Songs like Anna Bolena: Act II: Al dolce guidami (Anna, Chorus) by Gaetano Donizetti
Based on a tempo of (+/- 10%) and a similar genre
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act III: Introducti...
78 bpm • D# Maj • 01:32 • -15.74db
0% Popularity • 24% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
0% Popularity • 24% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 1: "Voce di donna o d'...
78 bpm • D# Maj • 04:05 • -22.26db
12% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act I: "Qual fiamma avea nel...
78 bpm • A Maj • 04:31 • -16.68db
8% Popularity • 26% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act II: Esci, fuggi
78 bpm • D Maj • 01:15 • -8.81db
9% Popularity • 44% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 44% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Beniamino Gigli
Una furtiva lacrima
78 bpm • F min • 03:46 • -12db
20% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Pique Dame, Op. 68, TH 10 /...
79 bpm • D# Maj • 05:48 • -21db
8% Popularity • 14% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
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Arrigo Boito
Mefistofele / Act III: "L'altra notte in...
78 bpm • C Maj • 06:52 • -22db
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Prologue: Prelude..."Si può...
79 bpm • G Maj • 07:52 • -18db
20% Popularity • 22% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 6% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act III: Tu che a D...
78 bpm • D Maj • 05:06 • -18.23db
0% Popularity • 19% Danceability • 28% Energy • 63% Liveness
65% Instrumentalness • 19% Positiveness
0% Popularity • 19% Danceability • 28% Energy • 63% Liveness
65% Instrumentalness • 19% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Je suis s...
77 bpm • C# Maj • 10:23 • -17.32db
10% Popularity • 23% Danceability • 16% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 16% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act 1: "La dolcissi...
79 bpm • G# Maj • 02:31 • -17db
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
79 bpm • C Maj • 01:57 • -19.77db
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 12% Danceability • 16% Energy • 98% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
76 bpm • A# Maj • 08:02 • -14.55db
14% Popularity • 16% Danceability • 29% Energy • 22% Liveness
49% Instrumentalness • 8% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 22% Liveness
49% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3 Sc...
79 bpm • D# Maj • 03:55 • -15db
9% Popularity • 30% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 21% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72, Act I: Quartet: Mir ist...
76 bpm • G Maj • 04:43 • -24.59db
17% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
80 bpm • F# min • 02:52 • -14.98db
14% Popularity • 20% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
14% Popularity • 20% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
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Charles Gounod
Faust, CG 4 / Act 3: "Quel trouble incon...
80 bpm • G# Maj • 06:14 • -17.77db
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 1...
79 bpm • F Maj • 02:22 • -25.93db
14% Popularity • 44% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 44% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Anna Bolena - Tragedia lirica in due att...
80 bpm • C Maj • 03:18 • -12.09db
4% Popularity • 30% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 30% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act III: Il dolce s...
77 bpm • D# Maj • 12:22 • -18.98db
7% Popularity • 25% Danceability • 12% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 12% Energy • 17% Liveness
27% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31, Act II: La fleur que tu m...
81 bpm • C# Maj • 04:19 • -18.56db
14% Popularity • 29% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Mario del Monaco
Lucia di Lammermoor Tu che a dio spiegas...
75 bpm • C# Maj • 02:12 • -13db
21% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
21% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Son qua! Ritornano"
81 bpm • F# Maj • 03:11 • -17db
20% Popularity • 26% Danceability • 34% Energy • 55% Liveness
25% Instrumentalness • 22% Positiveness
20% Popularity • 26% Danceability • 34% Energy • 55% Liveness
25% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Chiedi all'au...
77 bpm • D# Maj • 06:31 • -22db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Gioachino Rossini
Rossini: Guillaume Tell, Act 2 Scene 2: ...
74 bpm • G# Maj • 04:57 • -20.35db
11% Popularity • 21% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act II: "Poichè, can...
79 bpm • D min • 00:54 • -22.55db
11% Popularity • 53% Danceability • 10% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 53% Danceability • 10% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Dustin Henze
La Boheme
74 bpm • D Maj • 04:47 • -14db
12% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, Act 1: "La cloche a sonn�...
82 bpm • E Maj • 04:33 • -25.91db
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Don Pasquale, Act III Sesta Scena: Torna...
80 bpm • A Maj • 03:27 • -26db
12% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
82 bpm • D# Maj • 04:07 • -16.23db
7% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Renata Tebaldi
E' Strano... Follie... Sempre Libera - l...
74 bpm • C Maj • 08:53 • -16db
15% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
76 bpm • D# Maj • 03:48 • -12.19db
6% Popularity • 29% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
6% Popularity • 29% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Georges Bizet
La jolie fille de Perth - Adapted Chris ...
74 bpm • A min • 05:47 • -14.77db
15% Popularity • 18% Danceability • 17% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
15% Popularity • 18% Danceability • 17% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Stabat Mater: 1. Stabat Mater dolorosa
83 bpm • G min • 09:57 • -21.34db
20% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act I: "Recitar!" - "Vesti l...
83 bpm • E min • 04:03 • -15db
13% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Séguedille. "Prè...
83 bpm • D Maj • 04:36 • -19.43db
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
83 bpm • D# Maj • 05:11 • -15db
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Ciganské melodie, Op. 55, B. 104 - Arr....
73 bpm • C# Maj • 03:05 • -19.56db
18% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Ei corregge ...
80 bpm • A# Maj • 02:13 • -17.74db
10% Popularity • 56% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 56% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Seguédille...
83 bpm • G Maj • 02:04 • -17.64db
9% Popularity • 39% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Stabat Mater: 3. Quis est homo qui non f...
72 bpm • E Maj • 07:21 • -22.28db
15% Popularity • 19% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: "L'am...
84 bpm • A# Maj • 03:53 • -24db
11% Popularity • 18% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Poliuto (1997 Digital Remaster), ATTO SE...
76 bpm • D Maj • 02:02 • -13.9db
2% Popularity • 46% Danceability • 35% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 46% Danceability • 35% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
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Georges Bizet
Carmen / Act 1: "Près des remparts de S...
83 bpm • D Maj • 04:47 • -23db
15% Popularity • 33% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 33% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Gioachino Rossini
La Cenerentola / Act 2: "Nacqui all'affa...
72 bpm • E Maj • 07:32 • -18.08db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Emmerich Kálmán
"Heia, heia, in den Bergen ist mein Heim...
72 bpm • C min • 03:25 • -14db
19% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness