Songs like An Invincible Summer by The Chamber Orchestra Of London
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Peter Gregson
Sabine
90 bpm • C min • 02:41 • -31.17db
30% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
30% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Christopher Willis
A Life Well Written
91 bpm • C Maj • 03:17 • -14db
25% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
25% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
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David Hirschfelder
I Will Come for You
89 bpm • F Maj • 02:32 • -10.96db
22% Popularity • 10% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Britell
A Rose in Spanish Harlem (Bonus Track)
89 bpm • G Maj • 02:56 • -19db
43% Popularity • 10% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Rob Lane
Slow Motion Dance
91 bpm • F# Maj • 01:33 • -26.29db
21% Popularity • 19% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Gregson
What Happened
89 bpm • C min • 02:06 • -22.41db
29% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
29% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 4, Oxford
91 bpm • E Maj • 01:56 • -19.04db
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Alan Silvestri
"Best Day Ever"
91 bpm • G Maj • 01:51 • -22db
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Clint Mansell
Five Sunflowers in A Vase
88 bpm • D min • 03:17 • -17.1db
22% Popularity • 10% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 13% Positiveness
22% Popularity • 10% Danceability • 21% Energy • 15% Liveness
95% Instrumentalness • 13% Positiveness
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Nicholas Hooper
The Kiss
91 bpm • D# Maj • 01:56 • -30db
46% Popularity • 11% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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John Lunn
Modern Love
92 bpm • A min • 02:51 • -15.41db
27% Popularity • 33% Danceability • 11% Energy • 31% Liveness
92% Instrumentalness • 15% Positiveness
27% Popularity • 33% Danceability • 11% Energy • 31% Liveness
92% Instrumentalness • 15% Positiveness
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Rob Lane
Guinevere
88 bpm • F# Maj • 01:55 • -20.59db
4% Popularity • 10% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Aaron Zigman
I Waited for You
88 bpm • G Maj • 01:30 • -26.69db
40% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
51% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Yared
Générique de fin
88 bpm • D Maj • 01:41 • -21db
48% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
48% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
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David Hirschfelder
You Moved!
92 bpm • A# Maj • 06:30 • -17.49db
22% Popularity • 11% Danceability • 18% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 18% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Carter Burwell
Lovers
88 bpm • D min • 02:40 • -13.77db
35% Popularity • 18% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Christopher Willis
David's Writings
92 bpm • C# min • 02:57 • -13.54db
50% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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John Lunn
A Grand Adventure
88 bpm • G Maj • 03:24 • -12.55db
29% Popularity • 33% Danceability • 29% Energy • 17% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 33% Danceability • 29% Energy • 17% Liveness
88% Instrumentalness • 14% Positiveness
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Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Mrs. Mingott
93 bpm • F Maj • 01:37 • -9.95db
24% Popularity • 18% Danceability • 33% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
24% Popularity • 18% Danceability • 33% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Emma Is Bored
93 bpm • G Maj • 00:44 • -24.14db
35% Popularity • 77% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 65% Positiveness
35% Popularity • 77% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 65% Positiveness
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Kerry Muzzey
Things That Hold Memory
87 bpm • E min • 07:06 • -15.27db
27% Popularity • 9% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
27% Popularity • 9% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Thomas Adès
Snow Globe
94 bpm • C# Maj • 02:58 • -23db
21% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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Peter Breiner
Kindred Spirits
87 bpm • G Maj • 01:12 • -17.2db
27% Popularity • 28% Danceability • 16% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
27% Popularity • 28% Danceability • 16% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Rob Lane
Origins
86 bpm • F Maj • 01:55 • -28.52db
17% Popularity • 18% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Charlie Mole
The Dolly Sisters
94 bpm • E min • 01:55 • -9.7db
4% Popularity • 84% Danceability • 53% Energy • 17% Liveness
79% Instrumentalness • 96% Positiveness
4% Popularity • 84% Danceability • 53% Energy • 17% Liveness
79% Instrumentalness • 96% Positiveness
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Isobel Waller-Bridge
Christmas Dinner At The Weston's
94 bpm • C Maj • 01:22 • -17.8db
35% Popularity • 53% Danceability • 14% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
35% Popularity • 53% Danceability • 14% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
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Mark Isham
The Nevers
94 bpm • F min • 01:39 • -15.49db
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
86 bpm • D# Maj • 04:29 • -21db
19% Popularity • 9% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Mělník Philharmonic Orchestra
E Lucevan Le Stelle - Instrumental
86 bpm • A# min • 02:22 • -16db
30% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Daniel Pemberton
Gifts From Mother
86 bpm • C min • 01:09 • -24db
32% Popularity • 19% Danceability • 5% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Elopement
86 bpm • A min • 04:44 • -13.83db
29% Popularity • 9% Danceability • 26% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 26% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Jeff Russo
Justin’s Theme
85 bpm • A min • 02:51 • -19.43db
38% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Ari Posner
Never Going Back
95 bpm • F min • 02:10 • -17.51db
36% Popularity • 14% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
30% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Kerry Muzzey
An Invincible Summer
85 bpm • F# min • 04:59 • -14.83db
30% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Rob Lane
8 Years Later - Lady Morgan
85 bpm • G Maj • 02:55 • -23.61db
2% Popularity • 12% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
The Proposal (Under The Horse Chestnut T...
85 bpm • C Maj • 03:35 • -19.99db
31% Popularity • 22% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Philip Glass
Dreaming of Fiji
96 bpm • G min • 01:54 • -29.75db
43% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
34% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
34% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Zbigniew Preisner
Colin Senses Craven
84 bpm • B Maj • 01:33 • -17.53db
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Isobel Waller-Bridge
Harriet Smith
96 bpm • C Maj • 01:16 • -21.06db
42% Popularity • 44% Danceability • 10% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 10% Energy • 11% Liveness
17% Instrumentalness • 32% Positiveness
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Ari Posner
No Regrets
84 bpm • G Maj • 01:44 • -21db
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Anne Dudley
The Crossroads
84 bpm • D min • 02:05 • -17db
18% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
18% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Mary-Jess
Did I Make The Most Of Loving You
84 bpm • F Maj • 04:13 • -12.03db
33% Popularity • 33% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
33% Popularity • 33% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Kris Bowers
A Love Based on Friendship
84 bpm • A min • 04:19 • -18.68db
42% Popularity • 8% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
42% Popularity • 8% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Isobel Waller-Bridge
Mr. Knightley Chases After Emma
84 bpm • A Maj • 01:10 • -14.02db
32% Popularity • 16% Danceability • 20% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 20% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
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Ari Posner
Unrequited Love
84 bpm • G min • 02:30 • -25db
45% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
42% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
42% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Howard Shore
The Eagles
97 bpm • C Maj • 02:23 • -25.37db
48% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Rob Lane
Drive To Matthew's Home - The Congregati...
83 bpm • D Maj • 03:08 • -21.09db
14% Popularity • 13% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Kerry Muzzey
The Heart Wants
84 bpm • G min • 05:45 • -14.15db
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Regency Players
Emma Opening Titles [1996 Version]
83 bpm • A Maj • 04:12 • -15.47db
20% Popularity • 10% Danceability • 15% Energy • 5% Liveness
64% Instrumentalness • 13% Positiveness
20% Popularity • 10% Danceability • 15% Energy • 5% Liveness
64% Instrumentalness • 13% Positiveness
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Samuel Sim
Dolls
97 bpm • F# min • 01:36 • -17.08db
23% Popularity • 26% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
23% Popularity • 26% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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John Lunn
The Hunt
83 bpm • C Maj • 02:10 • -13.46db
27% Popularity • 44% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
27% Popularity • 44% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Kerry Muzzey
Things That Hold Memory
97 bpm • E min • 07:06 • -17.74db
7% Popularity • 13% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
7% Popularity • 13% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Kris Bowers
Love is A Choice
98 bpm • G Maj • 02:20 • -18.38db
53% Popularity • 24% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
53% Popularity • 24% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
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Ramin Djawadi
Truth
83 bpm • D min • 03:31 • -13db
47% Popularity • 8% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Peter Gregson
6.6 Gigue
83 bpm • D Maj • 02:48 • -10.52db
53% Popularity • 37% Danceability • 35% Energy • 10% Liveness
71% Instrumentalness • 9% Positiveness
53% Popularity • 37% Danceability • 35% Energy • 10% Liveness
71% Instrumentalness • 9% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Regency Players
North and South Title Theme [2004 Versi...
82 bpm • D min • 02:44 • -11.32db
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
22% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
22% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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Kris Bowers
Flawless My Dear
98 bpm • D Maj • 01:43 • -17.14db
55% Popularity • 44% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
55% Popularity • 44% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
48% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Kris Bowers
All is Fair in Love and War
99 bpm • E min • 02:20 • -21.57db
48% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness