Songs like And Then You Love Someone by Ben Rector
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Brown Williams
Hold On to You
144 bpm • E Maj • 03:46 • -11.06db
26% Popularity • 54% Danceability • 44% Energy • 17% Liveness
1% Instrumentalness • 36% Positiveness
26% Popularity • 54% Danceability • 44% Energy • 17% Liveness
1% Instrumentalness • 36% Positiveness
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Ben Rector
The Kill
144 bpm • A Maj • 03:21 • -4.26db
16% Popularity • 51% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 51% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
48% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
48% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Robbie Seay Band
New Day
144 bpm • D Maj • 04:05 • -5db
25% Popularity • 50% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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OneRepublic
All This Time
145 bpm • C Maj • 04:02 • -10.74db
47% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
47% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Tyson Motsenbocker
Footfalls
143 bpm • D Maj • 04:23 • -5.91db
21% Popularity • 49% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 49% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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WILD
Hold Us Together
145 bpm • C Maj • 03:41 • -5.28db
40% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 45% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Rector
And Then You Love Someone
144 bpm • C Maj • 03:54 • -6.18db
24% Popularity • 52% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 52% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Westward the Tide
Until I'm Home
145 bpm • D# Maj • 04:38 • -8.77db
13% Popularity • 39% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 39% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Erick Baker
Night and Day
142 bpm • D Maj • 04:02 • -10.84db
7% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Choir Room
Joy - The Choir Room Version
146 bpm • C# min • 04:44 • -4.7db
38% Popularity • 56% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 56% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 48% Positiveness
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Jordy Searcy
Daylight - Stripped
146 bpm • B Maj • 03:28 • -9.72db
29% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Ben Rector
Without You
146 bpm • B Maj • 03:42 • -4.52db
21% Popularity • 51% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 51% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Kalai
Divide Me
146 bpm • G# Maj • 04:46 • -12.98db
21% Popularity • 72% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 72% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Nevertheless
Oh Child
146 bpm • D Maj • 03:28 • -7db
15% Popularity • 26% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 26% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Graham Colton
You're on Your Way
146 bpm • F# Maj • 03:44 • -7.38db
14% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Collection
Beautiful Life
146 bpm • D Maj • 04:15 • -7.16db
46% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Joy Williams
I'm in Love With You
147 bpm • A Maj • 04:06 • -11.33db
7% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Ben Rector
When A Heart Breaks
142 bpm • B Maj • 04:16 • -11db
46% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brett Hite
By My Side
140 bpm • G min • 04:34 • -10db
19% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Nathan Angelo
Born To Love You
140 bpm • D# Maj • 03:57 • -10db
21% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Alpha Rev
Sing Loud
140 bpm • G Maj • 04:38 • -8.62db
25% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Mraz
Long Drive
148 bpm • G Maj • 03:50 • -8.65db
43% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jenny & Tyler
Of This I'm Sure
140 bpm • G# Maj • 03:36 • -11db
10% Popularity • 44% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
10% Popularity • 44% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
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Ben Rector
Almost Home
142 bpm • C# min • 04:27 • -6.83db
27% Popularity • 70% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 70% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Tyson Motsenbocker
Fallen
140 bpm • G Maj • 03:33 • -4.51db
10% Popularity • 38% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 38% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Stratton
I'm Gonna Be (500 Miles)
140 bpm • A# Maj • 04:54 • -12.93db
12% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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American Young
Love Is War - Radio Mix
140 bpm • A# Maj • 03:04 • -7.71db
23% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Erick Baker
Unbroken Promise
140 bpm • E Maj • 03:43 • -12.06db
27% Popularity • 70% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 70% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Polley
Treasure
140 bpm • D Maj • 03:49 • -11.56db
17% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Rector
When I Get There
140 bpm • C Maj • 03:48 • -4.95db
19% Popularity • 52% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 52% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Osenga
Bookmark
139 bpm • D Maj • 03:59 • -16.63db
14% Popularity • 37% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
14% Popularity • 37% Danceability • 23% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
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James Spaite
Effort
149 bpm • E Maj • 04:33 • -10db
25% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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American Young
Love Is War
140 bpm • A# Maj • 03:09 • -10.05db
24% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Volunteer
The World Will Begin Again
149 bpm • C Maj • 03:48 • -5.68db
15% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 50% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Clark Richard
Red Robin
149 bpm • A# Maj • 03:57 • -10.31db
20% Popularity • 36% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 36% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Rector
Moving Backwards
148 bpm • D Maj • 03:12 • -5.59db
33% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Cody Fry
Find My Way Back
149 bpm • D Maj • 03:18 • -8.56db
27% Popularity • 41% Danceability • 46% Energy • 21% Liveness
7% Instrumentalness • 16% Positiveness
27% Popularity • 41% Danceability • 46% Energy • 21% Liveness
7% Instrumentalness • 16% Positiveness
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Nicole Serrano
What I Really Wanna Say
138 bpm • G# Maj • 03:40 • -10db
20% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Matthew Wright
I Want You With Me
150 bpm • B Maj • 04:52 • -10db
21% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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A Great Big World
The Future's Right In Front of Me
138 bpm • B Maj • 03:27 • -6.97db
19% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Workday Release
A Starlit Sky
138 bpm • F Maj • 02:48 • -9db
30% Popularity • 65% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 65% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Rector
Wanna Be Loved
140 bpm • A Maj • 03:28 • -10.17db
23% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Foreman
In My Arms
138 bpm • A min • 02:50 • -12db
30% Popularity • 57% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
30% Popularity • 57% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Switchfoot
I Won't Let You Go - Radio Version
138 bpm • E Maj • 03:57 • -3.92db
27% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Tate Kirgiss
Two Tickets
138 bpm • C# Maj • 03:33 • -3.82db
13% Popularity • 47% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 47% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Eric Hutchinson
All over Now
137 bpm • D Maj • 03:44 • -6db
36% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Workday Release
Summer Love
138 bpm • E Maj • 02:53 • -8.27db
17% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jay Ollero
Sprung
152 bpm • B Maj • 03:57 • -6db
14% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Polley
Appleseed
138 bpm • A# Maj • 03:55 • -12.27db
12% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Reeves
More in Love With You
152 bpm • C# Maj • 04:41 • -12.62db
24% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Light The Heat
Falling for You
152 bpm • B Maj • 03:26 • -10.73db
28% Popularity • 45% Danceability • 72% Energy • 20% Liveness
11% Instrumentalness • 30% Positiveness
28% Popularity • 45% Danceability • 72% Energy • 20% Liveness
11% Instrumentalness • 30% Positiveness
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Matt Hires
The Sound of Falling in Love
136 bpm • C Maj • 03:59 • -2.74db
10% Popularity • 56% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 56% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Jon Foreman
I Am Still Running
136 bpm • E min • 03:19 • -10.16db
33% Popularity • 69% Danceability • 42% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
33% Popularity • 69% Danceability • 42% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
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Jenny & Tyler
This Is Just so Beautiful
136 bpm • F# min • 03:57 • -11.65db
28% Popularity • 64% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 64% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
26% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Elenowen
Honey Come Home
136 bpm • B Maj • 04:06 • -8.95db
19% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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A Great Big World
Shorty Don't Wait
136 bpm • F Maj • 04:11 • -8.28db
23% Popularity • 68% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
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Chapman Whitted
Lookout Mtn. Love
153 bpm • D Maj • 03:29 • -14db
25% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Rector
Hide Away
136 bpm • B Maj • 03:21 • -7.94db
34% Popularity • 54% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 54% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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O.A.R.
Two Hands Up
153 bpm • B Maj • 03:09 • -3.54db
35% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 98% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
22% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nathan Angelo
Follow Your Heart
135 bpm • E Maj • 03:55 • -9db
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Hearn
Thank God You're Holding Me
135 bpm • D Maj • 03:45 • -4.9db
12% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Foreman
Caroline
135 bpm • G Maj • 04:08 • -7.78db
34% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Rector
White Dress
135 bpm • B Maj • 03:54 • -6.32db
41% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Gabe Dixon
The One Thing
135 bpm • B min • 04:52 • -9db
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Gray Havens
See You Again
154 bpm • B Maj • 03:21 • -7.97db
44% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 55% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Tyler Brown Williams
Walking My Way
154 bpm • F# Maj • 03:32 • -10db
15% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Kyle Reynolds
Hold You Tighter
134 bpm • E Maj • 03:41 • -8db
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Elenowen
Cripple Me
134 bpm • G# Maj • 03:38 • -9db
17% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Rector
The Sophomore
154 bpm • G Maj • 02:42 • -4.34db
16% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Virginia Man
Paper Shields
134 bpm • G Maj • 03:03 • -5.69db
29% Popularity • 60% Danceability • 79% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 60% Danceability • 79% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Christian Burghardt
Safe Place to Land
134 bpm • A# Maj • 03:56 • -4.23db
24% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Prosek
Michigan
155 bpm • B Maj • 04:07 • -9.16db
21% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Nathan Angelo
She’s The Song
134 bpm • D Maj • 03:37 • -6.21db
33% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Rector
The Feeling
134 bpm • G Maj • 04:13 • -4.28db
15% Popularity • 53% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 53% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Ripp + Rice
Nothing Like This
155 bpm • G Maj • 03:38 • -7.77db
13% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Bryant
Take Me if You Must
133 bpm • E Maj • 03:33 • -8.41db
13% Popularity • 52% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 52% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Volunteer
Good Good Day
156 bpm • G Maj • 03:41 • -11db
29% Popularity • 44% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 44% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Oh Honey
Sugar, You
133 bpm • A Maj • 03:32 • -7db
46% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Nathan Angelo
She's The Song - Acoustic
134 bpm • D Maj • 03:53 • -8db
32% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Rector
If You Can Hear Me
156 bpm • A Maj • 03:31 • -6.61db
28% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Graham Colton
Pacific Coast Eyes
156 bpm • F# Maj • 03:40 • -8db
30% Popularity • 53% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 53% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Elenowen
Flying For The First Time
156 bpm • C Maj • 04:07 • -8.89db
9% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Spencer Combs
You Are Mine
156 bpm • D Maj • 03:55 • -10db
29% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander Fairchild
Abc
132 bpm • F Maj • 04:31 • -8db
22% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Christian Burghardt
Whiskey and Wine
132 bpm • D Maj • 03:14 • -7db
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Reeves
Permanent
132 bpm • E Maj • 05:38 • -7.88db
13% Popularity • 57% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 57% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Graham Colton
Love Comes Back Around
156 bpm • F# Maj • 02:59 • -11.23db
28% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Hires
Glory Bound
132 bpm • G# Maj • 04:12 • -6.33db
21% Popularity • 51% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 51% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Warren Barfield
10 Hours
158 bpm • D Maj • 03:24 • -10.2db
14% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Hearn
The Oak Tree
158 bpm • D# Maj • 04:04 • -6.32db
18% Popularity • 58% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Melodime
Love Songs & Lies
158 bpm • E Maj • 04:13 • -5.98db
9% Popularity • 28% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 28% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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A Great Big World
Where Does the Time Go
158 bpm • F# Maj • 03:48 • -12.07db
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Rocket Summer
Walls
158 bpm • C# Maj • 04:46 • -6.07db
18% Popularity • 38% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 38% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
