Songs like Amour gloire et beauté - Live by Sinsémilia
Based on a tempo of (+/- 10%) and a similar genre
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Zebda
Tomber la chemise
133 bpm • A# min • 04:23 • -5.46db
54% Popularity • 91% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 91% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Sinsémilia
Bienvenue en chiraquie
133 bpm • B Maj • 04:21 • -6.78db
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Jean-Jacques Goldman
Je marche seul
133 bpm • D Maj • 04:03 • -2.12db
52% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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Mes Souliers Sont Rouges
Sainte-Cécile
132 bpm • D min • 05:05 • -8.12db
27% Popularity • 49% Danceability • 84% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 49% Danceability • 84% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
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Thierry Hazard
Le Jerk
133 bpm • A# Maj • 03:55 • -9.92db
55% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Saez
Je suis
132 bpm • D min • 04:54 • -9.7db
41% Popularity • 63% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 63% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Louise Attaque
Tu dis rien
134 bpm • D min • 02:21 • -5.86db
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Sinsémilia
Comme dans une course
132 bpm • G min • 03:40 • -6.46db
15% Popularity • 82% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 82% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Trois Cafés Gourmands
On t'emmène
132 bpm • C Maj • 03:06 • -6db
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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La Chanson Du Dimanche
Comme Un Lundi
134 bpm • E Maj • 02:55 • -3.71db
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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As De Trêfle
Jessica
132 bpm • G Maj • 02:50 • -7.29db
22% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Cali
Elle m'a dit
134 bpm • E min • 03:33 • -3.75db
48% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Les Amis D'ta Femme
Hoch-cul.
134 bpm • G Maj • 04:46 • -6db
19% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Louise Attaque
Fatigante
132 bpm • D Maj • 02:51 • -5.6db
52% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Les Dix Commandements
L'envie d'aimer
134 bpm • B Maj • 06:28 • -8db
58% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Noir Désir
Comme elle vient
132 bpm • C Maj • 02:25 • -8db
51% Popularity • 26% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 26% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Renaud
Marche à l'ombre
134 bpm • C Maj • 03:19 • -7db
47% Popularity • 56% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 56% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Vanessa Paradis
Divine idylle
135 bpm • C Maj • 02:39 • -4.91db
54% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Gilbert Montagné
On va s'aimer
131 bpm • A min • 04:06 • -6.97db
62% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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La Belle Bleue
Un pied dans l'plat
135 bpm • C# min • 04:09 • -6db
33% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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As De Trêfle
Jessica
131 bpm • G Maj • 02:44 • -10.44db
42% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Sinsémilia
La mauvaise réputation
131 bpm • B min • 02:37 • -6db
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ridan
Rentre chez toi
131 bpm • G# Maj • 04:35 • -4.54db
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Lilicub
Voyage en Italie
135 bpm • A min • 03:55 • -12db
48% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Louise Attaque
L'imposture
135 bpm • B min • 02:23 • -5.78db
44% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Hervé Cristiani
Il Est Libre Max
135 bpm • A# min • 03:14 • -13db
47% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Raphaël
Sur la route
131 bpm • D min • 03:52 • -11db
51% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
57% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
57% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Ridan
L'agriculteur
131 bpm • B min • 05:10 • -9.04db
43% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Saez
Rue d'la soif
136 bpm • G Maj • 04:19 • -6.23db
46% Popularity • 37% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 37% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick Bruel
Place des grands hommes
131 bpm • A Maj • 04:28 • -7.39db
58% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Guillaume Grand
Toi et moi
130 bpm • F# min • 03:46 • -10.99db
58% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Merzhin
Les nains de jardin
136 bpm • D min • 03:28 • -3.41db
39% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
39% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
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Sinsémilia
J'admire
130 bpm • F min • 03:38 • -5.25db
9% Popularity • 77% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 77% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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La Belle Bleue
Morceau de papier
130 bpm • C min • 02:16 • -6.84db
40% Popularity • 87% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 87% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Riké
Oublie moi
136 bpm • A# min • 02:57 • -5.63db
17% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Soldat Louis
Du rhum des femmes
130 bpm • G Maj • 03:04 • -14.5db
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
61% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Merzhin
Nains de jardins
136 bpm • D min • 03:43 • -3db
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Sinsémilia
Ça s'régale
130 bpm • G min • 04:27 • -6.78db
25% Popularity • 78% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 78% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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La Belle Bleue
Les éléphants du Morimondo
130 bpm • C Maj • 03:45 • -9.07db
35% Popularity • 87% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 87% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Ridan
Alerte à la bombe
130 bpm • C min • 03:41 • -8.25db
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Mano Solo
15 ans du matin
130 bpm • D min • 02:29 • -10.69db
31% Popularity • 49% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 49% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Karpatt
Léon
136 bpm • E min • 05:25 • -8.63db
33% Popularity • 58% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 58% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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BB Brunes
Dis-moi
130 bpm • D Maj • 02:24 • -4.87db
64% Popularity • 58% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
64% Popularity • 58% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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As De Trêfle
Haut Les Mains
137 bpm • C Maj • 09:50 • -8db
22% Popularity • 37% Danceability • 96% Energy • 97% Liveness
1% Instrumentalness • 16% Positiveness
22% Popularity • 37% Danceability • 96% Energy • 97% Liveness
1% Instrumentalness • 16% Positiveness
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Louise Attaque
J't'emmène au vent
137 bpm • F# Maj • 03:04 • -5.58db
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ridan
Demain
130 bpm • E Maj • 03:37 • -13.1db
26% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sinsémilia
Ce style
137 bpm • F# min • 04:04 • -6.49db
15% Popularity • 60% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 60% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Daniel Balavoine
Je ne suis pas un héros
129 bpm • D# Maj • 05:13 • -9.99db
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Karpatt
En pleine mer
129 bpm • G Maj • 03:15 • -5.64db
31% Popularity • 68% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 68% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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As De Trêfle
Levons Nos Verres
137 bpm • A min • 04:25 • -5.5db
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Indochine
Trois nuits par semaine
137 bpm • A min • 05:12 • -13.73db
59% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Yves Jamait
Ok, Tu T'en Vas
138 bpm • G Maj • 03:04 • -7db
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Les Amis D'ta Femme
Marie-Odile
138 bpm • D Maj • 03:06 • -6.2db
25% Popularity • 76% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 76% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Renaud
Laisse béton
138 bpm • A# Maj • 02:30 • -7.63db
54% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Francis Cabrel
Gardien de nuit - Extrait du "Soldat Ros...
138 bpm • G min • 02:59 • -11db
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Jean-Jacques Goldman
Encore un matin
128 bpm • B min • 04:11 • -3.54db
49% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Indochine
Trois nuits par semaine
138 bpm • A min • 04:49 • -10.77db
51% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Florent Pagny
Savoir aimer
138 bpm • F# min • 04:41 • -8db
56% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
56% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Louise Attaque
Les nuits parisiennes
128 bpm • B min • 02:31 • -6.74db
60% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Ridan
Le quotidien
128 bpm • A# min • 03:57 • -8.07db
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Volo
C'est Pas Tout Ça
139 bpm • B Maj • 03:08 • -8db
35% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jean-Jacques Goldman
Quand la musique est bonne
128 bpm • G min • 03:52 • -5.97db
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Mano Solo
Pas du gâteau
139 bpm • B Maj • 03:07 • -11.07db
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Francis Cabrel
Petite Marie - Remastered
128 bpm • B min • 03:27 • -9.3db
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Les P'tits Gars Laids
Lâcher prise
127 bpm • F Maj • 03:16 • -6.16db
33% Popularity • 55% Danceability • 92% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 55% Danceability • 92% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
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Frédéric Fromet
Je suis bobo
139 bpm • A# Maj • 03:10 • -9.5db
35% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Sinsémilia
Fight Here
128 bpm • C Maj • 04:17 • -4.47db
19% Popularity • 81% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 81% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Renaud
Toujours debout
139 bpm • A# Maj • 03:42 • -4db
42% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Oldelaf et Monsieur D.
Raoul mon pitbull
127 bpm • E min • 03:33 • -6.33db
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Jean-Jacques Goldman
Au bout de mes rêves
127 bpm • E Maj • 03:54 • -6.48db
57% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Les Croquants
Ta Katie t’a quitté
127 bpm • A Maj • 01:59 • -6db
30% Popularity • 81% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 81% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Sinsémilia
Défenseurs de la paix ?
127 bpm • D min • 02:57 • -4.57db
16% Popularity • 80% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 80% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Yves Jamait
Et Je Bois
127 bpm • D min • 03:00 • -6.11db
36% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Téléphone
Ça c'est vraiment toi - Remasterisé en...
139 bpm • A Maj • 04:28 • -3db
48% Popularity • 59% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 59% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Calogero
En apesanteur - Single Version
140 bpm • C# min • 03:23 • -6.83db
59% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Uman
Elle dit
127 bpm • F Maj • 02:53 • -3.08db
30% Popularity • 70% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 70% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
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La Chanson Du Dimanche
Super Pouvoir D'Achat
140 bpm • F Maj • 03:35 • -4.2db
33% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Sinsémilia
Né ici
127 bpm • C min • 04:40 • -7.18db
12% Popularity • 82% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 82% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Noir Désir
Aux sombres héros de l'amer
126 bpm • A min • 03:00 • -5.49db
52% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Téléphone
Ça (c'est vraiment toi) - Remasterisé ...
139 bpm • A Maj • 04:28 • -3.49db
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Yves Jamait
Prendre la route
140 bpm • F# min • 04:09 • -5.36db
24% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Pep's
Liberta
140 bpm • C# Maj • 03:44 • -10.43db
48% Popularity • 73% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 73% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Les Croquants
Q'est-ce que tu crois
140 bpm • D min • 02:40 • -8.79db
29% Popularity • 61% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 61% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Sinsémilia
La nausée - 30 ans
140 bpm • A min • 03:39 • -8.17db
6% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Maxime Le Forestier
San Francisco
126 bpm • C# Maj • 02:45 • -15.48db
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
58% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Mes Souliers Sont Rouges
Les souliers rouges
126 bpm • G Maj • 05:05 • -6.57db
34% Popularity • 55% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 55% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 81% Positiveness
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Jean-Jacques Goldman
Et l'on n'y peut rien
141 bpm • G# Maj • 03:38 • -6.45db
50% Popularity • 55% Danceability • 89% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
50% Popularity • 55% Danceability • 89% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
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Mano Solo
Je marche seul
141 bpm • A min • 01:56 • -10.86db
30% Popularity • 73% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 73% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sinsémilia
Hold Up
140 bpm • A min • 03:26 • -4.92db
12% Popularity • 72% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 72% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Renaud
Dès que le vent soufflera
125 bpm • D Maj • 04:27 • -5.85db
53% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Les Frangines
Donnez-moi
125 bpm • C Maj • 03:34 • -10db
54% Popularity • 76% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 76% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Massilia Sound System
Lo Micrò Es Romput
125 bpm • C# Maj • 03:48 • -5.79db
35% Popularity • 76% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 76% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Daniel Balavoine
Le chanteur
125 bpm • A Maj • 03:54 • -10.44db
61% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
