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Anatomically Correct - Live in the Basement, 2017
Songs like
Anatomically Correct - Live in the Basement, 2017
by
Custard
Based on a tempo of (+/- 10%) and a similar genre
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The Mavis's
Cry
127 bpm • A Maj • 04:13 • -5db
36% Popularity • 45% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Hoodoo Gurus
Waking Up Tired - Remaster 2005
127 bpm • A Maj • 02:54 • -5db
33% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Cherry Twister
I'm Gonna Be The Lonely Boy Tonite
126 bpm • C Maj • 02:27 • -6.17db
9% Popularity • 50% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Rail
Immune Deficiency
128 bpm • C Maj • 03:40 • -9.05db
8% Popularity • 33% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Folds Five
One Angry Dwarf and 200 Solemn Faces
128 bpm • G Maj • 03:52 • -6db
41% Popularity • 39% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Custard
Ringo (I Feel Like)
126 bpm • B Maj • 02:49 • -5.06db
27% Popularity • 60% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Ratcat
I Think We're Alone Now
128 bpm • B min • 02:54 • -13db
21% Popularity • 47% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Eskimo Joe
Planet Earth
126 bpm • D Maj • 03:20 • -5.11db
26% Popularity • 60% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Jebediah
Twilight = Dusk
128 bpm • A Maj • 04:45 • -5.38db
14% Popularity • 47% Danceability • 52% Energy • 16% Liveness
82% Instrumentalness • 47% Positiveness
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Tumbleweed
Sundial
126 bpm • C Maj • 02:45 • -10.54db
23% Popularity • 55% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Spacehog
Glad To Know
126 bpm • A Maj • 03:23 • -4.72db
8% Popularity • 36% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Custard
The Golden Age Of Nicotine
126 bpm • A Maj • 00:47 • -5.94db
19% Popularity • 42% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 84% Positiveness
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The Clouds
Bower Of Bliss
125 bpm • B Maj • 03:03 • -6.79db
10% Popularity • 47% Danceability • 90% Energy • 8% Liveness
15% Instrumentalness • 52% Positiveness
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Ratcat
Tingles
129 bpm • C Maj • 03:26 • -7.4db
8% Popularity • 38% Danceability • 84% Energy • 34% Liveness
3% Instrumentalness • 71% Positiveness
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David Devant and His Spirit Wife
Ginger
128 bpm • A Maj • 03:27 • -6.89db
11% Popularity • 38% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Nines
Insanity (The Sanest Thing You've Got)
125 bpm • D Maj • 02:03 • -5.09db
10% Popularity • 53% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Jebediah
Teflon
125 bpm • B Maj • 03:46 • -6.31db
31% Popularity • 49% Danceability • 92% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
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Custard
Anatomically Correct
126 bpm • E Maj • 02:43 • -6.94db
25% Popularity • 72% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Ben Folds
Adelaide
129 bpm • E Maj • 03:13 • -6.69db
28% Popularity • 58% Danceability • 87% Energy • 8% Liveness
22% Instrumentalness • 53% Positiveness
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The Clouds
Hieronymus
125 bpm • G Maj • 03:47 • -6.39db
25% Popularity • 42% Danceability • 84% Energy • 36% Liveness
2% Instrumentalness • 43% Positiveness
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Harvey Danger
Moral Centralia
129 bpm • D Maj • 04:27 • -7.38db
24% Popularity • 32% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Superet
Who Is This Guy
125 bpm • A Maj • 02:26 • -3.62db
14% Popularity • 57% Danceability • 97% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Magic Dirt
Drunk for You
130 bpm • C# Maj • 03:35 • -3.93db
16% Popularity • 25% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Custard
Pluto
125 bpm • G# Maj • 02:55 • -6.13db
19% Popularity • 61% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Even
Don't Wait
130 bpm • A Maj • 04:10 • -8db
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Wheatus
Mope
130 bpm • E Maj • 03:38 • -6.53db
13% Popularity • 51% Danceability • 89% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Harvey Danger
Picture, Picture
130 bpm • D Maj • 03:31 • -4.76db
24% Popularity • 42% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Kitty in the Tree
The Dotted Line
130 bpm • E min • 03:32 • -4.62db
8% Popularity • 71% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Sweet Tuesday
Stay With Me
130 bpm • G# min • 03:25 • -4.12db
8% Popularity • 69% Danceability • 96% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Custard
Nice Bird
125 bpm • F Maj • 03:01 • -3.98db
16% Popularity • 62% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Sean Altman
Beautiful Liar
124 bpm • B min • 02:30 • -6.69db
8% Popularity • 57% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Graney & The Coral Snakes
Feelin' Kinda Sporty
130 bpm • D Maj • 03:10 • -4db
16% Popularity • 56% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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TISM
Greg! The Stop Sign!!
130 bpm • C Maj • 03:28 • -8db
36% Popularity • 64% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Kitty in the Tree
Starfucker
130 bpm • F# min • 02:23 • -4.12db
13% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Ricky Jamaraz
I Don't Love Myself
130 bpm • C Maj • 02:18 • -7db
32% Popularity • 77% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Custard
Music Is Crap
129 bpm • C Maj • 03:07 • -7db
28% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Sweet Tuesday
Deep Blue
130 bpm • F min • 02:37 • -3.38db
13% Popularity • 47% Danceability • 89% Energy • 16% Liveness
85% Instrumentalness • 85% Positiveness
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Screamfeeder
Static
130 bpm • D Maj • 03:16 • -4.44db
8% Popularity • 30% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Liam Lynch
Goat Rap - Ep16
124 bpm • B min • 02:39 • -15.27db
11% Popularity • 93% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Foresight
The Universe is Not Trying To Test You
130 bpm • A Maj • 03:10 • -10.7db
15% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Feelrs
Jolette
130 bpm • C# Maj • 02:47 • -5db
20% Popularity • 53% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Custard
Hit Song
124 bpm • G Maj • 02:22 • -5.12db
20% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
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The Sarah Michelles
Arnold Rimmer
124 bpm • E Maj • 03:34 • -5.37db
8% Popularity • 54% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Clouds
Little Death
124 bpm • C Maj • 03:17 • -4.44db
8% Popularity • 62% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 61% Positiveness
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Harvey Danger
Sad Sweetheart of the Rodeo
124 bpm • B min • 03:29 • -4.75db
28% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Sorry About Everything
Patera
130 bpm • C Maj • 03:30 • -6.12db
11% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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TISM
Saturday Night Palsy
130 bpm • G Maj • 03:21 • -11db
16% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Wheatus
Fourteen
124 bpm • C Maj • 03:34 • -5.41db
26% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sweet Tuesday
Slowly
124 bpm • A Maj • 02:27 • -3.36db
17% Popularity • 42% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Rebecca's Empire
So Rude
124 bpm • D Maj • 03:38 • -6.63db
17% Popularity • 49% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 59% Positiveness
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Even
Stop and Go Man
131 bpm • C Maj • 02:40 • -6.86db
13% Popularity • 36% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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The Dandy Warhols
Scientist
123 bpm • G Maj • 03:13 • -6db
31% Popularity • 70% Danceability • 70% Energy • 63% Liveness
46% Instrumentalness • 56% Positiveness
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Ammonia
You're Not The Only One Who Feels This W...
123 bpm • F min • 03:53 • -8.21db
28% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Custard
1990's
123 bpm • F# min • 04:32 • -10.59db
17% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Topline Addicts
Loretta
123 bpm • G# Maj • 02:52 • -8db
33% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Terrorvision
Josephine
132 bpm • A min • 03:11 • -1.44db
23% Popularity • 37% Danceability • 94% Energy • 32% Liveness
1% Instrumentalness • 49% Positiveness
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The Inbreds
North Window
123 bpm • C Maj • 02:53 • -6db
19% Popularity • 57% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Ratcat
Go Go
132 bpm • G Maj • 02:41 • -9.59db
17% Popularity • 32% Danceability • 97% Energy • 92% Liveness
0% Instrumentalness • 32% Positiveness
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Weezer
Keep Fishin'
132 bpm • E Maj • 02:52 • -5.37db
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Fur
Jimmy Rogers
132 bpm • C Maj • 03:46 • -4.67db
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
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Screamfeeder
Dart
132 bpm • D Maj • 02:50 • -6.1db
20% Popularity • 46% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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The Fauves
Surf City Limits - Edit
132 bpm • G# Maj • 03:31 • -6.23db
21% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Spacehog
A Real Waste of Food
122 bpm • C Maj • 04:40 • -7.88db
12% Popularity • 48% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Eskimo Joe
Sweater
122 bpm • E Maj • 02:16 • -5.04db
29% Popularity • 61% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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TISM
All Homeboys Are Dickheads
132 bpm • D Maj • 03:06 • -11.65db
19% Popularity • 88% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Bright Light Fever
Norman Bates
122 bpm • G min • 03:13 • -6.83db
8% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Pollyanna
Lemonsuck
132 bpm • D# Maj • 03:36 • -14.52db
22% Popularity • 33% Danceability • 51% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Sorry About Everything
Closeface
122 bpm • C Maj • 02:21 • -7.25db
29% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Sluttony
Number 4 A Name
122 bpm • E min • 03:15 • -4.93db
16% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Terrorvision
Tea Dance
133 bpm • E Maj • 02:06 • -11db
8% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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TISM
What Nationality Is Les Murray-
122 bpm • A# min • 04:34 • -10.29db
17% Popularity • 69% Danceability • 82% Energy • 88% Liveness
1% Instrumentalness • 66% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Pollyanna
Effervescence
132 bpm • D# Maj • 02:30 • -5.33db
20% Popularity • 35% Danceability • 73% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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The Mavis's
Naughty Boy
133 bpm • D Maj • 03:13 • -7.57db
28% Popularity • 36% Danceability • 77% Energy • 10% Liveness
78% Instrumentalness • 38% Positiveness
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The Fauves
Bigger Than Tina
133 bpm • C Maj • 03:16 • -5.27db
13% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Turnstyle
Spray Water On The Stereo
133 bpm • G Maj • 02:35 • -5.72db
16% Popularity • 64% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Custard
We Are the Parents (Our Parents Warned U...
133 bpm • C Maj • 03:32 • -10.34db
14% Popularity • 54% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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Falling Joys
You're in a Mess
133 bpm • D Maj • 04:25 • -6.87db
26% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Topline Addicts
Sweet Things
133 bpm • C# min • 04:16 • -7.72db
29% Popularity • 56% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Sloan
Witch's Wand
133 bpm • F Maj • 02:50 • -7db
28% Popularity • 64% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Fauves
Give Up Your Day Job
133 bpm • A Maj • 03:17 • -4.78db
13% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Liam Lynch
Try Me
121 bpm • E Maj • 02:11 • -3.76db
13% Popularity • 66% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Custard
Sons And Daughters
121 bpm • G Maj • 02:48 • -7.41db
11% Popularity • 57% Danceability • 80% Energy • 40% Liveness
25% Instrumentalness • 35% Positiveness
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They Might Be Giants
I Should Be Allowed to Think
133 bpm • C# min • 03:09 • -8.24db
32% Popularity • 60% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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bis
Action and Drama
133 bpm • C Maj • 02:29 • -4.8db
13% Popularity • 66% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Dallas Crane
Numb All Over
133 bpm • F# min • 03:04 • -2.41db
15% Popularity • 42% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Presidents Of The United States Of America
body
121 bpm • D# min • 04:17 • -14.24db
15% Popularity • 69% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jebediah
Please Leave
121 bpm • G# min • 03:36 • -6.25db
26% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
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Custard
Orchids in Water
120 bpm • G Maj • 02:59 • -8.3db
15% Popularity • 60% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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The Bluetones
Heard You Were Dead
120 bpm • C# Maj • 04:04 • -5.31db
8% Popularity • 32% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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I've Made Too Much Pasta
A Hole Is a Hole Is a Hole
134 bpm • C# Maj • 04:49 • -7.83db
10% Popularity • 74% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Symposium
Farewell to Twilight
134 bpm • F Maj • 03:11 • -5.29db
14% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Presidents Of The United States Of America
puffy little shoes
120 bpm • D min • 03:31 • -14.63db
13% Popularity • 70% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 56% Positiveness
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TISM
Defecate On My Face - Original Springval...
120 bpm • G Maj • 04:50 • -6.23db
17% Popularity • 70% Danceability • 86% Energy • 5% Liveness
5% Instrumentalness • 80% Positiveness
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Custard
If You Would Like To
134 bpm • C Maj • 01:03 • -10.47db
17% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Filthy Thieving Bastards
Bitter Old Son
120 bpm • D Maj • 01:55 • -6.53db
9% Popularity • 62% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Topline Addicts
Gotta Thank God
120 bpm • E min • 03:52 • -7.7db
23% Popularity • 56% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 27% Positiveness
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Butterfingers
Yo Mama
120 bpm • G Maj • 03:20 • -5db
37% Popularity • 79% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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The Presidents Of The United States Of America
Love Delicatessen
120 bpm • B Maj • 04:12 • -5.92db
15% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Whitey
OBEY YOURSELF
120 bpm • C Maj • 03:19 • -10.33db
17% Popularity • 78% Danceability • 80% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Anatomically Correct - Live in the Basement, 2017