Songs like Années de pèlerinage I, S. 160: VIII. Le mal du pays by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Franz Liszt
Années de pèlerinage I, S. 160: VIII. ...
128 bpm • D Maj • 06:07 • -31db
22% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
22% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Edward Gregson
4 Pictures for Piano Duet: No. 2, Quite ...
129 bpm • A min • 01:13 • -29db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Ec...
127 bpm • A min • 03:36 • -27.49db
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
13 Préludes, Op. 32: No. 5 in G Major. ...
129 bpm • G Maj • 03:14 • -39db
32% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 3. Laideronnette,...
129 bpm • G# min • 03:11 • -25db
22% Popularity • 35% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
22% Popularity • 35% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Alberto Ginastera
Suite de danzas criollas, Op. 15 (2nd ve...
129 bpm • C Maj • 01:56 • -40db
32% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
32% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 6 in D-Flat Major...
127 bpm • C# Maj • 06:22 • -14.3db
28% Popularity • 41% Danceability • 28% Energy • 16% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 41% Danceability • 28% Energy • 16% Liveness
89% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
33% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Franz Liszt
Annees de pelerinage, 1st year, Switzerl...
130 bpm • B Maj • 06:49 • -25.38db
15% Popularity • 34% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
15% Popularity • 34% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 4 Humoresque
131 bpm • C# min • 01:09 • -26.91db
48% Popularity • 44% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 42% Positiveness
48% Popularity • 44% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 42% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Benjamin Frith
Fantasiestucke, Op. 12: Des Abends
123 bpm • C# Maj • 03:25 • -40.66db
24% Popularity • 29% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
24% Popularity • 29% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
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Eteri Andjaparidze
Visions Fugitives, Op. 22: XIV. Feroce
133 bpm • C Maj • 01:01 • -27db
47% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
47% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
40% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
40% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Friedrich Nietzsche
Heldenklage
135 bpm • D Maj • 01:56 • -29.83db
31% Popularity • 45% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
31% Popularity • 45% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 1. Pavane de la B...
135 bpm • A min • 01:21 • -42db
35% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
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Pianozone
Libestraume - No.3
135 bpm • G# Maj • 03:38 • -18.37db
30% Popularity • 34% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
30% Popularity • 34% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
135 bpm • C# Maj • 03:42 • -18db
14% Popularity • 34% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
136 bpm • B min • 04:15 • -30db
30% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
30% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Lazar Berman
Suonata II in si bemolle maggiore : Alle...
120 bpm • A# Maj • 05:19 • -39db
11% Popularity • 33% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
11% Popularity • 33% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
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Nikolai Kapustin
Eight Concert Studies for Piano, Op. 40:...
137 bpm • E min • 02:06 • -19.23db
30% Popularity • 31% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 55% Positiveness
30% Popularity • 31% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 55% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Notturno
139 bpm • F# Maj • 06:05 • -26db
24% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Liszt
Années de pèlerinage I, S. 160: I. La ...
139 bpm • C Maj • 06:42 • -20db
19% Popularity • 41% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 41% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
ドニゼッティ. ポジリポの夏�...
141 bpm • D Maj • 04:46 • -20.81db
0% Popularity • 33% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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William Bolcom
3 Ghost Rags: No. 1. The Graceful Ghost
116 bpm • A# min • 04:34 • -26.77db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
139 bpm • G# Maj • 04:35 • -22.45db
38% Popularity • 27% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
38% Popularity • 27% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: I. Pavane de la b...
116 bpm • C Maj • 01:33 • -47.07db
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
► Preview
Frédéric Chopin
Preludes, Op. 28: No. 4 in E Minor, Larg...
115 bpm • C Maj • 02:20 • -31db
47% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
47% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Nikolai Kapustin
Eight Concert Etudes, Op. 40: I. Prelude...
142 bpm • C Maj • 02:04 • -14.5db
17% Popularity • 34% Danceability • 33% Energy • 22% Liveness
94% Instrumentalness • 39% Positiveness
17% Popularity • 34% Danceability • 33% Energy • 22% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Philip Glass
Études: No. 9
114 bpm • F min • 02:32 • -25.27db
35% Popularity • 39% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 39% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Alfred Cortot
Adagio From The Concerto In F Minor
114 bpm • G# Maj • 02:51 • -29db
16% Popularity • 52% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
16% Popularity • 52% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
► Preview
Franz Liszt
Années de pèlerinage II, S. 161: I. Sp...
139 bpm • E Maj • 08:13 • -22.85db
16% Popularity • 38% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
16% Popularity • 38% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
► Preview
Vladimir Rebikov
Valse Mélancolique
113 bpm • B min • 01:34 • -24db
41% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
41% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Philip Glass
Etude No. 1
113 bpm • D min • 03:27 • -20.21db
18% Popularity • 26% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 26% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Béla Bartók
44 Duos for 2 Violins, BB 104, Vol. 1: P...
112 bpm • B min • 00:53 • -24.71db
34% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
34% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
► Preview
Franz Liszt
6 Grandes études de Paganini, S. 141: N...
115 bpm • G# min • 04:30 • -25.4db
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
► Preview
Toru Takemitsu
3 Film Scores: No. 3. Face of Another: W...
112 bpm • G# Maj • 02:28 • -26.07db
30% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Vladimir Horowitz
Exercises in Free Improvisation Part II ...
112 bpm • C# Maj • 02:36 • -20db
16% Popularity • 37% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
112 bpm • F# Maj • 00:59 • -30.77db
52% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
52% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
36% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
36% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Germaine Tailleferre
Valses pour 2 pianos: Valse brillante
111 bpm • G Maj • 01:52 • -21.14db
15% Popularity • 40% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: No. 1 Berc...
111 bpm • D Maj • 02:56 • -31.6db
29% Popularity • 33% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
29% Popularity • 33% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Frédéric Chopin
Prelude in E Minor, Op. 28, No. 4
110 bpm • A min • 02:06 • -25.57db
35% Popularity • 42% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 42% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Philip Glass
Études: No. 6
110 bpm • F min • 04:26 • -21db
34% Popularity • 35% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 35% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Federico Mompou
Impresiones intimas: 1. Planys I
109 bpm • A min • 01:07 • -32db
28% Popularity • 58% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 56% Positiveness
28% Popularity • 58% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 56% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
110 bpm • C min • 01:23 • -32db
39% Popularity • 41% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
39% Popularity • 41% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 49% Positiveness
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Franz Liszt
Grand Galop chromatique in E-Flat Major,...
153 bpm • G# Maj • 03:58 • -18.42db
31% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
31% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
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Federico Mompou
Música Callada I
165 bpm • A min • 02:07 • -40.76db
19% Popularity • 42% Danceability • 0% Energy • 13% Liveness
85% Instrumentalness • 37% Positiveness
19% Popularity • 42% Danceability • 0% Energy • 13% Liveness
85% Instrumentalness • 37% Positiveness
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Edvard Grieg
Lyric Pieces Book X, Op. 71: No. 7 Remem...
157 bpm • G min • 01:57 • -37.26db
33% Popularity • 37% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
33% Popularity • 37% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Franz Liszt
Années de pèlerinage I, S. 160: III. P...
163 bpm • E Maj • 01:33 • -33.28db
30% Popularity • 23% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 40% Positiveness
30% Popularity • 23% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Bohuslav Martinů
Loutky (Puppets), H. 92: No. 1. Pierroto...
169 bpm • G min • 01:39 • -26.66db
21% Popularity • 41% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
21% Popularity • 41% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Valeria Szervánszky
Ma mère l'oye, M. 60: 4. Les entretiens...
167 bpm • F Maj • 03:58 • -28db
14% Popularity • 31% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 31% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
