Songs like Andante et scherzo: I. Andante (Live) by Eugène Bozza
Based on a tempo of (+/- 10%) and a similar genre
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Jan Dismas Zelenka
6 Sonatas, ZWV 81, No. 4 in G Minor: III...
67 bpm • D# Maj • 03:47 • -19.59db
9% Popularity • 25% Danceability • 9% Energy • 17% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 9% Energy • 17% Liveness
93% Instrumentalness • 11% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: II. Adagio rel...
67 bpm • C# Maj • 05:47 • -21.9db
13% Popularity • 12% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Vergnügte Ruh, beliebte Seelenlust, BWV...
67 bpm • C Maj • 05:49 • -21.62db
12% Popularity • 25% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
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Eugène Bozza
18 études pour hautbois: XVI. Recitativ...
67 bpm • A# Maj • 02:10 • -22.8db
0% Popularity • 36% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 41% Positiveness
0% Popularity • 36% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 41% Positiveness
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Samuel Barber
Summer Music, Op. 31
67 bpm • D# Maj • 11:23 • -27db
9% Popularity • 17% Danceability • 3% Energy • 4% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 4% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sonate pour basson, Op. 168: I. Allegret...
67 bpm • G Maj • 02:37 • -23db
15% Popularity • 23% Danceability • 5% Energy • 19% Liveness
94% Instrumentalness • 10% Positiveness
15% Popularity • 23% Danceability • 5% Energy • 19% Liveness
94% Instrumentalness • 10% Positiveness
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Kurt Atterberg
Horn Sonata in B Minor, Op. 27: II. Adag...
67 bpm • A# min • 06:47 • -26.81db
12% Popularity • 12% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
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Oskar Böhme
Entsagung, Op. 19 - Arr. for trumpet and...
67 bpm • A Maj • 03:42 • -23.92db
9% Popularity • 8% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Vladimir Cosma
Euphonium Concerto: II. Andantino
67 bpm • G# Maj • 07:17 • -29.79db
9% Popularity • 6% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 6% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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John Adams
City Noir: II. The Song Is for You
67 bpm • F Maj • 08:47 • -20.21db
10% Popularity • 8% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Tim Martin
Lament
67 bpm • F Maj • 07:22 • -19db
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Johannes Brahms
Symphony No. 4: Fourth Movement: Chorale
68 bpm • E Maj • 01:08 • -42.32db
13% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 0% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Carlo Yvon
Sonata for English Horn and Piano: II. L...
68 bpm • G# Maj • 06:46 • -29.78db
9% Popularity • 15% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 11% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 11% Positiveness
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Rihards Dubra
Lux Aeterna: I. Andante misterioso
66 bpm • G Maj • 02:36 • -31db
9% Popularity • 30% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 63% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 63% Positiveness
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Eugène Bozza
Aria
68 bpm • A# Maj • 04:23 • -21.09db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
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Evelyn Glennie
A Little Prayer
68 bpm • C# Maj • 02:28 • -28.44db
34% Popularity • 16% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
34% Popularity • 16% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Caleb Hudson
Partita No. 1 in B Minor, BWV 1002: IV. ...
66 bpm • D min • 01:57 • -17.59db
12% Popularity • 56% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 98% Positiveness
12% Popularity • 56% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 98% Positiveness
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Carl Nielsen
Moderen (The Mother), Op. 41, FS 94: Bor...
66 bpm • E min • 01:18 • -32.39db
8% Popularity • 37% Danceability • 1% Energy • 5% Liveness
85% Instrumentalness • 57% Positiveness
8% Popularity • 37% Danceability • 1% Energy • 5% Liveness
85% Instrumentalness • 57% Positiveness
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Paule Maurice
プロヴァンスの風景: いとし�...
66 bpm • E min • 01:29 • -23.22db
8% Popularity • 27% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 62: No. 5, Phantom (Ar...
66 bpm • E Maj • 02:44 • -31.79db
8% Popularity • 21% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Eugène Bozza
3 Pièces pour une musique de nuit: No. ...
66 bpm • E min • 02:04 • -26.09db
1% Popularity • 20% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 14% Positiveness
1% Popularity • 20% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 14% Positiveness
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Marcello Rota
「展覧会の絵」～カタコンブ�...
68 bpm • G Maj • 01:47 • -22.44db
7% Popularity • 20% Danceability • 0% Energy • 13% Liveness
18% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 0% Energy • 13% Liveness
18% Instrumentalness • 4% Positiveness
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Evgeni Orkin
Hommage á Aram Khatschaturian for Clari...
68 bpm • C Maj • 03:28 • -18db
1% Popularity • 37% Danceability • 14% Energy • 39% Liveness
88% Instrumentalness • 62% Positiveness
1% Popularity • 37% Danceability • 14% Energy • 39% Liveness
88% Instrumentalness • 62% Positiveness
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Mel Bonis
La toute petite s'endort (arr. for brass...
66 bpm • A min • 01:55 • -31.53db
14% Popularity • 7% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Gene Pokorny
Six Studies in English Folksong
68 bpm • E min • 01:26 • -38.2db
13% Popularity • 25% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 47% Positiveness
13% Popularity • 25% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 47% Positiveness
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Claudio Monteverdi
Canzonette a tre voci (Excerpts Arr. for...
68 bpm • G Maj • 01:26 • -37.68db
24% Popularity • 20% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 37% Positiveness
24% Popularity • 20% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 37% Positiveness
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Gabriel Pierné
Solo de concert
66 bpm • F Maj • 05:50 • -23db
9% Popularity • 25% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
9% Popularity • 25% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Pedro Iturralde
Suite Hellénique (Arr. for Saxophone Qu...
68 bpm • C min • 01:53 • -15.89db
6% Popularity • 34% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
6% Popularity • 34% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Gerard Pastor
Femina Feminae V. Paseo a Orillas del Ma...
66 bpm • G Maj • 02:23 • -24db
25% Popularity • 27% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
25% Popularity • 27% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Leonard Bernstein
Sonata for Clarinet and Piano: II. Andan...
66 bpm • G Maj • 06:38 • -22db
14% Popularity • 35% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
14% Popularity • 35% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
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Gene Pokorny
Six Studies in English Folksong
66 bpm • D min • 01:26 • -37.98db
12% Popularity • 11% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 54% Positiveness
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Eugène Bozza
18 études pour hautbois: XIV. Sicilienn...
68 bpm • G min • 02:28 • -21.99db
0% Popularity • 33% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 59% Positiveness
0% Popularity • 33% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 59% Positiveness
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James Markey
Romances, Op. 94: I. Nicht Schnell
66 bpm • A min • 03:28 • -24.21db
8% Popularity • 12% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
8% Popularity • 12% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
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Eugne Bozza
En Forêt, Op. 40
66 bpm • F Maj • 07:10 • -22.02db
8% Popularity • 37% Danceability • 3% Energy • 5% Liveness
56% Instrumentalness • 20% Positiveness
8% Popularity • 37% Danceability • 3% Energy • 5% Liveness
56% Instrumentalness • 20% Positiveness
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Ladislav Aloys
Suite, Op. 54: Andantino cantabile
68 bpm • A# Maj • 01:51 • -29.63db
12% Popularity • 11% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 11% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 6% Positiveness
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Anna Bon
Flute Sonata in F Major, Op.1 No. 2: II....
68 bpm • F Maj • 03:39 • -11.04db
17% Popularity • 42% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 98% Positiveness
17% Popularity • 42% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 98% Positiveness
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Don Haddad
Tuba Suite: II. Andante espressivo
66 bpm • A# min • 03:21 • -35.27db
12% Popularity • 16% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
12% Popularity • 16% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Eugène Bozza
Andante et scherzo for Saxophone Quartet...
68 bpm • D Maj • 04:38 • -21.52db
1% Popularity • 17% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
66 bpm • C Maj • 03:10 • -32.42db
12% Popularity • 26% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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Victor Ewald
Quintet No. 1 in B-Flat Minor: I. Modera...
68 bpm • A# min • 05:12 • -21db
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Nikolai Nikolayevich Tcherepnin
Six Pieces: No. 1, Night
68 bpm • C# Maj • 02:46 • -33.39db
13% Popularity • 14% Danceability • 0% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 0% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
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Hermann Neuling
Bagatelle
66 bpm • F Maj • 05:38 • -26.89db
11% Popularity • 26% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
11% Popularity • 26% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Conrad Zwicky
Saint-Saëns: The Swan (Le Cygne)
69 bpm • G Maj • 02:39 • -34.73db
10% Popularity • 17% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 24% Positiveness
10% Popularity • 17% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 24% Positiveness
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Eugène Bozza
Andante
68 bpm • D Maj • 04:29 • -23.1db
2% Popularity • 21% Danceability • 2% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 2% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Gabriel Pierné
Canzonetta in E-Flat Major, Op. 19
69 bpm • D# Maj • 03:06 • -22.28db
18% Popularity • 35% Danceability • 6% Energy • 16% Liveness
74% Instrumentalness • 23% Positiveness
18% Popularity • 35% Danceability • 6% Energy • 16% Liveness
74% Instrumentalness • 23% Positiveness
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Sergei Rachmaninoff
14 Songs, Op. 34: No. 14, Vocalise (Arr....
65 bpm • C# min • 05:16 • -27.05db
13% Popularity • 11% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Andy Scott
And Everything Is Still... (Version for ...
69 bpm • F min • 03:23 • -22.94db
10% Popularity • 14% Danceability • 4% Energy • 15% Liveness
83% Instrumentalness • 9% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 15% Liveness
83% Instrumentalness • 9% Positiveness
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Guy Ropartz
Concert Piece for Trombone and Piano
69 bpm • D# min • 07:09 • -26db
7% Popularity • 27% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
7% Popularity • 27% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Johannes Brahms
Sonata Op. 120 No. 2 in E-flat Major for...
65 bpm • B Maj • 05:18 • -23.37db
7% Popularity • 20% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
7% Popularity • 20% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Paule Maurice
Tableaux de Provence: V. Lou Cabridan
69 bpm • G Maj • 03:44 • -22.74db
8% Popularity • 36% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 20% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 20% Positiveness
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Eugène Bozza
Aria
65 bpm • G min • 04:00 • -21.22db
8% Popularity • 17% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Philip Sparke
My Lady's Pavan
69 bpm • G min • 01:01 • -26db
17% Popularity • 31% Danceability • 0% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
17% Popularity • 31% Danceability • 0% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
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Eric Ewazen
Sonata for Trumpet and Piano: 2. Allegre...
69 bpm • F# Maj • 07:37 • -22.94db
8% Popularity • 26% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Andy Scott
Paquito (Version for Saxophone & Piano)
65 bpm • C min • 02:34 • -20db
17% Popularity • 56% Danceability • 16% Energy • 13% Liveness
92% Instrumentalness • 71% Positiveness
17% Popularity • 56% Danceability • 16% Energy • 13% Liveness
92% Instrumentalness • 71% Positiveness
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Ary Ferreira
Nocturne (Noturno)
65 bpm • C Maj • 02:25 • -15.26db
0% Popularity • 23% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
0% Popularity • 23% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Paule Maurice
Tableaux de Provence: II. Cansoun per ma...
65 bpm • G Maj • 01:55 • -30.26db
11% Popularity • 20% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Eugène Bozza
Aria
69 bpm • G min • 04:14 • -21.67db
12% Popularity • 17% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Darius Milhaud
Scaramouche, Op. 165d: II. Modéré
65 bpm • A# Maj • 04:22 • -30.12db
9% Popularity • 25% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
9% Popularity • 25% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
César Guerra-Peixe
Symphonic Suite No. 2 "Pernambucana": IV...
69 bpm • F# Maj • 03:01 • -16db
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
► Preview
Jean-Michel Damase
アリア 作品 7
69 bpm • F# Maj • 05:01 • -31.9db
12% Popularity • 14% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Malcolm Arnold
Arnold: Fantasy for trombone II
69 bpm • C Maj • 01:14 • -26.81db
7% Popularity • 25% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Kent Kennan
Sonata for trumpet and piano
65 bpm • G Maj • 04:22 • -28.95db
10% Popularity • 18% Danceability • 1% Energy • 8% Liveness
54% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 8% Liveness
54% Instrumentalness • 5% Positiveness
► Preview
Eugène Bozza
Sonatine: II. Andante ma non troppo
69 bpm • C Maj • 02:57 • -18.74db
5% Popularity • 25% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
5% Popularity • 25% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Sonata for Horn, Trumpet and Trombone, F...
65 bpm • F min • 03:14 • -31db
11% Popularity • 17% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
João Marcondes
Movimento IV - Assoviando
70 bpm • C Maj • 02:11 • -18.23db
14% Popularity • 53% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 44% Positiveness
► Preview
Geoffrey Robbins
Mont Saint Michel
69 bpm • E min • 04:27 • -23.71db
8% Popularity • 21% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 12% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 12% Positiveness
► Preview
Gene Pokorny
Six Studies in English Folksong
70 bpm • G Maj • 01:21 • -42.9db
12% Popularity • 21% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
12% Popularity • 21% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Fritz Kroepsch
Fantasy
70 bpm • F Maj • 10:10 • -20.32db
9% Popularity • 28% Danceability • 9% Energy • 12% Liveness
31% Instrumentalness • 28% Positiveness
9% Popularity • 28% Danceability • 9% Energy • 12% Liveness
31% Instrumentalness • 28% Positiveness
► Preview
Eugène Bozza
Jour d'ete a la montagne: III. Le chant ...
69 bpm • G Maj • 02:59 • -24.67db
3% Popularity • 28% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
3% Popularity • 28% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Sonata Op. 120 No. 2 in E-flat Major for...
64 bpm • D# Maj • 08:42 • -25.56db
8% Popularity • 16% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Cecilia McDowall
Nocturne in Blue and Gold
70 bpm • A min • 02:34 • -28.11db
34% Popularity • 31% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
34% Popularity • 31% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
George Enescu
Légende
70 bpm • G# Maj • 06:24 • -22.62db
11% Popularity • 24% Danceability • 3% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Gene Pokorny
Six Studies in English Folksong
70 bpm • D# Maj • 01:13 • -37.12db
15% Popularity • 32% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 49% Positiveness
15% Popularity • 32% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 49% Positiveness
► Preview
Giya Kancheli
18 Miniatures for Violin and Piano: No. ...
70 bpm • C Maj • 02:19 • -34db
8% Popularity • 12% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
8% Popularity • 12% Danceability • 0% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Eugène Bozza
Jour d'ete a la montagne: I. Pastorale
69 bpm • E min • 03:46 • -15.35db
6% Popularity • 19% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
6% Popularity • 19% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
► Preview
Franz Liszt
Consolations, S. 172 (Excerpts Arr. P. D...
64 bpm • E Maj • 01:42 • -26.96db
18% Popularity • 23% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Mackey
Soprano Saxophone Concerto: IV. Wood
64 bpm • F min • 04:01 • -21db
10% Popularity • 26% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Alexander Glazunov
Saxophone Quartet B Major, Op. 109: I. A...
70 bpm • A# Maj • 06:15 • -16.76db
9% Popularity • 29% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 29% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Ørjan Matre
Four Pieces from a Distance: No. 4, Chil...
70 bpm • C Maj • 03:33 • -36.56db
15% Popularity • 7% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
15% Popularity • 7% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 9% Positiveness
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Niels Gade
Fantasiestücke, Op. 43: Andantino con m...
64 bpm • F Maj • 01:59 • -27.13db
10% Popularity • 13% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 15% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 15% Positiveness
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Carl Nielsen
Nielsen: 2 Fantasy Pieces, for Oboe and ...
64 bpm • D min • 02:30 • -25.33db
10% Popularity • 42% Danceability • 10% Energy • 5% Liveness
87% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 10% Energy • 5% Liveness
87% Instrumentalness • 31% Positiveness
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Eric Ewazen
Pastorale for Trumpet, Bass Trombone & P...
70 bpm • D# Maj • 07:43 • -17.9db
9% Popularity • 10% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
9% Popularity • 10% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Theo Charlier
Charlier Study No.2 - Orchestration By F...
70 bpm • F min • 04:28 • -19.15db
11% Popularity • 28% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
11% Popularity • 28% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Carl Albert Loeschhorn
Children's Pieces Op. 182 Nr. 4 for flut...
70 bpm • A min • 00:53 • -31.57db
18% Popularity • 19% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Pedro Iturralde
Pequena Czarda
71 bpm • F min • 07:15 • -20db
9% Popularity • 25% Danceability • 7% Energy • 9% Liveness
74% Instrumentalness • 23% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 9% Liveness
74% Instrumentalness • 23% Positiveness
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Sammy Nestico
Sammy Nestico: Portrait of a Trumpet
71 bpm • D Maj • 06:16 • -20.96db
11% Popularity • 24% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Eugène Bozza
18 études pour hautbois: IX. Andantino
71 bpm • F Maj • 01:44 • -21db
3% Popularity • 27% Danceability • 1% Energy • 15% Liveness
91% Instrumentalness • 69% Positiveness
3% Popularity • 27% Danceability • 1% Energy • 15% Liveness
91% Instrumentalness • 69% Positiveness
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Lyle Chan
The Perfumed Calyx
71 bpm • A Maj • 07:32 • -15.63db
8% Popularity • 20% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Francis Poulenc
Hommage à Edith Piaf, FP 176 (Arr. Hagi...
71 bpm • C min • 03:36 • -22.22db
10% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in G M...
71 bpm • F# Maj • 03:20 • -29.39db
1% Popularity • 42% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
1% Popularity • 42% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Domenico Cimarosa
Sonata in B-Flat Major, C. 62. Allegro (...
63 bpm • A# Maj • 02:23 • -10.94db
16% Popularity • 54% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
16% Popularity • 54% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
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Camille Saint-Saëns
Romance, Op. 67: Adagio
63 bpm • E Maj • 09:28 • -26db
9% Popularity • 22% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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Eugène Bozza
Trois mouvements: III. Allegro giocoso
71 bpm • D Maj • 02:08 • -18.61db
0% Popularity • 49% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 67% Positiveness
0% Popularity • 49% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 67% Positiveness
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Rainulphe Maria Marquis d'Osmond
Salut à la forêt for four horns in F M...
71 bpm • C Maj • 04:45 • -30.33db
12% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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Johannes Brahms
Clarinet Sonata in F Minor, Op. 120 No. ...
71 bpm • G# Maj • 05:02 • -28.34db
14% Popularity • 21% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 21% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Ingolf Dahl
Concerto for Alto Saxophone and Wind Orc...
63 bpm • F Maj • 05:06 • -18.69db
8% Popularity • 28% Danceability • 17% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
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Antonio Capuzzi
Andante
63 bpm • A# Maj • 04:46 • -37.13db
9% Popularity • 17% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
9% Popularity • 17% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Charles Koechlin
3 Pieces, Op. 34: No. 1. Lent
72 bpm • B min • 04:15 • -35.42db
8% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
8% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
