Songs like Annen-Polka, Op. 117 by Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Bedřich Smetana
Dance Of The Comedians
76 bpm • C Maj • 05:27 • -14.49db
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
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Jacques Offenbach
Overture Orpheus in the Underworld
76 bpm • D Maj • 09:18 • -19.21db
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 14% Energy • 15% Liveness
78% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Giuseppe Verdi
Dies Irae
78 bpm • G Maj • 01:59 • -9.09db
24% Popularity • 20% Danceability • 56% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
24% Popularity • 20% Danceability • 56% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in D minor, S.3...
76 bpm • G Maj • 04:54 • -24db
23% Popularity • 26% Danceability • 13% Energy • 19% Liveness
74% Instrumentalness • 38% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 19% Liveness
74% Instrumentalness • 38% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in F Minor: Allegr...
76 bpm • G min • 02:23 • -17db
27% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
27% Popularity • 25% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
38% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
38% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
78 bpm • C Maj • 04:58 • -17.76db
12% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Johann Strauss II
Unter Donner und Blitz Polka, Op. 324
78 bpm • G Maj • 03:20 • -17.03db
10% Popularity • 56% Danceability • 45% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Johann Strauss II
Die Fledermaus, Act II: No. 11, Finale. ...
79 bpm • D Maj • 02:12 • -13db
20% Popularity • 52% Danceability • 51% Energy • 67% Liveness
1% Instrumentalness • 73% Positiveness
20% Popularity • 52% Danceability • 51% Energy • 67% Liveness
1% Instrumentalness • 73% Positiveness
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Ludwig van Beethoven
Beethoven: Egmont, Op. 84: Overture
75 bpm • F min • 08:40 • -18.44db
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Annen Polka, Op. 117
79 bpm • D Maj • 03:10 • -22db
29% Popularity • 56% Danceability • 5% Energy • 10% Liveness
16% Instrumentalness • 52% Positiveness
29% Popularity • 56% Danceability • 5% Energy • 10% Liveness
16% Instrumentalness • 52% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
49% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
35% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko
Neva Polka, Op. 288
80 bpm • D# Maj • 03:49 • -10db
11% Popularity • 44% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
11% Popularity • 44% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
21% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Waltz of the Flowers
80 bpm • D Maj • 06:25 • -16.48db
39% Popularity • 21% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 14% Positiveness
39% Popularity • 21% Danceability • 13% Energy • 8% Liveness
32% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
30% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Shostakovich: Suite for Jazz Orchestra N...
81 bpm • D# Maj • 02:42 • -34db
33% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
33% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 3 in F Ma...
73 bpm • C Maj • 03:35 • -17.59db
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
42% Popularity • 43% Danceability • 18% Energy • 17% Liveness
55% Instrumentalness • 28% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 2, ...
73 bpm • E Maj • 02:18 • -24db
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 16, Finale....
81 bpm • D Maj • 02:39 • -16.21db
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Jacques Offenbach
The Tales of Hoffmann: Barcarolle
73 bpm • D Maj • 03:34 • -25db
21% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
21% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
82 bpm • C min • 08:13 • -15db
18% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
18% Popularity • 34% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
► Preview
Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
► Preview
Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
36% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
36% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johann Strauss II
Die Fledermaus / Act II: "Genug damit, g...
82 bpm • G Maj • 04:07 • -14.85db
19% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Léo Delibes
Coppelia: Act I - Mazurka
82 bpm • G Maj • 04:08 • -20.01db
28% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
28% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
72 bpm • G# Maj • 09:58 • -22db
13% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
► Preview
Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
► Preview
Pablo de Sarasate
Sarasate: Zigeunerweisen, Op. 20
83 bpm • C min • 08:37 • -20.64db
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
33% Popularity • 26% Danceability • 14% Energy • 5% Liveness
13% Instrumentalness • 13% Positiveness
► Preview
AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Claude Debussy
Clair de lune
71 bpm • C# Maj • 05:13 • -24.9db
30% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Nabucco: Va, pensiero, "Chorus of Hebrew...
71 bpm • C# Maj • 04:44 • -26.78db
38% Popularity • 20% Danceability • 1% Energy • 31% Liveness
8% Instrumentalness • 7% Positiveness
38% Popularity • 20% Danceability • 1% Energy • 31% Liveness
8% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme by Paganini, Op. 43:...
70 bpm • C# Maj • 02:37 • -21.04db
33% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Johann Strauss II
The Blue Danube Waltz, Op. 314
84 bpm • D Maj • 10:18 • -16.46db
23% Popularity • 26% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 19% Positiveness
23% Popularity • 26% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 19% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude
70 bpm • G Maj • 02:47 • -18.4db
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Bedřich Smetana
Louisa's Polka (orch. I. Krejci)
85 bpm • D# Maj • 03:33 • -24db
18% Popularity • 51% Danceability • 3% Energy • 8% Liveness
18% Instrumentalness • 52% Positiveness
18% Popularity • 51% Danceability • 3% Energy • 8% Liveness
18% Instrumentalness • 52% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
55% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
55% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
85 bpm • C min • 06:35 • -14.24db
22% Popularity • 35% Danceability • 25% Energy • 18% Liveness
82% Instrumentalness • 18% Positiveness
22% Popularity • 35% Danceability • 25% Energy • 18% Liveness
82% Instrumentalness • 18% Positiveness
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Johann Strauss II
Die Fledermaus, Act I: No. 2, Trio. Nein...
85 bpm • D Maj • 03:47 • -14.53db
19% Popularity • 42% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 42% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 31% Positiveness
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Frédéric Chopin
Polonaise in A-Flat Major, Op. 53
85 bpm • G# Maj • 06:27 • -17db
35% Popularity • 25% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
35% Popularity • 25% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Anton Rubinstein
Melody in F, Op. 3, No. 1 - Arr. G. Sabo...
85 bpm • F Maj • 02:08 • -18.86db
18% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
18% Popularity • 18% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
38% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
38% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
► Preview
Johann Strauss II
Bitte schon, Polka
86 bpm • F Maj • 03:55 • -18db
27% Popularity • 48% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
► Preview
101 Strings Orchestra
BOCCHERINI-MINUET FROM STRING QUINTET
86 bpm • A Maj • 03:54 • -23.78db
12% Popularity • 45% Danceability • 7% Energy • 37% Liveness
3% Instrumentalness • 28% Positiveness
12% Popularity • 45% Danceability • 7% Energy • 37% Liveness
3% Instrumentalness • 28% Positiveness
► Preview
Polish State Philharmonic Orchestra, Katowice
Albion, Op. 102: Polka
86 bpm • F Maj • 03:35 • -26db
25% Popularity • 46% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 67% Positiveness
25% Popularity • 46% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 67% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Hungarian Rhapsody, S. 244: No. 2 in C M...
86 bpm • C Maj • 10:46 • -16.72db
7% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
7% Popularity • 18% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
