Songs like Andrew's Story by Erik Lochtefeld
Based on a tempo of (+/- 10%) and a similar genre
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Jennifer Alexis
Peter Pan
89 bpm • C Maj • 02:55 • -16.1db
12% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Rees
A Man of No Importance
89 bpm • C Maj • 08:17 • -13db
11% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Erik Lochtefeld
Andrew's Story
89 bpm • G Maj • 05:21 • -16.03db
3% Popularity • 56% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 56% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Rob Gardner
Peter Prays
89 bpm • G Maj • 01:09 • -28.86db
15% Popularity • 26% Danceability • 4% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 26% Danceability • 4% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Daphne Rubin-Vega
Dance with Me
90 bpm • A Maj • 02:15 • -6.59db
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Patch the Pirate
My One Big Chance
89 bpm • C Maj • 02:52 • -4.97db
11% Popularity • 47% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 47% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Andrea Burns
The Annunciation
90 bpm • G min • 02:02 • -15.07db
8% Popularity • 42% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 42% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Into Elysium
Jaded Forever
90 bpm • G# Maj • 04:36 • -7.99db
26% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Rob Rokicki
Right Through You
90 bpm • C Maj • 04:05 • -8.05db
7% Popularity • 26% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 26% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Gaby Alter
Festival of Champions
90 bpm • F Maj • 03:32 • -5.81db
9% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Sight & Sound Theatres
Eye for an Eye
88 bpm • A# min • 02:47 • -7.97db
10% Popularity • 38% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 38% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Guettel
ACT I The Rescue, Lucky
91 bpm • B Maj • 03:32 • -16.48db
8% Popularity • 53% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 53% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lauren Kennedy
The Argument
87 bpm • D# Maj • 02:01 • -11.14db
8% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Claire Layden
Enjoy Pictures
91 bpm • A# Maj • 02:35 • -12db
10% Popularity • 31% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 31% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Kristin Chenoweth
I'm Going in for Love
91 bpm • D# Maj • 02:43 • -7.44db
9% Popularity • 30% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 30% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Carner & Gregor
Make It Here
91 bpm • C# Maj • 03:08 • -11db
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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In Clay: A New Musical
See-Through
91 bpm • G Maj • 03:44 • -11.89db
8% Popularity • 35% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Original Cast of Hope Despair Musical
A Million Lifetimes Away
87 bpm • G min • 03:15 • -8.48db
9% Popularity • 74% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 74% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Pulp Musicals
New Eden
91 bpm • D Maj • 03:37 • -9.83db
9% Popularity • 27% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 27% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Rob Gardner
Birth
87 bpm • C Maj • 02:36 • -13.49db
14% Popularity • 25% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jeremy Shamos
I Can't Read
87 bpm • C# Maj • 03:10 • -11.6db
16% Popularity • 53% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 53% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Kooman & Dimond
Out of My Head
87 bpm • G# Maj • 04:18 • -16.34db
11% Popularity • 42% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 42% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Paul Williams
Maybe It's Time to Move On
87 bpm • E Maj • 03:11 • -8.7db
8% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Cass Morgan
How Far Can You See?
87 bpm • F Maj • 06:22 • -12.02db
11% Popularity • 50% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Patty's Primary Songs
Multiply by 7
92 bpm • A Maj • 01:01 • -6.2db
10% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Rob Gardner
Calling of the Apostles
86 bpm • D Maj • 02:49 • -15.57db
13% Popularity • 42% Danceability • 18% Energy • 57% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 42% Danceability • 18% Energy • 57% Liveness
0% Instrumentalness • 34% Positiveness
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John Cardoza
That's How You Know
92 bpm • D Maj • 02:40 • -7.58db
17% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Beat by Beat Press
Pizza Lullaby
92 bpm • E Maj • 00:53 • -12.45db
13% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Derek Klena
Step Back
92 bpm • D Maj • 05:23 • -13.8db
8% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Pitt-Pulford
I Don't Know Why I Trust You (But I Do)
92 bpm • G# Maj • 03:21 • -9.43db
9% Popularity • 74% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 74% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Patty's Primary Songs
Multiply by 6
92 bpm • A Maj • 01:01 • -6.18db
10% Popularity • 79% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 79% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Pulp Musicals
Before the Storm
86 bpm • A min • 02:00 • -7.69db
9% Popularity • 40% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 40% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Liv Andrusier
The Charmed Existence of Fred Rose
86 bpm • C# Maj • 03:01 • -9.15db
15% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Casey Likes
You Deserve The Best
93 bpm • A Maj • 03:20 • -6.65db
8% Popularity • 53% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 53% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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El Gallo y Lä Sireña
Vincent (Starry Starry Night) - Acoustic
93 bpm • D Maj • 04:34 • -11.88db
11% Popularity • 42% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 42% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Liz Callaway
We Start Today
85 bpm • G Maj • 03:40 • -13.12db
8% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Roger Rees
Welcome to the World
85 bpm • C Maj • 02:06 • -16db
10% Popularity • 34% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 34% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Central Park Cast
Maybe Potentially Great
85 bpm • D Maj • 02:58 • -8.63db
9% Popularity • 65% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 65% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Broadway Homestuck
Hivebent
93 bpm • C Maj • 04:01 • -18.63db
7% Popularity • 36% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 36% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michael R. Jackson
Zack Paul Gosselar
93 bpm • F# Maj • 02:29 • -9.92db
17% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Jessica Vosk
Two Steps Ahead
93 bpm • C Maj • 03:43 • -7.05db
14% Popularity • 76% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 76% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Bryce Pinkham
How Do You Do This Again? / You Don't Kn...
93 bpm • C# Maj • 03:53 • -8db
9% Popularity • 29% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 29% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Isaac Joshua Brown
When You Wake Up
85 bpm • G# Maj • 02:14 • -9.29db
12% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lynn Ahrens
The Butterfly
85 bpm • C Maj • 02:30 • -12.73db
10% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Derek Klena
Afraid
93 bpm • A Maj • 02:48 • -12.81db
13% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Denée Benton
What'd You Do This Time?
85 bpm • A Maj • 02:31 • -7.89db
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Liz Callaway
What Could Be Better?
85 bpm • C Maj • 03:52 • -15.21db
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Maury Yeston
More and More
85 bpm • G Maj • 02:49 • -8.29db
7% Popularity • 25% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Eden Espinosa
Mamà Said
93 bpm • A Maj • 04:47 • -13.12db
11% Popularity • 49% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 49% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Lyndsi Nobles
The Tide
94 bpm • E Maj • 01:54 • -10.26db
8% Popularity • 37% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 37% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Michael R. Jackson
Black Woman in the Driver's Seat
94 bpm • B min • 03:12 • -6.09db
13% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Barbra Streisand
The Way He Makes Me Feel - Demo
94 bpm • B min • 03:36 • -13.38db
11% Popularity • 42% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 42% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Dana Al Fardan
Reunited
84 bpm • B min • 03:53 • -9.39db
8% Popularity • 20% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 20% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Marc Kudisch
I Was Here
84 bpm • D Maj • 03:10 • -11.83db
9% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Margo Seibert
Milkshake
85 bpm • F min • 03:03 • -11.36db
4% Popularity • 48% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 48% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Williams
The Thing About Girls
84 bpm • C# Maj • 01:08 • -14.08db
9% Popularity • 70% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 70% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
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Chita Rivera
Don't Ah Ma Me
95 bpm • C# Maj • 02:34 • -11.92db
11% Popularity • 58% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 58% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
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Henry Crater
Your World / Safe
95 bpm • C Maj • 05:15 • -10.09db
11% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Emily E. Finke
Till the Clouds Roll By
95 bpm • D Maj • 02:27 • -8.27db
16% Popularity • 64% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 64% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Nicky Croydon
Poor Sweet Baby
83 bpm • F min • 03:19 • -20.51db
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Schwartz
The Wizard and I
96 bpm • C Maj • 04:54 • -7.24db
7% Popularity • 40% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 40% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Williams
Happy Days
95 bpm • F Maj • 01:43 • -5.69db
12% Popularity • 56% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 56% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Dana Al Fardan
Rumi's Letter
96 bpm • F# Maj • 03:19 • -10.8db
8% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Ellie Fishman
Making History
83 bpm • G Maj • 04:16 • -5.1db
11% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Nascitur
You and Me
96 bpm • G Maj • 03:59 • -7.48db
10% Popularity • 53% Danceability • 64% Energy • 18% Liveness
5% Instrumentalness • 36% Positiveness
10% Popularity • 53% Danceability • 64% Energy • 18% Liveness
5% Instrumentalness • 36% Positiveness
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David Joseph Rofrano
Keep Me Right
96 bpm • D# Maj • 03:56 • -9.38db
15% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Charles Lewis
Follow The Stars
96 bpm • C min • 03:09 • -7db
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Mo Willems
Lucky to See You
96 bpm • G Maj • 02:43 • -7.16db
16% Popularity • 83% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 83% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Katie Brunetto
Tick Tock
96 bpm • D# min • 02:28 • -15.79db
9% Popularity • 58% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 58% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Rees
Art
82 bpm • D Maj • 05:11 • -12.07db
9% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Scott Oliver
Crazytown: Commentary
82 bpm • F# Maj • 08:41 • -17.25db
7% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Ellie Fishman
The Duration
96 bpm • G Maj • 04:28 • -5db
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Caroline Kava
For That's My Way
82 bpm • G min • 01:28 • -16.57db
10% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Mo Willems
We've Been Lucky
96 bpm • D Maj • 02:14 • -5.71db
10% Popularity • 78% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 78% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Elena Tal
Ana Bechoach
82 bpm • D# min • 05:11 • -8.96db
19% Popularity • 34% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 34% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Rodgers
Sounds Of The Earth / The Carousel Waltz...
97 bpm • G Maj • 05:06 • -11.88db
7% Popularity • 34% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 27% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Maya Sharpe
The Call Came on the Radio
97 bpm • A Maj • 06:51 • -11.61db
10% Popularity • 56% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 56% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 9% Positiveness
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Ellie Fishman
See You on the Other Side
82 bpm • C min • 04:18 • -8.8db
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremy Shamos
Tomorrow Is Tonight
82 bpm • C# Maj • 02:56 • -12.23db
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jenna Lea Rosen
When Nighttime Falls
82 bpm • F Maj • 04:51 • -13.74db
29% Popularity • 27% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 27% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Benj Pasek
For Forever
97 bpm • A# Maj • 05:02 • -11.73db
12% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 4, Kansas City
97 bpm • G# Maj • 05:23 • -16.3db
10% Popularity • 59% Danceability • 28% Energy • 72% Liveness
1% Instrumentalness • 69% Positiveness
10% Popularity • 59% Danceability • 28% Energy • 72% Liveness
1% Instrumentalness • 69% Positiveness
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Eden Espinosa
Malagueña
82 bpm • E min • 04:10 • -9.26db
11% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Benjamin Lewis
Now That I'm With You
97 bpm • C# Maj • 03:38 • -11.36db
7% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Isabella Lundgren
It's Not Where You Start it's Where You ...
81 bpm • A# min • 03:55 • -9.2db
12% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Original Cast of Aristos: The Musical
O Icarus
81 bpm • A# min • 02:11 • -13.57db
9% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 44% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lynn Ahrens
The Ferryman
81 bpm • E min • 01:10 • -13.35db
10% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Michael R. Jackson
Centering Myself
98 bpm • C# min • 03:28 • -13.86db
14% Popularity • 69% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 69% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Nirvaan Pal
Kodiak
81 bpm • G min • 02:32 • -7.88db
10% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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J. Elaine Marcos
Honestly
81 bpm • G Maj • 03:43 • -5.42db
9% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kyle Mcarthur
The Adventures of the Amazing Sea-Marine...
98 bpm • G Maj • 01:06 • -5.8db
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Georgie Westall
Down, Down into the Dark
81 bpm • F Maj • 02:09 • -3.52db
8% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 62% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Lynn Ahrens
Knoxville
81 bpm • C Maj • 04:51 • -11.15db
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Charlotte Volet
I Won't Wait Tomorrow
81 bpm • B Maj • 03:00 • -7.04db
27% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 37% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Michael John La Chuisa
The Movin' Uptown Blues - Original Broad...
81 bpm • F min • 02:47 • -15.95db
8% Popularity • 46% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 46% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Isaac Joshua Brown
Take a Breath
99 bpm • D Maj • 02:59 • -9.1db
12% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sally Murphy
Love, Let Me Sing You
99 bpm • F Maj • 05:14 • -9.18db
8% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Elena Tal
Wind Beneath My Wings
99 bpm • A# Maj • 03:54 • -11.12db
13% Popularity • 28% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 28% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
