Songs like An Elderly Woman Speaks by Tilman Sillescu
Based on a tempo of (+/- 10%) and a similar genre
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Todd Masten
Whirling Dulcimer (Medieval Melody)
150 bpm • C# Maj • 03:18 • -15db
32% Popularity • 46% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
32% Popularity • 46% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
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Glenn Stafford
Return to Arms
150 bpm • C# min • 03:52 • -14db
29% Popularity • 22% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
29% Popularity • 22% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Tilman Sillescu
Cascading Colors
150 bpm • D min • 02:20 • -18.05db
15% Popularity • 52% Danceability • 42% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
15% Popularity • 52% Danceability • 42% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Jason Hayes
Song of Elune
150 bpm • C# min • 02:15 • -12db
41% Popularity • 37% Danceability • 38% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
41% Popularity • 37% Danceability • 38% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
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Cris Velasco
Titus
150 bpm • G# Maj • 02:59 • -15.18db
32% Popularity • 34% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
32% Popularity • 34% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
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Dell Johnston
Indomitable
150 bpm • C# Maj • 01:58 • -10db
7% Popularity • 57% Danceability • 52% Energy • 9% Liveness
82% Instrumentalness • 22% Positiveness
7% Popularity • 57% Danceability • 52% Energy • 9% Liveness
82% Instrumentalness • 22% Positiveness
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Jeremy Soule
For Blood, for Glory, for Honor
150 bpm • C min • 04:59 • -13.36db
38% Popularity • 15% Danceability • 52% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
38% Popularity • 15% Danceability • 52% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
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Joris de Man
The Good News - Part 1 - Motherland
152 bpm • C min • 03:46 • -20db
30% Popularity • 30% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
30% Popularity • 30% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Tilman Sillescu
Lifelines
150 bpm • G Maj • 01:00 • -24.68db
10% Popularity • 53% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 53% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Arcaena Xyrceran
You Say Run!
152 bpm • G# Maj • 02:12 • -12.91db
23% Popularity • 57% Danceability • 59% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
23% Popularity • 57% Danceability • 59% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Richard Birdsall
Soaring Dragons
155 bpm • C# Maj • 02:36 • -9.71db
18% Popularity • 41% Danceability • 69% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
18% Popularity • 41% Danceability • 69% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Jeremy Soule
Watch the Skies
148 bpm • G# Maj • 02:20 • -12.28db
44% Popularity • 49% Danceability • 61% Energy • 21% Liveness
94% Instrumentalness • 15% Positiveness
44% Popularity • 49% Danceability • 61% Energy • 21% Liveness
94% Instrumentalness • 15% Positiveness
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Epic Soul Factory
Powerful
155 bpm • G# Maj • 01:53 • -11db
43% Popularity • 43% Danceability • 79% Energy • 17% Liveness
98% Instrumentalness • 39% Positiveness
43% Popularity • 43% Danceability • 79% Energy • 17% Liveness
98% Instrumentalness • 39% Positiveness
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Tilman Sillescu
An Elderly Woman Speaks
150 bpm • D min • 02:22 • -21.38db
8% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Sean Lorhish
Heroic Battle (Remix By Rick Knight)
145 bpm • C Maj • 02:49 • -13.18db
18% Popularity • 47% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
18% Popularity • 47% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Jeff van Dyck
Roman Intro
145 bpm • A Maj • 01:23 • -10.3db
25% Popularity • 62% Danceability • 79% Energy • 22% Liveness
84% Instrumentalness • 83% Positiveness
25% Popularity • 62% Danceability • 79% Energy • 22% Liveness
84% Instrumentalness • 83% Positiveness
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Michael Sciabbarrasi
Just Behind the Enemy
145 bpm • C min • 03:05 • -11.82db
10% Popularity • 53% Danceability • 68% Energy • 51% Liveness
66% Instrumentalness • 16% Positiveness
10% Popularity • 53% Danceability • 68% Energy • 51% Liveness
66% Instrumentalness • 16% Positiveness
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Borislav Slavov
Symphony of the Void
145 bpm • F min • 03:29 • -14db
37% Popularity • 23% Danceability • 42% Energy • 14% Liveness
97% Instrumentalness • 10% Positiveness
37% Popularity • 23% Danceability • 42% Energy • 14% Liveness
97% Instrumentalness • 10% Positiveness
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Jamie Christopherson
No Symphony from Me
145 bpm • D min • 03:03 • -16.27db
8% Popularity • 44% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
8% Popularity • 44% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 34% Positiveness
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Markus Schmidt
Fluid Gold
146 bpm • G min • 01:18 • -7.91db
13% Popularity • 35% Danceability • 75% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
13% Popularity • 35% Danceability • 75% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
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Mikolai Stroinski
Beyond Hill And Dale...
144 bpm • A# Maj • 03:04 • -16.07db
35% Popularity • 17% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Arnaud Roy
Way of the Forerunner
144 bpm • E min • 05:21 • -17.4db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Tilman Sillescu
Sinister Breed
144 bpm • C# Maj • 02:03 • -11.61db
6% Popularity • 46% Danceability • 56% Energy • 11% Liveness
46% Instrumentalness • 34% Positiveness
6% Popularity • 46% Danceability • 56% Energy • 11% Liveness
46% Instrumentalness • 34% Positiveness
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Benjamin Wallfisch
Duel
156 bpm • A# min • 03:34 • -12.56db
9% Popularity • 33% Danceability • 75% Energy • 15% Liveness
67% Instrumentalness • 20% Positiveness
9% Popularity • 33% Danceability • 75% Energy • 15% Liveness
67% Instrumentalness • 20% Positiveness
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Tim Wynn
Lazarus
144 bpm • G# Maj • 02:58 • -19db
29% Popularity • 44% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
29% Popularity • 44% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
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Markus Schmidt
Global Cure
156 bpm • G min • 02:09 • -11.35db
9% Popularity • 53% Danceability • 71% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
9% Popularity • 53% Danceability • 71% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Daniel Ran
Ode to a Dynasty
143 bpm • A min • 04:46 • -20.96db
18% Popularity • 14% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Fort Attack
157 bpm • A# min • 01:07 • -15db
21% Popularity • 45% Danceability • 70% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
21% Popularity • 45% Danceability • 70% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
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Marc Streitenfeld
Godfrey
157 bpm • F# min • 03:32 • -17db
32% Popularity • 69% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 69% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Adam Skorupa
The Path Of A Kingslayer
157 bpm • C min • 01:26 • -11db
29% Popularity • 47% Danceability • 93% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
29% Popularity • 47% Danceability • 93% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
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Benny Oschmann
Triumph über Vanessa
143 bpm • D Maj • 02:43 • -18.91db
0% Popularity • 28% Danceability • 26% Energy • 12% Liveness
78% Instrumentalness • 7% Positiveness
0% Popularity • 28% Danceability • 26% Energy • 12% Liveness
78% Instrumentalness • 7% Positiveness
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Markus Schmidt
World Beneath the Surface
156 bpm • C min • 03:01 • -23.22db
9% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 39% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
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The Flight
Years of Training - Part 1 - Motherland
142 bpm • G Maj • 02:22 • -17db
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Bratislava Symphony Orchestra
Brjótast
142 bpm • C# Maj • 01:07 • -13.86db
9% Popularity • 51% Danceability • 45% Energy • 9% Liveness
74% Instrumentalness • 33% Positiveness
9% Popularity • 51% Danceability • 45% Energy • 9% Liveness
74% Instrumentalness • 33% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Adam Skorupa
In Temeria
143 bpm • D Maj • 01:31 • -11db
33% Popularity • 20% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
33% Popularity • 20% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
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Stephen Rippy
Of Licious
141 bpm • D min • 02:47 • -8db
21% Popularity • 18% Danceability • 39% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 39% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Tilman Sillescu
Wasted Soil
143 bpm • C Maj • 02:38 • -20.85db
7% Popularity • 20% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Joris de Man
Homecoming - Part 1 - Motherland
141 bpm • C min • 02:56 • -20.95db
30% Popularity • 14% Danceability • 10% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 10% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Dead Skin
160 bpm • C# Maj • 02:30 • -13db
12% Popularity • 49% Danceability • 82% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
12% Popularity • 49% Danceability • 82% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
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J.D. Spears
For the Glory of Agatha!
160 bpm • C Maj • 03:09 • -12.51db
18% Popularity • 29% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
18% Popularity • 29% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
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Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
29% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
29% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Borislav Slavov
One Way In
160 bpm • E min • 01:23 • -15.42db
15% Popularity • 53% Danceability • 53% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 53% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
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Tilman Sillescu
Slumbering Hillside
160 bpm • A min • 02:12 • -22.21db
10% Popularity • 23% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
10% Popularity • 23% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Funcom Soundtrack
The Sons of Nordheim
160 bpm • D Maj • 02:11 • -13.71db
23% Popularity • 38% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 38% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Adam Skorupa
Dusk Of A Northern Kingdom
141 bpm • C Maj • 04:34 • -21db
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Armin Haas
The Lion Hides in High Grass (Land of Li...
160 bpm • A# Maj • 02:33 • -14.69db
14% Popularity • 32% Danceability • 42% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
14% Popularity • 32% Danceability • 42% Energy • 10% Liveness
55% Instrumentalness • 26% Positiveness
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Jeff van Dyck
Carthage Intro
140 bpm • D Maj • 01:18 • -15.43db
31% Popularity • 46% Danceability • 49% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
31% Popularity • 46% Danceability • 49% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Steven Price
The Beetfield
140 bpm • C# Maj • 07:59 • -16.83db
24% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
Battle the Blight
140 bpm • C# min • 01:05 • -10.87db
25% Popularity • 58% Danceability • 67% Energy • 8% Liveness
34% Instrumentalness • 37% Positiveness
25% Popularity • 58% Danceability • 67% Energy • 8% Liveness
34% Instrumentalness • 37% Positiveness
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Jamie Christopherson
Battle at Sundown
140 bpm • G# min • 01:38 • -11db
33% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
33% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Kevin Riepl
Ascend - Hand of Kul
140 bpm • D Maj • 02:11 • -12.34db
15% Popularity • 32% Danceability • 61% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 32% Danceability • 61% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Armin Haas
Through Forest and Field
140 bpm • C# Maj • 06:58 • -16.02db
9% Popularity • 36% Danceability • 54% Energy • 31% Liveness
53% Instrumentalness • 32% Positiveness
9% Popularity • 36% Danceability • 54% Energy • 31% Liveness
53% Instrumentalness • 32% Positiveness
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Borislav Slavov
Chase
140 bpm • C Maj • 02:27 • -10.77db
23% Popularity • 52% Danceability • 74% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
23% Popularity • 52% Danceability • 74% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Tilman Sillescu
A Helping Hand
140 bpm • C Maj • 01:03 • -23db
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Hampus Naeselius
Flying Jib
140 bpm • C# Maj • 01:20 • -14.74db
20% Popularity • 68% Danceability • 90% Energy • 7% Liveness
87% Instrumentalness • 50% Positiveness
20% Popularity • 68% Danceability • 90% Energy • 7% Liveness
87% Instrumentalness • 50% Positiveness
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Mikolai Stroinski
The Shrieker Contract
140 bpm • G min • 01:42 • -11.76db
39% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
39% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
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Doyle W. Donehoo
The Wages of Treason
140 bpm • D min • 03:19 • -13.6db
22% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
22% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Funcom Soundtrack
The Killing Sands
140 bpm • F# Maj • 01:09 • -16.32db
32% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
32% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Marcin Przybyłowicz
Hearts Of Stone
140 bpm • G min • 02:53 • -12db
39% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
39% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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Cris Velasco
Prelude To War
140 bpm • D# Maj • 02:58 • -13db
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
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Steven Price
Crossroads
140 bpm • F Maj • 08:06 • -17.54db
23% Popularity • 24% Danceability • 33% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
23% Popularity • 24% Danceability • 33% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
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Filippo Beck Peccoz
Preparing for Battle
140 bpm • G Maj • 02:09 • -19db
16% Popularity • 69% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
16% Popularity • 69% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 19% Positiveness
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Doyle W. Donehoo
Game of Blades
140 bpm • C min • 03:15 • -9.91db
15% Popularity • 38% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
15% Popularity • 38% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
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Tilman Sillescu
Out of the Ashes
140 bpm • F min • 02:00 • -10.92db
6% Popularity • 39% Danceability • 57% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
6% Popularity • 39% Danceability • 57% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Daniel Pemberton
Rian + Mira Dreamfast
140 bpm • D min • 04:14 • -21db
21% Popularity • 29% Danceability • 16% Energy • 15% Liveness
16% Instrumentalness • 12% Positiveness
21% Popularity • 29% Danceability • 16% Energy • 15% Liveness
16% Instrumentalness • 12% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Sam Hulick
I'm Proud Of You
139 bpm • A min • 01:17 • -13db
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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chuck e. myers 'sea'
Trespassers
138 bpm • C# Maj • 04:46 • -11.28db
26% Popularity • 23% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
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Olivier Deriviere
Brother
138 bpm • D min • 04:07 • -16.13db
30% Popularity • 38% Danceability • 13% Energy • 10% Liveness
71% Instrumentalness • 16% Positiveness
30% Popularity • 38% Danceability • 13% Energy • 10% Liveness
71% Instrumentalness • 16% Positiveness
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Michael Salvatori
Inner Light
138 bpm • C# Maj • 05:19 • -13.05db
34% Popularity • 24% Danceability • 46% Energy • 20% Liveness
86% Instrumentalness • 12% Positiveness
34% Popularity • 24% Danceability • 46% Energy • 20% Liveness
86% Instrumentalness • 12% Positiveness
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Henning Nugel
From the Sand to the Stars
138 bpm • C Maj • 09:11 • -13.66db
11% Popularity • 36% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 23% Positiveness
11% Popularity • 36% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 23% Positiveness
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Greg Edmonson
Small Beginnings
138 bpm • A# Maj • 02:16 • -16db
30% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
30% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
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Will Savino
The Fiend Approaches
137 bpm • B min • 02:27 • -12.4db
18% Popularity • 63% Danceability • 58% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
18% Popularity • 63% Danceability • 58% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
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Tilman Sillescu
Scorched Earth
137 bpm • C Maj • 02:05 • -22.94db
6% Popularity • 20% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
6% Popularity • 20% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Cris Velasco
Defeat
136 bpm • D Maj • 03:18 • -15db
22% Popularity • 15% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 2% Positiveness
22% Popularity • 15% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 2% Positiveness
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Borislav Slavov
New York Aftermath
135 bpm • A# Maj • 02:46 • -16db
23% Popularity • 20% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
23% Popularity • 20% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Mikolai Stroinski
Yes, I Do...
135 bpm • G Maj • 01:33 • -14.99db
46% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
46% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
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Jamie Christopherson
The Enemy Warlord Appears
134 bpm • E min • 01:55 • -7.45db
30% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
30% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
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Brad Derrick
Recollection of Wars Long Lost
134 bpm • D min • 07:08 • -16.3db
37% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Tilman Sillescu
We Will Carry You
136 bpm • E min • 02:17 • -15.37db
11% Popularity • 47% Danceability • 27% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
11% Popularity • 47% Danceability • 27% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Olivia Dam
March
168 bpm • A min • 01:22 • -16.48db
7% Popularity • 54% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 48% Positiveness
7% Popularity • 54% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 48% Positiveness
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Borislav Slavov
Resolution (Reprise)
135 bpm • F min • 02:06 • -10.93db
11% Popularity • 54% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 42% Positiveness
11% Popularity • 54% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 42% Positiveness
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Mikolai Stroinski
Witch Hunters
135 bpm • D# Maj • 02:40 • -10.15db
39% Popularity • 16% Danceability • 37% Energy • 38% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 16% Danceability • 37% Energy • 38% Liveness
94% Instrumentalness • 3% Positiveness
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ChillwaveBeatMusic
Adventurer
168 bpm • G Maj • 02:45 • -18.8db
7% Popularity • 59% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
7% Popularity • 59% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Brad Derrick
Magnus Smiles on Suran
169 bpm • C Maj • 05:13 • -16db
43% Popularity • 9% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 9% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Tilman Sillescu
Walking Barefoot
136 bpm • F# min • 02:15 • -12.68db
15% Popularity • 38% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Jeremy Soule
Ahab's Abyss
170 bpm • C min • 02:04 • -16.26db
10% Popularity • 43% Danceability • 23% Energy • 49% Liveness
94% Instrumentalness • 46% Positiveness
10% Popularity • 43% Danceability • 23% Energy • 49% Liveness
94% Instrumentalness • 46% Positiveness
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NCSOUND
Divine Right of Demons
133 bpm • G Maj • 01:44 • -8.81db
13% Popularity • 38% Danceability • 80% Energy • 8% Liveness
78% Instrumentalness • 18% Positiveness
13% Popularity • 38% Danceability • 80% Energy • 8% Liveness
78% Instrumentalness • 18% Positiveness
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Adam Skorupa
Overture for a New World
170 bpm • D# Maj • 03:08 • -9.27db
20% Popularity • 20% Danceability • 73% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 73% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
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Sarah Schachner
Strong Alone, Stronger Together
170 bpm • A Maj • 03:56 • -15.09db
20% Popularity • 20% Danceability • 56% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
20% Popularity • 20% Danceability • 56% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Fiddlewold
Feral
171 bpm • G# Maj • 02:38 • -9.14db
26% Popularity • 38% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
26% Popularity • 38% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Alexander Roeder
Sheltered
135 bpm • C Maj • 03:06 • -12.73db
13% Popularity • 30% Danceability • 49% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 49% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Tilman Sillescu
1701 Main theme For Strings (Botanica DL...
169 bpm • A Maj • 01:03 • -15.3db
22% Popularity • 15% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 9% Positiveness
22% Popularity • 15% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 9% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
43% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
