Songs like An Carabhat by Dirk Freymuth
Based on a tempo of (+/- 10%) and a similar genre
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Dirk Freymuth
An Carabhat
94 bpm • E min • 06:46 • -17.8db
23% Popularity • 13% Danceability • 14% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 14% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Lisa Lynne
Lake Of Dreams
94 bpm • C Maj • 04:58 • -12.19db
16% Popularity • 58% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 58% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Diana Rowan
Your Soul Is a Chosen Landscape
94 bpm • E min • 05:50 • -28.26db
15% Popularity • 24% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Luna de Amor
94 bpm • B min • 05:36 • -15.52db
21% Popularity • 37% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
21% Popularity • 37% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Mars Lasar
Valley of the Giants
94 bpm • F min • 03:35 • -16db
45% Popularity • 38% Danceability • 39% Energy • 87% Liveness
97% Instrumentalness • 17% Positiveness
45% Popularity • 38% Danceability • 39% Energy • 87% Liveness
97% Instrumentalness • 17% Positiveness
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Maidens of the Celtic Harp
Planxty Hewlett
94 bpm • D# Maj • 02:55 • -18db
15% Popularity • 54% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
15% Popularity • 54% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
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Robert Mirabal
Courtship Song
94 bpm • D# min • 03:59 • -21db
39% Popularity • 17% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
39% Popularity • 17% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Paul Baker
The Bridge
93 bpm • G Maj • 06:12 • -23db
29% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Chalmeris
Mystical Forest
94 bpm • A# min • 01:38 • -20.45db
38% Popularity • 49% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
38% Popularity • 49% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Richard Finnegan
Faires Voices
95 bpm • A min • 03:53 • -25.26db
10% Popularity • 33% Danceability • 10% Energy • 34% Liveness
32% Instrumentalness • 34% Positiveness
10% Popularity • 33% Danceability • 10% Energy • 34% Liveness
32% Instrumentalness • 34% Positiveness
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Celia Briar
Elizabeth McDermott Roe
93 bpm • E min • 05:44 • -24.76db
18% Popularity • 43% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 43% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Alasdair Fraser
Tonight My Sleep Will Be Restless
93 bpm • G Maj • 02:54 • -11.62db
35% Popularity • 21% Danceability • 28% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
35% Popularity • 21% Danceability • 28% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
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Diane Arkenstone, David Arkenstone
Edge of the World
95 bpm • A min • 04:35 • -9.34db
11% Popularity • 66% Danceability • 64% Energy • 50% Liveness
22% Instrumentalness • 76% Positiveness
11% Popularity • 66% Danceability • 64% Energy • 50% Liveness
22% Instrumentalness • 76% Positiveness
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Llewellyn
Kingdom of the Faery
93 bpm • B min • 06:56 • -18.48db
10% Popularity • 45% Danceability • 20% Energy • 18% Liveness
83% Instrumentalness • 34% Positiveness
10% Popularity • 45% Danceability • 20% Energy • 18% Liveness
83% Instrumentalness • 34% Positiveness
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Dirk Freymuth
Green Grow the Rushes
93 bpm • D Maj • 03:49 • -12.79db
0% Popularity • 53% Danceability • 24% Energy • 13% Liveness
35% Instrumentalness • 25% Positiveness
0% Popularity • 53% Danceability • 24% Energy • 13% Liveness
35% Instrumentalness • 25% Positiveness
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Jennifer Pratt-Walter
Wondrous Love
95 bpm • C Maj • 01:56 • -25.25db
16% Popularity • 62% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 21% Positiveness
16% Popularity • 62% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 21% Positiveness
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Mychael Danna & Jeff Danna
Iona
93 bpm • C min • 03:49 • -11.68db
20% Popularity • 24% Danceability • 20% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 20% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Emerald Echoes
Whispers of Spring (by a Forest Stream)
95 bpm • C# Maj • 02:27 • -18.39db
36% Popularity • 63% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
36% Popularity • 63% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Margie Butler
Gaelic Cradle Song
95 bpm • F Maj • 03:16 • -11.91db
32% Popularity • 44% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
32% Popularity • 44% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
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Celia Briar
Eleanor Plunkett
93 bpm • E min • 02:17 • -23.68db
26% Popularity • 35% Danceability • 5% Energy • 22% Liveness
98% Instrumentalness • 36% Positiveness
26% Popularity • 35% Danceability • 5% Energy • 22% Liveness
98% Instrumentalness • 36% Positiveness
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Hilary Stagg
Pleasant Dreams
95 bpm • G Maj • 06:12 • -16.16db
29% Popularity • 35% Danceability • 23% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
29% Popularity • 35% Danceability • 23% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Enam
Way Down The Hills, Searching In Emptine...
95 bpm • D# min • 03:15 • -21.09db
37% Popularity • 15% Danceability • 13% Energy • 7% Liveness
29% Instrumentalness • 18% Positiveness
37% Popularity • 15% Danceability • 13% Energy • 7% Liveness
29% Instrumentalness • 18% Positiveness
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Medwyn Goodall
Medicine Woman
92 bpm • C# Maj • 05:43 • -23.09db
35% Popularity • 48% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Lothlorien
The Black Cat
96 bpm • E min • 06:00 • -16.53db
28% Popularity • 23% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
28% Popularity • 23% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
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Jeff Victor
One Yellow Rose
96 bpm • A# min • 06:08 • -24.58db
22% Popularity • 22% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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John Doan
Farewell
92 bpm • E Maj • 04:01 • -15.32db
28% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Enya
To Go Beyond (I) - 2009 Remaster
92 bpm • D Maj • 01:21 • -16.9db
39% Popularity • 21% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
39% Popularity • 21% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Gandalf
Alhambra (Prelude)
92 bpm • A min • 01:38 • -11.76db
51% Popularity • 12% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 12% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Emerald Echoes
Highland Falls (alongside Forest Birds)
92 bpm • D Maj • 03:39 • -22.13db
36% Popularity • 30% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
36% Popularity • 30% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Nestos
Fading Mountains
96 bpm • F min • 02:28 • -25.09db
44% Popularity • 63% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
44% Popularity • 63% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Sasha & Natasha
Cradle Lullaby for Harp
96 bpm • A min • 01:43 • -24.11db
37% Popularity • 72% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
37% Popularity • 72% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Howard Baer
Planxty Lady Wrixon
96 bpm • D min • 04:22 • -12.23db
16% Popularity • 56% Danceability • 36% Energy • 10% Liveness
54% Instrumentalness • 34% Positiveness
16% Popularity • 56% Danceability • 36% Energy • 10% Liveness
54% Instrumentalness • 34% Positiveness
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Dirk Freymuth
Humours of Scarrif / Wheels of the World
92 bpm • G min • 02:54 • -11.84db
1% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Gary Stadler with Stephannie
DonaCreiTun
92 bpm • B min • 05:16 • -22.14db
18% Popularity • 63% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 63% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Anne Crosby Gaudet
Buachaill Ón Éirne
96 bpm • G Maj • 02:48 • -19.97db
29% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
29% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Celia Briar
The Parting Glass
96 bpm • B min • 02:19 • -28.23db
38% Popularity • 42% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 42% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
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Nadia Birkenstock
Everywhere
97 bpm • A# Maj • 03:48 • -15.02db
31% Popularity • 37% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 18% Positiveness
31% Popularity • 37% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 18% Positiveness
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Medwyn Goodall
Invocation
91 bpm • G# Maj • 05:11 • -24db
37% Popularity • 67% Danceability • 21% Energy • 8% Liveness
84% Instrumentalness • 31% Positiveness
37% Popularity • 67% Danceability • 21% Energy • 8% Liveness
84% Instrumentalness • 31% Positiveness
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Joanie Madden
The Immigrant
91 bpm • C Maj • 06:03 • -9.93db
35% Popularity • 32% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 18% Positiveness
35% Popularity • 32% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 18% Positiveness
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Gary Stadler with Stephannie
Garden Of Dreams
92 bpm • C Maj • 03:53 • -20.11db
26% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mo Coulson
The Water Kelpie
97 bpm • A min • 02:16 • -23.32db
17% Popularity • 29% Danceability • 11% Energy • 38% Liveness
34% Instrumentalness • 23% Positiveness
17% Popularity • 29% Danceability • 11% Energy • 38% Liveness
34% Instrumentalness • 23% Positiveness
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Celia Briar
Molly McAlpin
91 bpm • A min • 03:02 • -21.68db
28% Popularity • 37% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 42% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 42% Positiveness
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High Priestess
Mia's Song
97 bpm • A min • 04:08 • -15.36db
14% Popularity • 38% Danceability • 24% Energy • 92% Liveness
40% Instrumentalness • 19% Positiveness
14% Popularity • 38% Danceability • 24% Energy • 92% Liveness
40% Instrumentalness • 19% Positiveness
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Chalmeris
The Lady of Shalott
91 bpm • G# Maj • 02:17 • -15.93db
33% Popularity • 41% Danceability • 5% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
33% Popularity • 41% Danceability • 5% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Bill Douglas
O Earth, O Earth, Return
98 bpm • C min • 04:17 • -19.54db
26% Popularity • 18% Danceability • 15% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 15% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Thomas Keating
Dream of Spring
98 bpm • G Maj • 05:49 • -17.69db
18% Popularity • 33% Danceability • 37% Energy • 36% Liveness
97% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 37% Energy • 36% Liveness
97% Instrumentalness • 14% Positiveness
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Hilary Stagg
Spirit Dancers
98 bpm • G Maj • 05:50 • -20.77db
26% Popularity • 41% Danceability • 8% Energy • 16% Liveness
86% Instrumentalness • 9% Positiveness
26% Popularity • 41% Danceability • 8% Energy • 16% Liveness
86% Instrumentalness • 9% Positiveness
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Llewellyn
The Mother
98 bpm • D# Maj • 05:25 • -19.64db
15% Popularity • 39% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
15% Popularity • 39% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Dirk Freymuth
Sheebeg and Sheemore
98 bpm • D Maj • 03:17 • -15.5db
1% Popularity • 67% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 33% Positiveness
1% Popularity • 67% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 33% Positiveness
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Neil H
Heartsong
90 bpm • E min • 09:34 • -23.64db
18% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
18% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Eileen Hadidian and Natalie Cox
Star of County Down (Irish Traditional)
98 bpm • B min • 03:32 • -19db
17% Popularity • 52% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
17% Popularity • 52% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Jeff Danna
Love Of Heaven
90 bpm • G Maj • 04:08 • -14.48db
21% Popularity • 31% Danceability • 19% Energy • 9% Liveness
30% Instrumentalness • 19% Positiveness
21% Popularity • 31% Danceability • 19% Energy • 9% Liveness
30% Instrumentalness • 19% Positiveness
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Gary Stadler with Stephannie
Veil Of Elphame
90 bpm • F Maj • 06:53 • -23.7db
21% Popularity • 45% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
21% Popularity • 45% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Enam
Arinya
90 bpm • D# Maj • 04:37 • -13.93db
30% Popularity • 37% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
30% Popularity • 37% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Dirk Freymuth
The Flower of Sweet Strabane
90 bpm • D Maj • 04:41 • -19.34db
30% Popularity • 38% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
30% Popularity • 38% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
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Lewellyn
Harmonious Pipe
98 bpm • C# Maj • 05:24 • -19.26db
27% Popularity • 27% Danceability • 18% Energy • 27% Liveness
1% Instrumentalness • 11% Positiveness
27% Popularity • 27% Danceability • 18% Energy • 27% Liveness
1% Instrumentalness • 11% Positiveness
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Frank Steiner Jr.
Lung Ta
90 bpm • C Maj • 08:36 • -12.09db
21% Popularity • 51% Danceability • 33% Energy • 32% Liveness
37% Instrumentalness • 8% Positiveness
21% Popularity • 51% Danceability • 33% Energy • 32% Liveness
37% Instrumentalness • 8% Positiveness
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Howard Baer
Cliffs of Doneen
99 bpm • A# Maj • 04:58 • -12.06db
22% Popularity • 13% Danceability • 24% Energy • 11% Liveness
16% Instrumentalness • 6% Positiveness
22% Popularity • 13% Danceability • 24% Energy • 11% Liveness
16% Instrumentalness • 6% Positiveness
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Clannad
Of This Land (2004 - Remaster)
99 bpm • A min • 04:43 • -15.77db
38% Popularity • 25% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
38% Popularity • 25% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Jeff Victor
Bonnie at Morn
99 bpm • A# Maj • 04:04 • -16.23db
24% Popularity • 27% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
24% Popularity • 27% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
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Dirk Freymuth
Madam Cole
89 bpm • B min • 03:01 • -17.1db
1% Popularity • 41% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
1% Popularity • 41% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
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Neil H
Secret Garden
89 bpm • A min • 09:01 • -23.65db
24% Popularity • 15% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Maidens of the Celtic Harp
Bi a Iosa Im' Chroise
89 bpm • G min • 01:25 • -19.03db
28% Popularity • 41% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 21% Positiveness
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Eri Sugai
Eternal Prayer
89 bpm • A min • 05:32 • -19.77db
27% Popularity • 18% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 6% Energy • 6% Liveness
3% Instrumentalness • 7% Positiveness
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Peter Gundry
Ceridwen - The Potion of Knowledge
100 bpm • C Maj • 05:00 • -16.49db
29% Popularity • 24% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 5% Positiveness
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Jeff Victor
The Mermaid's Tears
99 bpm • E min • 05:07 • -21db
36% Popularity • 19% Danceability • 14% Energy • 66% Liveness
21% Instrumentalness • 14% Positiveness
36% Popularity • 19% Danceability • 14% Energy • 66% Liveness
21% Instrumentalness • 14% Positiveness
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Maggie Sansone
Spancil Hill
100 bpm • E min • 03:37 • -18.17db
15% Popularity • 55% Danceability • 22% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
15% Popularity • 55% Danceability • 22% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
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Neil H
Wedding Song
100 bpm • A min • 07:11 • -25db
19% Popularity • 50% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
19% Popularity • 50% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Maidens of the Celtic Harp
I Saw from the Beach
100 bpm • G Maj • 03:11 • -18.62db
16% Popularity • 42% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
16% Popularity • 42% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Lisa Lynne
Sister Moon
100 bpm • E min • 05:05 • -9.17db
21% Popularity • 49% Danceability • 41% Energy • 20% Liveness
92% Instrumentalness • 14% Positiveness
21% Popularity • 49% Danceability • 41% Energy • 20% Liveness
92% Instrumentalness • 14% Positiveness
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Margie Butler
Marsh of Rhudlands
100 bpm • A min • 03:11 • -19.19db
41% Popularity • 75% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
41% Popularity • 75% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 26% Positiveness
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Jeff Victor
The Loch of a Thousand Whispers
100 bpm • A min • 02:29 • -22.49db
17% Popularity • 15% Danceability • 11% Energy • 21% Liveness
93% Instrumentalness • 5% Positiveness
17% Popularity • 15% Danceability • 11% Energy • 21% Liveness
93% Instrumentalness • 5% Positiveness
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Aden Cloud
The Last Journey
88 bpm • B Maj • 03:11 • -33.44db
43% Popularity • 13% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
43% Popularity • 13% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Bliss
Carolan's Dream
88 bpm • A min • 02:21 • -25.79db
18% Popularity • 36% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
18% Popularity • 36% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
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Joannie O'Brien
Néridas
101 bpm • D Maj • 03:22 • -21db
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Dirk Freymuth
Betty MacNeil
101 bpm • B min • 02:04 • -16.76db
1% Popularity • 35% Danceability • 20% Energy • 13% Liveness
42% Instrumentalness • 51% Positiveness
1% Popularity • 35% Danceability • 20% Energy • 13% Liveness
42% Instrumentalness • 51% Positiveness
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Margie Butler
Lea Rig - Kind Robin
100 bpm • B min • 03:00 • -7.15db
22% Popularity • 54% Danceability • 25% Energy • 24% Liveness
25% Instrumentalness • 35% Positiveness
22% Popularity • 54% Danceability • 25% Energy • 24% Liveness
25% Instrumentalness • 35% Positiveness
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John Doan
Where Horses of Faery Hide
88 bpm • F# min • 05:38 • -12.36db
26% Popularity • 52% Danceability • 37% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
26% Popularity • 52% Danceability • 37% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
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Miriam Stockley
Fantasy - Sicut Cervus
88 bpm • E min • 03:26 • -10.13db
26% Popularity • 16% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Daywind
Isbella Burke
101 bpm • A min • 02:03 • -11.55db
21% Popularity • 49% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 49% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Joannie O'Brien
Sirenas
88 bpm • E min • 04:53 • -14.59db
16% Popularity • 21% Danceability • 20% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
16% Popularity • 21% Danceability • 20% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
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Diana Summens
Hope Faery
87 bpm • G Maj • 06:38 • -16.05db
18% Popularity • 15% Danceability • 30% Energy • 27% Liveness
3% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 30% Energy • 27% Liveness
3% Instrumentalness • 4% Positiveness
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Margie Butler
Gaelic Lullaby
101 bpm • C min • 01:13 • -12.36db
42% Popularity • 36% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 39% Positiveness
42% Popularity • 36% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 39% Positiveness
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Gráinne Hambly
Sir Arthur Shaen
101 bpm • G min • 03:25 • -15.77db
21% Popularity • 39% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
21% Popularity • 39% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Alsdair Fraser
Christina
87 bpm • D# min • 03:32 • -15.05db
26% Popularity • 18% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
26% Popularity • 18% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
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Lisa Lynne
Majestica
87 bpm • C Maj • 05:26 • -16.55db
25% Popularity • 68% Danceability • 22% Energy • 29% Liveness
87% Instrumentalness • 20% Positiveness
25% Popularity • 68% Danceability • 22% Energy • 29% Liveness
87% Instrumentalness • 20% Positiveness
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Gary Remal Malkin
The Journey
87 bpm • D Maj • 05:40 • -13.07db
20% Popularity • 30% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 30% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Music Healer
Passeri
87 bpm • D min • 02:37 • -19.53db
33% Popularity • 43% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
33% Popularity • 43% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Tim Wheater
The Great Journey
87 bpm • F min • 06:55 • -15.92db
34% Popularity • 20% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 20% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Dirk Freymuth
Dr. Gilbert / The Gooseberry Bush
102 bpm • D Maj • 03:54 • -9.2db
1% Popularity • 56% Danceability • 50% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
1% Popularity • 56% Danceability • 50% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
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Turlough
Canyon Moonrise
102 bpm • E min • 03:44 • -7.95db
29% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 38% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mo Coulson
Around The Fire
86 bpm • B min • 04:18 • -19.36db
17% Popularity • 20% Danceability • 15% Energy • 9% Liveness
66% Instrumentalness • 20% Positiveness
17% Popularity • 20% Danceability • 15% Energy • 9% Liveness
66% Instrumentalness • 20% Positiveness
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Gary Stadler with Stephannie
Sa'Brooke
86 bpm • C Maj • 05:49 • -20.18db
18% Popularity • 9% Danceability • 6% Energy • 6% Liveness
43% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 6% Energy • 6% Liveness
43% Instrumentalness • 4% Positiveness
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Kevin Wood
Adoration
102 bpm • G min • 04:56 • -15.77db
32% Popularity • 57% Danceability • 40% Energy • 16% Liveness
64% Instrumentalness • 10% Positiveness
32% Popularity • 57% Danceability • 40% Energy • 16% Liveness
64% Instrumentalness • 10% Positiveness
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Lynne Reardon
Twyngryllyg
86 bpm • D Maj • 03:00 • -9.07db
34% Popularity • 36% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
34% Popularity • 36% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Dirk Freymuth
Kean O'hara
102 bpm • G Maj • 02:51 • -16.67db
24% Popularity • 58% Danceability • 25% Energy • 10% Liveness
80% Instrumentalness • 25% Positiveness
24% Popularity • 58% Danceability • 25% Energy • 10% Liveness
80% Instrumentalness • 25% Positiveness
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Tony O'Connor
Sunrise
86 bpm • G# Maj • 04:35 • -22db
40% Popularity • 17% Danceability • 9% Energy • 47% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 9% Energy • 47% Liveness
92% Instrumentalness • 4% Positiveness
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Carol Thompson
She Moves Through the Fair
86 bpm • A min • 03:17 • -29.84db
22% Popularity • 29% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
22% Popularity • 29% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
