Songs like Angel Song by Martin Landh
Based on a tempo of (+/- 10%) and a similar genre
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Pieter de Graaf
A Minor Story
128 bpm • A min • 03:43 • -17db
27% Popularity • 36% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 36% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Daigo Hanada
Butterfly
128 bpm • C min • 02:07 • -23.9db
43% Popularity • 38% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
43% Popularity • 38% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
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Trevor Kowalski
The Mountain Disconnect
128 bpm • F# min • 03:06 • -22db
21% Popularity • 45% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 45% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Una Luna
Neuland
128 bpm • A Maj • 02:30 • -24.18db
37% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
37% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Peter Sandberg
The Longest Way Back (Scaled Down Versio...
128 bpm • E Maj • 02:20 • -18.92db
29% Popularity • 81% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
29% Popularity • 81% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Maxence Cyrin
Mer de velours
128 bpm • G# Maj • 03:34 • -21.25db
36% Popularity • 34% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 34% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Martin Landh
Angel Song
128 bpm • D# min • 03:01 • -19db
39% Popularity • 41% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
39% Popularity • 41% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Chad Lawson
I Should Be Sleeping
127 bpm • F Maj • 03:18 • -25.49db
29% Popularity • 48% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
29% Popularity • 48% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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Mike Lazarev
Serenity
129 bpm • F min • 02:35 • -23.41db
34% Popularity • 38% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
34% Popularity • 38% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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SigrÃður
Welcome Home
129 bpm • D min • 04:12 • -27.25db
36% Popularity • 23% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
36% Popularity • 23% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Sam Eber
Cottage In Wales
129 bpm • G min • 02:42 • -15.09db
15% Popularity • 45% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
15% Popularity • 45% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Ben Laver
Keeper
127 bpm • C Maj • 04:57 • -24db
35% Popularity • 27% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 27% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Martin Landh
Elm
127 bpm • F min • 02:32 • -21.98db
26% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
26% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Vincent & A Secret
Bella
127 bpm • F# Maj • 01:47 • -20.3db
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
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Nils Frahm
Nils Has a New Piano
129 bpm • C min • 04:05 • -34.48db
48% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
48% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
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Oskar Schuster
Elodie
129 bpm • F Maj • 04:17 • -21.92db
32% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Jose Orlando Luciano
Infini
130 bpm • D Maj • 03:48 • -23.93db
16% Popularity • 30% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 12% Positiveness
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Jef Martens
When She Flows
126 bpm • D# min • 02:10 • -27.25db
42% Popularity • 36% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Craig Armstrong
If You Should Fall
126 bpm • F min • 03:33 • -17.5db
32% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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Figaro Castello
Escape In The Night
130 bpm • A min • 03:04 • -18db
27% Popularity • 58% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
27% Popularity • 58% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Peter Sandberg
Synesthesia (Scaled Down Version)
130 bpm • A Maj • 01:54 • -22db
52% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
52% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Benny Treskow
Wilderness
130 bpm • D Maj • 02:28 • -28.58db
21% Popularity • 72% Danceability • 7% Energy • 6% Liveness
93% Instrumentalness • 60% Positiveness
21% Popularity • 72% Danceability • 7% Energy • 6% Liveness
93% Instrumentalness • 60% Positiveness
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Martin Landh
Viken
130 bpm • D# Maj • 03:14 • -25.02db
5% Popularity • 27% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 19% Positiveness
5% Popularity • 27% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 19% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 2: Birdsong
130 bpm • A min • 05:25 • -21db
41% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Francine Gaétane
Le Mistral
130 bpm • G# Maj • 02:41 • -19.42db
31% Popularity • 49% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 49% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitry Evgrafov
Anthem
126 bpm • G Maj • 03:03 • -33.93db
40% Popularity • 27% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
40% Popularity • 27% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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Gavin Luke
Drifting Among Strangers
130 bpm • C# min • 03:28 • -20db
33% Popularity • 59% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
33% Popularity • 59% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Lama House
Secrets of the Earth
130 bpm • G min • 02:24 • -17db
41% Popularity • 38% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 38% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Peter Cavallo
Quietly Quietly
130 bpm • D# Maj • 03:22 • -35db
56% Popularity • 32% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
56% Popularity • 32% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Silver Maple
Serene Solitude
126 bpm • A Maj • 02:14 • -23.84db
32% Popularity • 24% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Martèn LeGrand
Pinehouse
126 bpm • C min • 02:46 • -22.82db
26% Popularity • 37% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
26% Popularity • 37% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Rachel Currea
Time Marches On
125 bpm • G# min • 02:39 • -22.46db
46% Popularity • 37% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
46% Popularity • 37% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Rob Daniel McAllister
Julichka's Theme (Solo Piano)
131 bpm • G# Maj • 03:00 • -20db
13% Popularity • 41% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 41% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Piotr Miteska
A Drift in Time
125 bpm • G Maj • 02:40 • -26.63db
34% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
34% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Lucas Vendrai
Pas de deux
131 bpm • C# min • 02:18 • -17.37db
40% Popularity • 55% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
40% Popularity • 55% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Philip Daniel
Unearthed
131 bpm • F Maj • 03:52 • -9.98db
26% Popularity • 18% Danceability • 29% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 29% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Chad Lawson
One Day You Finally Knew
125 bpm • C# min • 02:58 • -27.8db
40% Popularity • 34% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
40% Popularity • 34% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Vincent & A Secret
Nr. 17
131 bpm • C# Maj • 02:25 • -22.73db
15% Popularity • 36% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 20% Positiveness
15% Popularity • 36% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 20% Positiveness
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Alexander Chapman Campbell
Light Through The Day
131 bpm • A# min • 02:39 • -33.09db
38% Popularity • 39% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
38% Popularity • 39% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Discovery At Night
125 bpm • D# Maj • 04:25 • -28.96db
47% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
47% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
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Oskar Schuster
Theben
132 bpm • A min • 02:42 • -23db
37% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
37% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Gabriel Parker
Devil In Disguise
132 bpm • E min • 02:19 • -25.21db
35% Popularity • 48% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 48% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Lambert
As Ballad
132 bpm • D# Maj • 04:53 • -22db
46% Popularity • 40% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
46% Popularity • 40% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Léonie Deval
Footsteps
124 bpm • C min • 02:36 • -20.32db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Steven Gutheinz
Sierra
132 bpm • D Maj • 04:15 • -21db
31% Popularity • 57% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
31% Popularity • 57% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Moux
Chasing Stars
124 bpm • C Maj • 02:22 • -30.85db
45% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
45% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Rick Jolt
One With You
124 bpm • D Maj • 02:13 • -26db
40% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
40% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Jacob LaVallee
In This Way
132 bpm • E min • 03:09 • -17.81db
40% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
40% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Angus MacRae
Mirror Lake
132 bpm • G# Maj • 04:31 • -21db
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Arden Forest
Gold Foil
133 bpm • C min • 03:43 • -23.91db
16% Popularity • 41% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 32% Positiveness
16% Popularity • 41% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 32% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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by Gunnarsson
Water
133 bpm • D# Maj • 03:12 • -20.61db
43% Popularity • 28% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
43% Popularity • 28% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Gabrielle Aapri
Weeping Willow
123 bpm • D min • 02:57 • -15.8db
26% Popularity • 44% Danceability • 23% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
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Giuseppe Galvetti
Marinette
133 bpm • C# Maj • 02:17 • -26.24db
26% Popularity • 53% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
26% Popularity • 53% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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James Spiteri
Rain
133 bpm • A Maj • 03:33 • -21.8db
34% Popularity • 34% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
34% Popularity • 34% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Elliot Ziegler
Lyon
122 bpm • D min • 01:52 • -21.24db
36% Popularity • 52% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
36% Popularity • 52% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Karin Borg
Norrsken
134 bpm • C min • 01:35 • -22.4db
46% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Sandberg
Jane
134 bpm • G# Maj • 02:12 • -18.78db
36% Popularity • 39% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
36% Popularity • 39% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Rachel LaFond
She Dances on Cloudtops
122 bpm • C# Maj • 02:47 • -15.1db
16% Popularity • 51% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 51% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Chad Lawson
The Broad Sun
122 bpm • D# Maj • 03:28 • -35.34db
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Gabriel Parker
Ripples
134 bpm • A# Maj • 01:51 • -18db
32% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
32% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Patrik Berg Almkvisth
II
122 bpm • A Maj • 02:07 • -22.05db
48% Popularity • 47% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
48% Popularity • 47% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
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Julien Marchal
Insight Il
135 bpm • F min • 03:12 • -31db
32% Popularity • 34% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
32% Popularity • 34% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Peter Sandberg
Inconclusive Results
122 bpm • F# Maj • 02:06 • -22.63db
40% Popularity • 36% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
40% Popularity • 36% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Arelius
Wonder
135 bpm • F# Maj • 02:42 • -18.91db
40% Popularity • 22% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
40% Popularity • 22% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Martin Landh
Ayame
135 bpm • D# min • 02:37 • -24db
5% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
5% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Franz Gordon
Le Papillon Solitaire
135 bpm • A min • 03:07 • -18.15db
37% Popularity • 43% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
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Lo Mimieux
Nightingale (Scaled Down Version)
135 bpm • C Maj • 02:08 • -15.42db
44% Popularity • 40% Danceability • 24% Energy • 16% Liveness
75% Instrumentalness • 26% Positiveness
44% Popularity • 40% Danceability • 24% Energy • 16% Liveness
75% Instrumentalness • 26% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: Gravity
121 bpm • A min • 05:27 • -22.19db
42% Popularity • 27% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 27% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Evelyn Stein
Woodland
136 bpm • A# Maj • 01:59 • -26db
25% Popularity • 51% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 64% Positiveness
25% Popularity • 51% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 64% Positiveness
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Peter Sandberg
Who's There
136 bpm • E min • 02:37 • -23.68db
47% Popularity • 55% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
47% Popularity • 55% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Maxence Cyrin
The Frenchman (Piano Solo)
136 bpm • G min • 02:40 • -19.79db
39% Popularity • 25% Danceability • 34% Energy • 15% Liveness
85% Instrumentalness • 27% Positiveness
39% Popularity • 25% Danceability • 34% Energy • 15% Liveness
85% Instrumentalness • 27% Positiveness
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Silver Maple
This Delicate Place (Scaled Down Version...
120 bpm • G Maj • 02:40 • -25.64db
34% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
34% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Hushed
Lanterns
120 bpm • E Maj • 03:20 • -23.17db
37% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
37% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Trevor Kowalski
Courage Endures
120 bpm • A min • 02:59 • -16.5db
17% Popularity • 38% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
17% Popularity • 38% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Vincent & A Secret
Someday, Sometime
136 bpm • G Maj • 01:41 • -33.81db
31% Popularity • 47% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Martin Herzberg
Trust
137 bpm • C min • 05:25 • -16.6db
32% Popularity • 33% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Tristan Eckerson
Luz
120 bpm • D# min • 03:23 • -32db
28% Popularity • 51% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
28% Popularity • 51% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Pieter de Graaf
Hide and Seek
137 bpm • A# min • 03:29 • -23.71db
21% Popularity • 20% Danceability • 20% Energy • 26% Liveness
82% Instrumentalness • 25% Positiveness
21% Popularity • 20% Danceability • 20% Energy • 26% Liveness
82% Instrumentalness • 25% Positiveness
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Teodor Wolgers
nostalgia
137 bpm • A# min • 03:11 • -17.34db
42% Popularity • 35% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 35% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Francesco Tristano
Grey Light
120 bpm • G min • 04:36 • -20.96db
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Piano Novel
Vert tendre
137 bpm • F Maj • 04:55 • -23.4db
31% Popularity • 30% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 30% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Oscar Collin
Near Peripheral
137 bpm • D Maj • 02:29 • -22.77db
27% Popularity • 15% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Vincent & A Secret
Full Room Empty Space
137 bpm • A# min • 01:54 • -32.24db
24% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
24% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Mélanie Laurent
Début
119 bpm • C Maj • 02:40 • -30.25db
56% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
56% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Ian Wong
Fragile
138 bpm • G min • 02:52 • -21db
37% Popularity • 40% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
37% Popularity • 40% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Martin Landh
Snow In June
119 bpm • G Maj • 02:38 • -16.25db
28% Popularity • 24% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Arden Forest
Alabaster
138 bpm • A# min • 01:53 • -23.05db
35% Popularity • 37% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Lo Mimieux
Berceuse (Scaled Down Version)
138 bpm • A# min • 02:30 • -16.4db
43% Popularity • 38% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
43% Popularity • 38% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Maree Docia
At Last, Sunrise
138 bpm • B Maj • 02:02 • -30db
44% Popularity • 56% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
44% Popularity • 56% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Matt Stewart-Evans
Opus #25 Reprise
119 bpm • C# Maj • 01:55 • -20.61db
42% Popularity • 39% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
42% Popularity • 39% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Chad Lawson
She Dreams of Time
138 bpm • G min • 03:21 • -26.52db
29% Popularity • 41% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 41% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Sophie Hutchings
Whisper To Closeness
118 bpm • D min • 04:16 • -22.97db
27% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
27% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Sherwood Roberts
You in the Rain
118 bpm • D# Maj • 03:38 • -17.45db
43% Popularity • 38% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
43% Popularity • 38% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
37% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Stephan Moccio
Sea Change
118 bpm • G# Maj • 02:51 • -34.76db
53% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
53% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Una Luna
Il Vicolo
118 bpm • D# Maj • 03:20 • -25db
38% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
38% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Kylian Rebour
Fields
118 bpm • C min • 02:03 • -20.72db
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
