Songs like Another Shade of Blue by Gavin Bradley
Based on a tempo of (+/- 10%) and a similar genre
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Angelique Greffrath
Another World
104 bpm • E min • 03:12 • -6.99db
0% Popularity • 54% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 54% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin Bradley
Another Shade of Blue - Jazz FM Mix
104 bpm • G min • 03:30 • -13.02db
0% Popularity • 67% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 67% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Fingertips
Now You Are Free
104 bpm • C Maj • 04:48 • -4.78db
14% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Raiha Moetara
Dreamer
105 bpm • D Maj • 03:33 • -8.89db
9% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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He Speaks Ministry
Have Faith
103 bpm • D Maj • 03:05 • -9.27db
9% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Luna Ray
Shattered Bonds
103 bpm • A# Maj • 01:39 • -7.16db
12% Popularity • 71% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 71% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Naava Grey
Twala
105 bpm • F# Maj • 04:09 • -5db
12% Popularity • 49% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin Bradley
Another Shade of Blue
104 bpm • C Maj • 03:24 • -13.78db
0% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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REYNE
All Out of Love
103 bpm • A# Maj • 03:56 • -10.83db
38% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Anjali Yedavalli
Sitting on Saturn's Rings
103 bpm • D# Maj • 04:21 • -9.1db
15% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Protoblade
Quantum Leap
106 bpm • C# Maj • 01:19 • -16.2db
13% Popularity • 82% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 82% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Stanley Hessel
The Sleepwaker
102 bpm • A# Maj • 01:44 • -14.24db
12% Popularity • 44% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Andreas Lutmark
Always in My Heart
106 bpm • E Maj • 04:43 • -12.38db
13% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Wamono
No Profit
102 bpm • B Maj • 03:22 • -8.65db
7% Popularity • 73% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 73% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Florentien Mol
The House
102 bpm • G Maj • 03:25 • -4.99db
16% Popularity • 66% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
16% Popularity • 66% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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INSTANT MUSIC LAB
BROUGHT TEARS TO MY EYES
102 bpm • G Maj • 02:28 • -10.08db
10% Popularity • 58% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 58% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Henry Wheeler
Cairo Chronicles
106 bpm • A Maj • 02:12 • -8.64db
37% Popularity • 62% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 62% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Jim Rykbost
I'm over you
107 bpm • C Maj • 03:16 • -10.63db
14% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Feel Lee
Dear My
107 bpm • D# Maj • 02:49 • -9.93db
17% Popularity • 34% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 34% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Christine Schumada
A Smile in Your Heart
107 bpm • G# Maj • 03:50 • -8.14db
12% Popularity • 63% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 63% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Michelle Tumes
Lovely - Center Of My Universe Album Ver...
101 bpm • G Maj • 03:59 • -12.32db
22% Popularity • 49% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 49% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Bernard Rand
By His Name Yah
108 bpm • E Maj • 03:52 • -15.11db
10% Popularity • 35% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Wamono
Greater
108 bpm • G min • 03:54 • -10.13db
8% Popularity • 58% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 58% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 42% Positiveness
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N3L
You're Gone
100 bpm • C Maj • 03:47 • -12.93db
14% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Wayne Perry & Friends
You Dont Have to Be Shy With Me
108 bpm • F# min • 04:29 • -11.5db
13% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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RAY ISAAC
Mother Mary Song (Ya Oum Allah)
100 bpm • C# Maj • 05:31 • -7.46db
7% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jason Malachi
Where Has Freedom Gone?
108 bpm • A# Maj • 04:28 • -7.87db
10% Popularity • 74% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 74% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Danuta Dangl
Up To The Ceiling
108 bpm • C Maj • 02:09 • -16.07db
9% Popularity • 46% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Gavin Bradley
Into the Sea
100 bpm • C Maj • 05:36 • -10.48db
0% Popularity • 43% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
0% Popularity • 43% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
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NEEL
Burn
100 bpm • A Maj • 03:39 • -10.83db
32% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Ron Gelinas
It's Just Another Day
100 bpm • B min • 03:16 • -5.92db
16% Popularity • 73% Danceability • 70% Energy • 15% Liveness
9% Instrumentalness • 56% Positiveness
16% Popularity • 73% Danceability • 70% Energy • 15% Liveness
9% Instrumentalness • 56% Positiveness
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Alex Kaye Black
Interjection
100 bpm • C# Maj • 03:50 • -7.15db
12% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ray Rubix
Almost
100 bpm • E Maj • 01:56 • -15.87db
25% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dr. Onie Geiser
So excited
100 bpm • C Maj • 03:58 • -9.52db
15% Popularity • 69% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 69% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Aditone
Nothing Gonna Change My Love
100 bpm • G Maj • 03:17 • -6.02db
17% Popularity • 62% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 62% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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David Okoye
Jesus (You Are Able)
109 bpm • F# Maj • 02:51 • -9.13db
13% Popularity • 52% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
13% Popularity • 52% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Jessica Aurora
Never Forget
109 bpm • C# Maj • 03:33 • -9.57db
12% Popularity • 56% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 56% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Dave Briggs
Wish for You to Shine
99 bpm • D Maj • 03:33 • -8.17db
13% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Lopes
I Love You All the Way
109 bpm • B Maj • 04:05 • -5.53db
11% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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De Luca Maryagata
See the Sun Goes Down
110 bpm • A min • 03:55 • -9.49db
22% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Adventures
Gate to North Pole
110 bpm • F min • 04:12 • -7.59db
16% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gavin Bradley
Clean Lines - Quiet Version
110 bpm • F Maj • 04:04 • -15.95db
0% Popularity • 73% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
0% Popularity • 73% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Caleb Grimm
Sweet Child O' mine / Don't You Worry Ch...
110 bpm • E Maj • 02:36 • -4.52db
15% Popularity • 57% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 57% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Klaus Chiesa
Avalon
110 bpm • C Maj • 03:42 • -13.75db
17% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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DUKE AKIM
Like Something Isn't Right
110 bpm • F# Maj • 06:01 • -12.63db
29% Popularity • 78% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 78% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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J.R.A.
Closure
110 bpm • D Maj • 03:22 • -14.56db
11% Popularity • 66% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 66% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Hector Law
Under The Same Sky
110 bpm • B Maj • 04:08 • -11.17db
23% Popularity • 53% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 53% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Gavin Bradley
Clean Lines - Violet Version
110 bpm • G Maj • 04:04 • -14.2db
0% Popularity • 73% Danceability • 54% Energy • 11% Liveness
47% Instrumentalness • 45% Positiveness
0% Popularity • 73% Danceability • 54% Energy • 11% Liveness
47% Instrumentalness • 45% Positiveness
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CRESSY BLANCO
I'm Missing You
98 bpm • C Maj • 03:54 • -6.88db
16% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Elena Sohktung
Tang Iaphi
110 bpm • A Maj • 03:59 • -11.84db
17% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kyra Masson
Much too Soon
98 bpm • C Maj • 04:31 • -16.12db
17% Popularity • 43% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 43% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Coromer
Faith
98 bpm • A# min • 03:14 • -7.68db
7% Popularity • 60% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 60% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Nathan Morris
Heartless
111 bpm • B Maj • 02:46 • -6.49db
32% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 56% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Maeva Fischer
Unheard Song Acoustic
97 bpm • F# Maj • 04:03 • -15.14db
27% Popularity • 72% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 72% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jamie Alimorad
Down On Golden Shores
112 bpm • C# Maj • 04:38 • -6.34db
8% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Louis Olivos
Even If
97 bpm • A Maj • 03:58 • -8.89db
12% Popularity • 30% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 30% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Gavin Bradley
The Path You Didn't Take
97 bpm • F Maj • 03:16 • -11.8db
0% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Eaton
Repose
97 bpm • D# Maj • 07:01 • -17.09db
14% Popularity • 34% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
14% Popularity • 34% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
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Mason Harms
Holding Me
112 bpm • E Maj • 03:34 • -8.74db
21% Popularity • 57% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 57% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Jaazy Jazz
Echoes of Queens
95 bpm • G Maj • 01:08 • -10.04db
24% Popularity • 83% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 83% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Nathan Morris
In the Night
112 bpm • C# Maj • 03:55 • -9.47db
10% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Jumblekye
Love Me Like You Do
95 bpm • F min • 03:20 • -8.73db
9% Popularity • 65% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 65% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mudia Festking
Imela - Piano Version
95 bpm • C Maj • 01:16 • -7.73db
25% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jessica May Frost
Lost Without You
95 bpm • F# Maj • 03:47 • -11.34db
24% Popularity • 41% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 41% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Rhythmiq
I Just Can't Let You Go
95 bpm • E min • 03:13 • -11.24db
33% Popularity • 62% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 62% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Gomesilla
Fairweather
95 bpm • E Maj • 03:22 • -7.81db
24% Popularity • 84% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 84% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Nathan Morris
Be Kind
95 bpm • B Maj • 02:50 • -6.48db
31% Popularity • 48% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Michal Kwiatkowski
The Women I Love
95 bpm • F Maj • 04:10 • -12.31db
8% Popularity • 50% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 50% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kira
One Last
95 bpm • C# Maj • 03:50 • -9.76db
15% Popularity • 71% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 71% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Gavin Bradley
Mix Tape
114 bpm • A# Maj • 03:58 • -10.97db
0% Popularity • 71% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Jamie Alimorad
I Am Home
114 bpm • D# Maj • 04:25 • -5.84db
20% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ramzi
How
114 bpm • A# Maj • 03:42 • -8.78db
12% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Flaka Kiki
Letting You Go
114 bpm • F Maj • 04:08 • -7db
13% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Amelia Martinez
Sculpted Love
95 bpm • D Maj • 02:29 • -11.26db
9% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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John Galea
I Am a Survivor
95 bpm • F Maj • 03:59 • -7.32db
13% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Alexion
Flesh & Bone - Acoustic Version
115 bpm • E min • 02:24 • -5.65db
12% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Dann
Love Me Now - Acoustic
115 bpm • A min • 02:24 • -10.35db
11% Popularity • 51% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 51% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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George Shadap
Jingieid Ha Shiteng Synnia
115 bpm • D Maj • 04:43 • -7.09db
24% Popularity • 54% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 54% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Aditone
In Love With A Stripper
115 bpm • G# Maj • 03:00 • -6.47db
15% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Nathan Morris
Cross Me
94 bpm • B Maj • 03:00 • -8.57db
14% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Julie Tang
Unbreakable
115 bpm • B Maj • 02:06 • -7.2db
28% Popularity • 65% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 65% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
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Gracia
Sorry About
94 bpm • D Maj • 04:11 • -4.16db
16% Popularity • 64% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 64% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Nation Worship
Never
94 bpm • C min • 01:40 • -7.1db
13% Popularity • 65% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 65% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Shaunda Prato
Born for excitement
94 bpm • B min • 03:11 • -8.51db
11% Popularity • 65% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 65% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Hazleton
Abide in You (Lo-Fi Version)
94 bpm • E min • 04:43 • -9.26db
10% Popularity • 84% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 84% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tamesha Pruett-Ray
Lift Him High
94 bpm • A# Maj • 04:05 • -4.6db
15% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby East
See You Again
115 bpm • F min • 02:19 • -6.16db
29% Popularity • 62% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 62% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Christine Schumada
The Beginning
116 bpm • D Maj • 03:02 • -8.99db
12% Popularity • 42% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 42% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Angel Santiago
Just Take a Breath
116 bpm • B Maj • 03:12 • -16db
21% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jacques Terre'Blanche
Goodnight Moon
116 bpm • G Maj • 03:09 • -8.42db
8% Popularity • 63% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
8% Popularity • 63% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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The Numocks Duet
Best Of Me
116 bpm • F# Maj • 03:56 • -10.56db
26% Popularity • 71% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 71% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Aidam-John & Lil' Willy
Vrou van Staal (Aidam-John's Weergawe)
116 bpm • C# Maj • 04:00 • -10.27db
21% Popularity • 61% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 61% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Michael M Sailo
Hmeltha Sensiar, Pt. II
93 bpm • G Maj • 04:05 • -11.19db
11% Popularity • 67% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 67% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Jamie Alimorad
Rock Me To Heaven
93 bpm • B Maj • 04:47 • -5db
9% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Bradley
Love Song 1968
93 bpm • F# Maj • 03:36 • -8.83db
0% Popularity • 73% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 73% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Zorimawi
Vesper Vuite a rei lua e (ka lo haw)
93 bpm • C Maj • 04:24 • -10.16db
10% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Chapmen
Festivity
92 bpm • B Maj • 02:37 • -7.81db
7% Popularity • 49% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 49% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Tori Fraine
Think of your good
92 bpm • C Maj • 03:59 • -7.87db
15% Popularity • 84% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 84% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
