Songs like Ancient Airs And Dances, Suite No. 1, [P. 109]: 2. Gagliarda by Ottorino Respighi
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Czech Suite, Op. 39: II. Polka
93 bpm • D min • 05:13 • -21db
13% Popularity • 20% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D Minor, BWV 565
93 bpm • D min • 09:06 • -20.13db
18% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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![Ancient Airs And Dances, Suite No. 1, [P. 109]: 2. Gagliarda cover art](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)
Ottorino Respighi
Ancient Airs And Dances, Suite No. 1, [P...
93 bpm • D Maj • 03:22 • -19.06db
11% Popularity • 28% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Op. 114, B. 203, Act I: Mesíck...
93 bpm • F# Maj • 06:54 • -22.13db
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
94 bpm • G# Maj • 08:01 • -21db
43% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
43% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D minor Op. 22 ...
94 bpm • A# Maj • 11:19 • -20.2db
17% Popularity • 21% Danceability • 13% Energy • 15% Liveness
51% Instrumentalness • 8% Positiveness
17% Popularity • 21% Danceability • 13% Energy • 15% Liveness
51% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61: 8....
91 bpm • G Maj • 04:28 • -28.12db
1% Popularity • 10% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Ralph Vaughan Williams
Concerto For Oboe And Strings: 1. Rondo ...
91 bpm • E min • 07:00 • -18db
11% Popularity • 20% Danceability • 15% Energy • 17% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 17% Liveness
92% Instrumentalness • 14% Positiveness
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Francis Poulenc
Gloria, FP 144: V. Domine Deus, Agnus De...
95 bpm • E Maj • 05:55 • -23.16db
21% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
95 bpm • G min • 02:57 • -27.41db
5% Popularity • 17% Danceability • 4% Energy • 35% Liveness
86% Instrumentalness • 18% Positiveness
5% Popularity • 17% Danceability • 4% Energy • 35% Liveness
86% Instrumentalness • 18% Positiveness
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Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
91 bpm • G Maj • 02:51 • -29.56db
14% Popularity • 13% Danceability • 2% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 2% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61: 4....
90 bpm • E Maj • 01:25 • -23.52db
6% Popularity • 12% Danceability • 9% Energy • 24% Liveness
85% Instrumentalness • 5% Positiveness
6% Popularity • 12% Danceability • 9% Energy • 24% Liveness
85% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
36% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
90 bpm • A Maj • 05:11 • -24.56db
26% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
26% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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![Vetrate di chiesa (Church Windows), P. 150: III. Il Mattutino di Santa Chiara [the Matins of St. Clare] cover art](https://i.scdn.co/image/ab67616d00001e02ca7e807eaeeab0c8a3605e65)
Ottorino Respighi
Vetrate di chiesa (Church Windows), P. 1...
95 bpm • F# min • 05:04 • -32db
12% Popularity • 12% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
36% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un Rêve Op. 7, No. 1
96 bpm • F min • 03:22 • -26.28db
29% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61: 1....
90 bpm • C Maj • 01:24 • -14.69db
6% Popularity • 39% Danceability • 41% Energy • 17% Liveness
93% Instrumentalness • 33% Positiveness
6% Popularity • 39% Danceability • 41% Energy • 17% Liveness
93% Instrumentalness • 33% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria: VI. Qui sedes ad dexteram Patris
89 bpm • G Maj • 06:13 • -20.4db
21% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: III. Juba. Al...
97 bpm • G# Maj • 05:05 • -18.54db
16% Popularity • 32% Danceability • 20% Energy • 33% Liveness
87% Instrumentalness • 10% Positiveness
16% Popularity • 32% Danceability • 20% Energy • 33% Liveness
87% Instrumentalness • 10% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
89 bpm • A Maj • 08:26 • -22.88db
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 2, [P...
90 bpm • D Maj • 05:19 • -17.34db
12% Popularity • 45% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 44% Positiveness
12% Popularity • 45% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 44% Positiveness
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Ludwig van Beethoven
交響曲 第5番 ハ短調 作品67 《...
97 bpm • C min • 07:23 • -22db
18% Popularity • 38% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 21% Positiveness
18% Popularity • 38% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 21% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 1 in F-Sharp Minor, O...
89 bpm • F min • 07:28 • -18.87db
28% Popularity • 31% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 3. Rondeau: Al...
97 bpm • A Maj • 03:56 • -18.75db
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
89 bpm • G# min • 09:34 • -24.25db
17% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 2, [P...
96 bpm • G Maj • 04:16 • -22.63db
10% Popularity • 30% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 28% Positiveness
10% Popularity • 30% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 28% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 2. Sarabande (And...
89 bpm • G Maj • 04:32 • -16.67db
5% Popularity • 16% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: III. Allegr...
89 bpm • G Maj • 02:50 • -22.72db
13% Popularity • 24% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
13% Popularity • 24% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
97 bpm • F Maj • 01:51 • -28.54db
15% Popularity • 59% Danceability • 7% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 59% Danceability • 7% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act I: No. 6,...
97 bpm • C Maj • 03:51 • -15.18db
3% Popularity • 38% Danceability • 46% Energy • 31% Liveness
93% Instrumentalness • 38% Positiveness
3% Popularity • 38% Danceability • 46% Energy • 31% Liveness
93% Instrumentalness • 38% Positiveness
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Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
24% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
24% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D minor Op. 22 ...
97 bpm • A# Maj • 05:05 • -23.09db
17% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 10% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
97 bpm • C Maj • 06:11 • -21.77db
11% Popularity • 14% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
89 bpm • A Maj • 01:43 • -13.8db
29% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
29% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61: 2....
89 bpm • G min • 02:36 • -29.02db
2% Popularity • 21% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
2% Popularity • 21% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, [P...
96 bpm • A# Maj • 02:49 • -24.52db
21% Popularity • 15% Danceability • 10% Energy • 69% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 15% Danceability • 10% Energy • 69% Liveness
79% Instrumentalness • 21% Positiveness
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Gabriel Fauré
Dolly, Op. 56: 6. Le pas Espagnol
98 bpm • F Maj • 02:44 • -16.66db
11% Popularity • 28% Danceability • 23% Energy • 5% Liveness
90% Instrumentalness • 30% Positiveness
11% Popularity • 28% Danceability • 23% Energy • 5% Liveness
90% Instrumentalness • 30% Positiveness
► Preview
Ralph Vaughan Williams
Concerto For Oboe And Strings: 2. Minuet...
88 bpm • G min • 02:47 • -18.76db
1% Popularity • 34% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
1% Popularity • 34% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
► Preview
Camille Saint-Saëns
Violin Concerto No. 3 in B Minor, Op. 61...
88 bpm • A# Maj • 08:27 • -23.92db
12% Popularity • 14% Danceability • 7% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 7% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen Suite No. 1: Les dragons d'Alcala
98 bpm • G Maj • 01:54 • -39.32db
9% Popularity • 51% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 51% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Turangalîla Symphonie: Turangalîla 2
98 bpm • C Maj • 04:02 • -14.04db
2% Popularity • 38% Danceability • 43% Energy • 9% Liveness
51% Instrumentalness • 15% Positiveness
2% Popularity • 38% Danceability • 43% Energy • 9% Liveness
51% Instrumentalness • 15% Positiveness
► Preview
Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, [P...
90 bpm • G min • 06:34 • -20.63db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
33% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
► Preview
John Williams
Theme From Schindler's List
99 bpm • D min • 04:15 • -25.36db
62% Popularity • 14% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
62% Popularity • 14% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Serenade No. 2 in A Major, Op. 16: 2. Sc...
99 bpm • C Maj • 02:43 • -18.74db
33% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 1 in F-Sharp Minor, O...
88 bpm • F# min • 12:22 • -18.55db
32% Popularity • 30% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
32% Popularity • 30% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
Bach - Prelude and Fugue in D Major, P. ...
97 bpm • A Maj • 05:45 • -22.81db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 14 in G Minor, Op. 135: VI....
87 bpm • G Maj • 01:43 • -21.4db
3% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Bagatelles, Op. 47, B. 79: No. 1 in G Mi...
99 bpm • G min • 03:05 • -20db
28% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act IV: No. 5...
87 bpm • C Maj • 05:28 • -17.19db
1% Popularity • 11% Danceability • 20% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 20% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
99 bpm • D Maj • 10:26 • -22.37db
27% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
27% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
► Preview
Ottorino Respighi
Suite No. 2, P. 138: II. Danza Rustica: ...
98 bpm • A Maj • 03:56 • -21.71db
18% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
18% Popularity • 42% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 41% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: Chanson ...
87 bpm • A# Maj • 03:03 • -26.28db
20% Popularity • 25% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Wieniawski
Violin Concerto No. 1 in F Sharp Minor, ...
99 bpm • F# min • 15:21 • -19.1db
18% Popularity • 27% Danceability • 14% Energy • 10% Liveness
60% Instrumentalness • 9% Positiveness
18% Popularity • 27% Danceability • 14% Energy • 10% Liveness
60% Instrumentalness • 9% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 3. Sarka
100 bpm • A Maj • 10:11 • -19db
28% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
28% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
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Alexander Glazunov
Vremena Goda (The Seasons), Op. 67: Summ...
100 bpm • D Maj • 01:58 • -24.74db
37% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
37% Popularity • 40% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 23% Positiveness
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Charles Gounod
Faust, Ballet Music: 3. Danse antique (A...
100 bpm • G min • 01:46 • -17.25db
5% Popularity • 61% Danceability • 29% Energy • 36% Liveness
2% Instrumentalness • 70% Positiveness
5% Popularity • 61% Danceability • 29% Energy • 36% Liveness
2% Instrumentalness • 70% Positiveness
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Ottorino Respighi
Antiche danze et arie per liuto, Suite N...
88 bpm • C min • 02:08 • -23.97db
8% Popularity • 24% Danceability • 7% Energy • 28% Liveness
90% Instrumentalness • 28% Positiveness
8% Popularity • 24% Danceability • 7% Energy • 28% Liveness
90% Instrumentalness • 28% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: Chant d'amour 2
100 bpm • E Maj • 11:19 • -10.46db
2% Popularity • 27% Danceability • 40% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
2% Popularity • 27% Danceability • 40% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61: 6....
100 bpm • G Maj • 01:00 • -22.29db
8% Popularity • 22% Danceability • 13% Energy • 60% Liveness
88% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 13% Energy • 60% Liveness
88% Instrumentalness • 7% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: II. Ballade (Temp...
87 bpm • A min • 06:01 • -28db
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: 2. ...
87 bpm • A Maj • 06:17 • -22.21db
10% Popularity • 22% Danceability • 13% Energy • 5% Liveness
93% Instrumentalness • 13% Positiveness
10% Popularity • 22% Danceability • 13% Energy • 5% Liveness
93% Instrumentalness • 13% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
86 bpm • A Maj • 05:10 • -36db
5% Popularity • 9% Danceability • 1% Energy • 13% Liveness
29% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 1% Energy • 13% Liveness
29% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 2. Minuet...
86 bpm • C min • 02:47 • -26.52db
10% Popularity • 37% Danceability • 12% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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John Williams
Immolation (With Our Lives, We Give Life...
86 bpm • F Maj • 04:43 • -23.81db
36% Popularity • 9% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Antiche danze et arie, Suite No. 1 (Arr....
100 bpm • D Maj • 03:24 • -23db
12% Popularity • 34% Danceability • 3% Energy • 22% Liveness
93% Instrumentalness • 32% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 22% Liveness
93% Instrumentalness • 32% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
86 bpm • A Maj • 04:44 • -20.98db
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: 3. Po...
86 bpm • C min • 06:39 • -27.07db
18% Popularity • 9% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
86 bpm • F Maj • 03:10 • -34db
30% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
► Preview
Ottorino Respighi
Ancient Airs And Dances, Suite No. 1, [P...
86 bpm • B min • 05:21 • -33.15db
11% Popularity • 9% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
86 bpm • E Maj • 04:26 • -24db
29% Popularity • 13% Danceability • 8% Energy • 25% Liveness
82% Instrumentalness • 9% Positiveness
29% Popularity • 13% Danceability • 8% Energy • 25% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
