Songs like Another Girl Another Planet by The Only Ones
Based on a tempo of (+/- 10%) and a similar genre
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Reigning Sound
Stormy Weather
156 bpm • E Maj • 02:11 • -2.78db
34% Popularity • 32% Danceability • 92% Energy • 34% Liveness
62% Instrumentalness • 88% Positiveness
34% Popularity • 32% Danceability • 92% Energy • 34% Liveness
62% Instrumentalness • 88% Positiveness
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Ian Dury
Sweet Gene Vincent
156 bpm • C Maj • 03:35 • -9.37db
37% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Pulp
Babies
156 bpm • D Maj • 04:04 • -6.62db
60% Popularity • 30% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 30% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Dr. Feelgood
All Through the City - 2006 Remaster
156 bpm • E Maj • 03:04 • -7db
28% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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New York Dolls
Personality Crisis
156 bpm • G Maj • 03:41 • -9.59db
50% Popularity • 43% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 43% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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The Only Ones
Another Girl, Another Planet - 2008 re-m...
157 bpm • C# min • 03:01 • -7db
48% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 32% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Skids
Circus Games
155 bpm • D Maj • 03:52 • -13.12db
24% Popularity • 56% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 56% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Tom Robinson Band
Up Against the Wall
157 bpm • G Maj • 03:34 • -6.75db
23% Popularity • 27% Danceability • 88% Energy • 71% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 27% Danceability • 88% Energy • 71% Liveness
0% Instrumentalness • 57% Positiveness
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The Go-Betweens
Love Goes On! - 2004 Digital Remaster
157 bpm • C Maj • 03:19 • -7.47db
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Stiv Bators
Make Up Your Mind
155 bpm • A Maj • 02:19 • -7.36db
34% Popularity • 37% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 37% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Public Image Ltd.
Public Image - Remastered 2011
155 bpm • E Maj • 03:01 • -10.09db
46% Popularity • 28% Danceability • 78% Energy • 69% Liveness
46% Instrumentalness • 64% Positiveness
46% Popularity • 28% Danceability • 78% Energy • 69% Liveness
46% Instrumentalness • 64% Positiveness
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The Only Ones
No Solution - 2008 re-mastered version
155 bpm • B min • 02:23 • -4.62db
12% Popularity • 34% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 34% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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DEVO
Gates of Steel
157 bpm • C Maj • 03:27 • -7.97db
40% Popularity • 59% Danceability • 92% Energy • 52% Liveness
21% Instrumentalness • 64% Positiveness
40% Popularity • 59% Danceability • 92% Energy • 52% Liveness
21% Instrumentalness • 64% Positiveness
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The Fall
Theme From Sparta F.C.
155 bpm • A Maj • 03:50 • -6db
27% Popularity • 46% Danceability • 99% Energy • 74% Liveness
22% Instrumentalness • 68% Positiveness
27% Popularity • 46% Danceability • 99% Energy • 74% Liveness
22% Instrumentalness • 68% Positiveness
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Gang Of Four
Damaged Goods
157 bpm • C Maj • 03:27 • -7.01db
54% Popularity • 74% Danceability • 72% Energy • 16% Liveness
5% Instrumentalness • 96% Positiveness
54% Popularity • 74% Danceability • 72% Energy • 16% Liveness
5% Instrumentalness • 96% Positiveness
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Television Personalities
Geoffrey Ingram
157 bpm • A Maj • 02:15 • -13.36db
27% Popularity • 55% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
27% Popularity • 55% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Ash
Girl from Mars
155 bpm • A Maj • 03:30 • -7.72db
54% Popularity • 25% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 25% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The Only Ones
No Solution
155 bpm • B min • 02:22 • -10.72db
4% Popularity • 34% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 34% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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The Jam
The Eton Rifles
157 bpm • A min • 03:57 • -9.19db
49% Popularity • 41% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 87% Positiveness
49% Popularity • 41% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 87% Positiveness
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![Raw Power [2023 Remaster] - Iggy Mix cover art](https://i.scdn.co/image/ab67616d00001e02e104d8b88560f7c3c84eb129)
The Stooges
Raw Power [2023 Remaster] - Iggy Mix
155 bpm • C Maj • 04:16 • -6.3db
27% Popularity • 39% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 39% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Radiators
Song of the Faithful Departed
155 bpm • B min • 04:48 • -11.12db
9% Popularity • 42% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 42% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Elvis Costello & The Attractions
No Action - 2021 Remaster
158 bpm • E Maj • 02:01 • -4db
39% Popularity • 34% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 34% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Dinosaur Jr.
Freak Scene
154 bpm • A Maj • 03:36 • -3.52db
45% Popularity • 24% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 24% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Hüsker Dü
Books About UFOs
154 bpm • C Maj • 02:49 • -10db
34% Popularity • 25% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 25% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Jam
'A' Bomb In Wardour Street - 1997 Remast...
154 bpm • E Maj • 02:36 • -10.68db
38% Popularity • 64% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Adverts
Gary Gilmore's Eyes
158 bpm • E min • 02:16 • -6db
38% Popularity • 42% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 42% Danceability • 60% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Thunders & The Heartbreakers
One Track Mind
158 bpm • C Maj • 02:32 • -9db
28% Popularity • 20% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 20% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Collins
Rock N Roll Girl
158 bpm • G Maj • 02:16 • -10db
32% Popularity • 44% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 44% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Monochrome Set
He's Frank (Slight Return)
158 bpm • G Maj • 02:40 • -7db
29% Popularity • 40% Danceability • 93% Energy • 26% Liveness
76% Instrumentalness • 93% Positiveness
29% Popularity • 40% Danceability • 93% Energy • 26% Liveness
76% Instrumentalness • 93% Positiveness
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Rich Kids
Ghosts of Princes in Towers
153 bpm • A min • 03:33 • -11.12db
20% Popularity • 20% Danceability • 81% Energy • 17% Liveness
5% Instrumentalness • 22% Positiveness
20% Popularity • 20% Danceability • 81% Energy • 17% Liveness
5% Instrumentalness • 22% Positiveness
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The Undertones
My Perfect Cousin
159 bpm • A Maj • 02:36 • -10.26db
43% Popularity • 51% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 51% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Stiv Bators
Not That Way Anymore
153 bpm • A Maj • 02:51 • -4.34db
24% Popularity • 33% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 33% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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The Dictators
Stay with Me
159 bpm • D Maj • 04:10 • -5.05db
34% Popularity • 43% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 43% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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The Feelies
The High Road
153 bpm • G Maj • 04:22 • -7.03db
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
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X-Ray Spex
Oh Bondage, Up Yours!
159 bpm • D Maj • 02:49 • -6.67db
39% Popularity • 46% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 46% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Barracudas
Grammar of Misery
159 bpm • A Maj • 03:22 • -8db
9% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Blondie
X Offender - Remastered 2001
153 bpm • E Maj • 03:14 • -6.17db
43% Popularity • 37% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 37% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Wreckless Eric
There Isn't Anything Else
153 bpm • C Maj • 02:35 • -8.06db
9% Popularity • 23% Danceability • 97% Energy • 28% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 97% Energy • 28% Liveness
86% Instrumentalness • 12% Positiveness
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The 101ers
Keys to Your Heart
153 bpm • G Maj • 03:44 • -9.07db
33% Popularity • 60% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 60% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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The Freshies
I'm In Love With The Girl On The Manches...
159 bpm • D Maj • 02:50 • -7db
15% Popularity • 43% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 43% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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The Stooges
Search and Destroy [2023 Remaster] - Igg...
153 bpm • C# min • 03:30 • -8.4db
43% Popularity • 26% Danceability • 84% Energy • 17% Liveness
8% Instrumentalness • 31% Positiveness
43% Popularity • 26% Danceability • 84% Energy • 17% Liveness
8% Instrumentalness • 31% Positiveness
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The Vapors
Waiting For The Weekend - Single Version
159 bpm • B min • 03:06 • -9.7db
15% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Blondie
Hanging On The Telephone - Remastered
152 bpm • F min • 02:22 • -5.77db
57% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 50% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Skids
Sweet Suburbia
152 bpm • C Maj • 02:32 • -12.72db
27% Popularity • 61% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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The Only Ones
Language Problem - 2008 re-mastered vers...
160 bpm • B min • 02:28 • -5.38db
13% Popularity • 30% Danceability • 97% Energy • 57% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 30% Danceability • 97% Energy • 57% Liveness
0% Instrumentalness • 42% Positiveness
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The Jam
The Modern World
160 bpm • A Maj • 02:30 • -10.56db
41% Popularity • 39% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 39% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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The Teardrop Explodes
Reward
160 bpm • C Maj • 02:42 • -4db
48% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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The Clash
Police & Thieves - Remastered
152 bpm • E min • 06:03 • -10.29db
51% Popularity • 72% Danceability • 49% Energy • 18% Liveness
4% Instrumentalness • 88% Positiveness
51% Popularity • 72% Danceability • 49% Energy • 18% Liveness
4% Instrumentalness • 88% Positiveness
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20/20
Nuclear Boy
160 bpm • D Maj • 03:22 • -10.25db
17% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Hüsker Dü
Sorry Somehow
152 bpm • A min • 04:29 • -12db
33% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
33% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
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The Members
Soho A Go-Go
152 bpm • A min • 03:56 • -7.03db
14% Popularity • 44% Danceability • 88% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
14% Popularity • 44% Danceability • 88% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
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The Jam
David Watts - 1997 Remaster
152 bpm • A Maj • 02:54 • -10.63db
41% Popularity • 52% Danceability • 65% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
41% Popularity • 52% Danceability • 65% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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The Shivvers
Teenline
160 bpm • C Maj • 03:42 • -7.37db
19% Popularity • 40% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 88% Positiveness
19% Popularity • 40% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 88% Positiveness
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Blondie
Dreaming
160 bpm • D Maj • 03:08 • -3.38db
57% Popularity • 30% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 30% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Richard Hell
Love Comes in Spurts - 2013 Remaster
152 bpm • D Maj • 02:04 • -4db
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Hüsker Dü
Eight Miles High
160 bpm • G Maj • 03:56 • -11.31db
31% Popularity • 18% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 18% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Skids
The Saints Are Coming
152 bpm • F min • 02:37 • -11db
37% Popularity • 42% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
37% Popularity • 42% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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Gang Of Four
I Found That Essence Rare
161 bpm • A Maj • 03:13 • -10db
37% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Generation X
Kiss Me Deadly - 2002 Remaster
151 bpm • F min • 04:23 • -4.61db
40% Popularity • 27% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 27% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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The Rubinoos
I Wanna Be Your Boyfriend
151 bpm • A Maj • 03:19 • -9db
33% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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The Boys
First Time
151 bpm • D Maj • 02:22 • -6.74db
30% Popularity • 41% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
30% Popularity • 41% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
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The Undertones
You've Got My Number (Why Don't You Use ...
151 bpm • E Maj • 02:40 • -6.98db
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
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13th Floor Elevators
You're Gonna Miss Me (2008 Remastered Or...
151 bpm • D min • 02:26 • -4db
50% Popularity • 43% Danceability • 92% Energy • 10% Liveness
44% Instrumentalness • 68% Positiveness
50% Popularity • 43% Danceability • 92% Energy • 10% Liveness
44% Instrumentalness • 68% Positiveness
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The Stranglers
No More Heroes - 1996 Remaster
151 bpm • C Maj • 03:27 • -8db
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
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Gang Of Four
Natural's Not in It
161 bpm • C Maj • 03:06 • -6.97db
45% Popularity • 76% Danceability • 84% Energy • 2% Liveness
7% Instrumentalness • 90% Positiveness
45% Popularity • 76% Danceability • 84% Energy • 2% Liveness
7% Instrumentalness • 90% Positiveness
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The Ruts
Staring At The Rude Boys
161 bpm • C Maj • 03:13 • -15db
35% Popularity • 42% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 42% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Stiv Bators
I'll Be Alright
151 bpm • C# min • 02:24 • -5.58db
24% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Supergrass
Caught By the Fuzz
162 bpm • A Maj • 02:16 • -6.93db
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
45% Popularity • 32% Danceability • 95% Energy • 7% Liveness
22% Instrumentalness • 26% Positiveness
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Wire
Ex Lion Tamer - 2006 Remastered Version
162 bpm • D Maj • 02:19 • -4.67db
48% Popularity • 34% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 34% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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The Undertones
Wednesday Week
150 bpm • F Maj • 02:17 • -10.68db
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Adverts
No Time to Be 21
162 bpm • C Maj • 02:36 • -6db
26% Popularity • 33% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 33% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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The Nerves
When You Find Out
162 bpm • F Maj • 02:00 • -6.47db
41% Popularity • 73% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 73% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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XTC
Making Plans For Nigel
150 bpm • G Maj • 04:13 • -6.04db
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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X-Ray Spex
The Day the World Turned Dayglo
150 bpm • A Maj • 02:52 • -5db
37% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Wire
Mannequin - 2006 Remastered Version
150 bpm • B min • 02:37 • -9db
54% Popularity • 42% Danceability • 75% Energy • 25% Liveness
25% Instrumentalness • 86% Positiveness
54% Popularity • 42% Danceability • 75% Energy • 25% Liveness
25% Instrumentalness • 86% Positiveness
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Sham 69
Hurry Up Harry
162 bpm • C Maj • 03:25 • -4.57db
41% Popularity • 40% Danceability • 95% Energy • 7% Liveness
36% Instrumentalness • 75% Positiveness
41% Popularity • 40% Danceability • 95% Energy • 7% Liveness
36% Instrumentalness • 75% Positiveness
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Young Marble Giants
Brand - New - Life
150 bpm • F min • 02:55 • -13db
41% Popularity • 90% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
41% Popularity • 90% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Dinosaur Jr.
Just Like Heaven
163 bpm • G Maj • 02:53 • -5db
47% Popularity • 22% Danceability • 96% Energy • 24% Liveness
3% Instrumentalness • 52% Positiveness
47% Popularity • 22% Danceability • 96% Energy • 24% Liveness
3% Instrumentalness • 52% Positiveness
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Lyres
Help You Ann
150 bpm • G# Maj • 02:30 • -4db
32% Popularity • 67% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
32% Popularity • 67% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Squeeze
Another Nail In My Heart
150 bpm • E Maj • 02:56 • -14db
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Only Ones
Don't Hold Your Breath
149 bpm • C Maj • 03:20 • -12.28db
3% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Redd Kross
Annie's Gone - Remastered Version
149 bpm • G Maj • 03:36 • -11db
20% Popularity • 59% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
20% Popularity • 59% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
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Elvis Costello & The Attractions
Lipstick Vogue - 2021 Remaster
149 bpm • B min • 03:33 • -7.06db
35% Popularity • 33% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
35% Popularity • 33% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
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The Vibrators
Automatic Lover
163 bpm • E min • 02:35 • -3db
21% Popularity • 40% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 40% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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The Motors
Dancing The Night Away
149 bpm • E Maj • 06:33 • -10.03db
29% Popularity • 40% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 40% Danceability • 92% Energy • 29% Liveness
1% Instrumentalness • 65% Positiveness
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The Clash
Spanish Bombs - Remastered
149 bpm • B min • 03:18 • -7.9db
56% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Elvis Costello
Welcome To The Working Week
149 bpm • E Maj • 01:23 • -7.9db
45% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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John Cooper Clarke
Thirty Six Hours
149 bpm • E Maj • 03:34 • -9.26db
16% Popularity • 54% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 54% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Orange Juice
Blue Boy
149 bpm • F Maj • 02:54 • -12.48db
27% Popularity • 39% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 39% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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The Vibrators
Sweet Sweet Heart
164 bpm • A Maj • 02:36 • -12db
21% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Barracudas
His Last Summer
149 bpm • D Maj • 03:34 • -7.92db
10% Popularity • 45% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 45% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Thunders & The Heartbreakers
Born to Lose
148 bpm • B Maj • 03:04 • -8db
43% Popularity • 40% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 40% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 67% Positiveness
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The Shivvers
No Substitute
164 bpm • D Maj • 03:47 • -8.51db
14% Popularity • 33% Danceability • 77% Energy • 36% Liveness
4% Instrumentalness • 55% Positiveness
14% Popularity • 33% Danceability • 77% Energy • 36% Liveness
4% Instrumentalness • 55% Positiveness
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The Quads
There Must Be Thousands
148 bpm • F Maj • 03:22 • -6.29db
9% Popularity • 30% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 30% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 68% Positiveness
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DEVO
Mongoloid
148 bpm • B min • 03:45 • -12.29db
40% Popularity • 56% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 58% Positiveness
40% Popularity • 56% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 58% Positiveness
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The Fall
Victoria
148 bpm • G Maj • 02:45 • -9db
41% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
41% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
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The Only Ones
Strange Mouth - 2008 re-mastered version
164 bpm • D Maj • 02:31 • -5.53db
5% Popularity • 43% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 43% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Collins
You Won't Be Happy
148 bpm • A# min • 02:21 • -6.61db
20% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness