Songs like And the Gods Heard Her Prayer / Rain by Quentin Earl Darrington
Based on a tempo of (+/- 10%) and a similar genre
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Caroline Innerbichler
Friends
82 bpm • A Maj • 03:40 • -10.45db
27% Popularity • 46% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 46% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Quentin Earl Darrington
And the God's Heard Her Prayer / Rain
82 bpm • C# min • 04:26 • -13.87db
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Hugh Coles
My Myopia
82 bpm • A Maj • 03:02 • -12.12db
32% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hugh Jackman
Sincere
81 bpm • A Maj • 02:07 • -15.91db
21% Popularity • 49% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 49% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Frances Mayli McCann
Picture Show
83 bpm • C# Maj • 05:31 • -9.12db
31% Popularity • 52% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Original Broadway Cast Of Aint Too Proud
Gloria
80 bpm • F Maj • 02:00 • -11.43db
16% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Roger Bart
The Clocktower/For the Dreamers (reprise...
81 bpm • G# Maj • 06:06 • -11.37db
28% Popularity • 30% Danceability • 46% Energy • 39% Liveness
77% Instrumentalness • 10% Positiveness
28% Popularity • 30% Danceability • 46% Energy • 39% Liveness
77% Instrumentalness • 10% Positiveness
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Sutton Foster
Piano Lesson / If You Don't Mind My Sayi...
84 bpm • C# Maj • 01:48 • -14.76db
20% Popularity • 69% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 69% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
30% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Nelsen
Any Minute
80 bpm • G# Maj • 03:30 • -7.56db
20% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
28% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Original Broadway Cast of On Your Feet
I See Your Smile
84 bpm • G# Maj • 04:59 • -9.44db
12% Popularity • 49% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 49% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 34% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Hugh Jackman
Till There Was You
84 bpm • C# Maj • 03:16 • -14.76db
21% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Heidi Blickenstaff
Not Myself Today
85 bpm • C Maj • 03:42 • -5.95db
26% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Ensemble
The Happiest Town In Town
85 bpm • D Maj • 02:53 • -8.89db
24% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
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Olly Dobson
The Letter/Only a Matter of Time (repris...
86 bpm • G min • 03:42 • -12.3db
29% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
23% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Tituss Burgess
My Best Friend
86 bpm • A Maj • 04:21 • -12.02db
8% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Karl and Allison Janney
Let Love Grow
78 bpm • D# Maj • 02:38 • -12.08db
25% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Adrianna Hicks
At The Old Majestic Nickel Matinee
78 bpm • E min • 04:26 • -13.33db
23% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Platt
Leo at Work / What Am I Waiting For?
86 bpm • C Maj • 03:06 • -9.01db
30% Popularity • 30% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 30% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lea Michele
You Are Woman, I Am Man
77 bpm • D Maj • 03:13 • -11.97db
27% Popularity • 64% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 64% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Stephen Lee Anderson
Heaven Help Me
77 bpm • A Maj • 01:51 • -12.58db
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Kyra Da Costa
Baby, Dream Your Dream
77 bpm • B Maj • 03:41 • -13.65db
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Cedric Neal
Fugue for Tinhorns
77 bpm • C Maj • 01:30 • -9.32db
29% Popularity • 76% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Jordan Luke Gage
Bonnie
87 bpm • B Maj • 02:49 • -17.42db
26% Popularity • 52% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 52% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Elizabeth Stanley
Nobody Gets Me (Reprise)
88 bpm • A Maj • 01:53 • -4.74db
19% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Lea Michele
I'm the Greatest Star
77 bpm • A min • 03:32 • -9.67db
36% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Danielle Brooks
Hell No!
77 bpm • E min • 04:19 • -7.72db
24% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lorna Courtney
…Baby One More Time
88 bpm • E min • 03:12 • -7.35db
43% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Victoria Clark
This Time
76 bpm • G Maj • 04:36 • -8.04db
28% Popularity • 49% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 49% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Ayana George
I'll Be There
88 bpm • B Maj • 03:32 • -6.82db
35% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Adrienne Warren
Proud Mary
88 bpm • D Maj • 04:25 • -7db
27% Popularity • 37% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 37% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Company of Head Over Heels - A New Musical
We Got the Beat
76 bpm • D Maj • 03:01 • -4db
15% Popularity • 71% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 71% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
28% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Douglas Lyons
A Rumblin’ and a Rollin’
75 bpm • C Maj • 03:31 • -7.14db
27% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Del Aguila
Poor Little Millionaire
90 bpm • F# Maj • 04:13 • -8.51db
25% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Apollo Levine
Keep the Faith
76 bpm • F# min • 01:31 • -5.2db
27% Popularity • 47% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 47% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Frances Mayli McCann
How 'Bout A Dance?
90 bpm • G# Maj • 02:41 • -9.76db
30% Popularity • 37% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 37% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Original Broadway Cast Of Aint Too Proud
What Becomes of the Brokenhearted
90 bpm • F Maj • 03:31 • -9.56db
15% Popularity • 71% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 71% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Tom Wopat
Little Boy, Be a Man
90 bpm • C# Maj • 03:23 • -10.16db
24% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Charlie Webb
Prologue: The Old Red Hills of Home
89 bpm • G min • 06:43 • -7.08db
31% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Limited Edition Prom Night Special
90 bpm • C# Maj • 01:52 • -4.47db
34% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Once On This Island Storytellers
We Dance
90 bpm • A# Maj • 05:32 • -12.32db
31% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Lilli Cooper
Gone, Gone, Gone
90 bpm • B Maj • 02:55 • -9.55db
17% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 75% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Sahr Ngaujah
Truth Beauty Freedom Love
90 bpm • D Maj • 02:54 • -6.09db
46% Popularity • 63% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 63% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Isaiah Johnson
Big Dog
90 bpm • A# min • 02:42 • -8.79db
24% Popularity • 81% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 81% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Miriam-Teak Lee
Roar
90 bpm • C min • 03:37 • -6.32db
27% Popularity • 58% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 58% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Jordan Luke Gage
Raise a Little Hell
90 bpm • D Maj • 04:06 • -9.09db
32% Popularity • 40% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 40% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 16% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Hear My Song
74 bpm • G Maj • 06:02 • -8.04db
20% Popularity • 25% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 25% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Rob McClure
As Long As There Is Love, Pt. 1
90 bpm • E Maj • 02:58 • -10.43db
21% Popularity • 45% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 45% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Myles Frost
Human Nature
91 bpm • D Maj • 02:34 • -5.97db
30% Popularity • 65% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 65% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Erin Rose Doyle
The Factory Girls / Come Up to My Office
91 bpm • C min • 04:59 • -9db
31% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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NaTasha Yvette Williams
Some Like It Hot
91 bpm • G Maj • 05:18 • -6.86db
29% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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David Delve
That's Your Funeral
91 bpm • E min • 02:39 • -16.89db
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Caroline Innerbichler
Walls
74 bpm • C# Maj • 02:41 • -9.39db
29% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 51% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Cheyenne Jackson
Jailhouse Rock
91 bpm • D Maj • 02:57 • -7.83db
26% Popularity • 48% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 48% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Jordan Luke Gage
Raise A Little Hell (Reprise)
92 bpm • D Maj • 02:23 • -6.14db
27% Popularity • 46% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 46% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
2021 London Cast of Cabaret
Money
92 bpm • F min • 04:18 • -11.75db
35% Popularity • 59% Danceability • 43% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 59% Danceability • 43% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Disaster! Original Broadway Cast
A Fifth of Beethoven
92 bpm • C min • 02:04 • -5.67db
11% Popularity • 71% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 71% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Analise Scarpaci
Just Pretend
92 bpm • C Maj • 03:31 • -11.31db
23% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Bonnie Milligan
How to Wash a Check
93 bpm • C Maj • 04:30 • -7.49db
28% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Felicia Finley
A Note from Linda
72 bpm • A Maj • 01:59 • -8.45db
10% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Myles Frost
Earth Song / They Don't Care About Us
93 bpm • G# Maj • 03:36 • -4.68db
34% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
30% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Stephanie J. Block, Megan Hilty and Allison Janney
I Just Might
94 bpm • A Maj • 03:56 • -9.86db
34% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Mark Evans
Big Fat No
71 bpm • D Maj • 04:06 • -7db
26% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Mykal Kilgore
The Steam Train
94 bpm • G# Maj • 04:42 • -4.54db
21% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Charlotte Wakefield
Somewhere In The Dough
94 bpm • D# Maj • 03:07 • -5.98db
19% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Trista Dollison
The Queen Of Pop
95 bpm • C# min • 02:33 • -4db
33% Popularity • 77% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 77% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Stephanie Mills
The Feeling We Once Had
95 bpm • D# Maj • 03:22 • -5.93db
22% Popularity • 38% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 38% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Mandy Gonzalez
When You're Home - Radio Edit
95 bpm • A Maj • 03:19 • -5.84db
29% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Mahendran
Overprotected
95 bpm • E min • 01:13 • -8.3db
35% Popularity • 77% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 77% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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2021 London Cast of Cabaret
Two Ladies
95 bpm • C# Maj • 03:24 • -11.08db
32% Popularity • 56% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 56% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 76% Positiveness
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Celinde Schoenmaker
Marry the Man Today
96 bpm • C min • 03:34 • -8.05db
28% Popularity • 68% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 68% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Pedersen
Funeral Sequence: There is a Fountain / ...
95 bpm • A# Maj • 05:39 • -9.93db
29% Popularity • 30% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 30% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Seth Rudetsky
Feelings
96 bpm • E min • 01:39 • -9.04db
14% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Original Broadway Cast of On Your Feet
Mi Tierra
96 bpm • F min • 04:51 • -6.85db
12% Popularity • 59% Danceability • 65% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 59% Danceability • 65% Energy • 78% Liveness
0% Instrumentalness • 79% Positiveness
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Sheila Hancock
Here Within These Walls - Reprise
70 bpm • G# Maj • 01:37 • -12.94db
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Cast of Schmigadoon! Season 2
Do We Shock You?
96 bpm • F min • 02:39 • -9db
23% Popularity • 82% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 82% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Louise and June
If Momma Was Married
97 bpm • G# Maj • 02:56 • -5.34db
21% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Pedersen
The Picture Show
97 bpm • A# min • 02:00 • -9.55db
30% Popularity • 77% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 77% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Hailey Kilgore
Discovering Daniel / Pray
97 bpm • E min • 06:52 • -11.76db
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Billy Porter
In This Corner
97 bpm • F min • 04:56 • -6.83db
29% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Matt Henry
In This Corner
97 bpm • A# min • 05:31 • -10.63db
23% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Shanice Williams
Soon As I Get Home
97 bpm • G# Maj • 03:33 • -3.1db
24% Popularity • 32% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 32% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Morrison
Without Love
98 bpm • C Maj • 04:26 • -6.05db
32% Popularity • 70% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Miriam-Teak Lee
Oops!...I Did It Again
98 bpm • E min • 01:52 • -8.56db
37% Popularity • 75% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 75% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness