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Andrei
Songs like
Andrei
by
Martin Phipps
Based on a tempo of (+/- 10%) and a similar genre
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
49% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Giacchino
Moving On
77 bpm • D Maj • 07:54 • -18.96db
37% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
36% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Newton Brothers
Go Tomorrow
77 bpm • D Maj • 02:37 • -32.27db
45% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Patrick Doyle
Confession
77 bpm • F# min • 01:49 • -28.36db
22% Popularity • 18% Danceability • 7% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Martin Phipps
Sacrifice
77 bpm • A min • 03:08 • -21.06db
32% Popularity • 16% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The Arrival
78 bpm • B min • 01:56 • -14.98db
46% Popularity • 7% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
31% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Princess of Nowhere
76 bpm • G min • 03:51 • -21.54db
28% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Bear McCreary
Leave the Past Behind
76 bpm • D min • 05:12 • -22.22db
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Alex Heffes
Grace Alone
76 bpm • G min • 01:38 • -19db
38% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Martin Phipps
Queen's Speech
75 bpm • D min • 03:37 • -28.88db
34% Popularity • 7% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
52% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
Loss Of A Twin
79 bpm • D min • 01:53 • -28db
43% Popularity • 7% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Martin Phipps
Alice
75 bpm • E min • 02:40 • -25.44db
30% Popularity • 12% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 6% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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The Newton Brothers
The Great, Good Place
75 bpm • G min • 01:35 • -18.57db
30% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Speech
79 bpm • F min • 02:35 • -20.59db
30% Popularity • 13% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
48% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
53% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Tristan Seewer
À Bout de Souffle
74 bpm • A# min • 02:24 • -18db
42% Popularity • 14% Danceability • 17% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
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Philip Stopford
A Christmas Blessing
80 bpm • C# Maj • 02:52 • -23db
7% Popularity • 18% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
50% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
The Letter
80 bpm • D min • 07:56 • -25db
33% Popularity • 15% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
21% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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David Hirschfelder
The Dressmaker Closing Credits
74 bpm • D min • 05:17 • -18db
26% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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The Newton Brothers
Beginning of the End Movement V
74 bpm • C Maj • 03:47 • -22db
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Clint Mansell
The Painter On His Way To Work On The Ro...
80 bpm • C# Maj • 03:48 • -22.53db
20% Popularity • 33% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement VII
74 bpm • A min • 03:42 • -20.09db
28% Popularity • 31% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Austenland Symphony: II. Romanze
74 bpm • G Maj • 06:04 • -17.84db
25% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Andrew Lockington
Morning
74 bpm • A min • 01:22 • -22db
26% Popularity • 19% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Martin Phipps
Mountbatten
73 bpm • D# Maj • 01:40 • -26db
39% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Amelia Warner
Bloomsbury
81 bpm • C Maj • 02:26 • -17.68db
14% Popularity • 8% Danceability • 9% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement I
74 bpm • F Maj • 03:28 • -22.72db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Arash Safaian
Resting (Short)
73 bpm • A# min • 01:32 • -23.56db
40% Popularity • 14% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Martin Phipps
Limerick Re-Imagined
81 bpm • D min • 02:36 • -28.01db
36% Popularity • 20% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Amelia Warner
Clara
73 bpm • A min • 02:58 • -16.84db
15% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Thomas Newman
Fellowship
81 bpm • G min • 05:06 • -19.93db
38% Popularity • 31% Danceability • 15% Energy • 22% Liveness
94% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Atli Örvarsson
Dropar
73 bpm • F# min • 06:00 • -15db
23% Popularity • 13% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Dan Jones
Richard's Nightmare
81 bpm • D# Maj • 03:43 • -30.2db
6% Popularity • 7% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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The Newton Brothers
Beginning of the End Movement III
73 bpm • A min • 02:29 • -22.72db
28% Popularity • 28% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
37% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jon Brion
Reconcile
81 bpm • F Maj • 01:24 • -22.59db
48% Popularity • 19% Danceability • 14% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement VI
73 bpm • A min • 03:50 • -21db
29% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
27% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
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Craig Armstrong
Paris
73 bpm • B Maj • 03:26 • -18.03db
34% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
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Edward Farmer
God Rest His Soul
72 bpm • A min • 01:52 • -17.41db
12% Popularity • 15% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Marco Beltrami
Color
82 bpm • A Maj • 02:05 • -30.79db
22% Popularity • 24% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
35% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
46% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Martin Phipps
Stretched Choir
83 bpm • D min • 02:13 • -27.3db
29% Popularity • 16% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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Dan Jones
The King Is Dead
72 bpm • A# min • 01:23 • -17.94db
8% Popularity • 25% Danceability • 32% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Martin Phipps
The Whole Of Me
83 bpm • G min • 03:22 • -19.3db
28% Popularity • 44% Danceability • 8% Energy • 23% Liveness
96% Instrumentalness • 7% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Songs of the Fleet, Op. 117: III. The Mi...
83 bpm • G Maj • 07:42 • -29db
6% Popularity • 13% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Never Been Kissed
84 bpm • G min • 03:01 • -17.73db
30% Popularity • 15% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Dario Marianelli
Yes!
84 bpm • C min • 02:01 • -15db
43% Popularity • 15% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Andrei