Songs like An Upwards Dance by Vincent Diamante
Based on a tempo of (+/- 10%) and a similar genre
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藤澤慶昌
アイデア
138 bpm • G Maj • 01:46 • -8.98db
25% Popularity • 76% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
25% Popularity • 76% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Joel Corelitz
Indoor
138 bpm • D min • 01:26 • -26.46db
36% Popularity • 73% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
36% Popularity • 73% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
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竹岡智行
「Reset」
138 bpm • A min • 05:02 • -13.83db
30% Popularity • 27% Danceability • 19% Energy • 13% Liveness
14% Instrumentalness • 20% Positiveness
30% Popularity • 27% Danceability • 19% Energy • 13% Liveness
14% Instrumentalness • 20% Positiveness
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Vincent Diamante
An Upwards Dance
138 bpm • D Maj • 04:45 • -17.24db
30% Popularity • 28% Danceability • 11% Energy • 7% Liveness
84% Instrumentalness • 6% Positiveness
30% Popularity • 28% Danceability • 11% Energy • 7% Liveness
84% Instrumentalness • 6% Positiveness
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Lena Raine
Full Moon Memories
138 bpm • C Maj • 03:23 • -22.38db
13% Popularity • 22% Danceability • 5% Energy • 6% Liveness
97% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 6% Liveness
97% Instrumentalness • 6% Positiveness
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Tomoki Miyoshi
The Warmth of Hope
138 bpm • G# Maj • 02:02 • -20.27db
43% Popularity • 70% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
43% Popularity • 70% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Christopher Larkin
Kingdom's Edge
138 bpm • F min • 02:21 • -19.33db
46% Popularity • 16% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 16% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Takatsugu Muramatsu
The Two on the Boat
137 bpm • A# Maj • 01:46 • -20.67db
38% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
38% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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竹岡智行
ウシワカ登場
138 bpm • D Maj • 02:52 • -13.45db
23% Popularity • 44% Danceability • 23% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
23% Popularity • 44% Danceability • 23% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
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Vincent Diamante
Village of Air
138 bpm • A min • 02:01 • -27db
22% Popularity • 29% Danceability • 1% Energy • 6% Liveness
59% Instrumentalness • 9% Positiveness
22% Popularity • 29% Danceability • 1% Energy • 6% Liveness
59% Instrumentalness • 9% Positiveness
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Robin Appelqvist
The Hills Yonder
137 bpm • E min • 02:10 • -19.78db
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lucas Cooper
Fishing Hole - Piano and Cello
139 bpm • D Maj • 03:20 • -23.81db
36% Popularity • 19% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
36% Popularity • 19% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Coxev
Kena: Bridge of Spirits - The Medley: Th...
137 bpm • D min • 02:25 • -19.97db
30% Popularity • 24% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Jeff Russo
The House
136 bpm • D min • 03:30 • -32db
22% Popularity • 15% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Naoshi Mizuta
Home Sweet Home - Theme of EPISODE PROMP...
140 bpm • G# min • 03:14 • -9db
33% Popularity • 23% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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Vincent Diamante
Faded Glories
138 bpm • A min • 04:12 • -19.85db
28% Popularity • 19% Danceability • 10% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 10% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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T’s MUSIC
Resolve
140 bpm • E Maj • 01:18 • -17db
33% Popularity • 41% Danceability • 27% Energy • 40% Liveness
95% Instrumentalness • 19% Positiveness
33% Popularity • 41% Danceability • 27% Energy • 40% Liveness
95% Instrumentalness • 19% Positiveness
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Joel Bille
Nästet Del 2
136 bpm • A min • 04:52 • -12.72db
15% Popularity • 20% Danceability • 46% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 46% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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藤澤慶昌
金剛先生
140 bpm • E Maj • 01:40 • -21.83db
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Kensuke Ushio
heart beat
140 bpm • G Maj • 01:39 • -26.09db
38% Popularity • 44% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
38% Popularity • 44% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Paweł Górniak
Far in the Grassland
140 bpm • F# Maj • 02:43 • -17.94db
35% Popularity • 56% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
35% Popularity • 56% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Vincent Diamante
In the Middle of a Dream
137 bpm • F Maj • 02:25 • -14.84db
18% Popularity • 30% Danceability • 19% Energy • 15% Liveness
50% Instrumentalness • 7% Positiveness
18% Popularity • 30% Danceability • 19% Energy • 15% Liveness
50% Instrumentalness • 7% Positiveness
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Yasuhisa Inoue
Anxiety
140 bpm • C min • 01:11 • -22db
38% Popularity • 54% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
38% Popularity • 54% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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Alec Holowka
Dusk Stars
140 bpm • G Maj • 06:37 • -21.84db
36% Popularity • 43% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
36% Popularity • 43% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Frida Johansson
Bits and Pieces
140 bpm • G Maj • 05:19 • -24.05db
20% Popularity • 66% Danceability • 7% Energy • 8% Liveness
77% Instrumentalness • 25% Positiveness
20% Popularity • 66% Danceability • 7% Energy • 8% Liveness
77% Instrumentalness • 25% Positiveness
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ConcernedApe
Night Market
140 bpm • D min • 02:11 • -17.64db
52% Popularity • 53% Danceability • 20% Energy • 39% Liveness
94% Instrumentalness • 20% Positiveness
52% Popularity • 53% Danceability • 20% Energy • 39% Liveness
94% Instrumentalness • 20% Positiveness
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Keiichi Okabe
Truth and the Universe
140 bpm • C min • 01:45 • -16.25db
37% Popularity • 88% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 77% Positiveness
37% Popularity • 88% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 77% Positiveness
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Mark Sparling
A Short Flight
140 bpm • C Maj • 02:32 • -14.23db
33% Popularity • 55% Danceability • 23% Energy • 9% Liveness
14% Instrumentalness • 25% Positiveness
33% Popularity • 55% Danceability • 23% Energy • 9% Liveness
14% Instrumentalness • 25% Positiveness
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Thomas
Zelda Skyward Sword Crimson Loftwing
136 bpm • C# Maj • 02:10 • -19.02db
36% Popularity • 22% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
36% Popularity • 22% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
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Vincent Diamante
Heavy Mist
141 bpm • A Maj • 03:07 • -17.61db
17% Popularity • 20% Danceability • 3% Energy • 15% Liveness
10% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 3% Energy • 15% Liveness
10% Instrumentalness • 3% Positiveness
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Christopher Larkin
Queen's Gardens
135 bpm • B min • 01:46 • -20.04db
51% Popularity • 37% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
51% Popularity • 37% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Alkis Livathinos
Home
135 bpm • E min • 01:46 • -28.59db
33% Popularity • 53% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
33% Popularity • 53% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Junichi Matsumoto
弓のアンソロジー
141 bpm • D Maj • 02:50 • -13.9db
30% Popularity • 21% Danceability • 21% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
30% Popularity • 21% Danceability • 21% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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小畑貴裕
The Promised Neverland (Epf solo Version...
135 bpm • A Maj • 02:24 • -28.35db
31% Popularity • 22% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
31% Popularity • 22% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Robin Appelqvist
In Her Garden
141 bpm • E Maj • 03:59 • -23.18db
23% Popularity • 45% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 45% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Vincent Diamante
Arms Up
141 bpm • A Maj • 02:32 • -14.81db
15% Popularity • 19% Danceability • 20% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
15% Popularity • 19% Danceability • 20% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
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Jake Eaw
Koufukuron
142 bpm • B min • 01:29 • -20.84db
45% Popularity • 19% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 36% Positiveness
45% Popularity • 19% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 36% Positiveness
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David García Díaz
The King
134 bpm • E min • 02:01 • -20.46db
36% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Frida Johansson
All Wrong
142 bpm • C min • 01:18 • -15.91db
22% Popularity • 44% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
22% Popularity • 44% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Junichi Matsumoto
いにしえの魔法伝説
142 bpm • G Maj • 02:15 • -12.09db
22% Popularity • 42% Danceability • 34% Energy • 17% Liveness
77% Instrumentalness • 36% Positiveness
22% Popularity • 42% Danceability • 34% Energy • 17% Liveness
77% Instrumentalness • 36% Positiveness
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Tomoki Miyoshi
Dark Anomaly
142 bpm • A min • 03:18 • -22.29db
31% Popularity • 34% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
31% Popularity • 34% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Vincent Diamante
For Those Who Have Come Before
141 bpm • A Maj • 02:16 • -24.58db
35% Popularity • 22% Danceability • 1% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 1% Energy • 9% Liveness
46% Instrumentalness • 4% Positiveness
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Phoenix Glendinning
A Shadian Lullaby
134 bpm • A# min • 03:50 • -17db
21% Popularity • 56% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
21% Popularity • 56% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Wesley Sprayue
Midna's Theme - Piano
144 bpm • E Maj • 01:24 • -22.37db
40% Popularity • 37% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
40% Popularity • 37% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
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Frida Johansson
Garden Party
142 bpm • F min • 04:17 • -14.03db
24% Popularity • 40% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 23% Positiveness
24% Popularity • 40% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 23% Positiveness
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Lucas Cooper
Astral Observatory
144 bpm • C Maj • 02:16 • -25.73db
36% Popularity • 47% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
36% Popularity • 47% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Tomoki Miyoshi
Redemption and Forgiveness
144 bpm • G# min • 03:22 • -21db
37% Popularity • 58% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
37% Popularity • 58% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Chamber Chu
Paradise Prairie
132 bpm • F Maj • 01:41 • -8db
41% Popularity • 74% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 96% Positiveness
41% Popularity • 74% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 96% Positiveness
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Vincent Diamante
Painting
142 bpm • C min • 01:12 • -21db
50% Popularity • 18% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
50% Popularity • 18% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Beside Bed
Sangonomiya Shrine - Inazuma Watatsumi I...
145 bpm • G Maj • 01:26 • -17.63db
39% Popularity • 38% Danceability • 22% Energy • 48% Liveness
80% Instrumentalness • 21% Positiveness
39% Popularity • 38% Danceability • 22% Energy • 48% Liveness
80% Instrumentalness • 21% Positiveness
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Frida Johansson
Spooky Remnants
133 bpm • C min • 03:24 • -21.48db
21% Popularity • 19% Danceability • 10% Energy • 28% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 10% Energy • 28% Liveness
87% Instrumentalness • 3% Positiveness
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Lucas Cooper
Ilia's Theme
132 bpm • F Maj • 02:14 • -26.33db
39% Popularity • 70% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
39% Popularity • 70% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Jonathan Geer
Flight of the Boguins
132 bpm • D# min • 01:04 • -11.82db
26% Popularity • 62% Danceability • 29% Energy • 13% Liveness
72% Instrumentalness • 24% Positiveness
26% Popularity • 62% Danceability • 29% Energy • 13% Liveness
72% Instrumentalness • 24% Positiveness
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Cécile Corbel
Sho's Waltz
145 bpm • E min • 02:44 • -12db
46% Popularity • 60% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 26% Positiveness
46% Popularity • 60% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 26% Positiveness
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Vincent Diamante
Something Beyond
145 bpm • G min • 03:32 • -21.72db
15% Popularity • 16% Danceability • 3% Energy • 7% Liveness
67% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 7% Liveness
67% Instrumentalness • 3% Positiveness
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Beside Bed
Kazuha Moonlit Breeze (Koto Version)
145 bpm • E min • 01:07 • -15.27db
38% Popularity • 69% Danceability • 19% Energy • 44% Liveness
84% Instrumentalness • 30% Positiveness
38% Popularity • 69% Danceability • 19% Energy • 44% Liveness
84% Instrumentalness • 30% Positiveness
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Yasunori Nishiki
Cyrus, the Scholar
131 bpm • F min • 02:30 • -12.36db
39% Popularity • 21% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
39% Popularity • 21% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
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Claire Waluch
Midna's Lament
131 bpm • A min • 01:51 • -20.2db
39% Popularity • 47% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 47% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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藤澤慶昌
フォスフォフィライト
146 bpm • A# Maj • 02:05 • -12db
31% Popularity • 32% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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David Fenn
Onsen
130 bpm • F Maj • 01:01 • -21db
37% Popularity • 35% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
37% Popularity • 35% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Vincent Diamante
Geysers and Gullies
132 bpm • C# Maj • 03:10 • -21.55db
23% Popularity • 25% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
23% Popularity • 25% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Joel Bille
Havet
130 bpm • E min • 03:17 • -15db
23% Popularity • 42% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
23% Popularity • 42% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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Yasunori Nishiki
A Sea Breeze Blows
146 bpm • A Maj • 03:16 • -13.87db
31% Popularity • 37% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 37% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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神前 暁
Hope of this world
130 bpm • C Maj • 01:12 • -17.03db
31% Popularity • 54% Danceability • 4% Energy • 10% Liveness
25% Instrumentalness • 38% Positiveness
31% Popularity • 54% Danceability • 4% Energy • 10% Liveness
25% Instrumentalness • 38% Positiveness
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Junichi Matsumoto
鉄弦アンソロジー
130 bpm • F Maj • 02:17 • -20.6db
40% Popularity • 70% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
40% Popularity • 70% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Ari J.
Scintillation
130 bpm • D min • 03:05 • -29.15db
21% Popularity • 48% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
21% Popularity • 48% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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David Fenn
The Grey Crow
130 bpm • C min • 01:42 • -17.5db
33% Popularity • 47% Danceability • 34% Energy • 11% Liveness
67% Instrumentalness • 32% Positiveness
33% Popularity • 47% Danceability • 34% Energy • 11% Liveness
67% Instrumentalness • 32% Positiveness
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Eli Rainsberry
The Thalassic Surrounding
130 bpm • A# Maj • 01:22 • -35.22db
38% Popularity • 61% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 61% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Beside Bed
Ruu's Song
130 bpm • E Maj • 01:37 • -19.72db
44% Popularity • 30% Danceability • 12% Energy • 66% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 30% Danceability • 12% Energy • 66% Liveness
93% Instrumentalness • 24% Positiveness
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Cécile Corbel
Tears in My Eyes
130 bpm • C Maj • 02:36 • -15.17db
33% Popularity • 38% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
33% Popularity • 38% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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小畑貴裕
22194
130 bpm • B min • 02:45 • -14.09db
40% Popularity • 29% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
40% Popularity • 29% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
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Ari J.
Climbing
130 bpm • A min • 02:50 • -27.28db
21% Popularity • 21% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Unpacking Theme
147 bpm • C Maj • 02:09 • -10db
29% Popularity • 58% Danceability • 24% Energy • 9% Liveness
52% Instrumentalness • 13% Positiveness
29% Popularity • 58% Danceability • 24% Energy • 9% Liveness
52% Instrumentalness • 13% Positiveness
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Eli Rainsberry
To Cross the Seas
130 bpm • F min • 01:39 • -26.63db
33% Popularity • 53% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
33% Popularity • 53% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Junichi Matsumoto
Magus Bride’s Lacework is Dripping Her...
129 bpm • F Maj • 03:17 • -29db
24% Popularity • 20% Danceability • 1% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 1% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
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Claire Waluch
Rosalina's Comet Observatory
129 bpm • D Maj • 01:54 • -17.85db
43% Popularity • 50% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
43% Popularity • 50% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Yasunori Nishiki
Alfyn, the Apothecary
148 bpm • D Maj • 03:26 • -15.53db
34% Popularity • 26% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
34% Popularity • 26% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
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Beside Bed
Yoimiya's Story
128 bpm • G min • 01:07 • -13.02db
42% Popularity • 43% Danceability • 21% Energy • 21% Liveness
90% Instrumentalness • 18% Positiveness
42% Popularity • 43% Danceability • 21% Energy • 21% Liveness
90% Instrumentalness • 18% Positiveness
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Max LL
Hummingberg
149 bpm • C Maj • 02:09 • -17.87db
36% Popularity • 31% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
36% Popularity • 31% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
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Kensuke Ushio
inv(I.ii)
149 bpm • F Maj • 01:12 • -37.29db
35% Popularity • 40% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Tomoki Miyoshi
Sorrowful Winds
128 bpm • G# Maj • 02:44 • -21.2db
33% Popularity • 90% Danceability • 11% Energy • 8% Liveness
82% Instrumentalness • 49% Positiveness
33% Popularity • 90% Danceability • 11% Energy • 8% Liveness
82% Instrumentalness • 49% Positiveness
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Amy Turk
Sacred Grove/Lost Woods (The Legend of Z...
127 bpm • C Maj • 02:08 • -16.06db
31% Popularity • 49% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 63% Positiveness
31% Popularity • 49% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 63% Positiveness
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Naoshi Mizuta
Grav'iton
150 bpm • D min • 01:50 • -16.44db
28% Popularity • 56% Danceability • 16% Energy • 7% Liveness
42% Instrumentalness • 85% Positiveness
28% Popularity • 56% Danceability • 16% Energy • 7% Liveness
42% Instrumentalness • 85% Positiveness
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Christopher Larkin
Crossroads
150 bpm • C Maj • 02:27 • -19db
48% Popularity • 33% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
48% Popularity • 33% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Beside Bed
Enkanomiya Lullaby (Piano Version)
150 bpm • D min • 02:19 • -25.49db
25% Popularity • 30% Danceability • 4% Energy • 65% Liveness
95% Instrumentalness • 26% Positiveness
25% Popularity • 30% Danceability • 4% Energy • 65% Liveness
95% Instrumentalness • 26% Positiveness
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藤澤慶昌
孤高
150 bpm • C Maj • 01:56 • -12.66db
31% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Amos Roddy
A Simple Question
126 bpm • C# Maj • 02:10 • -28.5db
37% Popularity • 40% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
37% Popularity • 40% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Tumult Kollektiv
A Simple Life
151 bpm • A min • 01:34 • -19db
33% Popularity • 22% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 22% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Alkis Livathinos
Prelude
126 bpm • E min • 01:00 • -20.99db
27% Popularity • 23% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
27% Popularity • 23% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
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西浦智仁
アジアンストリート
126 bpm • D min • 01:55 • -15.71db
31% Popularity • 58% Danceability • 10% Energy • 12% Liveness
54% Instrumentalness • 52% Positiveness
31% Popularity • 58% Danceability • 10% Energy • 12% Liveness
54% Instrumentalness • 52% Positiveness
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Will Morton
The Calm Before the Storm
126 bpm • C min • 01:59 • -26.76db
36% Popularity • 19% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 19% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Joel Bille
Gläntan
125 bpm • C Maj • 02:06 • -27.87db
26% Popularity • 24% Danceability • 4% Energy • 4% Liveness
97% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 4% Energy • 4% Liveness
97% Instrumentalness • 4% Positiveness
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Max LL
First Snow
125 bpm • E min • 02:34 • -26.85db
32% Popularity • 33% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 8% Positiveness
32% Popularity • 33% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 8% Positiveness
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Alessio Dicorato
Escape Through the Snow - Piano
152 bpm • C# Maj • 01:16 • -22.18db
45% Popularity • 30% Danceability • 24% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
45% Popularity • 30% Danceability • 24% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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David Fenn
Hall of Doors
125 bpm • A min • 02:34 • -17db
36% Popularity • 28% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
36% Popularity • 28% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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西浦智仁
時間旅行 - ~ピアノver.~ _生演�...
126 bpm • D Maj • 03:14 • -14.43db
23% Popularity • 66% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
23% Popularity • 66% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Jordy Chandra
Guizhong's Lullaby (Guzheng)
125 bpm • F# Maj • 01:32 • -27db
45% Popularity • 54% Danceability • 0% Energy • 14% Liveness
73% Instrumentalness • 19% Positiveness
45% Popularity • 54% Danceability • 0% Energy • 14% Liveness
73% Instrumentalness • 19% Positiveness
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Robin Appelqvist
The Little Witch
125 bpm • B min • 02:50 • -16.64db
25% Popularity • 77% Danceability • 19% Energy • 13% Liveness
70% Instrumentalness • 52% Positiveness
25% Popularity • 77% Danceability • 19% Energy • 13% Liveness
70% Instrumentalness • 52% Positiveness
