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Ancient Ruins Late Night
Songs like
Ancient Ruins Late Night
by
Harry Mack
Based on a tempo of (+/- 10%) and a similar genre
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Gareth Coker
Shrunk Soaring (Shrunk 1)
95 bpm • D Maj • 02:09 • -16.13db
14% Popularity • 60% Danceability • 54% Energy • 13% Liveness
94% Instrumentalness • 40% Positiveness
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ConcernedApe
Mines (Cloth)
95 bpm • E Maj • 01:46 • -20.71db
48% Popularity • 51% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Emile van Krieken
Moa's Song (Aether 4)
95 bpm • C# Maj • 02:44 • -13db
39% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Kunning Fox
Juniper Pokémon Lab
95 bpm • F# Maj • 01:47 • -13.15db
24% Popularity • 49% Danceability • 31% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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Harry Mack
The Conservatory (Day)
95 bpm • A# Maj • 05:01 • -13.24db
24% Popularity • 49% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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TPR
Space Junk Road
95 bpm • C# Maj • 02:48 • -23.66db
39% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Joy Vision
Ending
96 bpm • F# Maj • 00:59 • -17.73db
26% Popularity • 61% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 71% Positiveness
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Peter Hont
Finnbacka
96 bpm • B min • 04:50 • -23.26db
28% Popularity • 20% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
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Jonah Senzel
The Temple of Beasts
96 bpm • G min • 04:02 • -22.61db
24% Popularity • 12% Danceability • 4% Energy • 12% Liveness
36% Instrumentalness • 8% Positiveness
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River Boy
Faith Up
96 bpm • F# min • 02:12 • -12db
37% Popularity • 47% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Harry Mack
Ancient Ruins Late Night
95 bpm • E min • 04:11 • -15.87db
27% Popularity • 41% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 23% Positiveness
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User Youth
Divine Beast Vah Ruta
94 bpm • G Maj • 02:17 • -20.45db
24% Popularity • 47% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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ConcernedApe
Cloud Country
96 bpm • B Maj • 01:30 • -18db
53% Popularity • 71% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
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Giulio Capone
Serenade of Water
94 bpm • G Maj • 01:46 • -24.44db
42% Popularity • 61% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Nintnt
Forest of Hope
96 bpm • F Maj • 02:05 • -20.35db
31% Popularity • 27% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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The Marcus Hedges Trend Orchestra
Pirates
97 bpm • A# Maj • 01:22 • -14.09db
33% Popularity • 67% Danceability • 31% Energy • 15% Liveness
94% Instrumentalness • 54% Positiveness
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Harry Mack
The Farthest Forest (Casey Sessions)
93 bpm • D Maj • 02:22 • -17.51db
22% Popularity • 66% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Lydia Esrig
White Lizard
97 bpm • F min • 01:24 • -24.69db
27% Popularity • 51% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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ConcernedApe
Spring (Wild Horseradish Jam)
94 bpm • E Maj • 04:05 • -17.55db
49% Popularity • 61% Danceability • 39% Energy • 8% Liveness
69% Instrumentalness • 41% Positiveness
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James Currier
Exposure
93 bpm • C# Maj • 01:22 • -13.11db
19% Popularity • 30% Danceability • 55% Energy • 26% Liveness
92% Instrumentalness • 17% Positiveness
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Jonathan Geer
Escape from the Floating Continent
98 bpm • G# min • 01:29 • -9.83db
32% Popularity • 44% Danceability • 70% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Christopher Larkin
Furious Gods
97 bpm • G min • 01:07 • -10.01db
37% Popularity • 29% Danceability • 77% Energy • 12% Liveness
98% Instrumentalness • 9% Positiveness
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Harry Mack
Dry Reef Theme
98 bpm • E Maj • 02:15 • -13db
37% Popularity • 46% Danceability • 40% Energy • 13% Liveness
92% Instrumentalness • 64% Positiveness
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Hiromitsu Maeba
The Professor - A Spectre Revived
92 bpm • E Maj • 03:49 • -12.34db
19% Popularity • 32% Danceability • 33% Energy • 43% Liveness
92% Instrumentalness • 16% Positiveness
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ConcernedApe
Pelican Town
98 bpm • C Maj • 02:17 • -21.01db
47% Popularity • 75% Danceability • 19% Energy • 16% Liveness
84% Instrumentalness • 41% Positiveness
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David Fenn
Macadamia Mayhem
98 bpm • D min • 03:47 • -12.95db
20% Popularity • 62% Danceability • 41% Energy • 13% Liveness
82% Instrumentalness • 52% Positiveness
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User Youth
The Temple of Time
99 bpm • E Maj • 02:03 • -21.18db
24% Popularity • 56% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Max LL
At Night
99 bpm • C Maj • 02:45 • -26.72db
40% Popularity • 26% Danceability • 5% Energy • 13% Liveness
98% Instrumentalness • 11% Positiveness
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Harry Mack
Ancient Ruins Theme
92 bpm • E min • 02:11 • -12.42db
35% Popularity • 40% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 26% Positiveness
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Isak J Martinsson
Everything Dies
99 bpm • G min • 01:49 • -18.16db
10% Popularity • 57% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Kunning Fox
Farewell
99 bpm • D# Maj • 03:07 • -17.81db
25% Popularity • 56% Danceability • 18% Energy • 21% Liveness
95% Instrumentalness • 17% Positiveness
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Gareth Coker
Departures (Map 7)
91 bpm • B min • 02:00 • -16.27db
16% Popularity • 66% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 77% Positiveness
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The Generous Margins
Ballad of the Wind Fish
99 bpm • D# min • 00:57 • -22.46db
36% Popularity • 57% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Pedro Silva
Bubbly
91 bpm • C Maj • 01:35 • -16db
24% Popularity • 75% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 85% Positiveness
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Max LL
Furogawa
100 bpm • A min • 02:00 • -19.46db
33% Popularity • 49% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
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Jimmie Lee Jr
Hometown
100 bpm • G# Maj • 02:07 • -12.96db
4% Popularity • 91% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Yann Van Der Cruyssen
Courtyard
100 bpm • F Maj • 02:43 • -32.6db
23% Popularity • 18% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Slide20xx
Kodama's Nocturne
100 bpm • C# Maj • 04:05 • -23.48db
15% Popularity • 45% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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SEGA SOUND TEAM
Kronos Island: 6th Mvt.
100 bpm • C min • 04:38 • -10.61db
25% Popularity • 48% Danceability • 55% Energy • 7% Liveness
87% Instrumentalness • 24% Positiveness
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Jeff van Dyck
Game On
100 bpm • C Maj • 01:33 • -10.18db
22% Popularity • 65% Danceability • 52% Energy • 9% Liveness
81% Instrumentalness • 47% Positiveness
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Harry Mack
Those Awful Ravenous Rainbows
100 bpm • C# Maj • 02:28 • -15.99db
25% Popularity • 53% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 44% Positiveness
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David Fenn
The Crows
100 bpm • G Maj • 01:30 • -16db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Yann Van Der Cruyssen
Dead End
100 bpm • G# Maj • 04:09 • -18.3db
28% Popularity • 49% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Peter Hont
Skogsstuga
100 bpm • G Maj • 06:00 • -16.04db
14% Popularity • 88% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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SEGA SOUND TEAM
Theme of Koco
100 bpm • D# min • 03:19 • -16.53db
30% Popularity • 49% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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A Shell In The Pit
Mermaid Ruins
100 bpm • A min • 03:17 • -9.35db
7% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jeff van Dyck
Going Solo
100 bpm • A Maj • 05:03 • -13.47db
20% Popularity • 63% Danceability • 55% Energy • 8% Liveness
84% Instrumentalness • 64% Positiveness
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James Primate
Downpour
100 bpm • G Maj • 01:39 • -18.1db
29% Popularity • 55% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Harry Mack
Moss Blanket Relaxed
100 bpm • D Maj • 03:50 • -12.49db
31% Popularity • 81% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Mark Sparling
Somewhere in the Woods (Long Hike)
100 bpm • A Maj • 10:12 • -14db
25% Popularity • 65% Danceability • 39% Energy • 7% Liveness
21% Instrumentalness • 41% Positiveness
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SEGA SOUND TEAM
Kronos Island: 7th Mvt.
100 bpm • C min • 04:58 • -10.7db
25% Popularity • 45% Danceability • 57% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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CrazyGroupTrio
Secret Island
100 bpm • A# Maj • 02:46 • -16.88db
16% Popularity • 52% Danceability • 30% Energy • 13% Liveness
90% Instrumentalness • 67% Positiveness
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Jeremiah Sun
Sword Search
100 bpm • G Maj • 01:30 • -16.02db
19% Popularity • 53% Danceability • 30% Energy • 28% Liveness
2% Instrumentalness • 45% Positiveness
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Retro Crowd
Honeybee Kingdom and Honeyhive Galaxy fr...
100 bpm • F Maj • 02:51 • -16.72db
28% Popularity • 71% Danceability • 27% Energy • 11% Liveness
33% Instrumentalness • 44% Positiveness
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River Boy
Bishops of the Old Faith
100 bpm • A Maj • 00:58 • -13.35db
29% Popularity • 24% Danceability • 44% Energy • 17% Liveness
40% Instrumentalness • 20% Positiveness
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Mark Sparling
Somewhere in the Woods (Flight Mix)
100 bpm • F# min • 03:43 • -15db
25% Popularity • 64% Danceability • 38% Energy • 9% Liveness
43% Instrumentalness • 50% Positiveness
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Isak J Martinsson
Gothspel
90 bpm • G# Maj • 01:22 • -15.28db
11% Popularity • 70% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
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Harry Mack
Ancient Ruins Courtyard
90 bpm • E min • 02:26 • -11db
33% Popularity • 76% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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岩垂徳行
法廷休憩室 〜未来への序曲
90 bpm • B min • 02:41 • -15.93db
17% Popularity • 51% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Christopher Larkin
Godhome
90 bpm • A min • 01:59 • -25.37db
40% Popularity • 23% Danceability • 19% Energy • 20% Liveness
96% Instrumentalness • 17% Positiveness
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Noah Faulkner
Hinox Battle
101 bpm • D# Maj • 02:04 • -14.32db
19% Popularity • 54% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
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Jeff van Dyck
Sunset - My Little Waltz
101 bpm • F Maj • 06:40 • -11.81db
17% Popularity • 46% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Isak J Martinsson
The Painter
90 bpm • E Maj • 01:15 • -21.01db
14% Popularity • 85% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 43% Positiveness
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Giulio Capone
Requiem of Spirit
89 bpm • D min • 00:51 • -23db
35% Popularity • 61% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Infinity Train
The Ball Pit Car (I'm a Good Man)
102 bpm • D# Maj • 01:36 • -25.19db
12% Popularity • 46% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 60% Positiveness
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Franco Albertini
Vah Medoh I
89 bpm • D min • 02:50 • -18db
25% Popularity • 45% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Gareth Coker
Roaming Wanderer (Canyon 3)
88 bpm • F# min • 02:04 • -15.99db
12% Popularity • 51% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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User Youth
Riding (Night)
87 bpm • D Maj • 01:30 • -13db
31% Popularity • 47% Danceability • 43% Energy • 13% Liveness
84% Instrumentalness • 73% Positiveness
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Isak J Martinsson
Silent Fields of Openfields
102 bpm • C Maj • 01:57 • -15.03db
13% Popularity • 70% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 73% Positiveness
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Jeff van Dyck
Sunset
104 bpm • F Maj • 07:18 • -13.46db
19% Popularity • 48% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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River Boy
Anchordeep
104 bpm • D Maj • 03:27 • -8.53db
36% Popularity • 68% Danceability • 69% Energy • 20% Liveness
75% Instrumentalness • 40% Positiveness
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Max LL
Freeing the Dragon
87 bpm • A min • 02:08 • -14.28db
27% Popularity • 27% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Makir
Beneath Hyrule Castle Tears of the Kingd...
87 bpm • F# min • 01:14 • -10.81db
14% Popularity • 22% Danceability • 32% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Harry Mack
Ancient Ruins Relaxed
105 bpm • E min • 03:44 • -12.87db
31% Popularity • 56% Danceability • 26% Energy • 19% Liveness
96% Instrumentalness • 16% Positiveness
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Mark Sparling
Hello?
105 bpm • C Maj • 03:13 • -21db
39% Popularity • 76% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 53% Positiveness
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Jeff van Dyck
Sunset - Revisit
104 bpm • C Maj • 04:36 • -14.32db
20% Popularity • 62% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Giulio Capone
Minuet of Forest
105 bpm • E min • 01:30 • -23.84db
45% Popularity • 51% Danceability • 20% Energy • 14% Liveness
98% Instrumentalness • 25% Positiveness
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Seth Parker
Chandlo and Snorpy Head Home
105 bpm • D Maj • 03:07 • -12.33db
23% Popularity • 49% Danceability • 63% Energy • 22% Liveness
90% Instrumentalness • 27% Positiveness
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Franco Albertini
Vah Rutah I
86 bpm • C Maj • 02:07 • -17.25db
27% Popularity • 42% Danceability • 20% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Harry Mack
Moss Blanket Night
105 bpm • E min • 03:50 • -11.88db
25% Popularity • 54% Danceability • 60% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
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Lifeformed
Transcendence
86 bpm • F min • 01:29 • -21.31db
40% Popularity • 21% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Patti Rudisill
Revali's Theme
86 bpm • A Maj • 01:20 • -12.1db
25% Popularity • 31% Danceability • 16% Energy • 8% Liveness
8% Instrumentalness • 9% Positiveness
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A Shell In The Pit
The Dream King
85 bpm • F Maj • 02:02 • -14.73db
11% Popularity • 58% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Gareth Coker
Steaming Superstructures (Steampunk)
85 bpm • C# Maj • 03:10 • -10.77db
14% Popularity • 65% Danceability • 56% Energy • 27% Liveness
2% Instrumentalness • 44% Positiveness
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Isak J Martinsson
A Different World
85 bpm • F min • 02:21 • -19.13db
18% Popularity • 73% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Harry Mack
Ranch Late Night
105 bpm • E Maj • 03:25 • -14.16db
29% Popularity • 55% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Seth Parker
Ghost Stories
107 bpm • G Maj • 02:16 • -24.23db
18% Popularity • 50% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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James Currier
Vidalia
107 bpm • G# min • 01:41 • -15.84db
16% Popularity • 70% Danceability • 41% Energy • 18% Liveness
82% Instrumentalness • 45% Positiveness
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Jonathan Geer
Owlboy Main Title
84 bpm • G Maj • 01:17 • -13db
44% Popularity • 11% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Slide20xx
Snowshoes
84 bpm • C# Maj • 02:46 • -29.22db
22% Popularity • 44% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Isak J Martinsson
Last Train Home
106 bpm • F Maj • 01:52 • -21.42db
8% Popularity • 31% Danceability • 24% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
David Fenn
The Gravedigger's Heart
84 bpm • C min • 01:08 • -22.3db
39% Popularity • 28% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
► Preview
Harry Mack
Indigo Quarry Relaxed
105 bpm • G Maj • 04:24 • -12.92db
30% Popularity • 65% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Koji Kondo
Song of Healing
84 bpm • F Maj • 03:43 • -23.75db
45% Popularity • 51% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Tobias Lilja
Playtime
84 bpm • D Maj • 01:51 • -20.91db
26% Popularity • 21% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Thomas
Zelda Skyward Sword Ghirahim's Theme
108 bpm • A Maj • 02:27 • -22db
21% Popularity • 40% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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CrazyGroupTrio
Buoy Base Galaxy
108 bpm • D Maj • 03:01 • -17.98db
27% Popularity • 51% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
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Seth Parker
The Digsite
83 bpm • G# Maj • 02:24 • -17.24db
21% Popularity • 39% Danceability • 52% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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Harry Mack
All the Days Ahead
83 bpm • G Maj • 06:42 • -15.23db
26% Popularity • 22% Danceability • 17% Energy • 17% Liveness
68% Instrumentalness • 5% Positiveness
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DS Music
Daruk's Theme
83 bpm • C min • 01:44 • -17db
22% Popularity • 40% Danceability • 9% Energy • 20% Liveness
88% Instrumentalness • 12% Positiveness
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Ancient Ruins Late Night