Songs like Andrea Chénier / Act 2: Maddalena di Coigny! by Umberto Giordano
Based on a tempo of (+/- 10%) and a similar genre
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Mario del Monaco
Manon Lescaut: Donna Non Vidi Mai...
85 bpm • A# Maj • 02:54 • -14.28db
16% Popularity • 29% Danceability • 19% Energy • 7% Liveness
16% Instrumentalness • 20% Positiveness
16% Popularity • 29% Danceability • 19% Energy • 7% Liveness
16% Instrumentalness • 20% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Chœur des ...
85 bpm • E Maj • 02:10 • -26.58db
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
31% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
31% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
8% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Tosca
85 bpm • D# Maj • 03:16 • -18.48db
22% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: "Una furtiva l...
85 bpm • A# Maj • 04:12 • -13db
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert von Karajan
Fidelio: Quartett - Mir ist so wunderbar
85 bpm • G Maj • 04:47 • -20.87db
11% Popularity • 15% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
11% Popularity • 15% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:57 • -17.85db
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Vincent Scotto
Scotto / Arr. Schifrin: Around the World...
85 bpm • C min • 02:00 • -19.37db
33% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
33% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
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Charles Gounod
Faust: Faust, Act I: Avant de quitter ce...
86 bpm • D# Maj • 04:14 • -12.07db
18% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
18% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
21% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Mario del Monaco
Love's Last Word Is Spoken
84 bpm • G Maj • 02:47 • -11db
28% Popularity • 26% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 26% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? ... N...
86 bpm • E Maj • 04:25 • -19.11db
15% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Act I: Regina coel...
84 bpm • G Maj • 06:15 • -16db
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act 3: Mild...
86 bpm • E Maj • 07:03 • -19.13db
9% Popularity • 9% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Amilcare Ponchielli
La Gioconda, Act IV: Suicido! …
86 bpm • D Maj • 04:35 • -15.22db
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Guy d'Hardelot
D'Hardelot / Arr. Schifrin: A Tribute to...
86 bpm • D Maj • 02:23 • -16.2db
23% Popularity • 32% Danceability • 26% Energy • 69% Liveness
3% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 26% Energy • 69% Liveness
3% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Rita: "Allegro io son"
86 bpm • E Maj • 03:44 • -15.85db
3% Popularity • 40% Danceability • 20% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 40% Danceability • 20% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: "L'am...
84 bpm • A# Maj • 03:53 • -24db
10% Popularity • 18% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Mario del Monaco
Giulietta: "Giulietta son io"
86 bpm • A min • 04:12 • -12db
6% Popularity • 22% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
6% Popularity • 22% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Tosca
84 bpm • D# Maj • 03:24 • -10.85db
22% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act 1: "Un dì all'azz...
84 bpm • A# Maj • 05:11 • -12.16db
16% Popularity • 27% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 27% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
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Charles Gounod
Sapho, CG 1 / Act III: O ma lyre immorte...
84 bpm • A# min • 07:55 • -20.56db
7% Popularity • 16% Danceability • 10% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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Maria Callas
" La Traviata " : Amami Alfredo (Act II)...
86 bpm • F Maj • 02:11 • -11.83db
35% Popularity • 36% Danceability • 28% Energy • 29% Liveness
3% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 28% Energy • 29% Liveness
3% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Ebben? Ne andro lontano
86 bpm • E min • 03:41 • -22db
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Samson et Dalila / Act II: "Mon coeur s'...
84 bpm • C# Maj • 06:15 • -21.46db
11% Popularity • 15% Danceability • 17% Energy • 70% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 17% Energy • 70% Liveness
1% Instrumentalness • 3% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Carmen! sur tes p...
84 bpm • A min • 01:27 • -20db
27% Popularity • 27% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Umberto Giordano
Mala vita: Act I Scene 1: Son grida! Sen...
86 bpm • E min • 02:35 • -14.3db
2% Popularity • 22% Danceability • 31% Energy • 55% Liveness
23% Instrumentalness • 18% Positiveness
2% Popularity • 22% Danceability • 31% Energy • 55% Liveness
23% Instrumentalness • 18% Positiveness
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Fritz Wunderlich
Ach so fromm
86 bpm • F Maj • 02:52 • -19db
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
86 bpm • G Maj • 03:56 • -11.13db
7% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
7% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
10% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore / Act 2 - "U...
83 bpm • A# min • 04:13 • -17db
20% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Leo Nucci
Parlami d'amore Mariù
87 bpm • F Maj • 04:28 • -14.26db
27% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 1...
83 bpm • E Maj • 06:20 • -23db
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: Cantabile. ...
87 bpm • C# Maj • 03:45 • -16.35db
7% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: Come un bel dì...
83 bpm • F# min • 03:03 • -19.68db
9% Popularity • 20% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 20% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gustave Charpentier
"Depuis le jour"
87 bpm • G Maj • 05:17 • -20db
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Manon Lescaut: "Donna non vidi mai"
83 bpm • A# Maj • 02:35 • -16.11db
20% Popularity • 19% Danceability • 25% Energy • 39% Liveness
3% Instrumentalness • 16% Positiveness
20% Popularity • 19% Danceability • 25% Energy • 39% Liveness
3% Instrumentalness • 16% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Seguédille...
83 bpm • G Maj • 02:04 • -17.64db
9% Popularity • 39% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Umberto Giordano
Andrea Chénier / Act 1: "Colpito qui m'...
87 bpm • A# Maj • 05:37 • -13.76db
3% Popularity • 31% Danceability • 22% Energy • 53% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 31% Danceability • 22% Energy • 53% Liveness
0% Instrumentalness • 12% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
82 bpm • D# Maj • 04:07 • -16.23db
7% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: "Au Mont Ida,...
88 bpm • F Maj • 03:54 • -13db
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Duo. "Parle...
87 bpm • C Maj • 08:57 • -18db
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Leo Nucci
Il valzer dell'organino
88 bpm • F Maj • 02:44 • -12db
37% Popularity • 36% Danceability • 21% Energy • 35% Liveness
3% Instrumentalness • 49% Positiveness
37% Popularity • 36% Danceability • 21% Energy • 35% Liveness
3% Instrumentalness • 49% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Umberto Giordano
Fedora / Act 1: Introduction: Quattro! -...
82 bpm • B Maj • 02:42 • -19.94db
4% Popularity • 35% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
4% Popularity • 35% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Teresa Berganza
La Chulapona: "Ese Pañuelito Blanco"
82 bpm • C# Maj • 03:56 • -11.62db
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Séguedille. "Prè...
83 bpm • D Maj • 04:36 • -19.43db
28% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Mario del Monaco
Madame Butterfly: "Addio fiorito asil"
88 bpm • C# Maj • 01:54 • -9db
23% Popularity • 15% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
23% Popularity • 15% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
Roberto Devereux / Act I: "All'afflitto ...
82 bpm • G Maj • 03:35 • -26.61db
10% Popularity • 18% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Son sessant'anni, o vecchio, che tu serv...
82 bpm • D Maj • 04:35 • -13.89db
0% Popularity • 30% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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Jules Massenet
Thaïs / Acte Deux: Méditation religieu...
88 bpm • D Maj • 05:48 • -28.51db
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, Act 1: "La cloche a sonn�...
82 bpm • E Maj • 04:33 • -25.91db
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9 / Act 2: Cielo e mar
88 bpm • D# Maj • 05:10 • -22.23db
7% Popularity • 22% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 22% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Le Comte Ory, Act I, Scene VIII, No. 4: ...
88 bpm • D# Maj • 09:46 • -18db
9% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
17% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli, lae...
88 bpm • G Maj • 02:35 • -30db
23% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Leo Nucci
Il tango delle capinere
82 bpm • D Maj • 02:37 • -11.21db
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Giovacchino Forzano
Gianni Schicchi: Oh! Mio Babbino Caro
88 bpm • G# Maj • 02:08 • -11.68db
25% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Zurab Sotkilava
Tosca, Act 1: "Recondita armonia"
88 bpm • F Maj • 02:47 • -9.23db
12% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Se il mio nome ...
88 bpm • A min • 02:46 • -22.4db
7% Popularity • 32% Danceability • 9% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 32% Danceability • 9% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Igor Krutoy
Mi fa male
82 bpm • A Maj • 03:41 • -8.46db
10% Popularity • 18% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Franz Lehár
Die lustige Witwe, Act II: Vilja-Lied
88 bpm • G Maj • 05:03 • -26.45db
0% Popularity • 18% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 9% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Viva il vino spum...
88 bpm • C Maj • 03:03 • -13db
11% Popularity • 34% Danceability • 33% Energy • 41% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 41% Liveness
1% Instrumentalness • 41% Positiveness
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Jules Massenet
Manon / Act 2: "En fermant les yeux"
82 bpm • D Maj • 02:46 • -22.42db
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier, Act IV: Come un bel dì...
82 bpm • F# min • 03:04 • -16.34db
8% Popularity • 17% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Ruperto Chapí
Las Hijas del Zebedeo: Carceleras
82 bpm • D min • 04:56 • -20db
8% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 1: "Moi, je réclame
82 bpm • G Maj • 02:38 • -13.39db
9% Popularity • 52% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 52% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Nikolai Rimsky-Korsakov
'T was Not the Wind
81 bpm • F Maj • 02:09 • -22db
19% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Umberto Giordano
Andrea Chénier, 3. Akt: La mamma morta ...
89 bpm • C# Maj • 06:01 • -11.73db
0% Popularity • 27% Danceability • 39% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 27% Danceability • 39% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
14% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
