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Annie Get your Gun: There's No Business Like Show ...
Songs like
Annie Get your Gun: There's No Business Like Show Business
by
Irving Berlin
Based on a tempo of (+/- 10%) and a similar genre
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Noel Coward
A Room with a View
136 bpm • G Maj • 03:34 • -15db
21% Popularity • 40% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Stubby Kaye (performer), Guys and Dolls Chorus
Sit Down You're Rockin the Boat!
136 bpm • D# Maj • 02:01 • -13db
22% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Richard Harris
Finale Ultimo
137 bpm • D# Maj • 02:39 • -15.13db
18% Popularity • 34% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Wilfrid Hyde-White
The Rain In Spain - Voice
135 bpm • F Maj • 02:11 • -14db
25% Popularity • 51% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Bob Hope
Road To Morocco: Ain't Got a Dime To My ...
135 bpm • C min • 02:14 • -12db
17% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Noel Coward
Mad Dogs and Englishmen
136 bpm • G# Maj • 02:49 • -11.96db
11% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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George Formby
Leaning on a Lamp Post
137 bpm • C Maj • 03:02 • -14.85db
28% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Dinah Shore
He Wears a Pair of Silver Wings
137 bpm • A# Maj • 03:19 • -10.62db
16% Popularity • 37% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Irving Berlin
There's No Business Like Show Business
135 bpm • C# Maj • 03:11 • -11.93db
13% Popularity • 67% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Anne Dudley
Nagasaki
134 bpm • A# Maj • 02:56 • -13db
18% Popularity • 73% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Noel Coward
Mrs Worthington
137 bpm • D# Maj • 02:02 • -18db
17% Popularity • 68% Danceability • 21% Energy • 29% Liveness
37% Instrumentalness • 74% Positiveness
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Peter Nero
Mountain Greenery
133 bpm • C Maj • 02:34 • -14db
21% Popularity • 58% Danceability • 42% Energy • 28% Liveness
86% Instrumentalness • 76% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
26% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Debbie Reynolds
Aba Daba Honeymoon
133 bpm • G min • 03:14 • -8.72db
14% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Irving Berlin
Let's Face the Music and Dance
134 bpm • E min • 04:01 • -15.85db
0% Popularity • 19% Danceability • 21% Energy • 36% Liveness
87% Instrumentalness • 15% Positiveness
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Marvin Hamlisch
One (Reprise) / Finale
133 bpm • D# Maj • 05:04 • -8.99db
27% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Noel Coward
Mad Dogs and Englishmen
134 bpm • C Maj • 02:51 • -16db
23% Popularity • 68% Danceability • 27% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
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Petula Clark, Don Francks & Fred Astaire
Look to the Rainbow
140 bpm • G# Maj • 03:03 • -14db
14% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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New York City Opera Orchestra
The Music Man - Overture
132 bpm • C Maj • 03:12 • -16.63db
12% Popularity • 45% Danceability • 32% Energy • 5% Liveness
82% Instrumentalness • 41% Positiveness
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Original Soundtrack
Arlena & Patrick
132 bpm • F Maj • 01:32 • -14.99db
12% Popularity • 61% Danceability • 16% Energy • 7% Liveness
21% Instrumentalness • 64% Positiveness
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Irving Berlin
My Defences Are Down
138 bpm • A Maj • 03:27 • -10.5db
0% Popularity • 41% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Overture
140 bpm • D# Maj • 04:16 • -13.47db
14% Popularity • 48% Danceability • 37% Energy • 70% Liveness
91% Instrumentalness • 36% Positiveness
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Noel Coward
Mad Dogs And Englishmen
134 bpm • C Maj • 02:51 • -22db
11% Popularity • 68% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Flanagan & Allen
The Umbrella Man
132 bpm • C# Maj • 02:43 • -10db
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Laurie Johnson
Paris Honeymoon
140 bpm • D min • 01:30 • -6db
16% Popularity • 29% Danceability • 48% Energy • 24% Liveness
96% Instrumentalness • 42% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
31% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Irving Berlin
What The Well Dressed Man In Harlem Will...
140 bpm • G Maj • 02:46 • -11.73db
1% Popularity • 70% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Tony Fenelon
Zip a Dee Doo Dah
140 bpm • F Maj • 01:18 • -14.45db
20% Popularity • 34% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Hermione Gingold
Pick-A-Little, Talk-A-Little
140 bpm • G Maj • 02:02 • -8.54db
31% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Groucho Marx
Hooray For Captain Spaulding
140 bpm • C Maj • 03:11 • -12.61db
8% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Rogers
Rogers: Oklahoma!: Oklahoma
140 bpm • D Maj • 03:12 • -16.09db
13% Popularity • 54% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dinah Shore
You'd Be So Nice To Come Home To - Vocad...
131 bpm • F# Maj • 02:56 • -12.51db
12% Popularity • 35% Danceability • 20% Energy • 14% Liveness
8% Instrumentalness • 18% Positiveness
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Robert Preston
Ya Got Trouble / Seventy-Six Trombones
132 bpm • C min • 02:50 • -11.88db
31% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Ivor Novello
The Dancing Years - Musical play in 3 ac...
131 bpm • F Maj • 02:33 • -22db
18% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Anonymous
Hello Everybody … God Bless America - ...
131 bpm • F Maj • 04:21 • -16.49db
5% Popularity • 45% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 60% Positiveness
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South Pacific 1988 London Cast Recording Male Ensemble
There Is Nothing Like A Dame
141 bpm • E Maj • 03:39 • -17.6db
13% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Northwest Sinfonia
The Plaza
131 bpm • D# Maj • 02:07 • -14db
22% Popularity • 48% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Debbie Reynolds
Lady Loves
141 bpm • C Maj • 02:58 • -12db
9% Popularity • 44% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
27% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Kunz
Has Anybody Here Seen Kelly
131 bpm • G Maj • 02:12 • -27.08db
24% Popularity • 58% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 59% Positiveness
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Lionel Newman
You Make It Easy To Be True
131 bpm • A min • 01:11 • -21db
25% Popularity • 55% Danceability • 12% Energy • 50% Liveness
96% Instrumentalness • 57% Positiveness
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Noel Coward
I'Ll See You Again
131 bpm • G Maj • 03:17 • -19.29db
9% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
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Ted Heath
Hot Toddy
130 bpm • G Maj • 02:59 • -16db
19% Popularity • 76% Danceability • 30% Energy • 4% Liveness
18% Instrumentalness • 81% Positiveness
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Flanagan & Allen
The Umbrella Man (Alternate Take)
130 bpm • C# Maj • 02:44 • -16db
10% Popularity • 44% Danceability • 23% Energy • 35% Liveness
56% Instrumentalness • 57% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Eric Coates
Calling All Workers
142 bpm • C Maj • 03:06 • -13.12db
13% Popularity • 47% Danceability • 34% Energy • 22% Liveness
86% Instrumentalness • 81% Positiveness
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Carmen Dragon
America The Beautiful
142 bpm • F# Maj • 03:21 • -10.04db
10% Popularity • 14% Danceability • 33% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Anton Karas
The Third Man Theme
130 bpm • G Maj • 04:25 • -12db
18% Popularity • 47% Danceability • 35% Energy • 33% Liveness
86% Instrumentalness • 87% Positiveness
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The Morrie Morrison Orchestra
Buffalo Gals
130 bpm • F Maj • 02:29 • -8.81db
10% Popularity • 71% Danceability • 56% Energy • 6% Liveness
68% Instrumentalness • 96% Positiveness
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Stubby Kaye
Sit Down, You're Rockin' The Boat - Rema...
129 bpm • F Maj • 02:15 • -8.78db
22% Popularity • 60% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Victor Young
Around the World – Part I
130 bpm • D# Maj • 02:58 • -15.1db
12% Popularity • 23% Danceability • 31% Energy • 14% Liveness
93% Instrumentalness • 28% Positiveness
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Vic Damone
Marie - Remastered
143 bpm • C# Maj • 02:02 • -14db
10% Popularity • 47% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Irving Berlin
This is the Army, Mr. Jones
129 bpm • C# Maj • 02:19 • -13.92db
9% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Orchestra Of 'Mack & Mabel'
Mack and Mabel Overture
144 bpm • C Maj • 04:58 • -13db
8% Popularity • 38% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Stubby Kaye
Sit Down, You're Rockin' The Boat
129 bpm • F Maj • 02:11 • -21.25db
16% Popularity • 53% Danceability • 27% Energy • 71% Liveness
19% Instrumentalness • 61% Positiveness
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Meredith Willson
Seventy-Six Trombones
128 bpm • G# Maj • 03:01 • -14.13db
19% Popularity • 60% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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US Air Force Airmen Of Note
The Anvil Chorus
128 bpm • G# Maj • 03:29 • -12.55db
7% Popularity • 70% Danceability • 45% Energy • 24% Liveness
28% Instrumentalness • 85% Positiveness
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Noel Coward
Don't Let's Be Beastly to the Germans
128 bpm • A# Maj • 03:12 • -19db
16% Popularity • 79% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Irving Berlin
Finale
144 bpm • D Maj • 02:23 • -9.19db
4% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Debbie Reynolds
Good Morning
128 bpm • G Maj • 02:51 • -10.66db
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Larry Morey
With A Smile And A Song
128 bpm • G# Maj • 02:51 • -17db
15% Popularity • 45% Danceability • 13% Energy • 8% Liveness
7% Instrumentalness • 53% Positiveness
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Original Soundtrack
Main Titles
145 bpm • D# Maj • 02:56 • -11.74db
15% Popularity • 24% Danceability • 40% Energy • 32% Liveness
96% Instrumentalness • 43% Positiveness
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Jean Rigby
The Mikado: Three Little Maids
128 bpm • C Maj • 01:27 • -22.65db
13% Popularity • 63% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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The Squadronaires
Commando Patrol - 1943 Recording
145 bpm • F Maj • 02:44 • -13.98db
14% Popularity • 57% Danceability • 31% Energy • 9% Liveness
55% Instrumentalness • 67% Positiveness
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Irving Berlin
Alexander's Ragtime Band
145 bpm • F# Maj • 03:05 • -11.94db
0% Popularity • 57% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Frederick Loewe
Camelot: How to Handle a Woman
127 bpm • D Maj • 02:36 • -20.59db
22% Popularity • 29% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Kay Thompson
Think Pink
146 bpm • D# min • 02:15 • -13db
21% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Franco Pisano
Rassegna stampa (Carmen Ouverture)
127 bpm • F Maj • 01:51 • -10.82db
9% Popularity • 52% Danceability • 48% Energy • 18% Liveness
10% Instrumentalness • 54% Positiveness
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Jerry Herman
Mame: Mame
127 bpm • F min • 06:16 • -11.54db
20% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Robeson
Ol' Man River - 1985 Digital Remaster
126 bpm • A# Maj • 03:54 • -14db
31% Popularity • 44% Danceability • 15% Energy • 14% Liveness
1% Instrumentalness • 47% Positiveness
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Vivian Ellis
Coronation Scot
147 bpm • G Maj • 03:01 • -28db
17% Popularity • 26% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Marvin Hamlisch
One
126 bpm • D# Maj • 04:46 • -11db
30% Popularity • 57% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Debbie Reynolds
Singin' in the Rain (Main Title)
126 bpm • F Maj • 01:43 • -10.29db
14% Popularity • 26% Danceability • 40% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
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Gwen Verdon
Whatever Lola Wants
147 bpm • A min • 03:14 • -15db
21% Popularity • 53% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Victor Young
Around The World In 80 Days - Overture
126 bpm • D# Maj • 03:21 • -18.97db
22% Popularity • 25% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
23% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
The Memphis Blues
147 bpm • F Maj • 03:09 • -13.14db
8% Popularity • 51% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 86% Positiveness
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Jerry Orbach
Try to Remember
125 bpm • F Maj • 02:48 • -15.54db
11% Popularity • 51% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Marx Brothers
Everyone Says I Love You/Horse Feathers
124 bpm • F Maj • 01:29 • -9.92db
10% Popularity • 50% Danceability • 41% Energy • 17% Liveness
69% Instrumentalness • 56% Positiveness
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Agata
The Ragtime Jockey Man
124 bpm • D# Maj • 02:00 • -19.96db
22% Popularity • 57% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Lionel Newman
Rawhide
124 bpm • G Maj • 01:40 • -7.75db
8% Popularity • 56% Danceability • 52% Energy • 15% Liveness
94% Instrumentalness • 92% Positiveness
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Guy Lombardo
Red Roses For A Blue Lady
124 bpm • C Maj • 02:46 • -13.83db
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
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Noel Coward
Could You Please Oblige Us with a Bren G...
124 bpm • G Maj • 03:26 • -19.16db
16% Popularity • 72% Danceability • 18% Energy • 39% Liveness
18% Instrumentalness • 66% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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The Mills Brothers
The Glow Worm - Single Version
150 bpm • C Maj • 02:40 • -10.95db
31% Popularity • 69% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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The Warner Bros. Studio Orchestra
Play It Sam... Play "As Time Goes By"
123 bpm • C# Maj • 04:58 • -15db
20% Popularity • 34% Danceability • 36% Energy • 39% Liveness
1% Instrumentalness • 9% Positiveness
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Cy Coleman
Sweet Charity: Rich Man's Frug
150 bpm • C Maj • 02:38 • -13.78db
29% Popularity • 68% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
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Victor Young
The Greatest Show on Earth
123 bpm • A# Maj • 02:40 • -8.08db
8% Popularity • 64% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 97% Positiveness
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Murray Johnson
Pack Up Your Troubles
123 bpm • G Maj • 02:51 • -11db
12% Popularity • 82% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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The Voices Of Walter Schumann
Holiday For Strings - Remastered
151 bpm • C Maj • 02:18 • -16.87db
24% Popularity • 38% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Gracie Fields
Wish Me Luck (As You Wave Me Goodbye)
122 bpm • C Maj • 02:58 • -7db
23% Popularity • 57% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
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Annie Get your Gun: There's No Business Like Show ...