Songs like Ange, parle-moi by Mylène Farmer
Based on a tempo of (+/- 10%) and a similar genre
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Emmanuel Moire
Promis
125 bpm • G Maj • 04:01 • -9.86db
19% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Najoua Belyzel
Ma sainte-nitouche
125 bpm • F# Maj • 03:15 • -6.24db
25% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Alizée
Gourmandises
125 bpm • G min • 04:14 • -3.96db
44% Popularity • 67% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 67% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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Mylène Farmer
Et tournoie...
125 bpm • A# min • 04:27 • -9.15db
25% Popularity • 61% Danceability • 59% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
25% Popularity • 61% Danceability • 59% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
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Laurent Voulzy
En regardant vers le pays de France
125 bpm • E min • 04:44 • -9.72db
16% Popularity • 66% Danceability • 54% Energy • 10% Liveness
56% Instrumentalness • 49% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 10% Liveness
56% Instrumentalness • 49% Positiveness
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Maxime Le Forestier
Restons amants
125 bpm • B min • 02:37 • -9.51db
37% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Elsa
Jamais nous - Remix
125 bpm • F# Maj • 03:52 • -10.06db
32% Popularity • 67% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
32% Popularity • 67% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
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Jean-Louis Aubert
Temps à nouveau
125 bpm • D Maj • 06:35 • -8db
38% Popularity • 65% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 29% Positiveness
38% Popularity • 65% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 29% Positiveness
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Véronique Jannot
J'ai fait l'amour avec la mer - Version ...
125 bpm • C# Maj • 02:42 • -9db
25% Popularity • 54% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
25% Popularity • 54% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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Mylène Farmer
Ainsi soit je...
125 bpm • B Maj • 06:18 • -11.09db
36% Popularity • 62% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 62% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Céline Dion
Les derniers seront les premiers
125 bpm • G Maj • 03:32 • -8.75db
43% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jeanne Mas
Johnny, Johnny
124 bpm • E min • 04:24 • -11.8db
45% Popularity • 79% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 79% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Les Innocents
Je vais à Bang-Bang
126 bpm • D Maj • 03:49 • -5.95db
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Jean-Louis Aubert
Temps à nouveau - Edit
125 bpm • D Maj • 04:32 • -6db
27% Popularity • 64% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 35% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 35% Positiveness
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Maurane
Ça casse
124 bpm • F min • 04:11 • -11.54db
29% Popularity • 49% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 49% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Mylène Farmer
Regrets - Mylenium Tour Live
125 bpm • B min • 05:12 • -10.33db
17% Popularity • 47% Danceability • 49% Energy • 92% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 47% Danceability • 49% Energy • 92% Liveness
0% Instrumentalness • 22% Positiveness
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Clara Luciani
Bravo tu as gagné
125 bpm • E Maj • 03:15 • -8db
56% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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François Feldman
Une Presence
124 bpm • D Maj • 03:45 • -15.83db
15% Popularity • 64% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 64% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Superbus
Little Hily
124 bpm • F# min • 03:03 • -4.4db
26% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Lara Fabian
Immortelle
124 bpm • G min • 05:18 • -9.58db
43% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Alain Souchon
Les regrets
124 bpm • F# Maj • 03:59 • -9.23db
33% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Mylène Farmer
Ange, parle-moi
125 bpm • F# Maj • 03:48 • -9.78db
19% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Indochine
Un été français
126 bpm • F# Maj • 05:26 • -5.69db
50% Popularity • 64% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
50% Popularity • 64% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Julie Zenatti
Les amis
124 bpm • C min • 02:54 • -6db
38% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 69% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Niagara
Sois beau et tais-toi
126 bpm • D Maj • 02:44 • -12.66db
21% Popularity • 66% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
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Lara Fabian
La Différence
124 bpm • D# Maj • 04:14 • -10.3db
44% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
58% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Mylène Farmer
Regrets
125 bpm • A# min • 05:13 • -12.5db
41% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jeanne Mas
L'art des femmes
126 bpm • F# min • 03:49 • -12.45db
19% Popularity • 68% Danceability • 59% Energy • 16% Liveness
21% Instrumentalness • 67% Positiveness
19% Popularity • 68% Danceability • 59% Energy • 16% Liveness
21% Instrumentalness • 67% Positiveness
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Superbus
Lola
124 bpm • B min • 02:58 • -4.04db
49% Popularity • 63% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 63% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
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Michel Polnareff
On ira tous au paradis
126 bpm • G Maj • 04:33 • -7db
47% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Lara Fabian
J’y Crois Encore
126 bpm • A min • 03:29 • -6.97db
48% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lio
Les brunes comptent pas pour des prunes
126 bpm • G Maj • 03:09 • -5.44db
40% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Mylène Farmer
Souviens-toi du jour...
125 bpm • D# Maj • 05:03 • -7.56db
33% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Clara Luciani
Drôle d'époque
126 bpm • A min • 03:25 • -9.24db
41% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Francis Cabrel
Tout le monde y pense - Remastered
126 bpm • A min • 04:03 • -12.61db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Michel Polnareff
Une simple mélodie
126 bpm • G min • 03:36 • -8.11db
34% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lara Fabian
Tout
124 bpm • C# Maj • 04:16 • -6db
49% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Elsa
Jamais nous
123 bpm • D# min • 03:52 • -17db
38% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mylène Farmer
XXL
125 bpm • F# min • 04:25 • -7.52db
43% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Superbus
Ça mousse
123 bpm • B min • 03:11 • -8.46db
40% Popularity • 70% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
40% Popularity • 70% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Najoua Belyzel
Le Fléau
123 bpm • B min • 03:32 • -5.15db
23% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jenifer
En attendant
127 bpm • B min • 04:40 • -6.04db
43% Popularity • 49% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 49% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Michel Polnareff
Lettre à France
127 bpm • G min • 04:50 • -7.86db
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
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Mylène Farmer
Bleu noir
126 bpm • B Maj • 04:05 • -4.93db
33% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Julien Clerc
Utile
122 bpm • F# min • 03:01 • -9db
34% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Gold
Capitaine abandonné (Version Tempête) ...
128 bpm • A Maj • 06:35 • -8.06db
26% Popularity • 80% Danceability • 59% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
26% Popularity • 80% Danceability • 59% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
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Diane Dufresne
Les adieux d'un sex-symbol - Remastered
128 bpm • C Maj • 05:47 • -7db
34% Popularity • 43% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 43% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Ycare
Le cœur sur la main
128 bpm • C Maj • 02:43 • -8.1db
30% Popularity • 52% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 52% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Elsa
Pleure doucement
128 bpm • B Maj • 04:05 • -15.18db
11% Popularity • 86% Danceability • 46% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
11% Popularity • 86% Danceability • 46% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
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Mylène Farmer
Et si vieillir m'était conté
126 bpm • A# min • 04:38 • -7.34db
23% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Indochine
Little Dolls
128 bpm • G Maj • 04:37 • -8.93db
39% Popularity • 55% Danceability • 85% Energy • 26% Liveness
13% Instrumentalness • 44% Positiveness
39% Popularity • 55% Danceability • 85% Energy • 26% Liveness
13% Instrumentalness • 44% Positiveness
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Alain Souchon
La vie intime est maritime
128 bpm • G min • 03:44 • -12.76db
9% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Gold
Laissez-nous chanter (2017 - Remaster)
122 bpm • A# Maj • 04:34 • -5.93db
41% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Emmanuel Moire
Mon possible
122 bpm • D Maj • 04:09 • -8.59db
14% Popularity • 66% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 66% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Stephan Eicher
Pas d'ami (comme toi)
122 bpm • A Maj • 03:38 • -5db
38% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Mylène Farmer
L'autre
124 bpm • C# Maj • 05:20 • -15db
29% Popularity • 57% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 22% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 22% Positiveness
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Indochine
Station 13 - Central Tour 2022
122 bpm • C Maj • 06:20 • -9.21db
39% Popularity • 57% Danceability • 77% Energy • 42% Liveness
4% Instrumentalness • 16% Positiveness
39% Popularity • 57% Danceability • 77% Energy • 42% Liveness
4% Instrumentalness • 16% Positiveness
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Anne-Laure Girbal
S'aimer est interdit
122 bpm • E Maj • 04:16 • -9.71db
34% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Francis Cabrel
Il faudra leur dire
122 bpm • E Maj • 03:43 • -23db
48% Popularity • 68% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 68% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Emmanuel Moire
Ne s'aimer que la nuit
122 bpm • A# min • 04:07 • -8.9db
32% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Grégoire
Réveille
122 bpm • F min • 03:03 • -2.67db
16% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Mylène Farmer
Je te dis tout
124 bpm • B min • 05:30 • -6db
27% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Roch Voisine
Pourtant
122 bpm • G# Maj • 05:47 • -10db
20% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jean-Louis Aubert
Aussi loin
121 bpm • G min • 03:19 • -8.34db
27% Popularity • 68% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
27% Popularity • 68% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Francis Cabrel
Je reviens bientôt - Remastered
129 bpm • B min • 03:56 • -7.62db
22% Popularity • 47% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 47% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Elsa
Jour de neige
121 bpm • F# min • 04:03 • -16db
35% Popularity • 78% Danceability • 40% Energy • 20% Liveness
7% Instrumentalness • 81% Positiveness
35% Popularity • 78% Danceability • 40% Energy • 20% Liveness
7% Instrumentalness • 81% Positiveness
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Jeanne Mas
Sauvez-moi
129 bpm • C# Maj • 03:57 • -10.3db
35% Popularity • 64% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 73% Positiveness
35% Popularity • 64% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 73% Positiveness
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Mylène Farmer
Rêver
124 bpm • C Maj • 05:21 • -10db
43% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Gold
Calicoba (2017 - Remaster)
121 bpm • C Maj • 04:31 • -8.96db
29% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Najoua Belyzel
Jérémie
121 bpm • G Maj • 03:34 • -7.15db
18% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Francis Cabrel
Les gens absents - Remastered
120 bpm • C Maj • 05:06 • -14.23db
25% Popularity • 65% Danceability • 45% Energy • 15% Liveness
44% Instrumentalness • 41% Positiveness
25% Popularity • 65% Danceability • 45% Energy • 15% Liveness
44% Instrumentalness • 41% Positiveness
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Elsa
A la même heure dans deux ans
129 bpm • G Maj • 03:32 • -19.56db
33% Popularity • 71% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
33% Popularity • 71% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Alain Chamfort
Le temps qui court
120 bpm • C min • 04:09 • -15db
50% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
50% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
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Mylène Farmer
Mylène s'en fout
123 bpm • F Maj • 04:30 • -9.42db
26% Popularity • 59% Danceability • 56% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
26% Popularity • 59% Danceability • 56% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Images
Le cœur en exil
130 bpm • F# min • 05:14 • -16db
32% Popularity • 62% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 62% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Grégoire
La plus belle maman
130 bpm • F# min • 02:27 • -19.17db
22% Popularity • 63% Danceability • 17% Energy • 18% Liveness
34% Instrumentalness • 13% Positiveness
22% Popularity • 63% Danceability • 17% Energy • 18% Liveness
34% Instrumentalness • 13% Positiveness
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Anne-Laure Girbal
Où ça mène quand on s'aime
130 bpm • E min • 04:06 • -6.6db
31% Popularity • 56% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 56% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Renaud
La pêche à la ligne
120 bpm • B Maj • 03:34 • -11db
40% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Étienne Daho
Duel au soleil - 2006 Remaster
120 bpm • B Maj • 04:21 • -5db
40% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
40% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
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Mylène Farmer
Consentement
123 bpm • C min • 04:39 • -8.34db
24% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Images
Corps à corps
120 bpm • B min • 03:58 • -11.63db
41% Popularity • 69% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 69% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Grégoire
L'ami intime
130 bpm • A min • 03:08 • -5.62db
40% Popularity • 68% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 68% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Alain Souchon
Arlette Laguiller
120 bpm • A Maj • 04:23 • -7.52db
18% Popularity • 66% Danceability • 82% Energy • 8% Liveness
11% Instrumentalness • 64% Positiveness
18% Popularity • 66% Danceability • 82% Energy • 8% Liveness
11% Instrumentalness • 64% Positiveness
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Najoua Belyzel
Gabriel
120 bpm • F min • 03:33 • -3.67db
47% Popularity • 69% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 69% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Emmanuel Moire
Suite et fin
120 bpm • G# Maj • 05:29 • -8.46db
15% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mylène Farmer
Tous ces combats
122 bpm • D# Maj • 04:05 • -8.83db
21% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Indochine
Karma Girls
120 bpm • C# Maj • 06:32 • -7db
43% Popularity • 56% Danceability • 88% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
43% Popularity • 56% Danceability • 88% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
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La Grande Sophie
Une vie
120 bpm • E min • 03:23 • -9.18db
34% Popularity • 63% Danceability • 72% Energy • 32% Liveness
5% Instrumentalness • 34% Positiveness
34% Popularity • 63% Danceability • 72% Energy • 32% Liveness
5% Instrumentalness • 34% Positiveness
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Jeanne Mas
Les crises de l'âme
120 bpm • F# min • 05:01 • -10.93db
15% Popularity • 62% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
15% Popularity • 62% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Alizée
À contre-courant
120 bpm • A min • 04:27 • -5.47db
40% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Nicola Sirkis
Je t'aime tant
120 bpm • A Maj • 03:04 • -7.99db
25% Popularity • 79% Danceability • 58% Energy • 10% Liveness
59% Instrumentalness • 89% Positiveness
25% Popularity • 79% Danceability • 58% Energy • 10% Liveness
59% Instrumentalness • 89% Positiveness
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Mylène Farmer
Comme j'ai mal
121 bpm • E min • 03:52 • -7.92db
37% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Superbus
Butterfly
120 bpm • A min • 03:52 • -6db
53% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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François Feldman
J'ai peur
120 bpm • C Maj • 05:42 • -14.59db
21% Popularity • 73% Danceability • 60% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
21% Popularity • 73% Danceability • 60% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
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Indochine
La vie est belle
120 bpm • B Maj • 05:27 • -8.2db
55% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Christophe Willem
Si mes larmes tombent
120 bpm • G min • 03:55 • -5.73db
32% Popularity • 57% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 57% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
