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Anarchy on the Farm
Songs like
Anarchy on the Farm
by
Ilan Eshkeri
Based on a tempo of (+/- 10%) and a similar genre
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Christian Henson
Necromancer
90 bpm • D Maj • 01:34 • -23.15db
32% Popularity • 52% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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David Buckley
This Is Fiddler's Green
90 bpm • G min • 03:27 • -24.1db
22% Popularity • 12% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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James Horner
Climbing up "Iknimaya - The Path to Heav...
90 bpm • A Maj • 03:18 • -22.69db
47% Popularity • 10% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Giacchino
A Change of Heart
90 bpm • A Maj • 03:04 • -23.46db
19% Popularity • 15% Danceability • 2% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Clinton Shorter
A Lifetime of Losing
89 bpm • A# Maj • 01:35 • -24.95db
39% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Rohan Stevenson
Finale - The Sword in the Stone
91 bpm • A# min • 07:13 • -17.74db
25% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
45% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
34% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Mark Isham
Tribune Tower
91 bpm • A Maj • 03:44 • -24.49db
28% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Burkhard Dallwitz
Tibet
91 bpm • E min • 05:26 • -16db
30% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Trevor Morris
Ragnar Dreams of Home
89 bpm • C# min • 01:41 • -29db
52% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Francesco Le Metre
The Origin of Belief
89 bpm • A# Maj • 04:00 • -18.1db
41% Popularity • 10% Danceability • 14% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Remember
89 bpm • B Maj • 01:49 • -26.47db
42% Popularity • 18% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Nicholas Hooper
The Kiss
91 bpm • D# Maj • 01:56 • -30db
46% Popularity • 11% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Marco Beltrami
Arthur's Theme
91 bpm • A# min • 02:46 • -14.74db
24% Popularity • 10% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Fatu Hiva
92 bpm • G Maj • 01:10 • -18.56db
27% Popularity • 13% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
A Reckoning in Blood
88 bpm • G min • 04:35 • -12.76db
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Bill Prokopow
Nandor Fodor Main Theme
88 bpm • G min • 03:10 • -13.98db
30% Popularity • 39% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Trevor Morris
Henry Marries Jane Seymour
92 bpm • A min • 01:14 • -16.35db
27% Popularity • 17% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Marco Beltrami
A Grateful Family
92 bpm • D Maj • 02:08 • -15.14db
20% Popularity • 28% Danceability • 34% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Danny Bensi and Saunder Jurriaans
Make History
88 bpm • C Maj • 01:13 • -33.41db
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Izzy
92 bpm • E min • 04:00 • -24.26db
33% Popularity • 36% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
37% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
51% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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John Frizzell
Resolution
92 bpm • C min • 02:29 • -21db
15% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Quintus Returns
88 bpm • F Maj • 01:00 • -31.18db
28% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Simon Franglen
Leaving Home
88 bpm • D min • 03:27 • -19db
40% Popularity • 18% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
39% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
38% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Michael Giacchino
Warp Core Values
93 bpm • A# Maj • 02:57 • -11.54db
23% Popularity • 14% Danceability • 41% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
36% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Forgotten Song
93 bpm • G min • 02:11 • -20db
32% Popularity • 17% Danceability • 19% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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LUDEN
Sad Theme
87 bpm • F min • 02:51 • -15.3db
40% Popularity • 20% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Hampus Naeselius
The Long Way Home
87 bpm • G min • 01:49 • -13.19db
33% Popularity • 36% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Roque Baños
Lower Away
93 bpm • C min • 03:54 • -14.21db
15% Popularity • 20% Danceability • 38% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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James Horner
Briseis and Achilles
94 bpm • G min • 05:19 • -37.82db
30% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Resentment
94 bpm • G Maj • 01:40 • -28.82db
31% Popularity • 12% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Trevor Morris
Hallway Vampires
86 bpm • E Maj • 01:59 • -22.58db
18% Popularity • 18% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Isham
To Lead
86 bpm • D Maj • 03:40 • -13db
19% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Christian Henson
Back Where It All Began
86 bpm • E min • 01:39 • -19.54db
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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David Newman
Prep For Flight
86 bpm • D min • 01:33 • -26.64db
23% Popularity • 18% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Anne Nikitin
Starlight
94 bpm • G Maj • 01:45 • -19.39db
46% Popularity • 13% Danceability • 25% Energy • 22% Liveness
96% Instrumentalness • 16% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
26% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Mark Isham
The Nevers
94 bpm • F min • 01:39 • -15.49db
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
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John Williams
Padmé's Ruminations
86 bpm • D Maj • 03:18 • -31.52db
37% Popularity • 9% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
40% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Trevor Morris
Forest Cathedral
95 bpm • G min • 01:14 • -21.37db
27% Popularity • 17% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Chris Tilton
Versailles for Sore Eyes
86 bpm • A min • 02:50 • -26db
28% Popularity • 17% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Samuel Bohn
Retribution
95 bpm • D min • 02:27 • -16.05db
39% Popularity • 46% Danceability • 41% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
32% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Steve Jablonsky
Silver Star
95 bpm • A# Maj • 01:56 • -13.29db
38% Popularity • 35% Danceability • 48% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
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J.T. Peterson
Winter Silence
85 bpm • F Maj • 04:55 • -20.12db
21% Popularity • 10% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Chance Thomas
The Grey Havens
85 bpm • D min • 02:18 • -22db
46% Popularity • 22% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Jeff Russo
Justin’s Theme
85 bpm • A min • 02:51 • -19.43db
38% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Witch's Plan
85 bpm • F Maj • 02:28 • -25.36db
24% Popularity • 17% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Two Steps from Hell
Undying Love (Choir - Extended Mix)
85 bpm • D# min • 02:52 • -9.88db
33% Popularity • 22% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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David Buckley
There Is Hope
85 bpm • G min • 04:25 • -23db
19% Popularity • 9% Danceability • 8% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Christophe Beck
Solo Flight
85 bpm • C min • 03:11 • -22.56db
37% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
34% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Michael Giacchino
Guardians of the Whills Suite
85 bpm • A min • 02:52 • -17db
38% Popularity • 10% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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David Schweitzer
Führer
84 bpm • C# Maj • 02:10 • -15.3db
38% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Morgana Close to Death
96 bpm • G min • 02:41 • -26db
26% Popularity • 12% Danceability • 9% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Anne Nikitin
The First Taste Of Salmon
96 bpm • G Maj • 01:44 • -15.78db
40% Popularity • 38% Danceability • 30% Energy • 26% Liveness
91% Instrumentalness • 26% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Jason Graves
The Knights' Theme
84 bpm • F Maj • 03:28 • -17db
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Dynamedion
The Moribund People
97 bpm • G# min • 02:12 • -18.9db
27% Popularity • 27% Danceability • 22% Energy • 13% Liveness
48% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Jasha Klebe
March of the Millions
84 bpm • G min • 04:00 • -17.81db
18% Popularity • 12% Danceability • 17% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Hiding Excalibur
96 bpm • E min • 02:05 • -15db
32% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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James Horner
Pure spirits of the forest
97 bpm • C Maj • 08:49 • -32db
48% Popularity • 13% Danceability • 2% Energy • 14% Liveness
19% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Your Secret is Safe
97 bpm • F Maj • 02:52 • -20.42db
18% Popularity • 13% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Natalie Holt
Young Leia
97 bpm • G Maj • 01:04 • -17db
38% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Michael Giacchino
Level Plaguing Field
97 bpm • C Maj • 02:21 • -33.04db
27% Popularity • 21% Danceability • 3% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Seglass Ni Tonday
97 bpm • G min • 06:27 • -17.76db
33% Popularity • 14% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
37% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
► Preview
Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
44% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
41% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Chance Thomas
Theme for Rohan
82 bpm • C min • 03:27 • -18.79db
38% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Anarchy on the Farm