Songs like Amours by Louise Attaque
Based on a tempo of (+/- 10%) and a similar genre
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Têtes Raides
L'iditenté
149 bpm • C# Maj • 04:27 • -3.45db
35% Popularity • 32% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 32% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Les Amis D'ta Femme
Les z'amis d'ta femme
150 bpm • E min • 03:09 • -9db
15% Popularity • 56% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 56% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Louise Attaque
Amours
149 bpm • A Maj • 01:57 • -6db
55% Popularity • 44% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 44% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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Les Wriggles
Taxis
148 bpm • E min • 02:25 • -10.38db
2% Popularity • 64% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 64% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Téléphone
Cendrillon - Remasterisé en 2015
148 bpm • A Maj • 03:58 • -5.96db
57% Popularity • 44% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
57% Popularity • 44% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
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Francis Cabrel
La cabane du pêcheur - Remastered
151 bpm • E Maj • 05:08 • -9db
48% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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As De Trêfle
Chanson D'amur
147 bpm • G min • 02:53 • -8db
41% Popularity • 50% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 50% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 91% Positiveness
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La Chanson Du Dimanche
Etre français - La chanson du dimanche,...
152 bpm • G Maj • 01:54 • -7.35db
27% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Louise Attaque
Mon cher, aujourd'hui ma chère
150 bpm • F Maj • 02:57 • -7.87db
25% Popularity • 45% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 45% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Daniel Balavoine
Vivre ou survivre
145 bpm • F min • 03:34 • -10.49db
50% Popularity • 53% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 53% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Alain Souchon
Sous les jupes des filles
144 bpm • A min • 04:37 • -13db
39% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Les Wriggles
Poupine et Thierry
144 bpm • A min • 01:48 • -11.14db
40% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Axel Bauer
Eteins la lumière
144 bpm • E min • 04:18 • -9.08db
46% Popularity • 50% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 46% Positiveness
46% Popularity • 50% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 46% Positiveness
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Karpatt
Le magicien
155 bpm • B min • 01:28 • -13db
37% Popularity • 75% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 75% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Louise Attaque
Est-ce que tu m'aimes encore ?
151 bpm • A min • 02:58 • -8.88db
31% Popularity • 68% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 68% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Oldelaf et Monsieur D.
J'aime pas la piscine
143 bpm • C Maj • 03:33 • -6.86db
20% Popularity • 57% Danceability • 63% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 57% Danceability • 63% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
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Francis Cabrel
Les murs de poussière - Remastered
143 bpm • C Maj • 02:46 • -6.28db
55% Popularity • 69% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 69% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Matmatah
Casi el Silencio
156 bpm • E min • 02:30 • -2.8db
42% Popularity • 43% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 43% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Da Silva
L'indécision
142 bpm • B min • 03:05 • -5.45db
55% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
55% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Têtes Raides
Gino
142 bpm • D# Maj • 04:37 • -11.99db
25% Popularity • 50% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 50% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Louise Attaque
Savoir
147 bpm • B min • 01:46 • -6db
46% Popularity • 38% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 38% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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-M-
Mojo
157 bpm • C# Maj • 03:16 • -5.2db
42% Popularity • 41% Danceability • 94% Energy • 13% Liveness
5% Instrumentalness • 46% Positiveness
42% Popularity • 41% Danceability • 94% Energy • 13% Liveness
5% Instrumentalness • 46% Positiveness
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Luke
Pense à moi
141 bpm • E min • 03:14 • -7.46db
31% Popularity • 61% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 61% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Jean-Jacques Goldman
Et l'on n'y peut rien
141 bpm • G# Maj • 03:38 • -6.45db
50% Popularity • 55% Danceability • 89% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
50% Popularity • 55% Danceability • 89% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
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Les Amis D'ta Femme
Patates party
141 bpm • C Maj • 03:23 • -10.1db
14% Popularity • 64% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 64% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Oldelaf et Monsieur D.
Super Héros
158 bpm • A min • 03:53 • -5.43db
20% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Louise Attaque
La frousse
146 bpm • C Maj • 04:12 • -6.43db
39% Popularity • 55% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 55% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Zoufris Maracas
Les cons
158 bpm • C Maj • 03:02 • -11db
39% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Matmatah
Derrière ton dos
140 bpm • F# min • 04:01 • -4.27db
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Les Wriggles
Plouf
140 bpm • C# min • 01:56 • -7.2db
30% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Yves Jamait
Prendre la route
140 bpm • F# min • 04:09 • -5.36db
24% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 74% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Yannick Noah
Aux arbres citoyens
140 bpm • F min • 03:15 • -4db
50% Popularity • 62% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 62% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Louise Attaque
Si l'on marchait jusqu'Ã demain
154 bpm • G min • 03:46 • -10db
34% Popularity • 55% Danceability • 83% Energy • 24% Liveness
83% Instrumentalness • 86% Positiveness
34% Popularity • 55% Danceability • 83% Energy • 24% Liveness
83% Instrumentalness • 86% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Alister
Qu'est-ce qu'on va faire de toi
140 bpm • E min • 04:02 • -3.84db
36% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Debout Sur Le Zinc
La fuite en avant
140 bpm • D min • 03:07 • -5.53db
18% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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La Chanson Du Dimanche
Super Pouvoir D'Achat
140 bpm • F Maj • 03:35 • -4.2db
33% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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HK et Les Saltimbanks
Citoyen du monde
140 bpm • B min • 05:02 • -10.55db
34% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Louise Attaque
Justement
158 bpm • A min • 02:40 • -5.86db
30% Popularity • 59% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Téléphone
Ça (c'est vraiment toi) - Remasterisé ...
139 bpm • A Maj • 04:28 • -3.49db
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Frédéric Fromet
Je suis bobo
139 bpm • A# Maj • 03:10 • -9.5db
35% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Didier Super
A Bas Les Gens Qui Bossent
160 bpm • E min • 03:07 • -6db
33% Popularity • 75% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 75% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 81% Positiveness
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Kyo
Le chemin
160 bpm • C Maj • 03:30 • -7db
58% Popularity • 53% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 53% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Anaïs
Mon coeur, mon amour
160 bpm • F# Maj • 04:23 • -10.23db
45% Popularity • 54% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 54% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Louise Attaque
D'Amour En Amour
159 bpm • E Maj • 01:20 • -6.19db
34% Popularity • 44% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 44% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Téléphone
Ça c'est vraiment toi - Remasterisé en...
139 bpm • A Maj • 04:28 • -3db
48% Popularity • 59% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 59% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Volo
C'est Pas Tout Ça
139 bpm • B Maj • 03:08 • -8db
35% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Francis Cabrel
Gardien de nuit - Extrait du "Soldat Ros...
138 bpm • G min • 02:59 • -11db
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Les Amis D'ta Femme
Marie-Odile
138 bpm • D Maj • 03:06 • -6.2db
25% Popularity • 76% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 76% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Louise Attaque
Nos Sourires
138 bpm • G Maj • 03:25 • -5.81db
18% Popularity • 53% Danceability • 96% Energy • 20% Liveness
26% Instrumentalness • 73% Positiveness
18% Popularity • 53% Danceability • 96% Energy • 20% Liveness
26% Instrumentalness • 73% Positiveness
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Yves Jamait
Ok, Tu T'en Vas
138 bpm • G Maj • 03:04 • -7db
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Shaka Ponk
Let's Bang
161 bpm • C Maj • 04:04 • -4db
54% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Indochine
Trois nuits par semaine
138 bpm • A min • 04:49 • -10.77db
51% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Frédéric Fromet
Quand La Terre Sera Mourue
161 bpm • A# Maj • 02:13 • -10.41db
35% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Louise Attaque
Lumière du jour
138 bpm • C Maj • 01:55 • -7.12db
25% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Didier Super
Rien à foutre
138 bpm • F Maj • 02:36 • -6db
36% Popularity • 56% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 56% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Téléphone
Au coeur de la nuit
161 bpm • G Maj • 03:32 • -11db
32% Popularity • 44% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
32% Popularity • 44% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
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As De Trêfle
Levons Nos Verres
137 bpm • A min • 04:25 • -5.5db
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Indochine
Trois nuits par semaine
137 bpm • A min • 05:12 • -13.73db
59% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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BB Brunes
Le gang
137 bpm • B min • 03:23 • -3.49db
35% Popularity • 46% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 46% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Louise Attaque
Tout Passe
138 bpm • A Maj • 02:22 • -2.69db
22% Popularity • 49% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 49% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Hubert-Félix Thiéfaine
La cancoillotte - Remastered
137 bpm • D min • 02:02 • -4.7db
33% Popularity • 62% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 62% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Téléphone
New-York avec toi
162 bpm • A Maj • 02:21 • -9.74db
53% Popularity • 58% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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As De Trêfle
Haut Les Mains
137 bpm • C Maj • 09:50 • -8db
22% Popularity • 37% Danceability • 96% Energy • 97% Liveness
1% Instrumentalness • 16% Positiveness
22% Popularity • 37% Danceability • 96% Energy • 97% Liveness
1% Instrumentalness • 16% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Indochine
Alice & June - Version album
136 bpm • D min • 03:42 • -5.3db
44% Popularity • 41% Danceability • 92% Energy • 33% Liveness
4% Instrumentalness • 15% Positiveness
44% Popularity • 41% Danceability • 92% Energy • 33% Liveness
4% Instrumentalness • 15% Positiveness
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Louise Attaque
J' t'emmène au vent - Live – La Cigal...
137 bpm • C# min • 04:12 • -6.25db
22% Popularity • 44% Danceability • 96% Energy • 97% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 44% Danceability • 96% Energy • 97% Liveness
0% Instrumentalness • 30% Positiveness
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Merzhin
Nains de jardins
136 bpm • D min • 03:43 • -3db
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Téléphone
New-York avec toi - Remasterisé en 2015
162 bpm • A Maj • 02:22 • -6.34db
56% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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As De Trêfle
Ici Paris
163 bpm • E min • 01:47 • -5.4db
24% Popularity • 30% Danceability • 96% Energy • 83% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 30% Danceability • 96% Energy • 83% Liveness
0% Instrumentalness • 61% Positiveness
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Francis Cabrel
Encore et encore - Remastered
164 bpm • G# Maj • 04:33 • -8db
59% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Debout Sur Le Zinc
Rester debout
135 bpm • C# Maj • 03:01 • -5db
23% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Louise Attaque
J't'emmène au vent
137 bpm • F# Maj • 03:04 • -5.58db
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Merzhin
Les nains de jardin
136 bpm • D min • 03:28 • -3.41db
40% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
40% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
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Têtes Raides
Je chante
135 bpm • B min • 02:49 • -12.8db
26% Popularity • 70% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 70% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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As De Trêfle
Haut les mains
164 bpm • D Maj • 03:24 • -5.02db
29% Popularity • 26% Danceability • 96% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 26% Danceability • 96% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
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Matmatah
Les moutons
165 bpm • C Maj • 03:48 • -4.35db
51% Popularity • 57% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 57% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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La Belle Bleue
Un pied dans l'plat
135 bpm • C# min • 04:09 • -6db
33% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Louise Attaque
Qu'Est Ce Qui Nous Tente
137 bpm • B min • 02:47 • -5.22db
29% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Francis Cabrel
La dame de Haute-Savoie - Remastered
135 bpm • D Maj • 03:00 • -8.27db
44% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Luke
Soledad
165 bpm • G Maj • 03:08 • -3db
38% Popularity • 33% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 33% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Pigalle
Dans La Salle Du Bar-Tabac De La Rue Des...
165 bpm • E min • 03:04 • -7.21db
47% Popularity • 51% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 51% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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As De Trêfle
Toi, Toi, Toi
165 bpm • G Maj • 02:58 • -8db
37% Popularity • 37% Danceability • 94% Energy • 98% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 37% Danceability • 94% Energy • 98% Liveness
0% Instrumentalness • 90% Positiveness
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Big Soul
Le Brio (Branchez la guitare)
134 bpm • C# min • 02:06 • -7.88db
45% Popularity • 66% Danceability • 81% Energy • 14% Liveness
2% Instrumentalness • 77% Positiveness
45% Popularity • 66% Danceability • 81% Energy • 14% Liveness
2% Instrumentalness • 77% Positiveness
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Louise Attaque
L'imposture
135 bpm • B min • 02:23 • -5.78db
45% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Didier Super
Comme Un Enfant Au Brésil
134 bpm • A min • 02:52 • -6.37db
29% Popularity • 67% Danceability • 80% Energy • 90% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 67% Danceability • 80% Energy • 90% Liveness
0% Instrumentalness • 57% Positiveness
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Yves Jamait
C'est L'heure
134 bpm • F# min • 03:15 • -5.67db
18% Popularity • 76% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 76% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Les Amis D'ta Femme
Hoch-cul.
134 bpm • G Maj • 04:46 • -6db
19% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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La Chanson Du Dimanche
Comme Un Lundi
134 bpm • E Maj • 02:55 • -3.71db
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Debout Sur Le Zinc
Passe me voir
134 bpm • E min • 03:14 • -7db
30% Popularity • 74% Danceability • 74% Energy • 17% Liveness
20% Instrumentalness • 64% Positiveness
30% Popularity • 74% Danceability • 74% Energy • 17% Liveness
20% Instrumentalness • 64% Positiveness
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Volo
Fiston
134 bpm • A min • 03:15 • -10db
27% Popularity • 71% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 71% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Yves Jamait
Dimanche (Caresse-moi)
134 bpm • B min • 05:36 • -6.16db
35% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Louise Attaque
Tu dis rien
134 bpm • D min • 02:21 • -5.86db
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Les Wampas
Petite fille
134 bpm • A Maj • 02:39 • -11.63db
36% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Sinsémilia
Bienvenue en chiraquie
133 bpm • B Maj • 04:21 • -6.78db
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
