Songs like Angola by Cesária Evora
Based on a tempo of (+/- 10%) and a similar genre
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Cesária Evora
Coragem Irmon
106 bpm • E min • 06:29 • -9.25db
23% Popularity • 65% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 65% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Nancy Vieira
Saúde
106 bpm • C min • 02:38 • -7db
27% Popularity • 72% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Fatoumata Diawara
Sowa
106 bpm • A min • 03:06 • -9.93db
54% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Eneida Marta
Dur Di Kutubel
106 bpm • E min • 03:52 • -7db
28% Popularity • 81% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 81% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Cordas do Sol
Séte
106 bpm • E min • 04:36 • -10.67db
20% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Estudiantina Invasora
Commandante Che Guevara
106 bpm • G min • 05:12 • -10.59db
33% Popularity • 65% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 65% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Victor Démé
Ma belle
106 bpm • B Maj • 03:34 • -8.99db
43% Popularity • 78% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
43% Popularity • 78% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
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Cesária Evora
Angola
106 bpm • G# Maj • 04:30 • -12db
48% Popularity • 77% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 77% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Amadou & Mariam
Je pense à toi
106 bpm • B min • 05:16 • -11.66db
49% Popularity • 67% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 67% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Goran Bregović
Ausencia
105 bpm • G min • 03:48 • -18.41db
36% Popularity • 44% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 44% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Richard Bona
Bilongo
105 bpm • C# Maj • 05:38 • -7.35db
31% Popularity • 85% Danceability • 85% Energy • 15% Liveness
8% Instrumentalness • 96% Positiveness
31% Popularity • 85% Danceability • 85% Energy • 15% Liveness
8% Instrumentalness • 96% Positiveness
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Cheikh Lô
Doxandeme
105 bpm • E min • 06:06 • -9.77db
19% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Victor Démé
Deni Mouke Ila
105 bpm • D min • 04:35 • -9.6db
17% Popularity • 80% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 80% Danceability • 44% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
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Rokia Traoré
Sabali
107 bpm • C Maj • 05:08 • -12.07db
33% Popularity • 65% Danceability • 54% Energy • 7% Liveness
17% Instrumentalness • 68% Positiveness
33% Popularity • 65% Danceability • 54% Energy • 7% Liveness
17% Instrumentalness • 68% Positiveness
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Omara Portuondo
Mueve la Cintura Mulato
107 bpm • A Maj • 03:35 • -9.07db
35% Popularity • 69% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 69% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Buena Vista Social Club
Pueblo Nuevo
107 bpm • C Maj • 06:06 • -16.12db
53% Popularity • 63% Danceability • 26% Energy • 12% Liveness
56% Instrumentalness • 71% Positiveness
53% Popularity • 63% Danceability • 26% Energy • 12% Liveness
56% Instrumentalness • 71% Positiveness
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Tito Paris
Ó Pretinha
107 bpm • A min • 04:25 • -12.21db
13% Popularity • 76% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 69% Positiveness
13% Popularity • 76% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 69% Positiveness
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El Combo de los Galleros
Soledad
104 bpm • F min • 02:47 • -7.74db
34% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Bana
Canta Cu Alma Magoada
108 bpm • D# min • 03:35 • -10.17db
16% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Maria Alice
Sol Na Tchada
104 bpm • D min • 05:06 • -10db
25% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Pinduca
Mistura de Carimbo Com Ciranda
108 bpm • F min • 02:55 • -9.26db
29% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Buena Vista Social Club
El Cuarto de Tula
105 bpm • A Maj • 07:25 • -11.93db
63% Popularity • 55% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
63% Popularity • 55% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Cordas do Sol
Ka Bo da Ka Bo Fma
108 bpm • B min • 04:36 • -10.13db
20% Popularity • 79% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 79% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Karyna Gomes
Sinal Di Mindjer
104 bpm • B min • 03:36 • -11db
30% Popularity • 78% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 78% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Bana
Padre Ki Casam
108 bpm • C min • 05:15 • -6.68db
24% Popularity • 76% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 76% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Calypso Rose
Abatina
104 bpm • C Maj • 03:44 • -4.44db
58% Popularity • 75% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 75% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Lucibela
Txe Txu Fla
108 bpm • F min • 03:56 • -10.9db
17% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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David Zé
Candinha
108 bpm • C# Maj • 04:02 • -11.13db
31% Popularity • 79% Danceability • 41% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 79% Danceability • 41% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
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Cordas do Sol
Fórmula Tutal
108 bpm • A min • 03:17 • -10db
28% Popularity • 84% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Teta Lando
Angolano Segue em Frente
108 bpm • G min • 03:43 • -8.13db
21% Popularity • 81% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 81% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Umalali
Mérua
108 bpm • E min • 03:07 • -11db
47% Popularity • 82% Danceability • 39% Energy • 10% Liveness
72% Instrumentalness • 69% Positiveness
47% Popularity • 82% Danceability • 39% Energy • 10% Liveness
72% Instrumentalness • 69% Positiveness
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Buika
Soledad - con la colaboración de Chucho...
109 bpm • A min • 02:50 • -14.93db
45% Popularity • 72% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 72% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Teofilo Chantre
Des Bleuets Dans Les Blés
104 bpm • B min • 02:50 • -12.27db
25% Popularity • 58% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Tito Paris
Otilia/Otilio
103 bpm • F min • 05:05 • -16.18db
25% Popularity • 62% Danceability • 49% Energy • 6% Liveness
2% Instrumentalness • 79% Positiveness
25% Popularity • 62% Danceability • 49% Energy • 6% Liveness
2% Instrumentalness • 79% Positiveness
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AfroCubism
Que No Te Digan Muñeca
103 bpm • A min • 05:59 • -10.73db
31% Popularity • 57% Danceability • 54% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 57% Danceability • 54% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Fatoumata Diawara
Bissa
109 bpm • B min • 03:02 • -8.37db
40% Popularity • 76% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 76% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Cuarteto Oriente
Mueve la Cintura Mulata
103 bpm • E min • 08:07 • -11.34db
46% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Amadou & Mariam
M' Bife
109 bpm • G Maj • 02:11 • -7.23db
50% Popularity • 73% Danceability • 59% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
50% Popularity • 73% Danceability • 59% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
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Bandé-Gamboa
Pé Di Bissilon
103 bpm • C min • 04:21 • -10.81db
23% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Mama Sissoko
Soleil de minuit
109 bpm • D Maj • 06:13 • -10.49db
21% Popularity • 68% Danceability • 55% Energy • 18% Liveness
13% Instrumentalness • 88% Positiveness
21% Popularity • 68% Danceability • 55% Energy • 18% Liveness
13% Instrumentalness • 88% Positiveness
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Cesária Evora
Carnaval de São Vicente
109 bpm • G# min • 03:48 • -7.28db
46% Popularity • 65% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 65% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Dieuf-Dieul De Thies
Rumba para Parejas
103 bpm • C min • 05:30 • -13.75db
13% Popularity • 73% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 73% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The Bongo Hop
Nos Coje la Tarde
109 bpm • D Maj • 03:46 • -5.36db
50% Popularity • 68% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
50% Popularity • 68% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
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Amadou & Mariam
M' Bife Balafon
109 bpm • E min • 01:58 • -6.62db
49% Popularity • 73% Danceability • 79% Energy • 14% Liveness
89% Instrumentalness • 96% Positiveness
49% Popularity • 73% Danceability • 79% Energy • 14% Liveness
89% Instrumentalness • 96% Positiveness
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Cheikh Lô
Seyni
110 bpm • C Maj • 04:57 • -9.72db
23% Popularity • 82% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 82% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Guts
Nosso Carimbó é do Mundo
110 bpm • A min • 03:52 • -8.56db
28% Popularity • 79% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 79% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Kali
La Grev Bare Mwen
110 bpm • A min • 04:24 • -5.99db
22% Popularity • 83% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 83% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Balla Tounkara
Le monde est fou
110 bpm • D min • 05:40 • -7.15db
37% Popularity • 74% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 74% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Bongo Hop
Ventana
110 bpm • F# min • 03:41 • -6db
45% Popularity • 81% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
45% Popularity • 81% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Lhasa De Sela
Con Toda Palabra
110 bpm • F min • 04:29 • -12db
37% Popularity • 63% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
37% Popularity • 63% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Radio Tarifa
Rumba Argelina
110 bpm • F# Maj • 03:36 • -20.22db
32% Popularity • 76% Danceability • 33% Energy • 10% Liveness
6% Instrumentalness • 46% Positiveness
32% Popularity • 76% Danceability • 33% Energy • 10% Liveness
6% Instrumentalness • 46% Positiveness
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Souleance
Segrados Do Samba
102 bpm • B min • 04:19 • -6db
41% Popularity • 76% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 76% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tito Paris
Dança Ma Mi Criola
110 bpm • C Maj • 04:58 • -12.42db
40% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Boy Gé Mendès
Ayuweh
102 bpm • F# min • 04:35 • -10.74db
22% Popularity • 82% Danceability • 65% Energy • 13% Liveness
15% Instrumentalness • 97% Positiveness
22% Popularity • 82% Danceability • 65% Energy • 13% Liveness
15% Instrumentalness • 97% Positiveness
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Super Mama Djombo
Djan Djan
110 bpm • G min • 04:12 • -11.57db
17% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Cesária Evora
Cumpade Ciznone
102 bpm • F Maj • 03:16 • -9.22db
35% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Ibrahim Ferrer
Bruca Maniguá
110 bpm • A# Maj • 04:44 • -11.62db
50% Popularity • 50% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
50% Popularity • 50% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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Buena Vista Social Club
Buena Vista Social Club
102 bpm • D Maj • 04:52 • -18.09db
50% Popularity • 65% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 54% Positiveness
50% Popularity • 65% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 54% Positiveness
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Tito Paris
Preto e Mi
102 bpm • B min • 06:03 • -10.31db
21% Popularity • 66% Danceability • 71% Energy • 6% Liveness
38% Instrumentalness • 61% Positiveness
21% Popularity • 66% Danceability • 71% Energy • 6% Liveness
38% Instrumentalness • 61% Positiveness
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Ana Firmino
Ó Bernardo
101 bpm • E min • 02:49 • -7.45db
22% Popularity • 60% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 60% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Zelia Barbosa
Funeral Do Lavrador (Funeral of a Worker...
111 bpm • E Maj • 01:59 • -16db
29% Popularity • 68% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Oumou Sangaré
Moussolou
111 bpm • G Maj • 05:14 • -13.49db
38% Popularity • 57% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 57% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Lhasa De Sela
La Celestina
111 bpm • F min • 04:47 • -8.58db
35% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Buena Vista Social Club
Candela
101 bpm • A Maj • 05:29 • -12.64db
62% Popularity • 52% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 52% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Cheikh Lô
Né la thiass
101 bpm • E min • 04:27 • -10.94db
26% Popularity • 83% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 83% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Tito Paris
Rosto Di Morena
111 bpm • F min • 05:49 • -5.29db
11% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Fatoumata Diawara
Bakonoba
112 bpm • B min • 03:13 • -9.15db
40% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Hindi Zahra
Imik Si Mik - Remastered Version
112 bpm • F# min • 03:55 • -10.15db
55% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Ana Firmino
Chico Malandro
100 bpm • D min • 04:21 • -9.94db
32% Popularity • 77% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 77% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Blick Bassy
Wap Do Wap
112 bpm • A Maj • 02:15 • -8db
39% Popularity • 68% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 89% Positiveness
39% Popularity • 68% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 89% Positiveness
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Zoufris Maracas
Chienne de vie
100 bpm • D min • 04:45 • -9.83db
43% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Tito Paris
Bô
100 bpm • C# Maj • 04:24 • -5.92db
23% Popularity • 82% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
23% Popularity • 82% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
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Boy Gé Mendès
Pampario
100 bpm • E min • 04:18 • -11.13db
12% Popularity • 76% Danceability • 74% Energy • 17% Liveness
42% Instrumentalness • 70% Positiveness
12% Popularity • 76% Danceability • 74% Energy • 17% Liveness
42% Instrumentalness • 70% Positiveness
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Victor Démé
Séré Jugu
112 bpm • A Maj • 04:19 • -11.23db
28% Popularity • 74% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 74% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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The Bongo Hop
El Terrón
100 bpm • C# Maj • 05:22 • -7.27db
39% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lucibela
Sai Fora
100 bpm • A min • 03:32 • -9.68db
24% Popularity • 75% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Teofilo Chantre
Roda Vida
100 bpm • E min • 05:58 • -11db
31% Popularity • 67% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 67% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Rokia Traoré
Laidu
100 bpm • A# min • 06:26 • -15db
51% Popularity • 70% Danceability • 27% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
51% Popularity • 70% Danceability • 27% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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Fabiano do Nascimento
Minha Ciranda
113 bpm • A min • 04:05 • -12.2db
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Passion Coco
Playa Tropical
113 bpm • E min • 04:07 • -7.85db
46% Popularity • 61% Danceability • 45% Energy • 11% Liveness
29% Instrumentalness • 89% Positiveness
46% Popularity • 61% Danceability • 45% Energy • 11% Liveness
29% Instrumentalness • 89% Positiveness
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Victor Démé
Burkina Mousso
113 bpm • F# min • 04:13 • -6.64db
19% Popularity • 58% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 58% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ildo Lobo
Nós Morna
113 bpm • G Maj • 06:26 • -11.85db
20% Popularity • 50% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 50% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Flavia Coelho
Bossa Bika Nova
113 bpm • G Maj • 04:08 • -10.19db
16% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Os Tincoãs
Deixa A Gira Girar
113 bpm • C# Maj • 03:11 • -10.22db
52% Popularity • 51% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 51% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Simentera
Zita
113 bpm • E min • 02:04 • -11.94db
34% Popularity • 46% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 46% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Mariana Ramos
Bandera
113 bpm • B Maj • 04:05 • -9.65db
34% Popularity • 82% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 82% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Cesária Evora
Sorte
99 bpm • F min • 03:48 • -6.27db
39% Popularity • 65% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 65% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Voz de Cabo verde
Carinha di Bo Māe
99 bpm • C min • 02:23 • -11.26db
25% Popularity • 42% Danceability • 34% Energy • 20% Liveness
90% Instrumentalness • 66% Positiveness
25% Popularity • 42% Danceability • 34% Energy • 20% Liveness
90% Instrumentalness • 66% Positiveness
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Maria de Barros
El Tambem J'dame
99 bpm • G# Maj • 03:27 • -10.2db
24% Popularity • 89% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 89% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Carminho
Lágrimas do céu
99 bpm • C# min • 03:43 • -10db
39% Popularity • 60% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 60% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ismaël Lô
Lotte Lo
99 bpm • C Maj • 03:15 • -9.18db
30% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Ali Farka Touré
Bonde
114 bpm • D Maj • 05:28 • -17.03db
45% Popularity • 51% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
45% Popularity • 51% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Waldemar Bastos
Menina
99 bpm • E Maj • 03:58 • -13.69db
33% Popularity • 68% Danceability • 48% Energy • 7% Liveness
3% Instrumentalness • 54% Positiveness
33% Popularity • 68% Danceability • 48% Energy • 7% Liveness
3% Instrumentalness • 54% Positiveness
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Ernesto Dabo
Djustiça
114 bpm • E min • 04:57 • -10db
25% Popularity • 79% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
25% Popularity • 79% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
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Maria de Barros
Espaco Infinito
114 bpm • G# min • 04:21 • -10db
16% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Katia Guerreiro
Amor de Mel, Amor de Fel
114 bpm • E min • 03:08 • -10.21db
28% Popularity • 52% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 52% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Fatoumata Diawara
Makoun Oumou
114 bpm • A# min • 04:35 • -11.39db
37% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 73% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rosemary Standley
Sega Jacquot
98 bpm • F min • 02:24 • -14.15db
48% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
