Songs like Anachie Gordon by Sharon Shannon
Based on a tempo of (+/- 10%) and a similar genre
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Sharon Shannon
James Brown's March
119 bpm • G# Maj • 03:35 • -7.97db
10% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Trevor Sexton
Fairytale
119 bpm • D Maj • 04:43 • -13.39db
18% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Maura O'Connell
Blue Train
120 bpm • G Maj • 04:52 • -10.53db
13% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Irish Ramblers
The Broad Black Brimmer
118 bpm • G Maj • 02:34 • -12db
32% Popularity • 67% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 67% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Irish Lads Of Limerick
Whiskey In The Jar
119 bpm • C Maj • 02:04 • -13.22db
36% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Kilfenora Céilà Band
Kitty's Reels
118 bpm • D Maj • 03:46 • -8.9db
17% Popularity • 56% Danceability • 69% Energy • 28% Liveness
3% Instrumentalness • 92% Positiveness
17% Popularity • 56% Danceability • 69% Energy • 28% Liveness
3% Instrumentalness • 92% Positiveness
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Trail West
John Henry
118 bpm • G Maj • 04:15 • -13db
24% Popularity • 65% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 65% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Beoga
Cu Chullain's Despair
120 bpm • E Maj • 03:23 • -8.35db
20% Popularity • 83% Danceability • 57% Energy • 22% Liveness
30% Instrumentalness • 96% Positiveness
20% Popularity • 83% Danceability • 57% Energy • 22% Liveness
30% Instrumentalness • 96% Positiveness
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Siobhan Miller
The Ramblin' Rover
120 bpm • A Maj • 02:52 • -9.29db
49% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Donnie Munro
Down Under
120 bpm • F Maj • 04:37 • -9db
19% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Stockton's Wing
The Maid Behind The Bar (Reel)
120 bpm • G Maj • 03:54 • -11db
15% Popularity • 43% Danceability • 46% Energy • 7% Liveness
16% Instrumentalness • 86% Positiveness
15% Popularity • 43% Danceability • 46% Energy • 7% Liveness
16% Instrumentalness • 86% Positiveness
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Pecker Dunne
Dirty Old Town
120 bpm • C Maj • 02:28 • -9.66db
27% Popularity • 42% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 42% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Trail West
Day of My Return
118 bpm • E Maj • 03:34 • -4.3db
36% Popularity • 64% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 64% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Sharon Shannon
Music for a Found Harmonium
120 bpm • G# Maj • 02:13 • -8.45db
29% Popularity • 69% Danceability • 72% Energy • 7% Liveness
21% Instrumentalness • 92% Positiveness
29% Popularity • 69% Danceability • 72% Energy • 7% Liveness
21% Instrumentalness • 92% Positiveness
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Moving Hearts
The Storm
118 bpm • G Maj • 04:12 • -10.82db
18% Popularity • 49% Danceability • 74% Energy • 8% Liveness
58% Instrumentalness • 96% Positiveness
18% Popularity • 49% Danceability • 74% Energy • 8% Liveness
58% Instrumentalness • 96% Positiveness
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The McCalmans
Ramblin Rover
120 bpm • F Maj • 02:40 • -4.72db
28% Popularity • 58% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 58% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
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Cu Chulainn
Whiskey in the Jar
118 bpm • G Maj • 03:17 • -7db
29% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Carl Peterson
The Bonnie Banks Of Loch Lomond
118 bpm • D Maj • 05:10 • -14.73db
33% Popularity • 53% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Barleyjuice
Weekend Irish
120 bpm • A# Maj • 03:35 • -6db
23% Popularity • 50% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 50% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Sharon Shannon
Bonnie Mulligan
118 bpm • A# min • 02:53 • -14.17db
11% Popularity • 58% Danceability • 63% Energy • 18% Liveness
42% Instrumentalness • 55% Positiveness
11% Popularity • 58% Danceability • 63% Energy • 18% Liveness
42% Instrumentalness • 55% Positiveness
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Robbie O'Connell
Ten Thousand Miles Away
118 bpm • A Maj • 03:38 • -13.82db
20% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Goats Don’t Shave
Las Vegas (In the Hills of Donegal)
117 bpm • G Maj • 03:47 • -9db
50% Popularity • 46% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
50% Popularity • 46% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Pecker Dunne
McAlpines Fusiliers
121 bpm • A# Maj • 03:16 • -10.7db
31% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Shane MacGowan & The Popes
The Rising Of The Moon
117 bpm • C Maj • 02:28 • -12.61db
32% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Horslips
The High Reel
121 bpm • D Maj • 02:43 • -5.95db
27% Popularity • 34% Danceability • 88% Energy • 13% Liveness
88% Instrumentalness • 97% Positiveness
27% Popularity • 34% Danceability • 88% Energy • 13% Liveness
88% Instrumentalness • 97% Positiveness
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Sharon Shannon
The Bass Rock: The Bass Rock / The Road ...
120 bpm • A Maj • 03:36 • -9.41db
13% Popularity • 39% Danceability • 55% Energy • 15% Liveness
14% Instrumentalness • 46% Positiveness
13% Popularity • 39% Danceability • 55% Energy • 15% Liveness
14% Instrumentalness • 46% Positiveness
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The Fureys & Davey Arthur
Willie McBride
117 bpm • F Maj • 06:21 • -19.94db
34% Popularity • 49% Danceability • 20% Energy • 97% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 20% Energy • 97% Liveness
0% Instrumentalness • 46% Positiveness
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Alasdair Fraser
Tommy's Tarbukas - Live
121 bpm • G Maj • 03:59 • -7.92db
2% Popularity • 54% Danceability • 62% Energy • 28% Liveness
9% Instrumentalness • 96% Positiveness
2% Popularity • 54% Danceability • 62% Energy • 28% Liveness
9% Instrumentalness • 96% Positiveness
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John Spillane
PeigÃn Leitir Móir
117 bpm • D Maj • 02:28 • -8.38db
20% Popularity • 73% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 73% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Christie Hennessy
She's a Lovely Girl
117 bpm • F# Maj • 03:03 • -8.91db
16% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Irish Lads Of Limerick
Lannigan's Ball
121 bpm • G min • 04:04 • -11db
29% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Kilfenora Céilà Band
The Test of Time. Morning Dew/Denis Murp...
117 bpm • D Maj • 02:47 • -2.63db
14% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 99% Positiveness
14% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 99% Positiveness
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Sharon Shannon
The Penguin: Retour des Hirondelles / Mu...
121 bpm • D# Maj • 04:02 • -8.75db
10% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Stockton's Wing
The Mason's Apron
117 bpm • D Maj • 03:19 • -6.08db
24% Popularity • 61% Danceability • 88% Energy • 17% Liveness
78% Instrumentalness • 71% Positiveness
24% Popularity • 61% Danceability • 88% Energy • 17% Liveness
78% Instrumentalness • 71% Positiveness
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John Spillane
All The Ways You Wander - 2009 Digital R...
117 bpm • F Maj • 03:58 • -11.62db
27% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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De Dannan
Monaghan Jig / Drowsy Maggie / The Maid ...
117 bpm • F min • 04:36 • -5.03db
21% Popularity • 46% Danceability • 84% Energy • 21% Liveness
94% Instrumentalness • 73% Positiveness
21% Popularity • 46% Danceability • 84% Energy • 21% Liveness
94% Instrumentalness • 73% Positiveness
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Brier
Finnegan's Wake
117 bpm • C Maj • 02:59 • -14.46db
18% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Kilfenora Céilà Band
Molly Bán (Reels). Molly Bán/The Doneg...
117 bpm • G Maj • 03:09 • -6.46db
20% Popularity • 55% Danceability • 82% Energy • 33% Liveness
92% Instrumentalness • 96% Positiveness
20% Popularity • 55% Danceability • 82% Energy • 33% Liveness
92% Instrumentalness • 96% Positiveness
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Sharon Shannon
Gaffo's Ball - Live
117 bpm • D# Maj • 03:11 • -9.86db
14% Popularity • 43% Danceability • 80% Energy • 95% Liveness
71% Instrumentalness • 96% Positiveness
14% Popularity • 43% Danceability • 80% Energy • 95% Liveness
71% Instrumentalness • 96% Positiveness
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The Mary Wallopers
Cod Liver Oil & The Orange Juice
122 bpm • G min • 04:11 • -10db
49% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Biblecode Sundays
Mayo Moon
116 bpm • D Maj • 05:57 • -6.05db
15% Popularity • 24% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 24% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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De Dannan
My Irish Molly O - 2022 Remaster
121 bpm • C Maj • 03:38 • -13db
30% Popularity • 70% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 70% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Irish Lads Of Limerick
Molly Malone
122 bpm • D Maj • 02:25 • -14db
37% Popularity • 70% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 70% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Niall Hanna
The Autumn Winds
116 bpm • G Maj • 03:28 • -10.87db
15% Popularity • 54% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
15% Popularity • 54% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Sharon Shannon
Anachie Gordon
122 bpm • F Maj • 06:39 • -9.14db
19% Popularity • 36% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 36% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Pecker Dunne
Donegal Danny
116 bpm • B Maj • 04:40 • -13.25db
9% Popularity • 62% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 62% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 53% Positiveness
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Cu Chulainn
Dirty Old Town
122 bpm • D Maj • 03:23 • -6.8db
20% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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All Folk'd Up
If I Ever Leave This World Alive
122 bpm • A Maj • 04:03 • -8.55db
25% Popularity • 70% Danceability • 50% Energy • 9% Liveness
6% Instrumentalness • 40% Positiveness
25% Popularity • 70% Danceability • 50% Energy • 9% Liveness
6% Instrumentalness • 40% Positiveness
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Trail West
Mcalpine's Fusiliers
122 bpm • C Maj • 03:50 • -8.09db
25% Popularity • 56% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 56% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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De Dannan
Mulvihill's Reel, The Dawn
122 bpm • D# Maj • 04:04 • -11db
28% Popularity • 59% Danceability • 66% Energy • 9% Liveness
92% Instrumentalness • 98% Positiveness
28% Popularity • 59% Danceability • 66% Energy • 9% Liveness
92% Instrumentalness • 98% Positiveness
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Sharon Shannon
The Boys of Malin
122 bpm • A# Maj • 04:16 • -3.04db
6% Popularity • 50% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
6% Popularity • 50% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Tarahan
Lucky Man
122 bpm • A Maj • 03:04 • -5db
28% Popularity • 71% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 71% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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The Wild Rover
Gypsy Rover
122 bpm • E Maj • 02:15 • -8db
23% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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John Tams
Spanish Bride
116 bpm • G Maj • 07:09 • -7.92db
19% Popularity • 37% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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The Dicey Rileys
I'll Tell Me Ma
122 bpm • G Maj • 02:12 • -5.15db
36% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Irish Lads Of Limerick
Bold O'Donaghue
123 bpm • F Maj • 01:41 • -11db
36% Popularity • 78% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 78% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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De Dannan
Cameronian Reel, Doon Reel
122 bpm • D# Maj • 03:17 • -9db
33% Popularity • 63% Danceability • 78% Energy • 12% Liveness
96% Instrumentalness • 98% Positiveness
33% Popularity • 63% Danceability • 78% Energy • 12% Liveness
96% Instrumentalness • 98% Positiveness
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Pecker Dunne
Portlaoise Jail
123 bpm • G Maj • 02:10 • -13db
34% Popularity • 52% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Sharon Shannon
The Bungee Jumpers: The Fisherman's Lilt...
123 bpm • A Maj • 04:10 • -12.13db
4% Popularity • 52% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 52% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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MÃ nran
Crow Flies
123 bpm • C Maj • 03:19 • -8db
35% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Patsy Watchorn
The Dublin Minstrel
115 bpm • D Maj • 04:18 • -5.94db
14% Popularity • 55% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 55% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Four Men & A Dog
Music For A Found Harmonium
123 bpm • D Maj • 03:31 • -8.13db
12% Popularity • 57% Danceability • 68% Energy • 20% Liveness
85% Instrumentalness • 94% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 20% Liveness
85% Instrumentalness • 94% Positiveness
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De Dannan
Donegal Reels
115 bpm • D# Maj • 02:03 • -9.69db
30% Popularity • 36% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 36% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Jim McCann
Clare to Here
115 bpm • C min • 04:43 • -15.34db
9% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sharon Shannon
Phil Cunningham Set
123 bpm • A Maj • 05:08 • -10.73db
7% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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La Bottine Souriante
Benji’s Rollicks
115 bpm • D Maj • 04:00 • -7.32db
17% Popularity • 68% Danceability • 83% Energy • 17% Liveness
60% Instrumentalness • 62% Positiveness
17% Popularity • 68% Danceability • 83% Energy • 17% Liveness
60% Instrumentalness • 62% Positiveness
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Kilfenora Céilà Band
My Hearts Tonight in Ireland. (Song)
123 bpm • G Maj • 03:50 • -6db
31% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Alastair McDonald and Leo Maguire
The Wee Cooper of Fife
123 bpm • A# Maj • 02:19 • -14.64db
22% Popularity • 80% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 80% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Brendan McFarlane
Song for Marcella (A Tribute to Bobby Sa...
123 bpm • D# Maj • 04:21 • -15db
25% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dominic Behan
Dicey Riley
115 bpm • G Maj • 01:05 • -17.82db
41% Popularity • 64% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 90% Positiveness
41% Popularity • 64% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 90% Positiveness
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Sharon Shannon
Hogs & Heifers
115 bpm • A# Maj • 04:39 • -7.09db
6% Popularity • 32% Danceability • 68% Energy • 15% Liveness
22% Instrumentalness • 81% Positiveness
6% Popularity • 32% Danceability • 68% Energy • 15% Liveness
22% Instrumentalness • 81% Positiveness
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Four Men & A Dog
Hidden Love/Sheila Coyles
115 bpm • D# Maj • 05:28 • -14db
15% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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De Dannan
Let It Be
124 bpm • D Maj • 03:29 • -19db
35% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Horslips
Dearg Doom
114 bpm • C Maj • 03:06 • -7db
44% Popularity • 47% Danceability • 80% Energy • 40% Liveness
6% Instrumentalness • 83% Positiveness
44% Popularity • 47% Danceability • 80% Energy • 40% Liveness
6% Instrumentalness • 83% Positiveness
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Pecker Dunne
Last of the Travelling People
114 bpm • D Maj • 01:48 • -11.01db
36% Popularity • 61% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 61% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Dolores Keane
Have I Told You Lately
124 bpm • F Maj • 03:53 • -10.78db
28% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Arcady
The Sally Gardens, Miss McLeod's Reel, T...
114 bpm • D Maj • 06:22 • -13db
19% Popularity • 59% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
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Seán Ó Sé
An Poc Ar Buile
114 bpm • D Maj • 02:53 • -6db
24% Popularity • 49% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Homes of Donegal.
114 bpm • F Maj • 03:41 • -7.54db
9% Popularity • 33% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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MÃ nran
Puirt
124 bpm • D Maj • 03:34 • -5db
34% Popularity • 63% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 63% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Sharon Shannon
Billy in the Low Ground: Billy in the Lo...
114 bpm • G# Maj • 03:30 • -6.29db
17% Popularity • 50% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 50% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Green Road
Sam Hall
124 bpm • G Maj • 06:26 • -10.18db
21% Popularity • 51% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 51% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Shane MacGowan & The Popes
Aisling
124 bpm • D Maj • 02:58 • -8db
30% Popularity • 47% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 47% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Brady
Crazy Dreams
124 bpm • D# Maj • 04:56 • -12db
35% Popularity • 63% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 63% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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The Wild Rover
Poor Paddy Works On The Railway
124 bpm • B Maj • 02:54 • -6.96db
30% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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De Dannan
Anthem for Ireland
114 bpm • G Maj • 03:34 • -20.73db
26% Popularity • 37% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 37% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Sharon Shannon
The Bag of Cats: The Barrow Burn Reel / ...
114 bpm • G# Maj • 04:34 • -10.81db
18% Popularity • 51% Danceability • 66% Energy • 16% Liveness
51% Instrumentalness • 42% Positiveness
18% Popularity • 51% Danceability • 66% Energy • 16% Liveness
51% Instrumentalness • 42% Positiveness
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Charlie and the Bhoys
This Land Is Your Land
114 bpm • G Maj • 02:59 • -6db
28% Popularity • 73% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 73% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Stockton's Wing
The Concert Reel: The High Road To Linto...
124 bpm • D Maj • 02:57 • -10.68db
11% Popularity • 43% Danceability • 36% Energy • 17% Liveness
76% Instrumentalness • 96% Positiveness
11% Popularity • 43% Danceability • 36% Energy • 17% Liveness
76% Instrumentalness • 96% Positiveness
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Daoirà Farrell
Young Emmet
125 bpm • E Maj • 02:43 • -7.22db
23% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Four Men & A Dog
Waltzing for Dreamers
114 bpm • D# Maj • 03:49 • -15.07db
15% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Beoga
Dolan's 6AM
125 bpm • B min • 03:35 • -6db
43% Popularity • 67% Danceability • 75% Energy • 11% Liveness
80% Instrumentalness • 50% Positiveness
43% Popularity • 67% Danceability • 75% Energy • 11% Liveness
80% Instrumentalness • 50% Positiveness
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Sharon Shannon
The Woodchoppers / Le Reel des Voyageurs
114 bpm • A# Maj • 02:59 • -11.31db
5% Popularity • 51% Danceability • 64% Energy • 7% Liveness
43% Instrumentalness • 97% Positiveness
5% Popularity • 51% Danceability • 64% Energy • 7% Liveness
43% Instrumentalness • 97% Positiveness
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De Dannan
Master Crowley's
113 bpm • D Maj • 03:07 • -6db
36% Popularity • 66% Danceability • 67% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 66% Danceability • 67% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Christie Hennessy
All the Lies That You Told Me
125 bpm • G Maj • 03:29 • -10db
30% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Blarney Folk
Rattling Bog
125 bpm • G Maj • 02:22 • -9.13db
32% Popularity • 62% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 62% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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The Highstool Prophets
This Is The Life
113 bpm • C Maj • 03:44 • -5.58db
54% Popularity • 38% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 38% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Brady
The Lakes of Pontchartrain
125 bpm • F Maj • 06:48 • -10db
24% Popularity • 48% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 48% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
