando Santana
Based on a tempo of (+/- 10%) and a similar genre
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Fernando Santana
Deixa Ser Como Antes
106 bpm • D Maj • 03:19 • -8.6db
1% Popularity • 69% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 69% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Paulo Ribeiro
Em nome do amor
106 bpm • A min • 03:37 • -5.95db
10% Popularity • 68% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 68% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Mónica Sintra
Vem Dançar Esta Salsa
106 bpm • D# min • 03:58 • -1.44db
16% Popularity • 71% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 71% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Abreu
Sempre Acreditei
106 bpm • C# min • 03:50 • -6.69db
22% Popularity • 65% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 65% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Maria Lisboa
Que Deus Te Guarde
106 bpm • D min • 03:57 • -6.9db
13% Popularity • 51% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 51% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Ágata
Maldito Amor, Maldito
106 bpm • A Maj • 05:14 • -12.48db
22% Popularity • 71% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 71% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Fernando Santana
Amo-Te (Por Amor Tudo Farei)
106 bpm • D min • 03:52 • -10.42db
21% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Os Portugas
Passear Contigo (Immer Wieder Sonntags)
106 bpm • A# Maj • 03:02 • -7.81db
18% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Rebeca
Irei Vencer
106 bpm • F Maj • 04:40 • -6.72db
18% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Chiquita
Bota a Cima, Bota a Baixo
105 bpm • F min • 04:16 • -9.53db
21% Popularity • 87% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 87% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Victor Rodrigues
Quero Trique Trique
105 bpm • E Maj • 03:30 • -2.43db
21% Popularity • 85% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 85% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Mário Gil
Caminhos de Portugal
105 bpm • A Maj • 03:41 • -9.53db
20% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Fernando Santana
Fico À Espera P´ra Te Amar
106 bpm • C Maj • 04:26 • -6.47db
5% Popularity • 56% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
5% Popularity • 56% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Cristiana Sá & Companhia
Sou do Norte
105 bpm • C# Maj • 03:19 • -1.91db
38% Popularity • 80% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 80% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Carlos Pires
Saudades de vocês
105 bpm • G min • 03:08 • -5.25db
27% Popularity • 81% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 81% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Luís Filipe Reis
Por um Beijo Teu
105 bpm • F Maj • 03:23 • -5.84db
17% Popularity • 67% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 67% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Belito Campos
Joaninha Vasconcelos
105 bpm • G min • 03:20 • -3.23db
14% Popularity • 80% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 80% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sons da Terra
Terra da Maria
105 bpm • C Maj • 03:22 • -7.18db
17% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Alexandre Faria
Boa Sorte
105 bpm • E min • 03:47 • -8.28db
23% Popularity • 82% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 82% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Cristiana Sá & Companhia
O Nosso Portugal
105 bpm • F Maj • 04:06 • -2.96db
28% Popularity • 77% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 77% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Toka & Dança
Malhão Rodado
105 bpm • C Maj • 03:44 • -5.95db
31% Popularity • 77% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 77% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Romana
Não És Homem P´ra Mim
107 bpm • D# min • 04:34 • -5.23db
25% Popularity • 78% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 78% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Broa de Mel
Porque É Que Te Vais
108 bpm • E Maj • 04:29 • -8.63db
8% Popularity • 73% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 73% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Cláudia Martins & Minhotos Marotos
Segura-Me no Saco
104 bpm • F Maj • 03:21 • -3.04db
29% Popularity • 77% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 77% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Bombocas
O Ginga Ginga
108 bpm • F# min • 03:25 • -5db
24% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Ágata
De Mulher para Mulher
108 bpm • C# min • 05:00 • -10.06db
29% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Elena Correia
Vamos Gozar a Vida
104 bpm • G min • 03:56 • -5db
11% Popularity • 70% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 70% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Romana
Ex-Mulher (Ex-Amor)
104 bpm • G# min • 04:16 • -7.29db
16% Popularity • 73% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 73% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Sons do Minho
Festa Portuguesa
108 bpm • F Maj • 03:11 • -6db
23% Popularity • 74% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 74% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Fernando Santana
Um Giramundo
103 bpm • G# Maj • 02:35 • -7.64db
7% Popularity • 74% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 74% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Victor Rodrigues
Sou Camionista
104 bpm • A# Maj • 03:52 • -6db
17% Popularity • 71% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 71% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Tiago Neto & Paulo Fragoso
Não Há Verão Sem Emigrantes
103 bpm • A Maj • 03:00 • -2.29db
29% Popularity • 69% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Rebeca
Quero Te Beijar
103 bpm • F Maj • 04:08 • -6db
20% Popularity • 73% Danceability • 89% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 73% Danceability • 89% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
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Bombocas
Maldito Beijo
103 bpm • B min • 03:29 • -6db
25% Popularity • 73% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 73% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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4 Mens
Ninguém Pode Parar
103 bpm • F Maj • 02:53 • -4db
18% Popularity • 80% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 80% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Broa de Mel
O fim de uma vida a dois
103 bpm • D# min • 04:18 • -5db
20% Popularity • 71% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 71% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Manuel Campos
Amar
103 bpm • G# min • 03:06 • -4db
22% Popularity • 71% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 71% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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7 Saias
Rosa Arredonda a Saia
110 bpm • E Maj • 03:34 • -4db
30% Popularity • 89% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 89% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Ricardo & Henrique
Hey (Morro de Desejo)
110 bpm • A# Maj • 02:54 • -5.71db
24% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Marco Paulo
Na hora do adeus (não digas nada)
102 bpm • F# Maj • 04:18 • -5db
18% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Luís Filipe Reis
Quem Nasceu Pra Sofrer
102 bpm • A# min • 03:14 • -5db
17% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Romana
Entre Duas Paixões
110 bpm • C# min • 04:06 • -11.36db
13% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Os Portugas
Bailinho da Madeira
102 bpm • D Maj • 03:13 • -4db
15% Popularity • 74% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 74% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Graciano Saga
Vai,Vai Com Deus
102 bpm • A# min • 04:13 • -4db
9% Popularity • 69% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 69% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Pedro Miguel
Um dia vais-te apaixonar
101 bpm • G Maj • 03:27 • -4db
15% Popularity • 64% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 64% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Ágata
Faz-Te À Vida
101 bpm • G min • 03:35 • -5db
26% Popularity • 79% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 79% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Fernando Santana
Solidão Vai-Te Embora
112 bpm • D# min • 03:03 • -8.38db
6% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
6% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Romana
Cantando
110 bpm • A# min • 03:18 • -5.31db
15% Popularity • 67% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 67% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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7 Saias
Maneio
112 bpm • D Maj • 03:27 • -5.07db
35% Popularity • 87% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 87% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Vira Milho
É Problema Meu
112 bpm • F# Maj • 03:55 • -5.23db
13% Popularity • 67% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 67% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Trio Odemira
Anel De Noivado
112 bpm • G Maj • 03:38 • -11db
25% Popularity • 40% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 40% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Mundo Novo
A Chibinha
100 bpm • A# Maj • 04:09 • -5db
19% Popularity • 77% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 77% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Os Portugas
Todos Me Querem
100 bpm • A Maj • 03:36 • -5db
23% Popularity • 74% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 74% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Rui Bandeira
Fruto Proíbido
100 bpm • F# min • 03:57 • -6db
18% Popularity • 71% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 71% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Conjunto Maria Albertina
Avé Maria do Coração
100 bpm • F Maj • 03:10 • -6db
14% Popularity • 72% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 72% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Chiquita
Vai um Balde de Água Fria
100 bpm • D Maj • 03:31 • -12db
23% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Luís Filipe Reis
Portugal (chama por mim)
100 bpm • A# Maj • 04:02 • -5db
17% Popularity • 73% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 73% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Élvio Santiago
Ficou Combinado
100 bpm • B Maj • 04:04 • -5db
18% Popularity • 68% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Expresso 86
Deus Me Livre
100 bpm • G Maj • 04:56 • -8db
16% Popularity • 64% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 64% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Rui Bandeira
Cuida Bem Dela
100 bpm • A min • 03:42 • -6db
21% Popularity • 63% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 63% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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José Alberto Reis
E Lá Vou Eu
100 bpm • D Maj • 02:59 • -6db
26% Popularity • 56% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 56% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Emanuel
Felicidade (Quando o Telefone Toca)
100 bpm • D# min • 03:31 • -10.44db
15% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Bombocas
Tum Tum Tum
100 bpm • F# min • 03:07 • -4db
31% Popularity • 76% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 76% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Ewerson Carvalho
Recordando Lisboa
100 bpm • E min • 03:21 • -16.51db
0% Popularity • 71% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
0% Popularity • 71% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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Paulo Ribeiro
Dama de Vermelho
100 bpm • D# Maj • 04:56 • -5.65db
10% Popularity • 53% Danceability • 77% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 53% Danceability • 77% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
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Rui Bandeira
Dona do Meu Coração
100 bpm • C# Maj • 04:04 • -4.19db
11% Popularity • 69% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 69% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Ás da Concertina
O Problema do Ricardo
100 bpm • D# Maj • 03:40 • -5db
16% Popularity • 69% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 69% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Emanuel
Saudades de Ti (Saudades)
100 bpm • E min • 03:34 • -5.59db
12% Popularity • 80% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 80% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Ágata
Agora chora tu
113 bpm • F min • 02:59 • -5db
22% Popularity • 75% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 75% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Fernando Santana
Não aguento a dor
113 bpm • F Maj • 03:31 • -5.82db
4% Popularity • 76% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 76% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Belito Campos
Kudebomba
114 bpm • E min • 04:07 • -3.17db
20% Popularity • 72% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 72% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Rui Bandeira
Deus abençoou o nosso amor
100 bpm • C# Maj • 04:00 • -5db
26% Popularity • 69% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 69% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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José Alberto Reis
Setembro
99 bpm • A Maj • 04:10 • -8.83db
16% Popularity • 62% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
16% Popularity • 62% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Miguel E André
Estrada Sem Saída
114 bpm • D Maj • 03:39 • -9.12db
15% Popularity • 63% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 63% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Ágata
Voltei-Me a Apaixonar
99 bpm • F Maj • 04:21 • -4.16db
14% Popularity • 61% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 61% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Lucas & Matheus
Preciso do Teu Prazer (As Long as You Lo...
98 bpm • C Maj • 03:48 • -5.97db
21% Popularity • 68% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Conjunto Maria Albertina
O Emigrante
98 bpm • D Maj • 04:42 • -5.38db
20% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Rui Bandeira
O Nosso Amor
99 bpm • C# min • 03:59 • -5.6db
19% Popularity • 70% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 70% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Abreu
Rosa Arrendonda a Saia
98 bpm • G# Maj • 03:41 • -5.53db
29% Popularity • 80% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 80% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Luís Filipe Reis
Merci Paris
98 bpm • E Maj • 03:10 • -5.62db
15% Popularity • 64% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 64% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
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Ágata
Chora No Meu Colo
99 bpm • F min • 04:48 • -15.5db
23% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Lucas & Matheus
Bate Saudade
98 bpm • F Maj • 03:43 • -4.86db
14% Popularity • 71% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 71% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Eduardo Sant'ana
Carimbó Português
98 bpm • C# Maj • 03:40 • -5.49db
29% Popularity • 84% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 84% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Maria Lisboa
Nossa Senhora de Fátima
98 bpm • F# Maj • 04:29 • -5.61db
17% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Rui Bandeira
Alma Ferida
98 bpm • G# Maj • 03:16 • -4.8db
19% Popularity • 66% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 66% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Leandro
Fui Eu
115 bpm • A min • 03:39 • -4.48db
17% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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José Alberto Reis
Cama de Espinhos
115 bpm • A Maj • 03:58 • -8.04db
19% Popularity • 70% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 70% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Nelson Costa
Bate Coração
115 bpm • F min • 03:09 • -2.69db
30% Popularity • 83% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 83% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Bombocas
Até Te Passas
115 bpm • B Maj • 03:28 • -5.48db
19% Popularity • 70% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 70% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Maria Lisboa
Roça Nesta Kizomba
115 bpm • G min • 03:29 • -4.45db
21% Popularity • 73% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 73% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Eduardo Sant'ana
O Telefone Chora
115 bpm • F Maj • 03:33 • -8.23db
26% Popularity • 59% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 59% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Paulo Ribeiro
Tudo Passará
98 bpm • D min • 03:24 • -4.15db
14% Popularity • 47% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 47% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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José Alberto Reis
Por uma Vez (Faz Amor Comigo)
115 bpm • B Maj • 04:02 • -4.6db
14% Popularity • 64% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 64% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Ágata
Olá, Olá Eu Voltei
97 bpm • F Maj • 03:19 • -14.29db
20% Popularity • 76% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 76% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Mónica Sintra
Afinal Havia Outra
97 bpm • C Maj • 03:52 • -7.78db
29% Popularity • 69% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 69% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Will Souto
Bate o Pezinho
97 bpm • G Maj • 04:19 • -4.94db
13% Popularity • 78% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 78% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Marco Paulo
Nossa Senhora
97 bpm • C# Maj • 05:24 • -6db
22% Popularity • 56% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 56% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Belito Campos
Minhas Margaridas
97 bpm • F# Maj • 04:12 • -7db
15% Popularity • 74% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 74% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
