Songs like Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
46% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
46% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Antonio Vivaldi
Griselda, RV 718: Act II: Recitative: Sp...
82 bpm • C# Maj • 01:03 • -22.72db
0% Popularity • 49% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 49% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
37% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
37% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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William Boyce
Trio Sonata No. 1 in A Minor: II. Fuga
81 bpm • G# min • 01:36 • -24db
30% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Frederick the Great
Flute Sonata in E Minor: I. Grave
83 bpm • D# min • 02:42 • -27db
25% Popularity • 23% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
25% Popularity • 23% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Jean-Philippe Rameau
Castor et Pollux: Act I Scene 4: (Choeur...
83 bpm • F# Maj • 02:04 • -23.11db
0% Popularity • 24% Danceability • 19% Energy • 12% Liveness
36% Instrumentalness • 58% Positiveness
0% Popularity • 24% Danceability • 19% Energy • 12% Liveness
36% Instrumentalness • 58% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
81 bpm • C min • 03:09 • -27db
38% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
38% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Ludwig van Beethoven
An die ferne Geliebte, Op. 98: No. 3, Le...
81 bpm • F Maj • 01:24 • -19.16db
0% Popularity • 54% Danceability • 13% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 54% Danceability • 13% Energy • 62% Liveness
0% Instrumentalness • 54% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Messe de minuit pour Noel, H. 9: Credo
81 bpm • C# min • 09:07 • -24.53db
1% Popularity • 17% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
1% Popularity • 17% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Dietrich Buxtehude
Sonata in G Major, BuxWV 271: I. Allegro
83 bpm • F# Maj • 02:23 • -16db
20% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
20% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 5: Aria: Fu...
81 bpm • F# min • 03:39 • -20.19db
6% Popularity • 32% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
6% Popularity • 32% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
23% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
23% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
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Jean-Baptiste Lully
Alcidiane: Chaconne des Maures
80 bpm • A Maj • 03:12 • -28db
18% Popularity • 25% Danceability • 2% Energy • 29% Liveness
48% Instrumentalness • 23% Positiveness
18% Popularity • 25% Danceability • 2% Energy • 29% Liveness
48% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
Concerto for two violins BWV 1043 in D M...
84 bpm • E Maj • 07:20 • -19.47db
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
44% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Castor et Pollux: Act I Scene 3: (Castor...
84 bpm • F# Maj • 05:22 • -25.41db
0% Popularity • 28% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Marais
Couplets de folies (Arr. Horsch for Reco...
84 bpm • D# min • 05:23 • -24.48db
21% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
21% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": II. ...
80 bpm • A Maj • 01:54 • -23.28db
13% Popularity • 29% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 29% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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George Frideric Handel
12 Concerti grossi, Op. 6 - Concerto gro...
80 bpm • E Maj • 01:01 • -25.66db
35% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
35% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
39% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
37% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Les plaisirs: 2e Entree
79 bpm • B min • 01:17 • -26db
19% Popularity • 52% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
19% Popularity • 52% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
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George Frideric Handel
Oboe Concerto No. 3 in G Minor, HWV 287:...
85 bpm • A# Maj • 03:02 • -26.34db
38% Popularity • 12% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 12% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
52% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
52% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
85 bpm • G Maj • 04:41 • -22.65db
29% Popularity • 18% Danceability • 1% Energy • 33% Liveness
19% Instrumentalness • 12% Positiveness
29% Popularity • 18% Danceability • 1% Energy • 33% Liveness
19% Instrumentalness • 12% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 6: Aria: Au...
79 bpm • F# Maj • 04:54 • -30.08db
5% Popularity • 21% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
5% Popularity • 21% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Nicola Matteis
Diverse bizzarrie sopra la Vecchia Sarab...
79 bpm • B Maj • 04:14 • -14db
31% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
31% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VI. ...
85 bpm • C# min • 01:52 • -25db
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: III. Allegro ...
79 bpm • G min • 03:28 • -13.45db
26% Popularity • 31% Danceability • 31% Energy • 13% Liveness
82% Instrumentalness • 25% Positiveness
26% Popularity • 31% Danceability • 31% Energy • 13% Liveness
82% Instrumentalness • 25% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
78 bpm • B Maj • 01:57 • -21db
43% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
43% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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George Frideric Handel
Organ Concertos, Op. 4, Concerto No. 6 i...
79 bpm • A Maj • 07:14 • -36db
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Henry Purcell
Circe, Z. 575: Their Necessary Aid You U...
86 bpm • B min • 02:48 • -24.18db
6% Popularity • 21% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 21% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 2 in D Major: I. Prest...
86 bpm • C Maj • 01:36 • -22db
36% Popularity • 44% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Griselda, RV 718: Act II: Recitative: E ...
78 bpm • C# Maj • 06:41 • -22.48db
0% Popularity • 25% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 25% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Alessandro Marcello
Concerto in D minor, S. Z799: 1. Andante...
78 bpm • D min • 03:11 • -16.28db
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 4: Recitati...
79 bpm • C# min • 04:10 • -21.04db
6% Popularity • 31% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 31% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Johann Sebastian Bach
An Wasserflüssen Babylon, BWV 653b
78 bpm • F# Maj • 03:11 • -27.08db
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
► Preview
Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
► Preview
Jean-Baptiste Lully
La naissance de Vénus, LWV 27, Pt. 2: G...
78 bpm • D min • 01:18 • -23.57db
47% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
47% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Griselda, RV 718: Act III: Recitative: P...
78 bpm • F# Maj • 06:56 • -21.45db
0% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
33% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
33% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
► Preview
Marc-Antoine Charpentier
"Marche de triomphe et Second air de tro...
87 bpm • C# Maj • 02:30 • -8db
16% Popularity • 53% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
16% Popularity • 53% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
► Preview
Henry Purcell
Fantazia VI, Z. 737
77 bpm • E Maj • 03:34 • -16.79db
8% Popularity • 13% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
8% Popularity • 13% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
26% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
26% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
► Preview
George Frideric Handel
Handel: Suite No. 4 in D Minor, HWV 437:...
76 bpm • C# min • 05:43 • -27db
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Johann Gottlieb Goldberg
Trio Sonata No. 4 in C Major, DürG 13 (...
76 bpm • B Maj • 03:15 • -18.62db
37% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Overtura
76 bpm • G Maj • 02:46 • -21.6db
26% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Henry Purcell
Circe, Z. 575: We Must Assemble By a Sac...
77 bpm • B Maj • 01:37 • -16.9db
7% Popularity • 27% Danceability • 28% Energy • 8% Liveness
13% Instrumentalness • 38% Positiveness
7% Popularity • 27% Danceability • 28% Energy • 8% Liveness
13% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Sonata No. 6 in G Minor, Op. 13, RV 58, ...
88 bpm • G min • 01:21 • -21.95db
46% Popularity • 24% Danceability • 6% Energy • 9% Liveness
33% Instrumentalness • 15% Positiveness
46% Popularity • 24% Danceability • 6% Energy • 9% Liveness
33% Instrumentalness • 15% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
36% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
36% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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![Water Music, Suite No. 3, HWV 350: No. 16, [Sarabande] cover art](https://i.scdn.co/image/ab67616d00001e020467d27cbc2ac9ea30779a5d)
George Frideric Handel
Water Music, Suite No. 3, HWV 350: No. 1...
88 bpm • F# min • 01:36 • -28db
30% Popularity • 21% Danceability • 2% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
30% Popularity • 21% Danceability • 2% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Concerto for 2 Flutes in C Major, RV 533...
89 bpm • C Maj • 01:52 • -30db
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 9: March
76 bpm • C# Maj • 01:49 • -18.67db
2% Popularity • 51% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 49% Positiveness
2% Popularity • 51% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 49% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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William Boyce
Symphony No. 4 in F Major, Op. 2, "Sheph...
89 bpm • E Maj • 03:28 • -23.55db
18% Popularity • 48% Danceability • 15% Energy • 15% Liveness
32% Instrumentalness • 59% Positiveness
18% Popularity • 48% Danceability • 15% Energy • 15% Liveness
32% Instrumentalness • 59% Positiveness
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Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act III, C...
76 bpm • A Maj • 00:57 • -21.74db
8% Popularity • 55% Danceability • 13% Energy • 33% Liveness
10% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 13% Energy • 33% Liveness
10% Instrumentalness • 42% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
75 bpm • E min • 04:27 • -26db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Marin Marais
3e livre de viole: Fantaisie
90 bpm • G# min • 01:01 • -29db
25% Popularity • 13% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
25% Popularity • 13% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Henry Purcell
Fantazia XI, Z. 742
75 bpm • F# Maj • 03:10 • -16.1db
7% Popularity • 9% Danceability • 20% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
7% Popularity • 9% Danceability • 20% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Tecum principium:...
90 bpm • G# min • 01:51 • -23.68db
30% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Ball...
74 bpm • C Maj • 02:05 • -33db
29% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
29% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
64% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
64% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
