Songs like …And at the Hour of Death by Víkingur Ólafsson
Based on a tempo of (+/- 10%) and a similar genre
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Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:02 • -28.82db
47% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
122 bpm • G Maj • 03:59 • -33.32db
32% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
32% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
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Philip Glass
Études: No. 2
122 bpm • C Maj • 06:00 • -25db
32% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Luke Howard
A World of Abstractions
122 bpm • D# min • 01:05 • -33.04db
45% Popularity • 28% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
45% Popularity • 28% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
46% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
46% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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VÃkingur Ólafsson
…And at the Hour of Death
122 bpm • C Maj • 02:32 • -36.33db
50% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
50% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Nocturne in G Minor
120 bpm • G min • 03:01 • -27.33db
36% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Lü Wencheng
Autumn Moon on a Calm Lake
124 bpm • C# Maj • 04:08 • -30.03db
29% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Alex Baranowski
Reflections
120 bpm • E min • 03:53 • -12.06db
48% Popularity • 22% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Francesco Tristano
Grey Light
120 bpm • G min • 04:36 • -20.96db
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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VÃkingur Ólafsson
La Cupis - Balmorhea Rework (After Jean-...
120 bpm • D min • 04:22 • -28.13db
21% Popularity • 53% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
21% Popularity • 53% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Marie Denis
Willow
125 bpm • F Maj • 03:05 • -28db
43% Popularity • 43% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
43% Popularity • 43% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
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Karl Jenkins
White Water
119 bpm • F Maj • 03:00 • -18db
33% Popularity • 38% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 38% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Stephan Moccio
Sea Change
118 bpm • G# Maj • 02:51 • -34.76db
54% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
54% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Meredi
White Flowers Take Their Bath
126 bpm • E min • 03:06 • -12.88db
44% Popularity • 20% Danceability • 17% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 17% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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GabrÃel Ólafs
Noktúrna
126 bpm • C Maj • 02:16 • -30.69db
44% Popularity • 34% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
44% Popularity • 34% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Olivia Belli
Of Time 1 (JS Bach Variation)
126 bpm • F# Maj • 03:34 • -32.76db
37% Popularity • 21% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
37% Popularity • 21% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Anja Lechner
Flow
118 bpm • C# min • 06:20 • -25.66db
28% Popularity • 25% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 25% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
41% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Stephan Moccio
Communion
127 bpm • A# min • 04:15 • -33.34db
68% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
68% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
48% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
48% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
53% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
53% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Joep Beving
The Gift
128 bpm • C Maj • 03:45 • -24.33db
54% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
54% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Luke Howard
Portrait Gallery
128 bpm • C# Maj • 06:07 • -31db
48% Popularity • 30% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
48% Popularity • 30% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Stephan Moccio
Lumière
117 bpm • G Maj • 04:11 • -32.13db
49% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
49% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Gigues en rondeau I & II
128 bpm • E Maj • 03:42 • -29.86db
29% Popularity • 34% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
29% Popularity • 34% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
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Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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VÃkingur Ólafsson
Sung (After Brahms)
128 bpm • C min • 04:31 • -35.19db
37% Popularity • 36% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
37% Popularity • 36% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
49% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
49% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Luke Howard
In Metaphor, Solace
116 bpm • A# min • 02:33 • -22.3db
39% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
39% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618 (Transcr. Liszt...
115 bpm • B Maj • 04:02 • -38.66db
23% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Nils Frahm
Nils Has a New Piano
129 bpm • C min • 04:05 • -34.48db
48% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
48% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
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Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
129 bpm • A min • 02:57 • -32db
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
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VÃkingur Ólafsson
Prelude, BWV 855a - Valgeir Sigurðsson ...
129 bpm • E min • 04:40 • -20db
17% Popularity • 23% Danceability • 21% Energy • 19% Liveness
95% Instrumentalness • 5% Positiveness
17% Popularity • 23% Danceability • 21% Energy • 19% Liveness
95% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Luke Howard
Dappled Light
129 bpm • A# min • 04:11 • -21db
49% Popularity • 22% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 9% Positiveness
49% Popularity • 22% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 9% Positiveness
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Philip Glass
Études: No. 9
114 bpm • F min • 02:32 • -25.27db
35% Popularity • 39% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 39% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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EydÃs Evensen
Deep Under
114 bpm • D# Maj • 04:48 • -18db
29% Popularity • 21% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 21% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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VÃkingur Ólafsson
Bird as Prophet
115 bpm • D# Maj • 04:11 • -21.45db
18% Popularity • 19% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
18% Popularity • 19% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Alexander Chapman Campbell
Light Through The Day
131 bpm • A# min • 02:39 • -33.09db
39% Popularity • 39% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
39% Popularity • 39% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Luke Howard
A Collective Destiny
132 bpm • G Maj • 04:22 • -31.62db
28% Popularity • 23% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
28% Popularity • 23% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Stephan Moccio
Le Jardin de Monsieur Monet
132 bpm • D Maj • 05:13 • -25.46db
46% Popularity • 36% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Jean-Michel Blais
amour
132 bpm • F# Maj • 04:37 • -14db
55% Popularity • 18% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
55% Popularity • 18% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Ólafur Arnalds
Near Light
132 bpm • D Maj • 02:59 • -12.6db
38% Popularity • 16% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
38% Popularity • 16% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Alexis Ffrench
Moments
132 bpm • G# Maj • 03:33 • -27.34db
47% Popularity • 45% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
47% Popularity • 45% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
35% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Lambert
Gdansk
133 bpm • F Maj • 02:27 • -28.79db
46% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
46% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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GÃ…EL
Mid Air
112 bpm • C Maj • 02:27 • -29db
59% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
59% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Ólafur Arnalds
Reminiscence
112 bpm • C# min • 04:28 • -17.79db
54% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
54% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Pêtr Aleksänder
Triptych 1 for Piano
133 bpm • F Maj • 02:39 • -24.41db
47% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
47% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Jean-Philippe Rameau
L’égyptienne
112 bpm • G min • 02:12 • -22.44db
28% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
28% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
62% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
62% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Karl Jenkins
Hymn
133 bpm • F Maj • 02:32 • -29.95db
51% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
51% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
► Preview
Jóhann Jóhannsson
Flight from the City - VÃkingur Ólafss...
112 bpm • G min • 06:26 • -26.64db
37% Popularity • 30% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
37% Popularity • 30% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VI. Des pas ...
134 bpm • D min • 03:52 • -37.27db
7% Popularity • 44% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
7% Popularity • 44% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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VÃkingur Ólafsson
For Jóhann
111 bpm • C min • 03:03 • -34db
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Bryce Dessner
Dessner: Song for Octave
133 bpm • D# Maj • 03:17 • -24db
36% Popularity • 41% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
36% Popularity • 41% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Stephan Moccio
Lionheart
111 bpm • D min • 03:29 • -24.63db
53% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
53% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Philip Glass
Études: No. 2 - Reworked By Christian B...
134 bpm • C Maj • 06:02 • -25.71db
28% Popularity • 16% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Damjan Krajacic
Le Musicien
134 bpm • A min • 03:31 • -17.18db
35% Popularity • 38% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
35% Popularity • 38% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
64% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
64% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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VÃkingur Ólafsson
Bach mit Zumutungen
134 bpm • A Maj • 03:45 • -27.38db
20% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
20% Popularity • 21% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Robert Schumann
Vogel als Prophet, Op. 82, No. 7 - Uprig...
134 bpm • G min • 03:47 • -30.04db
16% Popularity • 40% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
16% Popularity • 40% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Erland Cooper
Music For Growing Flowers - Pt. 4
134 bpm • C Maj • 05:34 • -27.76db
37% Popularity • 21% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 21% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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GabrÃel Ólafs
The Lily - Piano Version
110 bpm • G Maj • 01:56 • -34db
50% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
50% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Jean-Philippe Rameau
Les tendres plaintes
110 bpm • D min • 02:36 • -30.11db
28% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
28% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jess Gillam
On the Nature of Daylight (Arr. Mackay)
135 bpm • A# min • 06:21 • -22db
41% Popularity • 16% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Joep Beving
Midwayer
135 bpm • C Maj • 05:45 • -25db
51% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
51% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
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Philip Glass
Études: No. 6
110 bpm • F min • 04:26 • -21db
34% Popularity • 35% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 35% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Cinquième concert: II. La Cupis
136 bpm • D min • 04:11 • -29.38db
24% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 38% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Béla Bartók
II. L’istesso tempo - Grand Piano
136 bpm • E Maj • 00:55 • -27db
28% Popularity • 42% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
28% Popularity • 42% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
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Claude Debussy
La damoiselle élue, L. 62: Prélude
110 bpm • F Maj • 03:51 • -28db
17% Popularity • 49% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
17% Popularity • 49% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Stephan Moccio
Fireflies
136 bpm • A# min • 03:34 • -29.44db
43% Popularity • 32% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
43% Popularity • 32% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Joep Beving
Ab Ovo
135 bpm • A min • 04:48 • -25.73db
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
53% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
VÃkingur Ólafsson
Kyriena
136 bpm • B min • 02:57 • -29db
22% Popularity • 16% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Ólafur Arnalds
saman
109 bpm • C min • 02:11 • -32.24db
65% Popularity • 58% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 43% Positiveness
65% Popularity • 58% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 43% Positiveness
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Johannes Brahms
7 Fantasies, Op. 116: No. 4, Intermezzo ...
137 bpm • E Maj • 05:01 • -32db
5% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
5% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Alexis Ffrench
Where Worlds Collide
138 bpm • E Maj • 04:02 • -25.24db
44% Popularity • 42% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
44% Popularity • 42% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Rui Massena
Valsa
108 bpm • C Maj • 04:05 • -27.26db
25% Popularity • 57% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 57% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
